View allAll Photos Tagged Structures
I once again looked at the structure at the beginning of the antennae, because this springtail allowed it. Do you also see the small opening in ant.2, where possible fit in the structure of ant.1?
Stack in zerene : 12 images
Finishing touches : Photoshop CS6
The last two days of New Mexico White Sands shots have me wanting to return to storm pics... so here's another one. When a cloud takes on unusual shapes we call it structure... here's some.
from the series: abstract impressions of South Limburg
Thank you everyone for your visit, favorites and comments.
Nikon F2AS
AI Nikkor 50 mm f/1.4
Nikon L1bc filter
Ilford FP4+125@ISO250
Developed in Diafine 3,5+3,5 min
1/1000 sec@f/2
I visited this famous area for the first time and immediately forgot to bring my highly necessary tripod plate. Fortunately, Rob and later Karin were there and we had a nice chat about our mutual hobby....Fortunately, I still managed to get the chance to take this shot and clearly have another reason to return there.....:)
Photographed while exploring with Alice-san, Kageyama-san, Lonny, Mamoru-san, and Yoshikatsu-san. Marunouchi, Chiyoda-ku, Tokyo. November 4, 2019.
In the heart of the city, where visual noise fills every corner, a different kind of silence can be found. A structured silence.
This is my first submission for the group "Smile on Saturday! :)".
Theme: "Look up to the sky".
Happy to be a part! HSoS
Another photo from the beautiful granite coast in the south of Western Australia. This is the Natural Bridge in Torndirrup National Park. I am forever fascinated by the intricate structure and textures of this amazing coastline.
More about this photo on my Blog and Facebook page.
Bronica ETRsi, Zenzanon 50mm f2.8, Kodak Tmax 100 35mm, 35mm panorama back.
These sorts of driftwood/branch structures always make me uneasy when I find them out wandering. I don't know why, perhaps it is because I think the maker is observing me. Focus is a bit softer than I would like, but overall, I think a good composition and the tones work for me.
Shot on 35mm Tmax in my DIY-converted 35N film back. Developed for 5 minutes at 65F in Tmax developer.