View allAll Photos Tagged Statement
More info: www.craftivist-collective.com/Mini-Fashion-Statements
PRESS RELEASE 16.2.17:
Will you find a Mini Fashion Statement in your pocket this April?
As the world remembers the Rana Plaza disaster on 24 April, the Craftivist Collective will be launching a new craftivism kit to make and gently challenge people to think about how their clothing is made.
The collapse of a Bangladeshi factory in 2013 saw 1,138 garment workers killed and over 2,500 injured. There had been signs of structural failure the previous day, but workers were ordered to return to work regardless.
The Mini Fashion Statements kit is being launched in support of Fashion Revolution, a global movement born in the wake of the disaster, which calls for greater transparency, sustainability and ethics in the fashion industry.
The kit feature small scrolls on which makers all over the world are encouraged to write - slowly and in their neatest handwriting on their own or in groups - one of three provocative but not preachy messages designed to get both writer and reader thinking about the true cost of fashion and inspire them to play their part in improving the ugly side of the industry.
Shop-droppers not shop-lifters
The finished scrolls, tied with a pretty bow and featuring an invitation to “please open me”, a smiley face and a kiss, can then be ‘shop-dropped’ into the pockets of garments in fashion stores, or clothes worn by family, friends and colleagues.
This deliberately non-confrontational form of ‘guerilla activism’ using handcrafts is a designed as an alternative to some the more traditional aggressive types of activism.
Sarah Corbett, founder of the Craftivist Collective, said: “We help people learn the art of ‘gentle protest’. We want every part of the fashion industry to be beautiful, not just the clothes. Our pocket-sized scrolls are powerful and poignant little reminders of the role we can play as consumers. They’re designed to make us think about how the clothes we buy and wear are made, and how we might be able to help tackle problems like poor conditions for workers or the use of materials that are damaging to the environment.”
Asking #whomademyclothes
Orsola de Castro, co-founder and Creative Director of Fashion Revolution, said: “We want to unite the fashion industry and ignite a revolution to radically change the way our clothes are sourced, produced and purchased, so that what the world wears has been made in a safe, clean and fair way.
“The Craftivist Collective’s Mini Fashion Statements are a really simple, fun and creative way to be part of the Fashion Revolution. Made with love and placed into a pocket on a store's clothes rail, they surprise shoppers with a message that reminds us to be more curious about our clothes.
“They may be small, but they have the power to make shoppers stop and consider the people who make our clothes, their working conditions and human rights issues. This shows that activism doesn't need to shout from the rooftops, it can gently provoke from our pockets!”
The Mini Fashion Statement kits were pioneered by Sarah during workshops at Stockholm Fashion Week and Helsinki Design Week, and are the first non-stitched Craftivist Collective project. Sarah will be holding further workshops in London and Lincoln in early April to introduce people to the kits and teach them how to do ‘shop drops’ to distribute their mini fashion statements.
[Subhead:] Editor’s notes
CRAFTIVIST COLLECTIVE: Founded in 2009, the Craftivist Collective produces projects, products and kits to help individuals and groups across the globe change the world one stitch (or sentence) at a time using slow, gentle, beautiful activism. You can find out more at www.craftivist-collective.com
FASHION REVOLUTION: Fashion Revolution is a global movement calling for greater transparency, sustainability and ethics in the fashion industry. Fashion Revolution Week runs from 24-30 April 2017. For more information visit www.fashionrevolution.org
RESOURCES / CONTACT: Logos and product imagery, as well as quotes and interview opportunities, are available on request - please email press@craftivist-collective.com.
MINI FASHION STATEMENT KITS: Each kit features: a roll of high quality scrolls, each with an embossed Craftivist Collective logo; three different colours of ribbon (enough for 10 scrolls) to help make your messages stand out; ‘Crafterthought’ questions to reflect on as you write; two small free gifts; tips and message templates. They will available from 24 April at <a href=www.craftivist-collective.com/shop.
EVENT: Hackney, London: Thursday 6th April, Showroom Studio, 6.30-8pm. £10 You will learn the art of gentle protest, create beautiful small fashion statements supporting the organisation Fashion Revolution to put into the world as catalysts for change and practice the skill of shopdropping (the opposite of shoplifting).
A local mobilisation of anti-fascists matched in number a national demonstration called by the EDL in Birmingham with around 350 supporters from trade unions, community groups, faith groups and councillors demonstrating their opposition to the EDL in Birmingham.
The 'We are Birmingham - Don't let the racists divide us' rally organised by Birmingham Unite Against Fascism was supported by Salma Yaqoob, Carl Chinn, Roger Godsiff MP, Jack Dromey MP, Rabbi Margaret Jacobi from the Birmingham Progressive Synagogue, Muhammed Sarfraz Madni, Executive Member and Imam from Birmingham Central Mosque and Robert Brenchley from Ladywood Methodist Church.
A statement released by them as well a number of trade union general secretaries said "We, the undersigned, condemn the decision by the English Defence League (EDL) to come to Birmingham on Saturday 11th. October. We believe it is a cynical attempt by the EDL to use the appalling crime of child sexual exploitation in Rotherham to further its own selfish ends. We support and seek justice for all victims of sexual exploitation regardless of their social or ethnic background. We condemn and seek prosecution of all those responsible for these crimes irrespective of their ethnicity or creed."
"The EDL is a racist and fascist group dedicated to attacking Asian people and Muslims. Many former members of the fascist BNP, the Nazi National Front and other fascist organisations are active in the EDL and its splinter groups. These fascists and racists should be condemned and opposed. We must not give a quarter to those who would judge an entire religion, race or nationality by the actions of a few. Islamophobia – bigotry against Muslims – is as unacceptable as any other form of racism. Today they threaten Muslims, tomorrow it could be Jewish people, Hindus, Sikhs, black people, LGBT people, Travellers or Eastern Europeans."
The rally was entertained bands including Thatchers Lovechild, poets an singers as well as speeches from black students, local councillors trade unions, LGBT and disabled activists. The demonstation was also supported and addressed by the local Palestine Solidarity Campaign and a messae of solidarity was read out from Greek ant fascists opposing the the Golden Dawn, a fascist party growing against the back drop of brutal austerity measures in Europe.
Citing the examples of Nick Griffin being expelled from his own party, the BNP and Tommy Robinson resigning from the EDL, UAF pledged to confront racist and fascist organisations wherever they seek to "divide communities" with their "message of hate."
The EDL demonstration was less than an eighth of the size of last year but questions still remain over the policing of the operation. Contraversy hit the press after Bar Risa on Broad Street claimed they were "forced" by the police to faciliate two hours of drinking by the EDL before the demonstration in a move which was widely condemned.
Birmingham Unite Against Fascism became aware of claims that staff at the venue were advised only white staff should work the shift. GMB union called on the bar, which is not normally open at those times, not to open in order to protect all of its staff. Other venues on Broad Street have refused to open for the EDL regardless of police requests.
UAF protesters also condemned what they called heavy policing tactics at the beginning of the day. Despite being in negotiations with the police for weeks and publically calling their demonstration in Victoria Square they arrived to a section 14 notice threatening arrest and a "steel cage" in Chamberlain Square which they sought to force protestors into. UAF negotiated with the police to remove the barriers, allow freedom of movement and march into the square only after they believed the majority of protestors arrived.
Organisers of the UAF demonstration said "The people of Birmingham should not be punished and forced into a cage for standing up to racists in the city. We are surprised the police see the citizens of their own city as more of a public order issue than the EDL."
"When policing the EDL they appear to have undertaken an identical operation as last year, rolling out the red carpet, actively forcing a bar to facilitate drinking for two hours and then allow the EDL to spout their messages of hate by a war memorial of all places."
Last year the EDL caused hundreds of thousands of pounds of damage to the city, racially abused by-standers and even injured police officers during two hours of disorder. The court cases are still ongoing.
PP-22 - Policy Statements
Ms Naama Henig
Head of International Affairs Department
Ministry of Communications
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
Source: The self-statement of a wooden wrist watch
I am a wooden wrist watch, simple but not ordinary!
When the movement inside my body began to work, I started having a sense, I looked at my body was improved gradually after assembled by workers, and ultimately I became a complete wrist watch!
The movement is my brain, only when it operates normally, I am able to think. During the process of assembly, I heard that my movement is Japan's miyota 2035 quartz movement. So my brain can operate more stably and run for a long time.
My face is determined by a variety of dials and pointers. The customer's requests will finally determine my face looking beautiful or fashionable.
My main body is nature wood, different material and size of the shell will eventually decide what I look like. Adding a layer of protective glass, so that I can see the colorful world clearly! I have different bodies, such as ebony, red sandalwood, green sandalwood, maple, zebra and bamboo. Each one of my bobies have its own characteristics.
My hands and feet are also wooden, in fact, I have other options, such as leather strap, nylon strap and silicone strap! But my favorite is a wooden strap!
Oh, I almost forget to intoduce my ears, my ears can help people to adjust the time, so that I can keep the same pace with the world!
The workers finished my assembly, and now I am on the way to the guests, I will go with my master to see this vast world and fulfill my duties. Hurry up to take me away!
Recommend reading:
Cory Smoot of the band GWAR. Here is the band's statement on his recent passing.
After a restless night spent hurtling through the desolate Canadian wilderness, I crawled from my bunk on the tour bus to face reality, grudgingly aware that the the dark dream that gripped us would not fade with the day. We have lost a brother, a husband, a son, and one of the most talented musicians that ever slung an ax. Cory Smoot, longtime lead guitar player for the band GWAR, has passed at the age of 34.
As the singer of GWAR and one of his best friends, I feel it is my duty to try and answer some of the questions that surround his tragic and untimely death. I know the sense of loss and pain is far greater in scope than in the insulated environment of a band on tour, and I will do my best to provide what clarity and comfort I can.
The most glaring question is how? And unfortunately that is the hardest question to answer. The truth will not be known until the medical officials have finished their work. All I can do is relate what we saw with our own eyes.
The last time I saw Cory was after our show in Minneapolis on Weds. night. It was a great show at First Avenue in Minneapolis, one of our favorite places to play. Cory was happy. He was excited about the band and especially the new studio he was building in the Slave Pit back in Richmond. He was deeply in love with his wife, Jamie, and was busily planning their family and future in the beautiful home they had. As usual, after some autographs and banter, I was probably the first person in their bunk as we got ready for a big drive into Canada, and Cory and the rest of the guys were not far behind. As I fell into the slumber that only playing GWAR shows can induce, everything seemed right in the world.
We found Cory the next morning as we collected passports for a border crossing. He was in his bunk, unresponsive, and it quickly was clear that he was dead. It was without a doubt the most horrible moment of my life. That’s all I can say about it.
Within moments everybody was off the bus, standing in a wind-swept parking lot in the middle of nowhere, trying to come to grips with the shock of it. First the ambulance arrived, and then the police, but there was nothing that could be done other than fully investigate the scene and remove Cory with care and respect.
We are completely devastated and shocked beyond belief. One night we had our friend and colleague, happy and healthy in the middle of our best tour in years- and the next morning, so suddenly, he was gone. Never have I seen starker proof of the fragility of life.
Cory will be transported home to Richmond over the next few days, and an announcement regarding services will be made soon. We ask everyone to respect the families wish for privacy, and especially to keep his wife, Jamie, in your thoughts and prayers.
As we work our way through these difficult days the question is — what will GWAR do? After a lot of consideration, we have decided to carry on with the tour. Although the great temptation would be to return home, curl into a fetal position, and mourn, we can’t do that. First off, Cory wouldn’t want that. He would want us to go on and would be pissed if we didn’t. Plus we know the fans don’t want us to quit. They are going to want a chance to come to grips with their loss, and there is no better place to do that than at a GWAR show. Though it’s hard to believe, I think we all would feel a lot worse if we stopped. For better or worse we have to see this through.
That doesn’t mean that Cory will make his final journey without us. When the arrangements have been finalized, Cory’s best friend and GWAR’s music tech Dave “Gibby” Gibson, and myself will return home to attend the services and pay the proper respects to our comrade.
Out of respect to Cory, we have officially retired the character of Flattus Maximus. Flattus has decided to return to his beloved “Planet Home”, and will never return to this mudball planet again. And this is a sadder place for that.
Just the other day I heard Cory tell a story about how some 20 years ago he was fourteen years old, at his first GWAR show, grabbing at the rubber feet of our then- current Flattus, and how blown away he was at the fact that now HE was the one getting his feet pulled by the same kid that he used to be. Cory was always in awe of the patterns of life and went through it with a wide-eyed amazement that translated through his playing. I’ve never known anyone who could pick up literally any instrument and rock it the first time he touched it, and more than that make it look easy. Behind that rubber monster outfit, and sometimes even obscured by it, was one of the most talented and beautiful people I have ever known. I know everyone who’s life was touched by Cory truly loved him, as do we, his bandmates and brothers.
There should be some kind of announcement soon regarding services, etc. It would be great to have a memorial show at some point soon, where some of the bands that Cory worked with could come together and show their love for this truly amazing man who left us all too soon and will be sorely missed by many, many people.
Dave Brockie, Nov. 4, 2011
PP22 - Policy Statements
H.E. Mr Benito Santiago JIMÉNEZ SAUMA
First Secretary
Embassy of Mexico in Romania
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Ms Bolor-Erdene Battsengel
Deputy Minister of Digital Development and Communications
Ministry of Digital Development and Communications
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Statement by H.E. Ms Mireya Muñoz, Alternate Permanent Representative of Ecuador at the 21st session of the Conference of States Parties to the Chemical Weapons Convention. Held at the World Forum Conference Centre the Hague, Netherlands. 29th November 2016. Photograph: CSP20161100 by HA-688
To be, or not to be, that is the question—
Whether 'tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles,
And by opposing end them
PP22 - Policy Statements
Dr Mark Schaan
Senior Assistant Deputy Minister / Strategy and Innovation Sector
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
International Monetary Fund Managing Director Christine Lagarde delivers a statement on the conclusion of the IMF's Executive Board regular five-yearly review of the Special Drawing Rights (SDR) November 30, 2015 at the IMF Headquarters in Washington, DC. Lagarde stated “The Executive Board's decision to include the RMB in the SDR basket is an important milestone in the integration of the Chinese economy into the global financial system. It is also a recognition of the progress that the Chinese authorities have made in the past years in reforming China’s monetary and financial systems. The continuation and deepening of these efforts will bring about a more robust international monetary and financial system, which in turn will support the growth and stability of China and the global economy.” IMF Staff Photo/Stephen Jaffe
PP-22 - Policy Statements
H.E. Mr Gospel KAZAKO
Minister
Ministry of Information and Digitalization
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
Policy Statements ITU PP-22
H.E. Mr Hristo Aleksiev
Deputy Prime Minister for Economic Policies, Minister of Transport and Communications
Ministry of Transport and Communications
Bucharest, Romania
26 September 2022
©ITU/Rowan Farrell
Policy Statements ITU PP-22
H.E. Mr Annuar Musa
Minister
Ministry of Communications and Multimedia
Bucharest, Romania
26 September 2022
©ITU/Rowan Farrell
For complete article please visit:
occupythefarm.org/category/c27-statements/
"On Saturday, May 11th, Occupy the Farm peacefully marched onto the Gill Tract to challenge the UC’s renewed plans for private, commercial development of this public agricultural resource, replacing 5-foot high weeds with thousands of squash, kale, basil, corn, lettuce and tomato plants, and even flowers.
Rather than recognizing this as an opportunity to position itself on the cutting edge of urban agriculture and participatory research, the University raided the farm on Monday, May 13, at 4:30 a.m. and violently arrested four peaceful farmers, three of whom were held for more than 60 hours before being released without charge. The University then ploughed over the farm that morning, destroying thousands of starts that, if nurtured, would have provided sustenance to local communities.
“This land has been vacant for years,” said an Occupy the Farm member, Matthew McHale, “the UC only destroyed the crops because it’s afraid that if the community sees what an amazing asset this would be as a community farm, they would refuse to let it be paved over.”
In protest of the UC’s actions, more than eighty farmers and community members re-converged on Monday afternoon for a rally, then marched back onto the farm to replant the field and recover some of the starts they had planted over the weekend. The University plowed the farm again Tuesday morning.
Since Occupy the Farm first planted on the Gill tract in April 2012, the group has organized at least 10 public forums focused on the Gill Tract as an asset to community-driven participatory research. The UC Berkeley administration has consistently failed to attend, despite being invited repeatedly. Students on campus however, support turning the land into an urban farm; last Spring the Associated Students of the University of California Senate unanimously passed a resolution in support of Occupy the Farm."
Dress: A Grecian Turn Dress, Rubber Ducky via ModCloth
Cardigan: Charter School Cardigan in Raspberry via ModCloth
Bracelets: Nordstrom (blue bracelet), Talbots (orange and pink bracelet), and vintage (gold bangles)
Necklace: Statement of the Art Necklace in Sun via ModCloth
Laptop Bag: Marc by Marc Jacobs via Nordstrom
Photo by Pat Zimmerman
PP-22 - Policy Statements
Mr Oscar George
Minister of State in the Office of the Prime Minister, with responsibility for Telecommunications and Broadcasting
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
Mr Carlos Manuel Baigorri
President
National Telecommunications Agency (Anatel)
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
Ms Naama Henig
Head of International Affairs Department
Ministry of Communications
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
The heads of the international delegations made statements about the responsible use of Artificial Intelligence. This was done in a round table setting.
Watch the entire high level plenary session: youtu.be/J8APAkq4LlY
Watch the REAIM 2023 aftermovie: youtu.be/dSZ48joIXJ0
Read the speech by Dutch Minister of Foreign Affairs Wopke Hoekstra at the round table: www.government.nl/ministries/ministry-of-foreign-affairs/...
Photo: Ministry of Foreign Affairs / Martijn Beekman
Finance Minister Tito Mboweni delivering the 2020 Medium Term Budget policy statement.
The 2020 Medium Term Budget Policy Statement (MTBPS) charts a course that will enable South Africa to begin the difficult task of economic recovery. Government’s central policy goals over the next three years are to position the economy for faster, broad-based economic growth, and to return the public finances to a sustainable position. Achieving these objectives will require determined action [Photo:GCIS]
Policy Statements ITU PP-22
Mr KWAME MCCOY
Minister
Office of the Prime Minister
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Introducing Moda by Polygon, an iconic tower in Burnaby where artistic style and smart living converge. It is an architectural statement in the vibrant Metrotown neighbourhood that exemplifies your unique identity. Designed with the modern professional in mind, it sets a new standard for thoughtful interiors and stylish features.
Evoking a sophisticated character that celebrates the spirit of artistic expression and urban diversity, this 32-storey striking landmark redefines the skyline and lifestyle of the most sought-after address in Burnaby. Inside, the one plus den and two bedroom residences feature open-plan layouts, hotel-inspired ensuites and gourmet kitchens with sleek appliances and quartz countertops. Expansive floor-to-ceiling windows allow you to start and finish your day with sweeping panoramas of the city and surrounding parks.
Life at Moda will always be in step with the latest fashion and entertainment options. With over 450 brand name stores and services just across the street at Metropolis at Metrotown, your excitement awaits. While strolling home, a newly transformed Beresford Street impresses with friendly sidewalk cafes and intriguing public art installations. And at the centre of the community, a spectacular art wall stands proud by the doorstep of Moda, embodying the animated heartbeat of the city and illuminating inspirations.
PP22 - Policy Statements
H.E. Mr Behzad AHMADI
Deputy Minister and Head of Center of International relations of Information and Communication
Ministry of Information and Communications Technology
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Greater Manchester Police’s Assistant Chief Constable Ian Hopkins speaking to the media outside the Force’s headquarters this afternoon (21/7/11). ACC Hopkins gave an update on developments in the case of deaths at Stepping Hill hospital.
Detectives investigating the deliberate contamination of products at Stepping Hill hospital are investigating two further deaths.
An initial post mortem on 19 July 2011, failed to establish the cause of death of an 84-year-old woman who died on 14 July 2011.
The case was referred to GMP by the coroner yesterday, Wednesday 20 July 2011, due to the woman's low blood sugar level.
A Home Office post mortem is due to be carried out today.
An 83-year-old man who suffered a hypoglycaemic episode on 11 July 2011, sadly died today, Thursday 21 July 2011. The cause of death is not known and a Home Office post mortem is expected to be done in due course.
Detectives from GMP's Major Incident Team are currently investigating the deaths of George Roy Keep, Arnold Frederick Lancaster and Tracey Arden after products were found to have been deliberately contaminated.
Police, the coroner and staff at the hospital are working closely together and future deaths are likely to be referred to GMP's Major Incident Team for review in order to scrutinise the death and ensure any suspicious circumstances are thoroughly and robustly investigated.
Assistant Chief Constable Ian Hopkins, said: "As with the deaths of George Keep, Arnold Lancaster and Tracey Arden the cause of this man and woman's death is not known and it is important we do not lose sight of this fact.
"In relation to the death of the woman, this was referred to us by the coroner and after a review of the circumstances surrounding this death - notably the low blood sugar level - we have decided to investigate further.
"In relation to the man's death, due to the fact he suffered a hypoglycaemic episode during a timeframe we are looking at it is only right we conduct further inquiries.
"We have family liaison officers with both families and my thoughts are with them as they are with the relatives of all affected by this incident.
"I want to make it abundantly clear that we are working closely with the coroner and, as is to be expected, it is likely we will be asked to investigate further deaths.
"In the main these are likely to be deaths of people who are elderly and/or ill, and we fully support the coroner's "belt and braces" approach to ensuring future deaths that require further investigation are appropriately investigated and scrutinised.
"I cannot emphasis enough how complex an investigation this is, requiring detailed forensic and medical analysis, and want to take the opportunity to thank the hospital and staff for their ongoing help and support.
"Our inquiry has gathered apace and while we have made an arrest any suggestion that this investigation is close to being complete is misleading.
"All I can say in relation to the arrest is that we have a 27-year-old woman in police custody who has been arrested on suspicion of murder and I am not prepared to say anything else that could potentially prejudice a future trial.
"We are fully committed to finding out exactly what has happened and officers continue to work around the clock in order to provide answers to the families of those who have lost their lives.
"We are determined to identify and bring to justice the person responsible and we are continuing to appeal to anyone who might have information relevant to this investigation to get in touch."
A 27-year-old woman arrested on suspicion of murder remains in police custody for questioning.
Anyone with information is asked to call the incident room on 0161 856 2480. Anyone who has health-related concerns should call the NHS dedicated hotline on 0161 419 4888.
For more information about Greater Manchester Police please visit our website.
To view the full statement please visit
PP-22 - Policy Statements
Senator Karen Grogan
Chair, Senate Communications and Environment Committee
Bucharest, Romania
30th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Mr Latsamy KEOMANY
Ambassador, Permanent Representative
Permanent Mission of the Lao PDR to the UN Office and Other International Organisations in Geneva
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
Ms Naama Henig
Head of International Affairs Department
Ministry of Communications
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
I overheard a group of beautiful young girls talking about how "fat" they were...if only they would open their eyes.
The closing statements in the case The Prosecutor v. Dominic Ongwen were scheduled for 10-12 March 2020 before Trial Chamber IX of the International Criminal Court ("ICC" or "Court") in The Hague, The Netherlands. The Prosecution, the Legal Representatives of Victims and the Defence will present their final arguments. Trial Chamber IX is composed of Judge Bertram Schmitt, Presiding judge, Judge Péter Kovács and Judge Raul Cano Pangalangan.
PP22 - Policy Statements
Mr Carlos Manuel Baigorri
President
National Telecommunications Agency (Anatel)
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
PP-22 - Policy Statements
Mr Ian Mak
Assistant Chief Executive, International
Infocomm Media Development Authority
Bucharest, Romania
28th September 2022
©ITU/Rowan Farrell
PP22 - Policy Statements
H.E. Dr Ms Emilija Stojmenova Duh
Minister
Government Office for Digital Transformation
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell
Block Arcade Melbourne
VHR citation
BLOCK ARCADE
Location
280 - 286 COLLINS STREET 96 - 102 ELIZABETH STREET MELBOURNE, Melbourne City
Google Maps and Google Streetview
Victorian Heritage Register (VHR) Number
H0032
Heritage Overlay Number
HO596
a Level of Significance
Registered
Extent of Registration 1. All the building known as the Block Arcade marked B1 on Diagram 32 held by the Executive Director.
2. All the land marked L1 on Diagram 32 held by the Executive Director, being the land described in Certificate of Titles Vol. 4645 Fol. 875, part of Vol. 9409 Fol. 669, Vol. 9924 Fol. 206, Vol. 9409 Fol. 669 and Vol. 4645 Fol. 874.
Statement of Significance
What is significant?
The Block Arcade was developed by financier Benjamin Fink. The Collins Street section of the building was completed in February 1892 and is similar in style to the Milano Galleria Vittorio Arcade in Italy. The new shopping arcade was designed by David.C.Askew of the architectural firm Twentyman and Askew. The cost of erection was £46 233. The bluestone footings for the building came from the original structure on the site, the Briscoe & Company Bulk Store. The site of 96-102 Elizabeth Street was purchased by the City Property Company Ltd in January 1892. Architect David Askew was called upon to continue his style for the arcade and this area was completed in October the following year. The Block Arcade comprises of arcade shops with mezzanine levels above for social rooms and offices, shops to Collins Street, Block Place and Elizabeth Street and four levels of office space above. The arcade forms an L-shape with a polygonal planned space with a glazed roof at the corner of the L. The kink in the plan was due to the shape of the original block subdivision and the location of Block Place, the lane behind. Linking the two spaces is an elaborately patterned mosaic floor of tiles, which were imported from Europe. When the arcade was constructed the Building and Engineering Journal noted that the flooring contained the largest area of mosaics yet laid down in Australia. In 1907, scenic artist Philip Goatcher for the Singer Sewing Machine Company decorated the ceiling of their premises on the east corner of the Collins Street entry to the arcade. The other shop to Collins Street, which housed the first Kodak shop in Melbourne contains an elaborate pressed metal ceiling. The facades to Collins and Elizabeth Street are designed in the Victorian Mannerist style with elaborate stucco decoration. Particular facade elements include; triangular and segmental pediments; rustication and an exaggerated cornice with brackets. Features of the upstairs office spaces include timber joinery around lift entries, tessellated tiles to the lobby spaces, elaborate leadlight windows and decorative plasterwork to arches in the corridors. There is also one surviving communal timber telephone box situated in a corridor.
How is it significant?
The Block Arcade is of architectural, aesthetic, social and historical importance to the State of Victoria.
Why is it significant?
The Block Arcade is of architectural and aesthetic importance as an excellent intact example of a shopping arcade. The design draws on early and influential European models and as such is important in its ability to demonstrate the essential and typical qualities of those designs and the continuity of the tradition of covered shopping streets. The Elizabeth and Collins Street facades are fine examples of the Mannerist style demonstrating many of the characteristic elements, such as a combination of triangular and segmental pediments and rustication. The Block Arcade is of architectural and aesthetic significance as it features lavish interior decoration, including an extraordinary mosaic tile floor. Based on the Milan Galleria Vittoria, it has a glass roof over the arcade with a glass dome at is corner. Its internal spaces, with their high quality finishes, have been maintained and the arcade remains a grand and prestigious retailing precinct. Attention to detail has also been carried through to the office spaces on the levels above the arcade.
The Block Arcade is of social and historical importance as the grandest and most fashionable amongst what became an extensive network of retail arcades that provided an alternative pedestrian route to Melbourne's major streets. Many of the arcades constructed in Melbourne before the turn of the century have not survived or have been altered considerably. The Block Arcade is important as an essential element in the social institution of doing The Block. This was a friendly expression referring to the stylish shopping trend of the late 19th century which involved starting in Collins Street at Swanston, then moving west to Elizabeth, north to Little Collins Street and back to Swanston. The Block was the place to be seen and those who frequented the popular thoroughfare, its shops and tea houses were often recorded by caricaturists in the city's social pages.
Year Construction Started 1891
Architectural Style Victorian Period (1851-1901) Mannerist
Heritage Act Categories Heritage place
Municipality MELBOURNE CITY; MELBOURNE CITY
VHR H0032 Statement of signficance
What is significant?
The Block Arcade was developed by financier Benjamin Fink. The Collins Street section of the building was completed in February 1892 and is similar in style to the Milano Galleria Vittorio Arcade in Italy. The new shopping arcade was designed by David.C.Askew of the architectural firm Twentyman and Askew. The cost of erection was £46 233. The bluestone footings for the building came from the original structure on the site, the Briscoe & Company Bulk Store. The site of 96-102 Elizabeth Street was purchased by the City Property Company Ltd in January 1892. Architect David Askew was called upon to continue his style for the arcade and this area was completed in October the following year. The Block Arcade comprises of arcade shops with mezzanine levels above for social rooms and offices, shops to Collins Street, Block Place and Elizabeth Street and four levels of office space above. The arcade forms an L-shape with a polygonal planned space with a glazed roof at the corner of the L. The kink in the plan was due to the shape of the original block subdivision and the location of Block Place, the lane behind. Linking the two spaces is an elaborately patterned mosaic floor of tiles, which were imported from Europe. When the arcade was constructed the Building and Engineering Journal noted that the flooring contained the largest area of mosaics yet laid down in Australia. In 1907, scenic artist Philip Goatcher for the Singer Sewing Machine Company decorated the ceiling of their premises on the east corner of the Collins Street entry to the arcade. The other shop to Collins Street, which housed the first Kodak shop in Melbourne contains an elaborate pressed metal ceiling. The facades to Collins and Elizabeth Street are designed in the Victorian Mannerist style with elaborate stucco decoration. Particular facade elements include; triangular and segmental pediments; rustication and an exaggerated cornice with brackets. Features of the upstairs office spaces include timber joinery around lift entries, tessellated tiles to the lobby spaces, elaborate leadlight windows and decorative plasterwork to arches in the corridors. There is also one surviving communal timber telephone box situated in a corridor.
How is it significant?
The Block Arcade is of architectural, aesthetic, social and historical importance to the State of Victoria.
Why is it significant?
The Block Arcade is of architectural and aesthetic importance as an excellent intact example of a shopping arcade. The design draws on early and influential European models and as such is important in its ability to demonstrate the essential and typical qualities of those designs and the continuity of the tradition of covered shopping streets. The Elizabeth and Collins Street facades are fine examples of the Mannerist style demonstrating many of the characteristic elements, such as a combination of triangular and segmental pediments and rustication. The Block Arcade is of architectural and aesthetic significance as it features lavish interior decoration, including an extraordinary mosaic tile floor. Based on the Milan Galleria Vittoria, it has a glass roof over the arcade with a glass dome at is corner. Its internal spaces, with their high quality finishes, have been maintained and the arcade remains a grand and prestigious retailing precinct. Attention to detail has also been carried through to the office spaces on the levels above the arcade.
The Block Arcade is of social and historical importance as the grandest and most fashionable amongst what became an extensive network of retail arcades that provided an alternative pedestrian route to Melbourne's major streets. Many of the arcades constructed in Melbourne before the turn of the century have not survived or have been altered considerably. The Block Arcade is important as an essential element in the social institution of doing The Block. This was a friendly expression referring to the stylish shopping trend of the late 19th century which involved starting in Collins Street at Swanston, then moving west to Elizabeth, north to Little Collins Street and back to Swanston. The Block was the place to be seen and those who frequented the popular thoroughfare, its shops and tea houses were often recorded by caricaturists in the city's social pages.
Source Victorian heritage database: vhd.heritage.vic.gov.au/places/result_detail/730?print=true & vhd.heritage.vic.gov.au/vhd/heritagevic_new#detail_places...
PP22 - Policy Statements
H.E. Mr Damian Collins
Parliamentary Under Secretary of State (Minister for Technology and the Digital Economy) at the Department for Digital, Culture, Media and Sport
UK Government
Bucharest, Romania
27 September 2022
©ITU/Rowan Farrell