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Rendición (Surrender), 2001
DÃptico de vÃdeo en color sobre monitores planos;
18 min
Intérpretes: John Fleck, Weba Garretson
CortesÃa de Bill Viola Studio
© Bill Viola
Foto: Kira Perov
Joining 3 centers, Hara, Heart and Third Eye, and letting it flow. Gianni and Marijke.
Knowing Touch Course, December 2007, Chiang Mai, Thailand.
To know more about the courses you can click here
Pattern: Day Surrendering to Night
Designer: Dyan Allaire; Artwork by Sheila Wolk
Published by Kustom Krafts Inc.
Fabric: 22 count white Aida
3/06/2006
I throw my hands up in the air sometimes
Saying AYO
Gotta let go
I wanna celebrate and live my life
Saying AYO
Baby, let's go
The surrender of the Japanese to the American forces, in Malaybalay.This photo from Tillery archives
I was thankful for a good night's rest. I spent a sleepless previous
night, mostly at a hospital with Janet. It is amazing how often we
attempt something for God, that satan gives his best shot to stop
us.
For me the key words for last night were SURRENDER and LISTEN FOR GOD.
Key thought for the day: "Read the Bible as if you are an artist looking
for something to paint."
This ongoing study comes off the back of a book my friend sent me discussing points of feminism and the divide amongst the movement.
I wanted to create something that presents the female model in a strong, powerful light, hence the bright red and stark background,
along with the white tie, symbolising her willingness to surrender, rather than it being taken without her consent.
It references a womans strength in being vulnerable, especially as current times call for us to almost imitate male traits in order to succeed rather than pulling on the traits we as women already possess and using them to our advantage.
Acrylic on A1
Sibilant songs seldom sell,
Sadly society says "stop" –
So someone submits silly sentiments.
Such syllables slide slickly –
Some sayings sadly slip-
Slowly sinking ships –
Some soar - sailing serenely.
Some seldom seen
Sentences stay silent,
Softly sitting still,
Stubbornly stating
Such simplistic sentiments.
Should society shed syllogisms?
Shall social sloth symbolize slender symmetry?
Some symbols show sentience,
So should stand silently?
Somehow someone, somewhere, says "Silence!"
So sleeps sensibility.
Such sycophancy should surrender,
Since solitude stands sorrowfully single.
Such silliness should suffer surcease!
JGScism
A sunny autumnal day in Brampton, Cumbria
Brampton is a small market town, civil parish and electoral ward within the City of Carlisle district of Cumbria, England, about 9 miles (14 km) east of Carlisle and 2 miles (3.2 km) south of Hadrian's Wall. Historically part of Cumberland, it is situated off the A69 road which bypasses it. Brampton railway station, on the Newcastle and Carlisle Railway, is about a mile outside the town, near the hamlet of Milton.
St Martin's Church is famous as the only church designed by the Pre-Raphaelite architect Philip Webb, and contains one of the most exquisite sets of stained glass windows designed by Sir Edward Burne-Jones, and executed in the William Morris studio.
The town was founded in the 7th century as an Anglian settlement.
Brampton was granted a Market Charter in 1252 by King Henry III, and became a market town as a result.
During the Jacobite rising of 1745, Charles Edward Stuart stayed in the town for one night, marked by a plaque on the wall of the building (a shoe shop) currently occupying the location; here he received the Mayor of Carlisle who had been summoned to Brampton to surrender the city to the Young Pretender. The Capon Tree Monument, to the south of the town centre, commemorates the 1746 hanging of six Jacobites from the branches of the Capon Tree, Brampton's hitherto traditional trysting place.
In 1817 the Earl of Carlisle built the octagonal Moot Hall, which is in the centre of Brampton and houses the Tourist Information Centre. It replaced a 1648 building which was once used by Oliver Cromwell to house prisoners.
Much of Brampton consists of historic buildings built of the local red sandstone.
A U.S. Army color guard and firing detail from the 3d U.S. Infantry Regiment (The Old Guard) were part of the opening ceremonies April 9, 2015, for a special observance and reenactment for the 150th anniversary of Gen. Robert E. Lee’s surrender of the Confederate Army of Northern Virginia to Union Gen. Ulysses S. Grant April 9, 1865, at Appomattox, Va. The Old Guard served at Appomattox in 1865. The event featured hundreds of Civil War reenactors, such as those shown here, and thousands of spectators. (Photos courtesy Kim and Mary Jane Holien)