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On reverse:
This pictue was taken in
Fort Smith Arkansas in the
80's I think 1884. and is my
Mother Mary E Coffer wife
of Jesse Coffer
(Signed) Joseph Coffer
after the passing of
father mother married
M Allen
(Upside down)
M. E. Allen
138 Crest St.
Brendon Urie, Spencer Smith, Ryan Ross and Brent Wilson of Panic! At The Disco. Photographed in 2006. *** HIGHER RATES APPLY: CALL TO NEGOTIATE *** USA ONLY *** © Nigel Crane / Redferns / Retna Ltd.
Our friend and pro photographer, Shoeless Paul Kirchner, is working on a project of funeral photos of his friends. That's right, he wants to have a library of our faces "in the event of" so the occasion won't be adorned with recent iPhone selfies. Yup, Paul has a dark and oblique sense of humor. He wanted to make my theme "cigarettes and martinis". It was fun and funny.
First shoot for JD, and he stepped into it like a pro. We started with natural light to keep things relaxed, then shifted into a more sculpted look using the Godox AD600 and a Phottix modifier. Shot mostly on the Nikon Z8 with the 85mm f/1.2, tethered to Capture One on the iPad. Mixed in a few frames on the Fuji GFX for added depth and tone. Simple setup, strong energy — the kind of session that reminds me why I love doing this.
!Sonderhonorar! Benjamin McKenzie, 28.04.2007, Schauspieler, "Nutzungsrechte redaktionell, weltweit / Rights of use editorial, worldwide", männlich, international, Haarfarbe braun, T-Shirt schwarz, indoor, Studio, Hintergrund weiss, Aufmacher Motiv, Portrait, Halbkörper, lässig, lächeln
Strange are the ways of ebay sellers - the title is the same as the one used on ebay. Seems like no one was searching on "evil girl child" that day as I was the only bidder and I'd been searching under "cabinet card."
Portraits of Alyson Stoner, Demi Lovato and Anna Maria Perez de Tagle from the Disney Channel film 'Camp Rock'.
Photographed in Los Angeles. February 12, 2008 © Rena Durham / Retna Ltd.
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During the whole session we tried different moods other than the usual "Olan Mills mall smile". When I got her serious it was a rather striking shot!
Nikon D1x with 20-35 and AlienBees.
Portrait of Anthony Kiedis of the Red Hot Chili Peppers photographed in the early 1990's.
© A.J. Barratt / Retna UK.
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This year, I joined a local photography guild to force myself into trying things that I have no idea how to do!
Like taking studio portraits of a model!
Last night the club held an in-studio session with a model named Sarah Van Der Valk. Thankfully the much more experienced members of the club know how to set up lights, because I have no idea!
Over two hours, we all took turns photographing Sarah in three different scenarios and outfits, the lights were set up for us and we figured out our camera settings.
So, here is my first official attempt at in-studio model portraits using a combination of flash and constant light.
@latow photographers guild
Thanks The Latow Photographers Guild and Sarah van der Valk
Our friend and pro photographer, Shoeless Paul Kirchner, is working on a project of funeral photos of his friends. That's right, he wants to have a library of our faces "in the event of" so the occasion won't be adorned with recent iPhone selfies. Yup, Paul has a dark and oblique sense of humor. He wanted to make my theme "cigarettes and martinis". It was fun and funny.
First shoot for JD, and he stepped into it like a pro. We started with natural light to keep things relaxed, then shifted into a more sculpted look using the Godox AD600 and a Phottix modifier. Shot mostly on the Nikon Z8 with the 85mm f/1.2, tethered to Capture One on the iPad. Mixed in a few frames on the Fuji GFX for added depth and tone. Simple setup, strong energy — the kind of session that reminds me why I love doing this.
10x8 Gelatin Silver Print
Matt used to work with our friend Jimbo at the record store downtown. That’s where we met him. At the same time, he worked in the produced department of the local grocery store and was trying to form a band.
He was different than most of the kids we’d met here, very industrious, almost ambitious, and always thinking. Of Polish decent, he embraced his heritage, began using his Polish name, Maciek, and wrote songs in Polish for some of the bands he performed with. We saw him at shows and have always kept up with what he was up to.
His teen years were filled with an inordinate amount of turmoil. He was always looking at his watch and running late for his record store job, his newspaper route, his job at the supermarket or for band practice. Through sheer will, he managed to escape Manitowoc and put himself through Architecture school.
We photographed Matt several times over the years. All that he’s been through and his various experiments with constructing his identity make for pictures about the complexity of human experience and about the evolution of youth all at once.