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Here are the finished pieces of the hungarian style desk. On the top are the flush wall mount pieces and the bottom the actual workspace surface. Both were heavily sanded, 3 coats of Poly and a coat of Minwax finishing wax. Ready to be put on the wall!
Gordons Bay has many expensive homes on the hillside. This view taken from the harbour, shows what a variety of styles these homes have.
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👑 Destiny : Cinematic 🔽
🎮 Game : Hitman Codename 47
️ Platform : Computer
🎭 Style : Action/Stealth/Adventure
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✔️ Download VIDEO by L.Guidali : www.dropbox.com/s/7hdtjkqa359dvt8/cinematic-10-mission-12...
Hitman: Codename 47 is a stealth video game developed by IO Interactive and published by Eidos Interactive exclusively for Microsoft Windows. It is the first installment in the Hitman video game series.
The story centers on Agent 47, a genetically enhanced human clone branded with a barcode tattooed on the back of his head, who is rigorously trained in methods of murder. Upon escaping from a test facility, 47 is hired by the Agency, a European contract killing organization. His mission takes him to several locations in Asia and Europe to assassinate wealthy and decadent criminals.
In the basement of a remote sanatorium, a bald man, referred to as "Subject 47", is awakened by an unidentified man over a loudspeaker. Following the man's instructions, the Subject completes an obstacle course, undergoes firearms training, and practices various assassination techniques. He then ambushes and kills a guard, using his uniform to escape. The man watches him through the CCTV surveillance, with a satisfied laugh.
A year later, the Subject resurfaces as a hitman for the International Contract Agency (ICA), under the designation "Agent 47". He is briefed by his handler, Diana Burnwood, who sends him to Hong Kong to kill triad leader Lee Hong. He kills Hong's negotiator during a peace summit with a rival gang, frames him for a retaliatory car bombing, and assassinates the police chief protecting him, stripping Hong of his allies. He then infiltrates Hong's restaurant and assassinates him. For his next assignment, 47 travels to Colombia and kills cocaine trafficker Pablo Belisario Ochoa in a staged drug raid. His third target is Austrian mercenary Franz Fuchs, who has been hired to detonate a dirty bomb at an international conference in Budapest. 47 kills him at a hotel and recovers the bomb. His final contract takes him to Rotterdam, where he finds gunrunner Arkadij "Boris" Jegorov trying to sell weapons, including a nuclear warhead, to an extremist group. After confirming Jegorov's death, 47 finds a letter addressed to him, similar to the other three targets. He learns from Diana that all four were once part of a French Foreign Legion unit serving in Vietnam, and that they've been discussing something involving an "experimental human". The letters also mention a fifth man, Professor Ort-Meyer.
Diana then informs him that all four contracts were ordered by the same man in violation of Agency rules, and that her superiors have authorized an additional mission. 47 is to kill Odon Kovacs, a doctor at a sanatorium in Satu Mare, Romania, which turns out to be the one from which 47 escaped. Ort-Meyer is revealed to be the client, as well as the man who oversaw 47's orientation. Romanian special forces raid the building while 47 kills Kovacs, who he recognizes as Ort-Meyer's assistant.
47 then learns the truth behind his existence. He is the result of a cloning experiment which combined the genetic material of each of his four previous targets, as well as Ort-Meyer, with the goal of creating a flawless human being. Ort-Meyer orchestrated 47's escape from the asylum in order to test his performance in the outside world and ordered his associates' deaths because they wanted to use 47 for their own purposes.
With the help of CIA Agent Carlton Smith, who he rescued earlier during his time in Hong Kong, 47 discovers a sophisticated lab beneath the hospital. In response, Ort-Meyer reveals "Subject 48", a perfect replica of 47 who is both mindless and loyal. A squad of 48's are sent to hunt down 47, who manages to kill them using his superior training and experience.
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© Etoile (Gaming)
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Our next workshop is on the calendar!
Date: Saturday, November 14, 2009
Theme: "Collaboration: Makeup, Lighting, Concept"
Location: Varet Studio, Brooklyn, NY
Time: 10am-6pm
The goal of this workshop is to focus on the collaboration between the photographer and the makeup artist in achieving a given image or concept. This workshop is intended for both photographers and makeup artists and we will do our best to keep the group balanced. The workshop will be co-taught by myself and one of my regular makeup artists.
We'll be addressing certain key types of fashion and portrait images, discussing the considerations involved in each and how best to achieve the desired end result, walking through the production and styling process and shooting the resulting looks. For each look we'll separate into two groups: the photographers will receive lighting and production tutorials while makeup artists will observe and discuss the model's beauty application. Attendees will reconvene to shoot each look for themselves.
As always, this is not a "shoot-out" - you may get some decent shots, but the point of the day is to learn something new, not buff out your portfolio on the cheap. No model releases will be exchanged and there will only be one person at a time pointing a camera at anything.
As with last time, this will be first-come-first-served and we'll be keeping the group small. Anyone who had wanted to attend the last event will get a spot in this one. Registration fee will be $115 via Paypal at signup. All you need to bring is yourself and a camera, I'll supply the rest!
Send me an email at booking@simongerzina.com to hold your spot and get more info. Looking forward to seeing everyone!
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Plying its' trade at the 2005 Great Dorset Steam Fair is a rather nice early-model diesel Ford Transit ice-cream van.
my blog
Dress: New Look
Cardigan: New Look
Earrings: Accessorize
Tights: Peacocks
Socks: River Island
Boots: Office
Bag: Ollie & Nic
Framed quite carefully so that sun would shine through the pier building, and this skimboarder was kind enough to give me this spectacle!
A real photo postcard with undivided back.
Stage and film actress Irene Vanbrugh (real name Irene Barnes) was born in Exeter, England in 1872. Her long acting career began in 1888 and continued into the 1940's. In 1941 she was made Dame of the British Empire(DBE). Irene died in 1949.
Shot using a Canon DSLR and the Film Picture Style by www.filmpicturestyle.com
Picture Styles are settings that you can upload into your EOS Canon cameras in order to set your preferred colorimetry.
It is recommended to use the right picture style when shooting video or when shooting JPG's.
Ive Lotus Film Picture Style is so amazing that you can shoot and post without color correcting the video/phtos.
Installed in 1949, theMrs. A. B. Wright stained glass window is a tribute to the sacrifice, courage and faith of the women who fought in both the Great War (1914 - 1918) and the Second World War (1939 - 1945). The window was designed by Brooks, Robinson and Company Glass Merchants. Looking out onto Barkley Street, the stained glass window features Jesus praying in the garden of Gethsemane, whilst his disciples sleep. On the brow of the hill above the sleeping disciples, soldiers come to lead Jesus away before his crucifixion. Gethsemane is a garden at the foot of the Mount of Olives in Jerusalem which is noted in both the Gospel of Matthew and Gospel of Mark. The name Gethsemane derives from Aramiac word for "oil", as is most famous as the place where Jesus prayed and his disciples slept the night before Jesus' crucifixion.. The window features an angel at the bottom of each pane holding a scroll. One says: "Not as I will" whilst the other says: "But as thou wilt" which is taken from the Book of Matthew. The window's octofoil features an angel with a scroll bearing the words: "Unitas Fratrum" which translates from the Latin to mean "united brotherhood", "unity of brothers" or "united brethren". The palate of this window is quite dark, as befits the time before dawn which is depicted. However, dark or not, the colours are are nonetheless still very beautiful, especially the blues that are used which are rich.
Built on the crest of a hill in a prominent position overlooking St Kilda and the bay is the grand St Kilda Presbyterian Church.
The St Kilda Presbyterian Church's interior is cool, spacious and lofty, with high ceilings of tongue and groove boards laid diagonally, and a large apse whose ceiling was once painted with golden star stenciling. The bluestone walls are so thick that the sounds of the busy intersection of Barkley Street and Alma Road barely permeate the church's interior, and it is easy to forget that you are in such a noisy inner Melbourne suburb. The cedar pews of the church are divided by two grand aisles which feature tall cast iron columns with Corinthian capitals. At the rear of the building towards Alma Road there are twin porches and a narthex with a staircase that leads to the rear gallery where the choir sang from. It apparently once housed an organ by William Anderson, but the space today is used as an office and Bible study area. The current impressive Fincham and Hobday organ from 1892 sits in the north-east corner of the church. It cost £1030.00 to acquire and install. The church is flooded with light, even on an overcast day with a powerful thunder storm brewing (as the weather was on my visit). The reason for such light is because of the very large Gothic windows, many of which are filled with quarry glass by Ferguson and Urie featuring geometric tracery with coloured borders. The church also features stained glass windows designed by Ferguson and Urie, British stained glass artist Ernest Richard Suffling, Brooks, Robinson and Company Glass Merchants, Mathieson and Gibson of Melbourne and one by Australian stained glass artist Napier Waller.
Opened in 1886, the St Kilda Presbyterian church was designed by the architects firm of Wilson and Beswicke, a business founded in 1881 by Ralph Wilson and John Beswicke (1847 - 1925) when they became partners for a short period. The church is constructed of bluestone with freestone dressings and designed in typical Victorian Gothic style. The foundation stone, which may be found on the Alma Road facade, was laid by the Governor of Victoria Sir Henry Barkly on 27 January. When it was built, the St Kilda Presbyterian Church was surrounded by large properties with grand mansions built upon them, so the congregation were largely very affluent and wished for a place of worship that reflected its stature not only in location atop a hill, but in size and grandeur.
The exterior facades of the church on Barkley Street and Alma Road are dominated by a magnificent tower topped by an imposing tower. The location of the church and the height of the tower made the spire a landmark for mariners sailing into Melbourne's port. The tower features corner pinnacles and round spaces for the insertion of a clock, which never took place. Common Victorian Gothic architectural features of the St Kilda Presbyterian Church include complex bar tracery over the windows, wall buttresses which identify structural bays, gabled roof vents, parapeted gables and excellent stone masonry across the entire structure.
I am very grateful to the Reverend Paul Lee for allowing me the opportunity to photograph the interior of the St Kilda Presbyterian Church so extensively.
The architects Wilson and Beswicke were also responsible for the Brighton, Dandenong, Essendon, Hawthorn and Malvern Town Halls and the Brisbane Wesleyan Church on the corner of Albert and Ann Streets. They also designed shops in the inner Melbourne suburbs of Auburn and Fitzroy. They also designed several individual houses, including "Tudor House" in Williamstown, "Tudor Lodge" in Hawthorn and "Rotha" in Hawthorn, the latter of which is where John Beswicke lived.
Brooks, Robinson and Company first opened their doors on Elizabeth Street in Melbourne in 1854 as importers of window and table glass and also specialised in interior decorating supplies. Once established the company moved into glazing and were commonly contracted to do shopfronts around inner Melbourne. In the 1880s they commenced producing stained glass on a small scale. Their first big opportunity occurred in the 1890s when they were engaged to install Melbourne's St Paul's Cathedral's stained-glass windows. Their notoriety grew and as a result their stained glass studio flourished, particularly after the closure of their main competitor, Ferguson and Urie. They dominated the stained glass market in Melbourne in the early 20th Century, and many Australian glass artists of worked in their studio. Their work may be found in the Princess Theatre on Melbourne's Spring Street, in St John's Church in Toorak, and throughout churches in Melbourne. Brooks, Robinson and Company was taken over by Email Pty Ltd in 1963, and as a result they closed their stained glass studio.
Camera: Leica M9
Lens: Zeiss 50mm f2 Planar
A gentleman poses for a portrait in a busy Birmingham cafe I was shooting for a freelance job.
PSY ‘Gangnam Style’ at Seoil College, Seoul
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2012.09.28.
Korea.net(www.korea.net)
KOCIS
Jeon Han
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강남스타일 싸이 서일대학교 축제 공연
문화체육관광부
해외문화홍보원
코리아넷
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