View allAll Photos Tagged SpittingImage

This couple were the spitting images of the Duke & Duchess of Sussex .More affectionately known as "Harry" and "Meg"..They were seen on the parade at The Hull Pride event in Hull City Centre.

Transatlantic cynicism.

Hollow painted resin buoys

cast adrift mid Atlantic.

More here :

flickr.com/photos/gale47/318054848/

These magnificent webs that are created always seem to have a center spot made up of a thicker consistency.Seems these spiders like to hide and be more protected behind their woven spittle creating a spider spitting image !

 

Pushing on that trigger is like pulling magic into my very soul...Darrell.

 

Have a safe and fantastic day dear Flickr friends !

The Birmingham Rep in Centenary Square, which is currently staging an updated version of the satirical TV show. I’m looking forward to seeing this shortly, just hope Harry and Meghan don’t hog the show, as they probably will. Some other famous faces here that you might have fun spotting…

National Express West Midlands Bus 4913, Birmingham, England UK - www.robertcjones.co.uk

Spitting Image puppet of that thing Thatcher at the Imperial War Museum. Her policies are responsible for more British deaths than we have lost in any wars!

Seen in Clydebank is First Glasgow Alexander Dennis Enviro 400 bodied Alexander Dennis Trident 33920 - SN61BFA in a new advert for Spitting Image on Britbox.

He looks just like his Great Grampa Bud in this Pic... and he really is happy about his new Shovel...

The character at a masked ball isn’t the Lone Ranger, but he is an amazing look-alike and is on the cover of Collier’s years before the fictional cowboy hero was ever created. The Lone Ranger first appeared in 1933 on the Lone Ranger radio program airing in Detroit, Michigan. His creators were George W. Trendle and Fran Striker, and I wonder if they might not have seen and been influenced by the masked man on the cover of Collier’s.

Nihangs are a very famous and prestigious armed Sikh order. Early Sikh military history is dominated by the Akali Sikh military order that is particularly noted for the many famous military victories they won, often while they were heavily out-numbered.

 

All Rights Reserved

© SANJEEV SYAL

All my images are All Rights Reserved. They should not be reproduced in any way, and unauthorized use is strictly prohibited. To buy any of the images please contact me on sanjeev_syal@yahoo.com

 

Still from "Spitting Images," a flipbook I made for class. Thank you, Sara!

Maggie is keeping an eye on me! She is probably wondering why I am looking at loos in Parliament!

Canal street, Lower Manhattan, New York

In John Prinse's Street off Oxford Circus, Metroline's VWH2298 with a Britbox advert wrap for Spitting Image is waiting to take its next trip to East Acton on route 7.

Spitting Image "Santa Claus Is On The Dole"

 

A side:

Santa Claus Is On The Dole

 

B side:

1st Atheist Tabernacle Choir

 

Released in 1986

 

12" Vinyl.

 

Vinyl Record Sleeves

  

Still from "Spitting Images," a flipbook I made for class. Thank you, Sophia, Katie & Sara. I have a new love for my Harinezumi because of this project!

With a New Routemaster on route 159 on Oxford Street in the background, Volvo B5LH. Wright Gemini 3, LK17 DFV on route 7 wrapped in the Spitting Image advert vinyl is at its Oxford Circus stand in John Prince's Street.

www.facebook.com/VivahDiaries

All Rights Reserved

© SANJEEV SYAL

All my images are All Rights Reserved. They should not be reproduced in any way, and unauthorized use is strictly prohibited. To buy any of the images please contact me on sanjeev_syal@yahoo.com

High noon -

 

Stary Rynek / Old Market Square - Poznań (Poland)

Spitting Image "Santa Claus Is On The Dole"

 

A side:

Santa Claus Is On The Dole

 

B side:

1st Atheist Tabernacle Choir

 

Released in 1986

 

12" Vinyl.

 

Vinyl Record Sleeves

  

www.facebook.com/VivahDiaries

All Rights Reserved

© SANJEEV SYAL

All my images are All Rights Reserved. They should not be reproduced in any way, and unauthorized use is strictly prohibited. To buy any of the images please contact me on sanjeev_syal@yahoo.com

 

Làminga d'aigua transparent.

 

Timoneda d'Alfès (Segrià, Catalunya).

 

Cuereta torrentera.

Crown Headpiece from Galliano's Forgotten Innocents, 1986-7

Judy Blame, made by Frick and Frack

Crown Headpiece

Metal, coat hanger, wool, thread, shoelaces and rocks

 

Spitting Image, 2020

Nylon, hair spray, foam latex, man-made fibres, perspex

 

Taken in the exhibition

 

Monster

Opening The Horror Show!, Monster begins by delving into the economic and political turbulence of the 70s and the high octane spectacle and social division of the 80s. Against a backdrop of unrest and loud uprising, it charts the origin story and ascent of the individuals who will go on to disrupt, define and destroy British culture, while exploring the monsters which plague society today.

Punk prophet Jamie Reid opens the show by conjuring his Monster on a Nice Roof (1972), painting a prescient picture of the dark skies gathering over Britain. Chila Burman’s If There is No Struggle, There is no Progress - Uprising (1981) and Helen Chadwick’s Allegory of Misrule (1986) refigure social discontent and anxiety in the image of horror, as the socio-political and monstrous collide. In a jarring dislocation of British cultural identity, Guy Peellaert’s David Bowie, Diamond Dogs (1974) and the otherworldly creatures captured by Derek Ridgers’ nightlife photography point to the emergence of the cultural provocation and rebellion that defined an era. Monster revels in a resoundingly British spirit of nonconformity, with a spectacular display of Pam Hogg’s new Exterminating Angel (2021) and works by Somerset House Studios artist and designer Gareth Pugh and the late visionary Leigh Bowery. Elsewhere, Noel Fielding’s Post-Viral Fatigue (2022) shows how the imagery of horror resonates still in our Covid-ravaged contemporary reality. As the nightmarish and otherworldly fills the gallery, a newly commissioned mural by Matilda Moors sees the walls dramatically clawed at by a monstrous hand.

 

Contributing artists include Marc Almond, Bauhaus, Judy Blame, Leigh Bowery, Philip Castle, Chila Burman, Helen Chadwick, Monster Chetwynd, Jake & Dinos Chapman, Tim Etchells, Noel Fielding, Mark Moore & Martin Green, Pam Hogg, Dick Jewell, Harminder Judge, Daniel Landin, Jeannette Lee, Andrew Liles, Linder, London Leatherman, Don Letts, Luciana Martinez de la Rosa, Lindsey Mendick, Peter Mitchell, Dennis Morris, Matilda Moors, Tim Noble & Sue Webster, Guy Peellaert, Gareth Pugh, Jamie Reid, Derek Ridgers, Nick Ryan, Steven Stapleton, Ralph Steadman, Ray Stevenson, Poly Styrene, Francis Upritchard and Jenkin van Zyl.

 

The Horror Show! A Twisted Tale of Modern Britain

(October 2022 - February 2023)

 

Somerset House presents The Horror Show!: A Twisted Tale of Modern Britain, a major exhibition exploring how ideas rooted in horror have informed the last 50 years of creative rebellion. The show looks beyond horror as a genre, instead taking it as a reaction and provocation to our most troubling times. The last five decades of modern British history are recast as a story of cultural shapeshifting told through some of our country’s most provocative artists. The Horror Show! offers a heady ride through the disruption of 1970s punk to the revolutionary potential of modern witchcraft, showing how the anarchic alchemy of horror – its subversion, transgression and the supernatural – can make sense of the world around us. Horror not only allows us to voice our fears; it gives us the tools to stare them down and imagine a radically different future.

​Featuring over 200 artworks and culturally significant objects, this landmark show tells a story of the turbulence, unease and creative revolution at the heart of the British cultural psyche in three acts – Monster, Ghost and Witch. Each act interprets a specific era through the lens of a classic horror archetype, in a series of thematically linked contemporaneous and new works:

 

Each of the exhibition’s acts opens with ‘constellations’ of talismanic objects. These cabinets of curiosities speak to significant cultural shifts and anxieties in each era, while invoking a haunting from the counter-cultural voices in recent British history. Alongside these introductory artworks and ephemera is an atmospheric soundtrack, conjuring the spirit of the time with music from Bauhaus, Barry Adamson and Mica Levi.

 

Monster, Ghost and Witch culminate in immersive installations, combining newly commissioned work, large-scale sculpture, fashion and sound installation, with each chapter signed off with a neon text-work by Tim Etchells. The Horror Show! offers an intoxicating deep-dive into the counter-cultural, mystic and uncanny, with the signature design of the three acts courtesy of architects Sam Jacob Studio and Grammy-winning creative studio Barnbrook.

[Somerset House]

Crown Headpiece from Galliano's Forgotten Innocents, 1986-7

Judy Blame, made by Frick and Frack

Crown Headpiece

Metal, coat hanger, wool, thread, shoelaces and rocks

 

Spitting Image, 2020

Nylon, hair spray, foam latex, man-made fibres, perspex

 

Taken in the exhibition

 

Monster

Opening The Horror Show!, Monster begins by delving into the economic and political turbulence of the 70s and the high octane spectacle and social division of the 80s. Against a backdrop of unrest and loud uprising, it charts the origin story and ascent of the individuals who will go on to disrupt, define and destroy British culture, while exploring the monsters which plague society today.

Punk prophet Jamie Reid opens the show by conjuring his Monster on a Nice Roof (1972), painting a prescient picture of the dark skies gathering over Britain. Chila Burman’s If There is No Struggle, There is no Progress - Uprising (1981) and Helen Chadwick’s Allegory of Misrule (1986) refigure social discontent and anxiety in the image of horror, as the socio-political and monstrous collide. In a jarring dislocation of British cultural identity, Guy Peellaert’s David Bowie, Diamond Dogs (1974) and the otherworldly creatures captured by Derek Ridgers’ nightlife photography point to the emergence of the cultural provocation and rebellion that defined an era. Monster revels in a resoundingly British spirit of nonconformity, with a spectacular display of Pam Hogg’s new Exterminating Angel (2021) and works by Somerset House Studios artist and designer Gareth Pugh and the late visionary Leigh Bowery. Elsewhere, Noel Fielding’s Post-Viral Fatigue (2022) shows how the imagery of horror resonates still in our Covid-ravaged contemporary reality. As the nightmarish and otherworldly fills the gallery, a newly commissioned mural by Matilda Moors sees the walls dramatically clawed at by a monstrous hand.

 

Contributing artists include Marc Almond, Bauhaus, Judy Blame, Leigh Bowery, Philip Castle, Chila Burman, Helen Chadwick, Monster Chetwynd, Jake & Dinos Chapman, Tim Etchells, Noel Fielding, Mark Moore & Martin Green, Pam Hogg, Dick Jewell, Harminder Judge, Daniel Landin, Jeannette Lee, Andrew Liles, Linder, London Leatherman, Don Letts, Luciana Martinez de la Rosa, Lindsey Mendick, Peter Mitchell, Dennis Morris, Matilda Moors, Tim Noble & Sue Webster, Guy Peellaert, Gareth Pugh, Jamie Reid, Derek Ridgers, Nick Ryan, Steven Stapleton, Ralph Steadman, Ray Stevenson, Poly Styrene, Francis Upritchard and Jenkin van Zyl.

 

The Horror Show! A Twisted Tale of Modern Britain

(October 2022 - February 2023)

 

Somerset House presents The Horror Show!: A Twisted Tale of Modern Britain, a major exhibition exploring how ideas rooted in horror have informed the last 50 years of creative rebellion. The show looks beyond horror as a genre, instead taking it as a reaction and provocation to our most troubling times. The last five decades of modern British history are recast as a story of cultural shapeshifting told through some of our country’s most provocative artists. The Horror Show! offers a heady ride through the disruption of 1970s punk to the revolutionary potential of modern witchcraft, showing how the anarchic alchemy of horror – its subversion, transgression and the supernatural – can make sense of the world around us. Horror not only allows us to voice our fears; it gives us the tools to stare them down and imagine a radically different future.

​Featuring over 200 artworks and culturally significant objects, this landmark show tells a story of the turbulence, unease and creative revolution at the heart of the British cultural psyche in three acts – Monster, Ghost and Witch. Each act interprets a specific era through the lens of a classic horror archetype, in a series of thematically linked contemporaneous and new works:

 

Each of the exhibition’s acts opens with ‘constellations’ of talismanic objects. These cabinets of curiosities speak to significant cultural shifts and anxieties in each era, while invoking a haunting from the counter-cultural voices in recent British history. Alongside these introductory artworks and ephemera is an atmospheric soundtrack, conjuring the spirit of the time with music from Bauhaus, Barry Adamson and Mica Levi.

 

Monster, Ghost and Witch culminate in immersive installations, combining newly commissioned work, large-scale sculpture, fashion and sound installation, with each chapter signed off with a neon text-work by Tim Etchells. The Horror Show! offers an intoxicating deep-dive into the counter-cultural, mystic and uncanny, with the signature design of the three acts courtesy of architects Sam Jacob Studio and Grammy-winning creative studio Barnbrook.

[Somerset House]

Spitting Image head of Margaret Thatcher on display in Westminster Hall. Visited during Open House London weekend 2008.

 

First posted on 9 April 2010, only a week after I joined Flickr. Bumping old photos to the front of my photostream is not something I do but I thought I'd make an exception in this case.

www.youtube.com/watch?v=MkQK83Tf9so&ab_channel=Queen-...

 

www.youtube.com/watch?v=XpdpW0z9xnQ&ab_channel=Shuffl...

 

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#PARLER

#PierreCardin

#MartinLambie-Nairn

#Loujain-al-Hathloul

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#NewYearsEve

Often we group people together by age, gender, size, education......you get the idea. We make comments such as "That's a guy thing. All men forget anniversaries." Or...."Oh, your child has hit the 'terrible twos'...be prepared, it's the worst age ever!" On and on we go! Let's always remember that while we all have similarities, more importantly, we each are uniquely different!!! Look for the special qualities in every person, and help them to develop those unique talents. Every person has a bud just waiting to be watered so that it can burst out into a full, beautiful bloom!

 

www.clara-hinton.blogspot.com/

 

NOTE: Thanks so much for your visits, comments, and invites! Your friendship means so much to me! I hope each one has a safe and enjoyable holiday weekend!

Fabulous spitting images provides finger food catering Australia.

www.spittingimage.com.au/cocktail-food.php

  

Enjoy the Winter Season - Sign Here please read the small print

Ye Ladye Peregrine of ye Footbathe was, of course, executed for this gaffe. (Everyone knows they have separate bedchambers.)

Up Bridge Street to Boulton, Watt & Murdoch and turn left.

 

Somehow caught Harry & Meghan (Spitting Image versions) behind on the Birmingham REP in Centenary Square.

  

Published in the Birmingham Mail Talkback page at Picture of the Day on Wednesday 11th January 2023.

© All my images are copyrighted.

If you intend to use any of my pictures, for any usage, you need to contact me first.

 

PLEASE VIEW IN THE LIGHTBOX ( Press L ).

 

Image Details

 

Camera........: Canon 60D

Lens..............: Canon 24-105mm F4 L

Aperture........: f/6.3

Focal length.: 67mm

ISO Speed....: 100

Exposure.....: 1/100s in RAW.

Flash........: Fired off camera through an umbrella on a light stand.

Resolution....: 3456x4404 (without frame).

 

Photoshop

 

° Cropped.

° Layered both images on top of each other.

° A minor stretch to get our faces to line up.

° Puppet warp my face, these were relatively minor tweaks, the hair line to line up being the largest one.

° A gradient mask for the upper layer to blend the faces together.

° Some very small colour tweaking to get the skin tones a little closer together.

° After flattening the image, some clone stamping on the tip of the nose and the bridge of the glasses.

 

1 hour and a half of work.

 

About

 

Another one for the creativity contest in our photoclub, getting there I think ;).

 

° My photoshop tutorial on Layers, Masks, Selections & Channels.

° Channel mixer tutorial to remove lens flare spots.

° Vertorama stitching

° High pass sharpening.

° My portfolio on fluidr

 

You

 

All tips, tricks & criticism and honest opinions are highly appreciated.

  

The best BBQ catering in Melbourne at Spitting Images.

www.spittingimage.com.au/classic-bbq.php

 

Trollenkoning 08/11/2018 11h12

The Trollenkoning (King of Trolls) surrounded by trees in full Autumn colors. Fairytales do exist.

 

Trollenkoning

The Troll King is the seventh fairy tale on the route in the Sprookjesbos. It was added in 1988 between the Rode Schoentjes and the Papagaai (Parrot). The Troll King was designed by Ton van de Ven and developed in collaboration with TNO Delft and the makers of the British program Spitting Image.

 

The depiction consists of a troll (an advanced animatronic) on a throne in a hollow tree. The tree stands on an island in a pond with a square in front of it, where a dial with constellations and just before that a vibrating stone can be found in the pavement. The Troll King is not based on an existing fairy tale, but the Efteling later wrote several stories about the scene.

 

The Troll King is a curved old troll who performs the role of soothsayer in the Sprookjesbos. According to some sagas, troll leaders control magic, such as kinetism and fortune-telling. That fact was inspiration for the divine troll, and perhaps the vibrating stone.

 

[ Source and more Info: Eftelpedia - Trollenkoning (Dutch) ]

People's History Museum - Manchester.

My friend Dimitris and I, had a small debate whether Photoshop really adds up to the photos or the picture become totally different.

 

I'm on those who believe that PS adds up to the picture as long as the subject is not distorted.

 

Dimitris, believes that a natural photo is what photography is all about.

 

What do you think?

  

///// In this beautiful portrait is Dimitris after our debate.

 

Interviewer: Do you have a personal favourite item from the National Football Museum's collection?

 

Alex Ferguson: It would have to be the Spitting Image puppet of Eric Cantona - a magnificent player for Manchester United. The puppet captures his wonderful, unique personality and is also very funny.

 

via MCR magazine

www.marketingmanchester.com/useful-stuff/mcr-magazine.aspx

 

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