View allAll Photos Tagged StandOut
Standout Home Buyers is a professional house buying company that buys houses fast in Salt Lake City. We pay cash for homes, which makes the entire process simple and quick. Our guaranteed all-cash offer is the reason so many of our customers choose us. Call at 801-810-8756 for more information about cash home buyers in Salt Lake City or visit our website.
Address : 1881 W Traverse Parkway, Suite E #213, Lehi, UT 84043, USA
Phone : 801-810-8756
Official Website : https://standouthomebuyers.com/
With shiny red pompoms, Stowe Elementary School held an assembly Wednesday morning to pass out Standout Stowie Awards to hard working students for completing their academic and reading goals this year. More red pompoms waved as Principal Tiona Sandbulte accepted the North-Star Wayfinder Award. Stowe is just one of three schools nationally to receive the award for demonstrating an outstanding commitment to implementing Wayfinder learning with fidelity and excellence. Read more about the Wayfinder Curriculum at www.withwayfinder.com (Jon Lemons/Des Moines Public Schools)
Syracuse standout guard Buddy Boeheim struck Florida State's Wyatt Wilkes in the stomach during the first half of the Orange's 96-57 rout of the Seminoles in Wednesday's Atlantic Coast Conference tournament game.
Boeheim and Wilkes were underneath the basket battling for position when Boeheim threw a right-handed punch into Wilkes' stomach. Wilkes immediately grimaced. No foul was called.
Boeheim apologized for his actions in a statement released through the school about 90 minutes after the game ended.
"In the heat of today's game, after some shoving in the lane, I swung my arm while turning to go back up the court. It was wrong to act out in frustration. I apologized to Wyatt Wilkes multiple times in the handshake line. He said not to worry about it, but I know it was wrong. I pride myself in respecting the game and our opponent. I will not react that way again," Boeheim said.
Statement from Buddy Boeheim pic.twitter.com/1SvERy9GW7
— Syracuse Men's Basketball (@Cuse_MBB) March 9, 2022
Though replays show differently, Syracuse coach Jim Boeheim -- father of Buddy -- said during the postgame press conference that his son didn't hit anyone. He called it an inadvertent swing.
"No, I don't think he hit him," Jim Boeheim said. "He just swung around and there was contact. The kid pushed him twice. You can't just let people push you around."
Asked if he feared Buddy would be suspended, the coach shot back with "For what?"
Florida
www.sports.cweb.com/basketball/ncaab-syracuse-g-buddy-boe...
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Study is one of them. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Study is one. The Dining Room features two long tables covered in a Miss Havisham like feast of a trove of dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
Tucked away behind the immensity of Liverpool Street station is K10 Appold Street. The second such K10, it took them 12 years to open this one (but weâre glad they did). K10 started back in 2000 in Copthall Avenue - the premise, I think, was to offer modern Japanese food and a modern Japanese dining experience to people in The City, and at this, they have succeeded. Why âmodernâ? Well, they have taken something of a âfusionâ approach - they use a lot more sauces than traditional , and the flavours are probably better calibrated to Western tastes (read: more over the top!). So even if you have a sushi skeptic in your dining party, youâll probably be able to find a non sushi dish that satisfies (prawn tempura, anyone?)
As you can probably see, K10 is a âkaitenâ (or conveyor belt) restaurant - which means watching your food glide by on colour coded plates (each colour corresponds to a different price). This means that, if you see what you want, you can start eating then and there. It really is fast food. Alternatively, if you order a hot dish from the kitchen, service is quick. Itâs a pretty streamlined operation. You can watch the chef working in the open kitchen in the middle of the restaurant. Watch him making & dropping things onto the conveyor belt. Watch him making your dinner. I guess real proof of freshness is having seen the guy make it in front of you, right? This will never get old to me...
As for drink - a small selection of sake (most by the carafe or small 300ml bottle) - a reasonable selection of wines (goes without saying in The City), plus lots of Japanese beers, including OWA - a Japanese beer brewed in Belgium (yeah, I dunno how that works either), Hitachino Nest (excellent if only due to the multicoloured owls on the bottle) and of course, Asahi. Standout dishes? Black cod served on a bed of salad in some kind of incredible sauce. celestial perfection. Or the tuna tartare - a real masterpiece of understated, well balanced Japanese flvour, and also a real bastard to eat with chopsticks.
Itâs also pretty economical, I reckon you could eat well for about £15-£25 a head (maybe without drinks and being entirely ravenous?). This is unless you start going to town on the mobile-oriental-cornocopia that is the conveyor belt, which would beâ¦understandable. As K10 is based in the Broadgate Estate business district, itâs not open on weekends. So head down in the week and observe the frenetic hustle & bustle of City Life through the glass facade, as you enjoy a Zen moment with some kind of deep fried sea creature...
Rolleiflex 3.5F Type 4 Zeiss Planar
Ilford Delta 100 shot @ iso 100
Pyrocat HD 1:1:100 16 minutes at 68
Scan Epson V700
Contrast and Dust Removal CS6
Debt settlement is a tough industry to market for, find out some tips, tricks and a simple how-to for marketing to debt settlement prospects.
Jan 20, 2025. Boston, MA
About 50 people engaged in an Inauguration Day Standout across from the Massachusetts State House. Spokespeople said the purpose of the stand out is to “resist the incoming administration's promises of transphobic policies and system oppression.” Participants were urged to come with a vision of justice, inclusion, and dignity for all trans people.