View allAll Photos Tagged Stephens
stephen fretwell for sandman magazine. we had less than an hour to shoot and do the interview. top bloke and fantastic musician though. lammars, manchester, 6.9.07
Toccoa, GA (Stephens County)
The Ritz Theater, also known as the Historic Ritz Theatre at the Schaefer Center, is located at 166 W Doyle St, Toccoa, GA 30577. It is a beautifully restored Art Deco theatre built in 1939 that hosts a variety of events, including concerts, comedy shows, and musicals.
The theatre was originally a single-screen movie house operated by Fred T. McLendon, a regional innovator who built a chain of 36 theaters across the Southeast. The Ritz is one of only two McLendon-owned theaters still in operation in Georgia. (Google AI)
7 and the Brooklyn Bridge Photo Walk
Large Format Station
Flickr Explore: #158 on June 30 2011
Stephen Salmieri is a New York City based photographer who has been creating fine art images since the early 1960’s. Stephen’s photographic approach can be summed up in three aspects.
First, always carry a camera. Stephen uses the camera to capture the vanishing and interpret the world around him.
Second, is an absolute devotion to the black and white image. Stephen works with Kodak Tri-X film and shoots with large format cameras (he designed his own 4x5 camera for rapid style street shooting).
Third and lastly, Stephen is a member of a rare breed of photographers who embraces every aspect of the process, from developing negative to creating the final print. The darkroom is his refuge and in Stephen’s own words, “Nothing can replace the darkroom experience, it soothes the soul”.
handheld wide-angle 4 x 5 camera. It’s a 65mm f/8.
Book: Cadillac: An American Icon (Rizzoli 1985, Taschen 1988)
© branko
youtube channel: www.youtube.com/a2b1
I'm in New Hampshire right now with a wonderful group of friends :)
This is just a simple photo of my incredible friend Stephen. I'm so excited to be spending another week with a group of beautiful, talented people.
Stephen Banister, age 32, runs in the Solana Beach Triathlon, Triathlon event, in the 30-34 Male division. Banister finished 6th overall out of 538 participants. His overall time was 00:56:18 with a swim time of 00:12:02, bike time of 00:24:35 and run time of 00:18:22.
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Stephens Indoor Facility in Columbia, Missouri. Photography by Notley Hawkins. Taken with a Canon EOS R5 camera with a Canon RF15-35mm F2.8 L IS USM lens at ƒ/11.0 with a 13-second exposure at ISO 50. Processed with Adobe Lightroom Classic.
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©Notley Hawkins. All rights reserved.
Explored! #34
This is a repeat of this shot that I did a while back. I made a video for the Pocket Wizard/Strobist contest to describe the process.
Strobist info: Canon 430ex directly behind me with a Gary Fong lightsphere and an SP studios strobe behind me at camera left with an orange gel. The light streaks are a blue led light and a maglight with a red gel.
I adore Stephen Sondheim’s words and music. We weren’t friends. We weren’t really even acquaintances. But he knew who I was and we corresponded for a number of years. It was because of my Autographs Project.
My Autographs Project was something that I came up with and worked on during the 1980s and early 1990s. Basically I wanted to meet famous people and I did it for my own enjoyment. What I would do is the drawing of the celebrity and then figure out how to get to them. Eventually I would get in contact with their secretary, assistant or manager and work through them. Some of the best people were the guys at the stage doors at Broadway shows. They loved my project and I would usually get to the star. Over the years I was able to get the autographs of President and Nancy Reagan (I just loved that my drawings were actually in the Oval Office), Andy Warhol, Al Hirschfeld, Liza Minnelli, Elizabeth Taylor, Spike Lee, Paloma Picasso (I have a signed Picasso), Michael Jackson, Lucille Ball, Bernadette Peters, Mandy Patinkin, Mikhail Baryshnikov and Jeremy Irons, to name a few.
My road to Sondheim started with Mandy Patinkin. I had met him, to autograph his drawing, while he was performing in the musical “The Secret Garden.” I had my Sondheim drawing with me and showed it to Mandy and asked him if he had a number for Sondheim? He did, but that number didn’t pan out. Then I read in the newspaper that Sondheim was going to part of a benefit for the Young Playwrights which he founded in 1981. I contacted them and they gave me his agent’s number. I spoke to that office and eventually sent a package explaining my project with copies of drawings I had gotten autographed. I did not send my drawing of Sondheim. Soon after I received a letter from Sondheim saying that he thought my drawings were terrific and he’d be happy to sign his. “Just send it along or whatever.” I wanted “whatever!” Unfortunately there was no phone number. So, I wrote a note back and a couple of days later I got a phone call from Sondheim’s assistant, Steve. He told me that I could drop off the drawing. I still wanted the “whatever” and asked if it would be possible to have a quick meeting with Sondheim to autograph my drawing? He said he’d ask him. He called me back and said “the boss” told him that the next afternoon at 5:30 could work. Well, the next day I found myself standing at the door of Sondheim’s East Side townhouse. I took a deep breath and rang the bell. His assistant, Steve, answered the door. He told me that they were running a little late and graciously invited me into the living room. I immediately met Max, Sondheim’s standard poodle. A fine dog. Steve told me to make myself comfortable and asked if I wanted anything to drink? Water. He went into the kitchen and got me a glass. Sondheim’s living room was delightful, full of knick-knacks, toys, games and puzzles. Of course there was a piano, if that piano could talk! Then at the other end of the room, at the staircase, I saw feet, legs, Sondheim! One tries to act cool in these moments and I was trying to do my best. He went into the kitchen to talk to Steve about something. Then Steve said to him. “That’s Rick Tulka.” He replied, “I know.” He came over to me and said, “Let’s get the drawing signed.” I asked him if he wanted to see my project? He said that he already knew my work and they were on a schedule. I took out his drawing and opened the protective paper. He laughed and then held his hand over the forehead asking if it was too large? So, I looked at his face as he sort of posed for me. Sondheim was posing for me! I said, “Well, it is a caricature.” “Okay, if that’s the way you see me.” Then he asked me what he should sign and where? I told him that he could write anything he wanted to which he responded with a sly grin, “Whatever I want, really?” I told him that he could put a big cross over the drawing if he wanted. As he signed the drawing I walked away looking at the art on the walls. He returned the protective paper over the drawing and handed it back to me. He said that he was sorry that he was rushed and couldn’t spend more time with me. He told me to finish my water and stay as long as I wanted and he returned upstairs. As long as I wanted? Now I was all alone, I sat on the sofa and talked to Max the dog. Well Max was more interested in sticking his nose in my crotch. As long as I wanted? I’d still be there. It was kind of strange, I really didn’t know what to do. I did go into the kitchen and washed the glass of water. Soon after Steve, the assistant, came downstairs and asked if he could see the drawing? I opened up the protective paper and saw, for the first time, what he wrote. It made me smile. Steve laughed at the drawing and said that Sondheim told him that I got his notations on the sheets of music perfect. He had said, “It’s exactly how I write.”
That wasn’t the end. A day later I wrote to Sondheim to thank him for his autograph and I added a very “Hirschfeld” self-portrait stuffed with “Ninas” and asked, “Who’s Nina?” A joke that flopped. A couple of days later I received a reply from Sondheim explaining who Hirschfeld was, how he worked for The New York Times and hid his daughter’s name, Nina, in his drawings. I replied soon after telling Sondheim that I, of course, knew who Hirschfeld was, how he was my idol and I was just joking. This all happened in 1991. I wrote Sondheim a couple of times before our move, especially when we went to see his musical “Passion.” He always sent a note back. He received MAD Magazines and MAD pins from me which he wrote back gave him much pleasure. In 1995 there was a fire in his townhouse and his dog (my friend) Max perished. It wasn’t until months later when we finally got settled in our new life that I wrote him to let him know how sorry I was to hear about his dog. We corresponded, on and off, until 2004. When I’d get our mail and there was a small white envelope from him, included with the bills and junk, it always made me smile. Those little envelopes were musical.
You can see other samples from my Autographs Project here: www.flickr.com/photos/leselect/albums/72157677401151292
Old photo recently unearthed by a friend.
The Great Stephen Barry, locking me in the back of his truck.
I'm finally home, and after a long delay (one day) just added to the long journey. But so well worth my brief visit to South Africa. I had to see Stephen Biko's grave while in King Williams Town.
Stephen Butler Volvo B7TL / Alexander / Transbus ALX400 (06-D-30576, 00-D-40027 and 02-D-10230) in Midleton, Cork 29th June 2019.
Ex Dublin Bus AX 576, AV 27 and AV 230.
British Railways (ex-LMSR) Royal Scot no. 46115 'Scots Guardsman' runs south along the Settle & Carlisle railway at Hazelgill, Kirkby Stephen with The Railway Touring Company's 1Z87 14:15 Carlisle to London Euston 'The Winter Cumbrian Mountain Express' on Saturday, 8th February 2020.
Summerfolk Music & Craft Festival. Held on the 3rd weekend in August at Kelso beach Park in Owen Sound.
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Stephen is a very interesting fellow, which resulted in a very interesting and informative conversation during our photo session earlier this week.
I was honoured to do the albumcover for Norwegian singer Stephen Ackles.
This is one of the shots we made. But another shot was chosen for the actual cover.
Key light Elinchrom Deep octa, feathered away to make it softer. To create rimlight extra light was added with CTO gel. (like a motivated lightsource imitating light from lightbulbe)
Photography: FLOR3NS, Florens van der Put
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Copyright Owner: © 2021 FLOR3NS Photography, Florens van der Put ALL RIGHTS RESERVED
On a blustery, cold afternoon last March, this teen shrugged off everything that nature had to throw at her while waiting for a friend to pick her up.
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© Stephen L. Frazier - All of my images are protected by copyright and may not be copied, printed, distributed or used on any site, blog, or forum without expressed permission.
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Like ALL of my photographs this is © stephen cotterell photography so please do not use this without my express permission. If it is for your personal blog I am more than likely to say yes but please check. If you want it for any kind of commercial activity (including your internal powerpoint presentation) then you need to pay me BEFORE use. I feel sure that you understand.
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