View allAll Photos Tagged StandOut
Ottoman also reclines with a side lever that allows you to kick back in style. Lower the lever to keet the ottoman flat. Again, your choice.
The evening gown is a standout piece drenched in sequins. Make yourself the star of your evening and shine over everyone else. Imagine the shimmer as your second skin as you slip into this fitted yet flattering strapless number. A sheer detail at the cleavage amplifies the sexy without revealing too much, as the look is also balanced with a thigh-high off-center slit. The gown shows off your sensual shape as the back is as equally flattering as the front.This is the dress that will speak volumes.
Size: Standard Size or Custom Made Size
Closure: Side Zipper
Details: Fully Sequined, High Front Slit
Fabric: Sequin
Length: Floor Length
Neckline: Strapless, Deep-V
Waistline: Natural
Tag: Sequin,Strapless,Long,Deep-V,Homecoming Dresses
Available Colors: Gold, Green, Royal Blue
www.gownprincess.com/deepv-sequined-high-front-slit-la-fe...
SB800 shot through grid spot from above, sb600 through grid spot on background, 2 sb-r200 from camera right through tissue paper, white foam board camara left to push a little light under the cork
These three towers at Hotel Figueroa in downtown Los Angeles not far from Staples Center have athletes of all kinds painted on them. Used Bleach Bypass filter from Color Efex Pro 3.0.
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Study is one of them. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Study is one. The Dining Room features two long tables covered in a Miss Havisham like feast of a trove of dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
This tree stands out beautifully against the hills of the gorge south of the Akosombo Dam, Volta Region, Ghana
sb800 cam right straw snooted diffused with copy paper, by adjusting the distance of paper to knife, able to control the family of angles to get the diffused direct reflection of the knife. also another sb600 cam left also snooted and diffused as above, to get subtle highlight on the knifes' blade. sb800 1/4 power, sb600 1/18, at 250 synch speed. triggered via CLS with the D200 set as commander.
A standout performance art piece by monica jahan bose called sublime virtue. the piece was to raise the issue of the exploitation of girls and women in developing countries with the bed representing the freedom to choose whom to love. the bed was set in the iconic intersection of water and washington streets. it was a crowd favorite and bose displayed her cell phone number and an invitation to text her with comments and questions . DUMBO arts festival 2013.brooklyn.nyc
Amol G. from Standout Entertainment's annual Scorpio Birthday Bash - November 12th, 2011 (at Faces nightclub in Toronto)
Paul Duke, head coach for the Mississippi College Lady Choctaws joins senior standout Alexus Stirgus of Vicksburg. The pair united at the annual MC Sports Hall of Fame banquet on April 26. Stirgus averaged 12.2 points per game and 4.1 rebounds. She was among three MC players named to All-ASC women's basketball teams this year.
***UPDATE*** 5/5/13 Scott and Katherine came in yesterday on a tightly focused mission to find a desk chair, a coffee table, and also a lounge chair. This one made the cut. Nice!
I am going full steam seven nights a week, including all weekends (as this late Friday night update will confirm). Classic Acclaim coffee table in extra tasty condition... and mercy.. looks like Erik Buck is making a cameo. Mercy!
UPDATE-- 12/2/12 This one is off to North Carolina. Everything always finds it way to right place, and Mira & family were really determined to nab this one. The reward? You now have even more Milo B. Bravo.
The launch of the magazine the Standout at University House on the University of the Fraser Valley's Abbotsford campus today.
Rick Collins Photographer - UFV
Remove the cushions revealing a stellar upholstered frame. Extremely comfortable chair with generous proportions.
Five starfish exposed at low tide on a barnacle covered rock - and one starfish is uniquely different from the others. :) Location was the Oregon coast, near Haystack Rock, Cannon Beach, Oregon USA. This photo was taken with my first semi-pro digital camera -- the Olympus E-1. It was a truly amazing camera for its time (2001).
FREE for Personal Use Downloads: This image is offered through a Creative Commons license. You can also obtain PRINTS or a commercial use license (and even larger downloads) at my SmugMug site. NOTE: Personal use requires attribution (credit ''Royce Bair'') and a link to my Web site: ''The Stock Solution'' -- where you can also find many more free downloads.
Keywords: starfish; sea; life; sealife; star; fish; barnacles; ecosystem; eco; system; ecology; environment; environmental; low; tide; different; differences; unique; uniqueness; orange; purple; standout; stand; out; special; unlike,
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Study is one of them. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Study is one. The Dining Room features two long tables covered in a Miss Havisham like feast of a trove of dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
MC Lady Choctaws soccer players are in good spirits after MC defeated Montevallo 3-1 in Clinton on Saturday. Members of the team later traveled to Jackson to cheer on the Choctaws at the MC-Belhaven football game at Newell Field.
The launch of the magazine the Standout at University House on the University of the Fraser Valley's Abbotsford campus today.
Rick Collins Photographer - UFV
Some of my recent order. 16x20 print, 8x10 print, and 20x20 standout print. The large standout sure makes an impact.
The Pictured Rocks tower 50 to 200 feet above Lake Superior at Pictured Rocks National Lakeshore in the Upper Peninsula of Michigan. These colorful sandstone cliffs stretch for about 15 miles along the lake. The name "Pictured Rocks" comes from the streaks of mineral stain that decorate the face of the weather-sculpted cliffs. Print Size 13x19 inches.
Although all the rooms of the Rone - Empire installation exhibition are amazing for many different reasons, there are two major standouts. The Dining Room is one. As a well proportioned and elegant space, it runs over half of the original Burnham Beeches floor plan. It features two long tables covered in a Miss Havisham like feast of a trove of found dinner table objects from silverware and glassware to empty oyster shells and vases of grasses and feathers.
The Dining Room installation I personally found especially confronting. In 1982, I visited Burnham Beeches when it was a smart and select hotel and had Devonshire tea in the dining room at a table alongside the full length windows overlooking the terraces below. I was shocked to see a room I remember appointed with thick carpets and tables covered in gleaming silver and white napery, strewn with dust and leaves, and adorned with Miss Havisham's feast of found dining objects.
Melbourne based street artist Rone (Tyrone Wright) used the decaying glory of the 1933 Harry Norris designed Streamline Moderne mansion, Burnham Beeches in the Dandenong Ranges' Sherbrooke, between March the 6th and April 22nd to create an immersive hybrid art space for his latest installation exhibition; "Empire".
"Empire" combined a mixture of many different elements including art, sound, light, scent, found objects, botanic designs, objects from nature and music especially composed for the project by Nick Batterham. The Burnham Beeches project re-imagines and re-interprets the spirit of one of Victoria’s landmark mansions, seldom seen by the public and not accessed since the mid 1980s. According to Rone - Empire website; "viewers are invited to consider what remains - the unseen cultural, social, artistic and spiritual heritage which produces intangible meaning."
Rone was invited by the current owner of Burnham Beeches, restaurateur Shannon Bennett, to exhibit "Empire" during a six week interim period before renovations commence to convert the heritage listed mansion into a select six star hotel.
Rone initially imagined the mansion to be in a state of dereliction, but found instead that it was a stripped back blank canvas for him to create his own version of how he thought it should look. Therefore, almost all the decay is in fact of Rone's creation from grasses in the Games Room which 'grow' next to a rotting billiards table, to the damp patches, water staining and smoke damage on the ceilings. Nests of leaves fill some spaces, whilst tree branches and in one case an entire avenue of boughs sprout from walls and ceilings. Especially designed Art Deco wallpaper created in Rone's studio has been installed on the walls before being distressed and damaged. The rooms have been adorned with furnishings and objects that might once have graced the twelve original rooms of Burnham Beeches: bulbulous club sofas, half round Art Deco tables, tarnished silverware and their canteen, mirrored smoke stands of chrome and Bakelite, glass lamps, English dinner services, a glass drinks trolley, photos of people long forgotten in time, walnut veneer dressing tables reflecting the installation sometimes in triplicate, old wire beadsteads, luggage, shelves of books, an Underwood typewriter, a John Broadwood and Sons of London grand piano and even a Kriesler radiogramme. All these objects were then covered in a thick sheet or light sprinkling of 'dust' made of many different things including coffee grinds and talcum powder, creating a sensation for the senses. Burnham Beeches resonated with a ghostly sense of its former grandeur, with a whiff of bittersweet romance.
Throughout the twelve rooms, magnificent and beautifully haunting floor-to-ceiling and wall-to-wall portraits of Australian actress Lily Sullivan, star of the Foxtel re-make of Picnic at Hanging Rock, appear. Larger than life, each portrait is created in different colours, helping to create seasonal shifts as you move from room to room.
Although all the rooms are amazing for many different reasons, there are two major standouts. The Dining Room is one. The Study is the other. It features walls of books covered with a portrait of Lily Sullivan, and the entire room is partially submerged in a lake of black water with the occasional red oak leaf floating across its glassy surface.
I feel very honoured and privileged to be amongst the far too few people fortunate enough to have seen Rone's "Empire", as like the seasons, it is ephemeral, and it will already have been dismantled. Rone's idea is that, like his street art, things he creates don't last forever, and that made the project exciting. I hope that my photographs do justice to, and adequately share as much as is possible of this amazing installation with you.
1. [30/365] Uninterrupted, 2. My Daisy, 3. Flujo, 4. Easton 2, 5. drunken melodrama, 6. Molly..., 7. Visioni... // //, 8. 2010_05_28_Flowers at 200mm_0077, 9. Fée des champs [explore], 10. wind, 11. brighton, 12. Twist, 13. diamond rose, 14. Motocross 04, 15. Star(s), 16. Nature photographer ..Shenandoah National Park
This little flower popped out of the gloom of the foliage. Taken at hornimans museum gardens in london
This is a very standout plant and has a blue flowering pea flower plant growing to 1 m tall and flowers July to October.
It grows North of Perth and South of Perth but not around Perth.
Photo: Fred
I find myself more and more only wanting to take photos that involve bokeh/DoF/light. I guess shooting mainly with prime lenses tends to do that; I have become obsessed with my 50mm.