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Society of Friends of Music in Vienna
The Society of Friends of Music in Vienna (briefly : Wiener Musikverein) is a traditional club in Vienna to promote musical culture. It was founded in 1812.
(Pictures you can see by clicking on the link at the end of the site!)
Founded Concert 1812
Foundation
On 29 November and 3 December 1812 was performed in the Winter Riding School of the Hofburg the Handel oratorio Timothy. This concert can be considered as a trigger for the founding of the Society of Friends of Music in Vienna. As the founder of the association is Joseph Sonnleithner (1766-1835) then secretary of the imperial Viennese court theater (Burgtheater and Kärntnertortheater). The proceeds of the concert should benefit the newly founded institution. Emperor Franz I donated 1,000 guilders, the net profit amounted to 25,934 florins finally Viennese currency. First office of the company was the Lobkowitz Palace today Lobkowitzplatz.
Goals
According to its statutes, which originated in 1814, is the "Empor renewed progress on music in all its branches" primary purpose of the Company.
The Friends of Music Society reaches(d) this in three ways:
The establishment of a conservatory,
The systematic collection of musicological documents (archive)
Organizing their own concerts.
To date, private commitment of individual members shapes the functioning of the Company. Since January 2000, all editions of the monthly appearing club newspaper "music lovers" on the website of the company are available .
Concerts
On the initiative of Antonio Salieri's first choral activities at the Musikverein go back, for example, also in 1824 at the Vienna initial or first performances of Beethoven's Missa Solemnis and 9th Symphony was involved. After there had been choral concerts of the Association for many years, then in 1858 was the official establishment of the Concert Choir held as a branch association of the Vienna Musikverein. The first principal conductor of the Vienna Singing Society was Johann von Herbeck, directs the choir since 1991, Johannes Prinz.
Musikverein (1831-1870) to the Tuchlauben (home to the Red Hedgehog), first building on the right, then No. 558, now No. 12
First concert hall of the society
1829 , the Company purchased a scoring for Kärnthnerviertl house on the Tuchlauben (home to the Red Hedgehog, rented from 1822, then House # 558, today Tuchlauben 12) with several business offices and apartments, it had the house demolished and gave at Franz Lossl (Site Manager: Carl Högl) by around 88,000 guilders (including equipment) the construction of a three storey new building with a concert hall on the 1st Floor in order. The site was approximately opposite the former Ofenlochgasse, since 1863 Kleeblattgasse. The Brandstätte that time not yet branched of from the Tuchlauben, but was a small place near the St. Stephen's Cathedral.
The festival opening concert of the hall took place on 4 November 1831 instead (then the cholera raged in Vienna). The Musikverein contributed among other things at this location (visitor concerts were still highly popular in the large ball room of the Hofburg ) essentially to the public concert life in Vienna.
The hall proved with 700 seats soon to be too small, but was still used for almost 40 years. 1846 gas lighting was installed. In the upper floors of the Conservatory and the archives of the Society, offices and rehearsal rooms were located.
The Society of Friends of Music in 1870 moved into their new house and sold its first house in the same year. In the subsequent use of it emerged inter alia the Strampfer-Theatre. The building was demolished in 1885.
Vienna Musikverein in 1898
Today's office of the Company
1863, Emperor Franz Joseph I donates the society from the state capital, the area on the bank of the river opposite the Vienna Karlskirche (church). It was on the former glacis of the 1858 demolished city walls around the old town. 1861-1869 emerged near the present-day Vienna State Opera, on the neighboring construction site on the riverbank 1865-1868 the Vienna Künstlerhaus, on the direction of ring road adjacent square 1862-1865 today's Imperial Hotel.
The of Theophil Hansen, who later built the Parliament, designed house, shortened to Vienna Musikverein, was on 6 January 1870 opened with a celebratory concert. That same year, the High Steward of the Emperor, Prince Constantine zu Hohenlohe-Schillingsfürst, was in gratitude for the favor of the imperial court for the new building project appointed as a honorary member of the society.
1869 Carl Heissler was the first conductor of the orchestra of the Society of Friends of Music in Vienna. 187, and 1872 was the Russian composer Anton Rubinstein artistic director of the company. After a short time he was replaced by Johannes Brahms.
Children and Youth Projects
In order to convey the joy of music and access to classical culture children and adolescents, the Friends of Music Society offers a pertinent program: In April 1989, it was the first "Celebration for Children" in all the rooms of the Musikverein building, since the offer has been steadily expanded and now includes more than 150 projects for all ages 3-19 years. The 20-year anniversary of the youth concerts was celebrated with a big party at the Vienna Musikverein in 2009. Symbol of child and youth concerts of the Society of Friends of Music is the concert clown Allegretto.
Artistic performances will be processed in accordance with the relevant age requirements paying particular attention to opportunities for active contribution. These include sing and dance along to the little ones, a gallery of children's drawings on the Internet and artist talks under the slogan "meet the artist" with internationally renowned conductors, soloists and composers for 15- to 19- year-old.
Conservatory of the Society of Music Lovers
The Conservatory was the first public music school in Vienna and was founded in 1819 by the violinist Joseph Böhm. As early as 1818, the Court Kapellmeister Antonio Salieri began to form a singing class. The general musical newspaper wrote here about 7 January 1818: "As the beginning of a newly established Conservatory imparts our worthy Hofkapellm. (chapel masteer) Salieri already to 12 girls and 12 boys gratuitous singing lessons."
On 19 April, the first 24 students of the Conservatory presented themselves in a collective concert of the Friends of Music to the public and sing an A cappella choral of Salieri. The dedication on the autograph reads: "Ringraziamento because farsi alli Benefattori del Conservatorio della musica nazionale inglese dalli primi Ventiquattro allieve dodici Ragazzi e dodici Ragazze, di detto luogo, nella quarta accademia dei dilettanti il giorno 19 Aprile 1818".
In the 19th Century, this facility has been significantly expanded, in the 1890s it had more than 1,000 students and found imitation in Vienna in other such facilities. In 1909, the private institute was to resolution of the emperor as "k.k. Academy of Music and Dramatic Art" nationalized. Thus, it is predecessor of today's University of Music and Performing Arts Vienna.
Archive
The archives of the Society of Friends of Music is one of the most important music collections in the world.
Personalities
Musikverein building of 1870 (2006)
Musikverein building at night
Founder
Joseph Sonnleithner (1766-1835)
Co-Founder
Fanny von Arnstein (1758-1818)
Prince Franz Joseph Maximilian von Lobkowitz (1772-1816) , Major General, art lover and patron
Famous members
Leopold of Sonnleithner (1797-1873), lawyer and music collector
January Václav Voříšek (1791-1825), composer, pianist and organist, as a member in 1818.
Franz Schubert (1797-1828), full member from 12 June 1827
Concert directors
Carl Heissler, lithography by Joseph Kriehuber, 1866
Carl Heissler (1823-1878), Artistic Director 1869-1871
Anton Rubinstein, Artistic Director 1871-1872
Johannes Brahms (1833-1897), concert director 1872-1875
Eduard Schön (1825-1879), Ministerialrat and composer, director in 1870
Johann von Herbeck (1831-1877), conductor and composer
Hans Richter (1843-1916), conductor, director until 1900
Franz Schalk (1863-1931), concert director 1904-1921
Ferdinand Löwe (1865-1925), concert director
Wilhelm Furtwängler (1886-1954), concert director 1921-1927 (jointly with Leopold Reichwein)
Leopold Reichwein (1878-1945), concert director 1921-1927 (together with Wilhelm Furtwängler)
Robert Heger (1886-1978), concert director 1925-1933
Walter Legge (1906-1979), director from 1946
Herbert von Karajan (1908-1989), last concert director 1948-1964
Vice Presidents
Raphael Georg Kiesewetter (1773-1850), privy councillor and musician, vice president 1821-1843
Nikolaus Dumba (1830-1900), industrialist, vice president in 1880
Gustav Ortner (born 1935) , diplomat, vice president since 2001
Directorate members
Heinrich Eduard Josef von Lannoy (1787-1853), conductor and composer, member
Martin Gustav Nottebohm (1817-1882), musicologist and composer, member from 1858
Anthony van Hoboken (1887-1983), musicologist and collector, member since 1957
Brothers Czartoryski, circa 1870
Secretaries
Leopold Alexander Zellner, general secretary in 1880
Botstiber Hugo (1875-1941), secretary and office director 1905-1912
Angyan Thomas (born 1953), general and artistic director since 1988
Archivist
Martin Gustav Nottebohm in 1864
Eusebius Mandyczewski (1857-1929), musicologist and composer, from 1887
Karl Geiringer (1899-1989), musicologist and librarian, 1930-1938
Otto Biba (born 1946), musicologist and director of the archive, since 1979
Happy Birthday Stephen :)
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I'm sorry for the lack of uploads lately, but I've been busy with school. Two exams next week an then the semester is over.
But this year has been good so far. In March Sandra I went to Georgia to see Stephen and his sister Jess again + I met the whole (amazing) family, one month later I got a pro account from my friends for my birthday and in June was my second flickr-birthday - if you count the active years ;)
And less than 2 weeks ago I met Laura Zalenga when she was in my hometown for her exhibition. She was so so likeable! Laura, it was really nice to meet you!
Stephen Fearing @ The Blue Room Sessions, Verkadefabriek. 's-Hertogenbosch, The Netherlands. 2017-01-24. Photo: Wies Luijtelaar
Stephen Joseph Theatre Scarborough. The McCarthy Auditorium set up for a film screening. The theatre is in the rear part of the original Odeon balcony, with rescued panels by Mollo & Egan.
Scarborough Stephen Joseph Theatre / former Odeon Cinema, North Yorkshire.
September 2013
Stephen Hopkins at the Plimoth Plantation in Plymouth, MA.
Ask him an he'll tell you all about his travels from England to the colonies, about the war in Europe that has now lasted for 9 years (this photo is from 1627) with no end in sight and the freedom of religion that is everything but in this New World.
Wonderful actors greet the visitors at the Plimoth Plantation and confuse many with their staying-in-character at all cost.
I'll add a lot more indoor shots in the coming days, taken in the small homes of the settlers that are essentially completely dark with only a few openings or windows on one side of the building.
The image is a full frame shot, taken with available light (ISO1600,F2.8,1/80s) with basically no photoshop editing applied. Only small contrast adjustments and the standard sharpening has been applied. In particular, that hanging dried rose on the right really is that earth colored gray...
Visiting Mannum for the day provided us with the unexpected opportunity to meet and talk to many of the crew on P.S. Marion, of which Captain Stephen Coad was one. On explaining what we were doing with the Portrait of a Stranger project he, to our delight, invited us onto the bridge to take his photo and have a chat.
It was clear from the onset his passion for the old steamer and the life on the river, despite being a city boy, after watching him talk to the many tourists walking past and stopping for a chat. Now in semi-retirement after a career in the finance sector and as a Procurement Manager (where he worked in Europe) he enjoys giving back to the community through his volunteer work.
Starting out "life" on the P.S. Marion as a deckhand, Stephen attributes his rise to captaincy to his previous captains, who took the time to share their knowledge and passion with him, and he considers himself 'living proof you can work your way up from the bottom to the top!'.
Today his "love affair" with P.S. Marion is shared with his wife, who happens to be the First Mate on board, an irony not lost on Stephen....at least he is the "boss" when paddling on the river!
(further pictures and enormous amounts of information you can get by clicking on the link at the end of page!)
St. Stephen's Cathedral
Seat of the Archbishop (Cardinal) of Vienna, one of the most important buildings of the Central European High and Late Gothic, monumental example of the South-German-Austrian multi-naved church, landmark of Vienna. Characteristic is the independent lateral position of the towers, the inclusion of the romanesque western facade, the high Gothic hall choir and the mighty steep roof with colorful brick patterning.
History
1147
The first Romanesque church - from Passau founded (hence patron saint: saint Stephen Protomartyr) - is consecrated. It is located in a quarter of new settlements of merchants, which in the second half of the 12th Century was included in the city's fortifications (which is the part between Singerstraße and wool line (Wollzeile), the road to Hungary). It is located outside, to the southeast, of the oldest city area of the Roman fort, Vindobona. This building was in its dimensions already a large basilical complex, at its completion already including the floor plan of the Heath towers in the West.
1263
Re-consecration after the fire. The impacts on the Romanesque church are not precisely known. The huge gate was already previously rebuilt, when Vienna was for a short time residence of the emperor of the Holy Roman Empire. In succession, the reconstruction of the west gallery and the expansion of the western towers (Heath towers) took place. From this period stem also most of the sculptures of the giant gate, the vaults, capitals and rose windows at the west gallery.
Stephansdom64.jpg (35605 bytes)
1304 -1340
Construction of the Gothic hall choir, Albertinian choir, named after the Habsburg Albert II (1330-1358).
The citizenship of Vienna initially purchased the required properties and "as the owner of the Gothic choir in the Zwettler (city in Lower Austria) documents of 1303 and 1304 Viennese citizens are testified".
This civic foundation was then converted by a princely.
The following indulgence certificate - in the original written on parchment and provided with a hanging seal - is in a sense the main historical document of the choir consecration and thus also to the architectural history of St. Stephen of great importance.
1340
Bishop Peter of Marchapolis gives, at the request of the parishioners, all who attend at the anniversary of the consecration of the choir of St. Stephen's Church, which was accomplished on the above day in his presence by Bishop Albert of Passau, or at the feasts of the altar patrons of the church, an indulgence of 40 days.
1359
Laying of the foundation stone for further Gothic reconstruction of the nave (south and north wall), the Singertor and the Bischofstor (gate) and the two double chapels laterally to the Romanesque western building. Furthermore, the construction of overall four towers was planned. In fact, only the southern transept tower (the "saint Stephen's Tower") was first started.
1365
Those conversion measures are associated with the efforts of Duke Rudolf IV to raise Vienna to the status of a diocese, and with the founding of the University of Vienna.
1395
Consecration of the chapel of Saint Catherine ("baptistery") on the east side of the south tower.
1404
Peter of Prachatitz is Dombaumeister (cathedral builder). The citizenship by providing financial support pushes ahead the expansion of the tower.
1417 - 1430
Establishment of the lower sacristy
1433
Completion of the south tower under Hans von Prachatitz
1440 - 1459
Completion of the High Gothic nave
1450
Planning and construction of the North Tower by Hans Puchsbaum
1459
At Hüttentag of Regensburg the mason's lodge of St. Stephen's in Vienna is designated the leading main lodge in Central Europe.
1466
Extension of the upper sacristy
1469
Under Frederick III. the Diocese of Vienna is built.
1474
The Chapel of St. Barbara in the north tower is completed according to the plans of Puchsbaum. Formerly this building extension in the North Tower was called: Urbanuskapelle (chapel).
1511
Suspension of the building at the north tower. It is higher than the nave walls, but lower than the ridge height of the choir roof. As a crowning feature of the tower stump an octagonal structure was set up, which was closed with a so-called "Welsh hood" of Kaspar and Hans Saphoy 1578. The Welsh hood is a into the Gothic transmitted dome shape".
The back of the St. Stephen's Cathedral with the North Tower
1514/1519
1514/1519 at the top of saint Stephen's tower an eight-rayed sun ("Star") was fitted with a crescent moon as a symbol of spiritual and temporal power. When the Viennese in the Turkish siege (1529) throughout in the camp of their enemies saw similar symbols, they raised first objections against the "haidnisch Zaichen (heathen signs)", yet remained the "Moonlight" on the tower. Only on the occasion of the second siege (1683 ) vowed Leopold I to replace the "ungodly and unworthy Turks coat of arms" by the sign of the cross, when the city was liberated by God's assistance.
The from saint Stephen removed moon. Book illustration, 18th century
The new, of copper wrought double cross ("Spanish Cross") was made by coppersmith Hans Adam Bosch. It was one and a half meters high and had a weight of 45.5 kg. On September 14th, the Kreuzerhöhungstag (day of the elevation of the Cross) (in the same time the anniversary of the moving in of Leopold into the liberated city), it was placed under great spectacle. However, it was not flexible enough and already on 14th December it fell down due to a violent storm. On 31st October 1687 followed the setting up of a new crowning. To the Spanish Cross now the imperial double-headed eagle and the initials of Leopold I had been added. Cross and eagle had a height of 2.45 m and a weight of 67 kg.
St. Stephen's Cathedral around 1530
1640
Bishop Friedrich Count Breuner the Baroquisation of the equipment of the St. Stephen's Cathedral as a manifestation of the Counter-Reformation had started. He commissioned the brothers Jacob and Tobias Pock from Konstanz with the construction of a new high altar.
1683
Damages caused by numerous cannonballs at the second Turkish siege.
1700
Second wave of Baroquisation: Gothic winged altars and also their early Baroque successors are replaced by baroque marble altars.
1711
July 21st, 1711. In front of a large audience the k.k. Stückgießer (specialized iron caster) Johann Achamer carries out the casting of the great bell of saint Stephen. The for this purpose required metal comes from stocks of the Imperial arsenal of captured Turkish cannons. After Pölzung (supporting) of the underground vaults under the streets that touches the train, the bell weighing more than 17 tons on a special car or a loop of 100 people is brought from the Leopoldstadt on 29th October to the cathedral. On December 15th, Bishop Rummel undertakes the consecration of the bell, then it is pulled up to the south tower. There it rests on two oak beams, which for ringing can be screwed off. When Charles VI. solemnly moved into Vienna after his imperial coronation on 26th January 1712, the Pummerin was rung for the first time, in the process only the 813 kg in weight clapper was moved.
1720
The so-called catacombs are set up as a burial site.
1735
The cemetery around the church is closed down and in 1783 completely removed
Stock-im-Eisen-Platz and St. Stephen's Square before the demolition of the houses
Coloured engraving of V.C. Schütz. 1779
1803
The Steffl gets air: Demolition of houses on Stephansplatz
October. The strong increase in population leads to an increased volume of traffic. As part of "traffic-appropriate" measures streets are widened, squares enlarged, arcades created and traffic regulations introduced such as, e.g., the first one-way at the Carinthian gates (1802). With the demolition of the last still in front of the cathedral facade standing houses yet another basic expansion and redesign of the Stephansplatz can be completed.
1809
Also in the French wars the Cathedral is damaged by artillery fire.
1810
Repair work on the South Tower
1831
Renovation of the roof at the Albertinian choir
1842
On the occasion of the two renewals of the tower helmet in the 19th century respectively in 1842 and 1864, again a new double-headed eagle with a double cross was set on the spire. This last crowning of 1864 still today adorns the top of saint Stephen's tower.
1853 - 1854
Expansion of the remaining Wimperge (gables) in the roof area of which Puchsbaum under Frederick III. only one had realized.
1863 - 1864
Cathedral architect Friedrich Schmidt heads the restoration of the tower helmet.
1945
St. Stephen's Cathedral, April 1945 © Press Agency Votava St. Stephen's Cathedral, April 1945
The roof of St Stephen's Cathedral
is on fire 8th April 1945
Friday 13 April: Dombrand (cathedral's fire) in the last days of World War II. The roof burns down, the vaults of the middle choir and the southern side choir collapse. The Pummerin plunges down and breaks. The cathedral is badly damaged.
1945 - 1952
Reconstruction of the roof and choir
Triumphant entry of the new Pummerin in Vienna. The in St. Florian/Oberösterreich (Upper Austria) cast bell to Vienna had a true triumphal procession behind herself.
From the ruins of the Pummerin 1952 in St. Florian, Upper Austria, a new bell was cast and consecrated on 26th April 1952 in Vienna. The other bells of St. Stephen's Cathedral also consistently bore names as Halbpummerin, Viertelpummerin, Councillor Bell, Mentioned bell (Genanntenglocke), Zwölferin, beer bell (Bierglocke) etc. Very few of them survived the year 1945.
1953
Construction of the Bishop tomb in the catacombs under the Apostle Choir
1954 - 1965
Restoration of the South Tower
1956
Renovation of the Ducal Crypt, construction of the lower church and the lapidary (collection of stone monuments)
Completion of the tower helmet at the north tower (Saphoy'sche hood) with housing of the Pummerin
1961
In 1961 the cathedral received a new peal of eleven bells.
1973
Consecration of the People's altar (makeshift solution)
1977 - 1998
Restoration of the North Tower
1989
Remodeling of the sanctuary and the consecration of the new People's altar (September 14)
1991
Consecration of the new cathedral organ (Servants - Madonna gets here her new stand)
Overall length: 107.2 m outside inside 91.8 m
Width of the nave: 38.9 m
Height of the South tower: (High Tower) 136.7 m
Height of the North tower: 60.6 m
Height of the Heathen towers 65.6 m
stephen biddell - pickering adopted 1964 born 25 december 1963 long lost brother any information contact pjbiddy
Deputy Secretary of State Stephen E. Biegun meets with Bangladeshi Foreign Minister Dr. A. K. Abdul Momen in Dhaka, Bangladesh, on October 15, 2020. [State Department photo by Amena Islam/Public Domain]
Sloane Stephens of the United States in action during her second-round match at the 2018 Western & Southern Open WTA Premier 5 tennis tournament
Check out Stephen Ackles, best voice of Norway, on www.stephenackles.com !!!
'The charismatic and humoristic entertainer has had an impressive career so far. He has released thirteen albums and has worked with giants such as Johnny Cash, Kris Kristofferson, Waylon Jennings, Jerry Lee Lewis, Narvel Felts but also Alexander Rybak (winner of the Eurovision Song contest 2009 with ‘Fairytale’) and Elton John. He also opened the European Graceland Randers in Denmark earlier this year.'
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Stephen Moyer speaking at the 2012 San Diego Comic-Con International in San Diego, California.
Please attribute to Gage Skidmore if used elsewhere.
Casa Asia y el Real Instituto Elcano organizan esta conferencia en la que el ministro de Asuntos Exteriores de Australia, Stephen Smith, hablará del compromiso económico y político de su país en Asia, haciendo hincapié en la respuesta de Australia a los desafíos de seguridad en la región. En su intervención, hablará asimismo de Afganistán como un área en la que confluyen intereses australianos y españoles, y perfilará la naturaleza del compromiso de Australia en ese país, incluyendo su cooperación con la OTAN.
© Rao Gobburu 2011, may not be reproduced without permission.
The church is named for Saint Stephen I of Hungary, the first King of Hungary (c. 975–1038), whose incorruptible right hand is housed in the reliquary.
This is the most important church building in Hungary, one of the most significant tourist attractions and the third highest building in Hungary.
Equal with the Hungarian Parliament Building, it is the one of the two tallest buildings in Budapest at 96 metres (315 ft) - this equation symbolises that worldly and spiritual thinking have the same importance. According to current regulations there cannot be taller building in Budapest than 96 metres (315 ft).[1] It has a width of 55 metres (180 ft), and length of 87.4 metres (287 ft). It was completed in 1905 after 54 years of construction, according to the plans of Miklós Ybl, and was completed by József Kauser. Much of this delay can be attributed to the collapse of the dome in 1868 which required complete demolition of the completed works and rebuilding from the ground up.
The architectural style is Neo-Classical; it has a Greek cross ground plan. The façade is anchored by two large bell towers. In the southern tower is Hungary's biggest bell, weighing over 9 tonnes (8.9 long tons; 9.9 short tons) .[2] Its predecessor had a weight of almost 8 tonnes (7.9 long tons; 8.8 short tons), but it was used for military purposes during World War II. Visitors may access the dome by elevators or by climbing 364 stairs for a 360° view overlooking Budapest.
The cupola is absolutely magnificent. Jaw droppingly beautiful!
Courtesy the good folks at Wikipedia.
My fiance and I were fortunate enough to meet Dr. Stephen Hawking a few weeks ago at a lecture at Texas A&M University
Stephen Moyer speaking at the 2012 San Diego Comic-Con International in San Diego, California.
Please attribute to Gage Skidmore if used elsewhere.