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It just hit me—a big space to exhibit, the brief to use the new Nokia Pure font and a Finnish company.
Why not do an installation with ‘PURE’ white Alvar Alto 60 stools, a classic Finnish design icon, using the new ‘PURE’ Nokia font and my play on the word ‘PURE’.
studiomyerscough.com
Dimensions: Artek 60 Alvar Aalto stools
Print specifications: Hand stenciled
Lisbonne Lisboa Portugal Fado rue Eiffel tram tramway jaune yellow musee art contemporain panorama street art tour Belem ATANA studio Anthony SÉJOURNÉ
Cette petite Alfa Roméo 4C Spider est arrivé chez Detailing Studio à Lyon pour une correction des défauts de peinture (rayures, micro-rayures, hologrammes, traces de ponçages...), à la suite de cette opération, des films de protection carrosserie Xpel ont été posé sur tout le bloc avant (pare choc avant, ailes avants, capot, rétroviseurs) ainsi que sur les montants de pare brise et début de toit en carbone.
Des protections pour les entrées de portes ont été réalisées sur mesure.
Ensuite un traitement nanotechnologie, céramique a été appliqué sur toute l'auto, carrosserie, jantes, vitres, capotes...
This photograph for the studio portraiture project used high-key lighting to create an intense look, the model is staring to the side with her hand placed on her neck. We used a fan to blow her hair which created a dramatic photograph.
My photo studio shares space with my drum set. Shot with 3 SB-800s, 2 w/umbrellas and one behind throne. Activated with Yongnuo 603s.
We visited Frank Kozik's studio in March 2010. You can read a long interview with Frank here: blog.neonmonster.com/library/frank-talk-with-mr-kozik
The new studio! Look out the glass doors at the snow trying to creep in...i made good use of my snow day and have finally unpacked!
This is the makeshift "studio" I set up to photograph the records, books, and such that I sold on eBay for my mother's husband. On the left is a 65-watt GE Reveal light bulb pointed at an ad hoc bounce card that I constructed using two sheets of printer paper and a piece of wood. On the right is a 500-watt halogen work lamp that produces a much purer white light.
With the halogen for a primary light source and the Reveal to fill in shadows, pictures came out pretty good. I sometimes had to bounce the halogen lamp as well, however, since (a) it produces pretty harsh shadows and strong reflections and (b) it gets hot enough to melt the records if they stay under it for too long.
The halogen lamp is so strong that it comes with a warning to get out from in front of it if your skin starts to tingle or burn. I'd try to make a soft box for the thing, but I'm not sure how to do it without risking a fire.