((( transcend dépassez supere 超越しなさい )))
View allAll Photos Tagged TRANSCENDING
- An unexpected position in an unexpected environment... It is marvelous to be with these creatures, Walking With Delight, AZ. -
My beautiful niece in the photo at 15 years old. (taken this past September)
I tried to recreate the photo (same place) I took on my old iPhone in 2016, (link below if you are interested)....It ended up being too different than I would have liked to the original, however, I wanted it to be as natural as possible. I still like what the photo conveys to me and how she has changed as person 5 years later with her walking towards her future. The photo from 2016 was in the moment natural shot whereas I tried to do same but knew what I was aiming for this time, obviously. ☺️
My niece is a remarkable young lady, the sweetest, kindest soul, so caring and looks for the good in everyone. She is a great athlete, with a passion for running and cycling. She definitely inspires me.💛
Her longest bicycle ride was 160km at 14 years old. And she tends to run like Forest Gump,.. lol.. 👏🙌💛🚴🏃♀️
my niece in 2016 at 10 years old - not a great quality photo, however it is still one of my personal favorites because of its meaning to me. 💛
2.4.09 -© All rights reserved
1.023 / 157 / 443 / 2 galleries
view on black: www.flickriver.com/photos/10334788@N02
# Krokus - crocus - purple
~happy easter saturday to us All ! ~
the day of trancendence and transmutation.
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I'm heading off for a while, shall keep up as much as possible. Please forgive if all I manage is a fav and no comments.
Heading south and hoping (or should that be hopping) to make it to Kangaroo Island, just off the South Australian coastline.
Back mid-late November.
The pose from CuCa Design The pose is named New Year 02 Bento Couple Pose. Available at the mail store and on MARKETPLACE
Modeling is the Thick & Curvy KANICE KURVES Thank you
CLICK THE IMAGE TO ENLARGE
I transcend any and all limitation as every touch of tooth, nail, and cold steel surge upon me like torrential rain falling from a great black sky.
For more information about the items used in this piece please visit my blog at: darkestserenityblog.wordpress.com/
A panoramic view of dawn at Vermillion Lake, Banff, Canada.
I managed to reveal tree roots in the foreground water while capturing reflection of snow-capped mountains and glorious sky in the background.
Technical: eight vertical still images stitched.
D810, 24mm, f/11, 0.8sec, ISO64, NiSi CPL. RRS Pano system.
KP
Treat This #200 - Friday July 13 to Thursday July 19 2018 thanks to CatnessGrace for the source image flic.kr/p/26jmNN7
Every being in the universe has the potentiality of transcending the senses. Even the little worm will one day transcend the senses and reach God. No life will be a failure. There is no such thing as failure in the universe. Sri Sathya Sai Baba
~happy fence friday~
I am at a loss regarding captions...
Shot with my manual Tamron standard zoom lens (@f/11) adapted to an EOS 70D on my way to work.
I needed to be quick (open the aperture, achieve focus confirmation, stop down again to gain dof) and therefore did not manage to frame the picture thus, that the reflection of the crossing person is in the picture too.
Thanked be the dawning spring that illuminates my mornings again. :-)
Palacio del Marqués de Santa Cruz, Viso del Marqués, Ciudad Real, Castilla-La Mancha, España.
El palacio del Marqués de Santa Cruz es un edificio situado en el municipio de Viso del Marqués (Ciudad Real), en la Comunidad autónoma de Castilla-La Mancha, en España. Fue construido a finales del siglo XVI por Álvaro de Bazán, primer marqués de Santa Cruz. Actualmente es la sede del Archivo General de la Marina.
Fue construido entre 1564 y 1586 con modificaciones posteriores, y se trata de un edificio de planta cuadrada y estilo renacentista articulado en torno a un atrio renacentista con una tumba yacente. Los muros y techos se hallan cubiertos de frescos de doble temática: por un lado, escenas mitológicas y, por otro, batallas navales y ciudades italianas relacionadas con la trayectoria militar del marqués y de sus familiares. Los frescos se deben a unos pintores manieristas italianos, los Péroli. Al verlos, Felipe II les encargaría trabajos para El Escorial y el Alcázar de Toledo.
Para levantarlo, el marqués contrató a un equipo de arquitectos, pintores y decoradores que trabajaron en la obra desde 1564 hasta 1586. Para algunos, el diseño del edificio se debió al italiano Giovanni Battista Castello, conocido como el Bergamasco, que más tarde trabajó en El Escorial; para otros lo trazó, al menos en su plan original, Enrique Egas el Mozo.
La arquitectura se percibe como típica española, sin las arquerías italianas, con paramentos lisos y torres cuadradas en las esquinas, influidos por la austeridad de El Escorial y el Alcázar de Toledo, dentro de las relaciones armónicas características del Renacimiento. El espacio central está ocupado por un patio porticado que junto con la escalera forma un conjunto típicamente manierista entendido como estilo elegante y cortesano que desborda el marco meramente arquitectónico. Contaba con cuatro torres que, al parecer, se derrumbaron a consecuencia del Terremoto de Lisboa de 1755.
Las paredes están decoradas con 8.000 metros cuadrados de frescos manieristas elaborados por Giovanni Battista Peroli con Esteban Peroli y César de Bellis. Todos trabajaron para crear un espacio erigido a la mayor gloria de su dueño: por un lado, había que exaltar sus virtudes militares, y por el otro, enaltecer su linaje. Para lo primero, se pintaron en las paredes, las bóvedas y los techos del palacio vistas de ciudades y de puertos, así como los baluartes y las batallas en los que había conquistado su inmenso prestigio. A ambos lados de la escalera se ubicaron dos estatuas en las que aparecía representado como Neptuno (dios de los mares, con su tridente) y como Marte (dios de la guerra), y sobre las puertas del piso superior se colocaron los fanales de popa de las naves capitanas vencidas en las batallas, que eran los trofeos de los marinos. Para elogiar su linaje, y siguiendo la misma tradición renacentista de representar a hombres como dioses o semidioses de la antigüedad, se pintó a los antepasados del marqués y a sus esposas (tuvo dos) e hijos.
Estos dos grupos de representaciones se aderezaron con trampantojos, pinturas que simulaban puertas, columnas y otros elementos decorativos y arquitectónicos; y también con motivos grutescos que incluían animales mitológicos, sabandijas y follajes. Conforme una temática muy variada que se puede interpretar como defensa del catolicismo defendido en Trento.
Las estatuas sepulcrales de Alonso de Bazán (hermano de don Álvaro) y su esposa María de Figueroa, son el único ejemplo de escultura funeraria perteneciente al primer tercio del siglo XVII. Fueron ejecutados para el Monasterio de la Concepción que ocupaba la Comunidad de Religiosas Franciscas de El Viso del Marqués, ubicándose a día de hoy en el muro del Palacio más cercano a los jardines. Su creador fue Antonio de Riera, escultor relacionado con la corte de origen catalán. En ellas, aparecen los marqueses en actitud de orante, arrodillados en un reclinatorio, todo ello en mármol blanco que resalta sobre el mármol negro de los nichos. Se advierte en ellos cierta similitud con la elegancia y el clasicismo de los Leoni, a pesar de cierta rigidez formal, siendo de especial relevancia la forma en la que están ejecutadas las telas y el detalle de los vestidos.
The Palace of the Marquis of Santa Cruz is a building located in the municipality of Viso del Marqués (Ciudad Real), in the autonomous community of Castilla-La Mancha, Spain. It was built in the late 16th century by Álvaro de Bazán, the first Marquis of Santa Cruz. It currently houses the General Archive of the Navy.
Built between 1564 and 1586, with subsequent modifications, it is a square, Renaissance-style building centered around a Renaissance atrium with a recumbent tomb. The walls and ceilings are covered with frescoes depicting two themes: mythological scenes, and naval battles and Italian cities related to the military career of the Marquis and his family. The frescoes are by Italian Mannerist painters, the Pérolis. Upon seeing them, Philip II commissioned works from them for El Escorial and the Alcázar of Toledo.
To build it, the Marquis hired a team of architects, painters, and decorators who worked on the project from 1564 to 1586. Some believe the building was designed by the Italian Giovanni Battista Castello, known as El Bergamasco, who later worked at El Escorial; others believe it was designed, at least in its original plan, by Enrique Egas the Younger.
The architecture is perceived as typically Spanish, lacking the Italian arches, with smooth walls and square towers at the corners, influenced by the austerity of El Escorial and the Alcázar of Toledo, within the harmonious relationships characteristic of the Renaissance. The central space is occupied by a porticoed courtyard that, together with the staircase, forms a typically Mannerist ensemble, understood as an elegant and courtly style that transcends the purely architectural framework. It had four towers that apparently collapsed as a result of the Lisbon Earthquake of 1755.
The walls are decorated with 8,000 square meters of Mannerist frescoes created by Giovanni Battista Peroli with Esteban Peroli and César de Bellis. They all worked to create a space built to the greatest glory of its owner: on the one hand, to exalt his military virtues, and on the other, to honor his lineage. To this end, views of cities and ports, as well as the bastions and battles in which he had earned his immense prestige, were painted on the walls, vaults, and ceilings of the palace. On either side of the staircase were two statues depicting him as Neptune (god of the seas, with his trident) and Mars (god of war). Above the doors on the upper floor were the stern lanterns of defeated flagships, trophies of the sailors. To praise his lineage, and following the same Renaissance tradition of depicting men as gods or demigods of antiquity, the marquis's ancestors, his wives (he had two) and children were painted.
These two groups of representations were embellished with trompe l'oeil paintings simulating doors, columns, and other decorative and architectural elements; as well as grotesque motifs that included mythological animals, vermin, and foliage. This varied theme can be interpreted as a defense of the Catholicism championed in Trent.
The sepulchral statues of Alonso de Bazán (Don Álvaro's brother) and his wife María de Figueroa are the only examples of funerary sculpture dating from the first third of the 17th century. They were executed for the Monastery of the Concepción, which was occupied by the Community of Franciscan Nuns of El Viso del Marqués, and are now located on the wall of the Palace closest to the gardens. Their creator was Antonio de Riera, a sculptor of Catalan origin associated with the court. They depict the marquises in a prayerful attitude, kneeling on a prie-dieu. All in white marble, which stands out against the black marble of the niches. There is a certain similarity to the elegance and classicism of the Leoni family, despite their formal rigidity, with the execution of the fabrics and the detail of the dresses being particularly noteworthy.
Columbia, a 175ft Gloucester, MA racing/fishing schooner, seen sailing off Fells Point, Baltimore Harbor, Maryland.
An amazing exhibition by Yann GYRO, based on a an own poem.
See [https://www.flickr.com/photos/dido_haas/52724295148] ).
Opening party: Monday 6 March 2023, 12 PM SLT
Music by DJ Joss Floss
Particles by Venus Adored ( secondlife:///app/agent/c9eb9232-17af-4113-acd4-81af00af471f/about ).
You must absolutely visit this location at Nitroglobus Roof Gallery in Second Life
Another from the experimental realm... I hope to add some variety soon, but for now, another one of these!
Shot at Humanoid Music
You raise me up, so I can stand on mountains;
You raise me up, to walk on stormy seas;
I am strong, when I am on your shoulders;
You raise me up... To more than I can be.
transcend [Lith Print developed with Moersch Easy Lith on Ilford Ilfobrom paper / August 2020 / Photo taken with Praktica MTL 5]
Techno-Chic Ensemble
- Style transcends in the cyber realm -
In the pulsating realm of cyber fashion, SEKA's Cyba Sport Top and Latex Cutie Skirt offer a tantalizing blend of sleekness and edginess. The Cyba Sport Top, crafted with cutting-edge synthetic materials, boasts an asymmetric design with sharp lines and luminous LED accents that add a futuristic flair. This sleeveless crop top is similar to a short crop vest, accentuating the wearer's curves and exuding an air of empowerment. The ensemble comes with amazing shorts as well, for this outfit I paired with the Latex Cutie Skirt, which features a high-waisted, figure-hugging design. This ensemble commands attention in any setting. As you step into the brightly lit car garage, the contrast between the industrial surroundings and the luminosity of these cyber-inspired garments creates an alluring visual spectacle.
Completing the cyber-chic fit is LERONSO's Hairbase v19 (w/ Dreads) for Lelutka EVOx, adding an expression of bold individuality to the overall look. These intricate dreads, meticulously crafted with digital precision, piled atop the head, add to the futuristic vibe of this outfit. And let's not forget Majesty's !Phone Crystal, !Watch Charm, and Bitch Buffs Glasses, each contributing a cybernetic element. The !Phone Crystal, with its multiple color HUD, pom ball and handle, epitomizes connectivity and digital prowess. The !Watch Charm combines functionality and style, featuring a jeweled metallic design and attached charms. Lastly, the Bitch Buffs Glasses add an element of coolness, with their reflective lenses and multiple colors, transform the wearer's vision while remaining rooted in today's environment. As you stand amidst the car garage's raw industrial setting, the seamless integration of these cyber fashion elements create a visually striking fusion that showcases the harmonious convergence of fashion and technology.
In the realm of cyber fashion, the SEKA Cyba Sport Top (&Shorts), Latex Cutie Skirt, LERONSO's Hairbase v19 (dreads) for Lelutka EVOx, and Majesty's !Phone Crystal, !Watch Charm, and Bitch Buffs Glasses effortlessly transport you into a world where fashion and technology merge, giving rise to a mesmerizing cyber experience.
・┆✦ Featuring ✦ ┆・ SEKA @ Kinky [⭐now!!⭐]
╰┈➤ Cyba Sport Top and Shorts
🚺 Legacy & Perky, Legacy M and Athletic, Maitreya & Petite & Flat, Kupra & Kups ab & Flat, Khara, Reborn
access event 🚕🚕:https://tinyurl.com/ACCESS-EVENT
╰┈➤ Latex Cutie Skirt
🚺 Legacy, Maitreya, Kupra, Khara, Reborn
kinky event 🚕🚕: tinyurl.com/sl-kinky
mainstore 🚕🚕: tinyurl.com/SL-SEKA
・┆✦ Featuring ✦ ┆・ LERONSO @ Mainstore [⭐now!!⭐]
╰┈➤ Hairbase v19 (with dreads) for Lelutka EvoX
✍️ 9 color options via HUD
previously at UniK (until June 2)
mainstore 🚕🚕: tinyurl.com/Leronso
・┆✦ Featuring ✦ ┆・ MAJESTY @ Mainstore [⭐now!!⭐]
╰┈➤ !Watch Charm, !Phone Crystal, Majesty x COLD Bitch Buffs (glasses)
⌚ plus Material Light & Color HUDs
level event 🚕🚕: tinyurl.com/SL-LEVEL-EVENT
mainstore 🚕🚕: tinyurl.com/MAJESTY-TEMPSTORE
…………………………………………………………………………………………………
❤️ TᕼᗩᑎK YOᑌ ❤️
SEKA ⇧ LERONSO ⇧ MAJESTY
my blog: www.whoopc-libra-style.com/post/techno-chic-ensemble
William Sidney Mount (American) 1807-1868,The Raffle (Raffling for the Goose) 1837,oil on wood
America's most famous painter of narrative scenes,Mount chose as his subjects various aspects in the the flat Long Island landscape around Stony Brook,NY.where he lived.He managed to transcend the manifest content of his pictures to the address the social political realities of the time.The Raffle (Raffling for the Goose),showing an impromptu lottery,was Mount's good-humored allusions to the food shortages brought on by the the financial panic of 1837.
Humility, Restraint, Simplicity,
Worn, Weathered, Imperfect,
Softened and transcended by tea to a simpler philosophy :-)
Another one from my balcony shoot (so to speak), this Eurasian Jay gave me the eyes, both of them, and I decided to have fun with the PP. So thus this is an entirely experimental image as a partial monochrome render. It was suggested to me to setup a better backdrop and so I will in time.
Also I may be bringing back the CPTSD series, not sure yet.
I hope everyone is well and so as always, thank you! :)
Wading out to one of the exposed sandbars to finally greet the Sun. A two minute exposure is enough to transport this scene to another world.