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Source: en.wikipedia.org/wiki/Mascoutah,_Illinois
Mascoutah is a city in St. Clair County, Illinois, United States, named for the Mascoutens, a tribe of the Michigan Indians. The population was 7,483 at the 2010 census. According to the US Census Bureau, the population was estimated at 7,994 in 2019.
Source: www.mascoutah.org/about-mascoutah
Mascoutah offers small town feel with modern amenities. Located just off Interstate 64, Mascoutah is in close proximity to St. Louis, Missouri. Mascoutah is easily accessible to St. Louis and Lambert Airport by Metrolink with stations minutes away from town. Mascoutah is home to Mid America Airport which currently flies to Daytona Beach, FL; St. Pete/Clearwater/Tampa Bay, FL; and Las Vegas, NV.
Mascoutah has some of the first rate public and private schools in the area. The Mascoutah School District has more than 4,100 students. There are three elementary schools, one middle school, and one high school. Mascoutah is 15 minutes away from McKendree College and Southwestern Illinois College, and thirty minutes away from Southern Illinois University at Edwardsville, St. Louis University, and Washington University.
Mascoutah is a growing community and is well positioned for growth. There have been numerous construction projects in the past year that have provided many new homes and businesses in the community.
There are three parks in town that offer a wide array of activities. Scheve Park has two swimming pools, baseball diamonds, two lighted tennis courts, a lighted sand volleyball court, lighted horseshoe pits, two soccer fields, skate park, ten pavilions varying in size, and several playground areas. Scheve Park also has a restored train caboose that visitors can tour. Maple Park is equipped with outdoor basketball facilities, a ball playing area, playground equipment, and a family sized pavilion. Prairie Park has two fishing lakes, a fountain, and a pavilion.
Mascoutah has 21 organizations in town, men and women’s sports teams, festivals, parades, and lots of other events year-round! Come see us in Mascoutah
Source: Scan of an original Edwardian postcard.
Image: P31699.
Publisher: Maybury's, Swindon.
Postmark: February 2nd 1909.
Repository: Local Studies at Swindon Central Library.
Cirque des 25 sources ; Levada das 25 fontes. Calheta, Madère, Portugal, juin 2011.
Nikon D7000, 16.0-85.0 mm f/3.5-5.6 | 16 mm eq. 24 mm, 2.0s à f/11, 100 ISO | Filtre ND8.
La levada das Vinte e Cinco Fontes, aussi appelée levada Nova do Rabaçal, fait partie des levadas de Rabaçal qui recueillent les eaux des affluents de la Ribeira Grande (ou da Janela) pour alimenter la centrale hydroélectrique de Calheta puis irriguer les terrains agricoles de la côte sud par la levada Nova. La construction de cette levada commença en 1835 pour se terminer en 1855, offrant alors la possibilité d’utiliser, dans la commune de Calheta, de nombreux terrains encore incultes. Cette levada se situe vers 950m d'altitude. Elle prend sa source à la Ribeira dos Cedros et capte également l'eau "des 25 sources" (site formés par les eaux descendant de Paul da Serra pour surgir de la paroi rocheuse en 25 cascades) et aussi le surplus de la Levada do Risco.
Title: Washington Street at Waterford Street
Creator: City of Boston
Date: 1951 March 28
Source: Public Works Department photograph collection, 5000.009
File name: 5000_009_1100
Rights: Copyright City of Boston
Citation: Public Works Department photograph collection, Collection 5000.009, City of Boston Archives, Boston
Source: en.wikipedia.org/wiki/Budapest
Budapest is the capital and most populous city of Hungary. It is the tenth-largest city in the European Union by population within city limits and the second-largest city on the river Danube. The estimated population of the city in 2025 is 1,782,240. This includes the city's population and surrounding suburban areas, over a land area of about 525 square kilometres (203 square miles). Budapest, which is both a city and municipality, forms the centre of the Budapest metropolitan area, which has an area of 7,626 square kilometres (2,944 square miles) and a population of 3,019,479. It is a primate city, constituting 33% of the population of Hungary.
The history of Budapest began when an early Celtic settlement transformed into the Roman town of Aquincum, the capital of Lower Pannonia. The Hungarians arrived in the territory in the late 9th century, but the area was pillaged by the Mongols in 1241–42. Re-established Buda became one of the centres of Renaissance humanist culture by the 15th century. The Battle of Mohács, in 1526, was followed by nearly 150 years of Ottoman rule. After the reconquest of Buda in 1686, the region entered a new age of prosperity, with Pest-Buda becoming a global city after the unification of Buda, Óbuda and Pest on 17 November 1873, with the name 'Budapest' given to the new capital. Budapest also became the co-capital of the Austro-Hungarian Empire, a great power that dissolved in 1918, following World War I. The city was the focal point of the Hungarian Revolution of 1848 and the Battle of Budapest in 1945, as well as the Hungarian Revolution of 1956.
Budapest is a global city with strengths in commerce, finance, media, art, fashion, research, technology, education, and entertainment. Budapest is Hungary's financial centre. Budapest hosts the headquarters of the European Institute of Innovation and Technology, the European Police College and the first foreign office of the China Investment Promotion Agency. Over 40 colleges and universities are located in Budapest, including Eötvös Loránd University, Corvinus University, Semmelweis University, University of Veterinary Medicine Budapest and the Budapest University of Technology and Economics. Opened in 1896, the city's subway system, the Budapest Metro, serves 1.27 million, while the Budapest Tram Network serves 1.08 million passengers daily.
The central area of Budapest along the Danube is classified as a UNESCO World Heritage Site and has several notable monuments of classical architecture, including the Hungarian Parliament and the Buda Castle. The city also has around 80 geothermal springs, the largest thermal water cave system, second largest synagogue, and third largest Parliament building in the world. Budapest attracts around 12 million international tourists per year, making it a highly popular destination in Europe.
Additional Foreign Language Tags:
(Hungary) "المجر" "匈牙利" "Hongrie" "Ungarn" "הונגריה" "हंगरी" "ハンガリー" "헝가리" "Венгрия" "Hungría"
(Budapest) "بودابست" "布达佩斯" "בודפשט" "बुडापेस्ट" "ブダペスト" "부다페스트" "Будапешт"
(Europe) Europa "European Union" "أوروبا" "欧洲" "אירופה" "यूरोप" "ヨーロッパ" "유럽" "Европа"
Image Source: www.archivessearch.qld.gov.au/items/ITM299141
Australia was approaching its bicentennial celebrations, and after Brisbane’s success hosting the 1982 Commonwealth Games, Brisbane City Council and the Queensland State Government were confident they could win the bid to hold the next World Exhibition.
Brisbane won the right to hold the event and Expo 88 was officially opened by Her Majesty Queen Elizabeth II on 30 April 1988. By the time it closed, it had changed the way the world saw Brisbane and helped shaped the city as we know it today.
Starting with an estimated budget of $645 million, the Queensland State Government developed a World Expo that would recoup and support its own costs and promote international investment in Queensland, both during and after the event. South Bank, badly damaged in the 1973–74 floods, was chosen and the site acquired for $150 million. Developers completed construction on time and within budget. The targets set for ticket sales were reached 11 weeks before Expo 88 had even opened. It was off to a smashing start.
Celebrating ‘Leisure in the age of technology’, there was an incredible range of pavilions, performances, parades, comedy and artwork on show. Guests could experience over 50 restaurants filled with flavours from around the globe. Hosted over six months, it drew more than 18 million people to the renewed South Bank parklands district. An average of 100,000 people a day entered the gates.
An influx of royalty, celebrities and international visitors came to Brisbane for the exhibition, but it was Queensland residents who attended the most often, purchasing 500,000 season tickets. Expo 88 provided something the city needed: an easy-to-access recreational facility with exciting things to do, see and experience. Brisbanites returned again and again to socialise and enjoy the festival atmosphere.
The monorail was one of the most popular attractions. Giving travellers a view of the entertainments from above, it operated along a 2.3-kilometre track during Expo 88, taking up to 44,000 visitors a day from one side of Expo to the other, along the Brisbane River. Built by Swedish manufacturer Von Roll, the monorail cost $12 million and comprised four MkII trains with nine carriages each. The idea of keeping the monorail operating after Expo and extending it into the Brisbane CBD was discussed. Ultimately, the existing monorail wasn’t a feasible long-term people-moving solution and it was disbursed. Three trains were sold back to Von Roll and were used in Germany’s Europa-Park. The remaining train and some tracks were incorporated into the Sea World theme park on the Gold Coast.
Some of the most significant installations, exhibitions and artworks from Expo 88 were relocated and continue to be enjoyed today. Ken Done AM, a prominent Australian artist and designer, was commissioned to produce the entry and exit statement art pieces for the Australia Pavilion. Using the word ‘Australia’, Done produced a sign nearly six metres tall that could not be missed by anyone who attended Expo 88. The letters have since been restored and are on display at the Caboolture Heritage Village. The Nepal Peace Pagoda was the only international pavilion that remained on-site, after a petition asking that it remain attracted about 70,000 signatures. The Japan Garden and Pond were gifted to the city of Brisbane and moved to the Botanic Gardens at Mt Coot-Tha.
The buzz of activity, the investment in South Bank’s infrastructure and the spotlight on Brisbane transformed the city. The physical legacy left by Expo 88 turned South Bank into a thriving social space and prominent cultural hotspot: 42 hectares was dedicated to the construction of the South Bank Parklands.
blogs.archives.qld.gov.au/2021/10/29/when-the-world-comes...
Image source: www.archivessearch.qld.gov.au/items/ITM299144
Australia was approaching its bicentennial celebrations, and after Brisbane’s success hosting the 1982 Commonwealth Games, Brisbane City Council and the Queensland State Government were confident they could win the bid to hold the next World Exhibition.
Brisbane won the right to hold the event and Expo 88 was officially opened by Her Majesty Queen Elizabeth II on 30 April 1988. By the time it closed, it had changed the way the world saw Brisbane and helped shaped the city as we know it today.
Starting with an estimated budget of $645 million, the Queensland State Government developed a World Expo that would recoup and support its own costs and promote international investment in Queensland, both during and after the event. South Bank, badly damaged in the 1973–74 floods, was chosen and the site acquired for $150 million. Developers completed construction on time and within budget. The targets set for ticket sales were reached 11 weeks before Expo 88 had even opened. It was off to a smashing start.
Celebrating ‘Leisure in the age of technology’, there was an incredible range of pavilions, performances, parades, comedy and artwork on show. Guests could experience over 50 restaurants filled with flavours from around the globe. Hosted over six months, it drew more than 18 million people to the renewed South Bank parklands district. An average of 100,000 people a day entered the gates.
An influx of royalty, celebrities and international visitors came to Brisbane for the exhibition, but it was Queensland residents who attended the most often, purchasing 500,000 season tickets. Expo 88 provided something the city needed: an easy-to-access recreational facility with exciting things to do, see and experience. Brisbanites returned again and again to socialise and enjoy the festival atmosphere.
The monorail was one of the most popular attractions. Giving travellers a view of the entertainments from above, it operated along a 2.3-kilometre track during Expo 88, taking up to 44,000 visitors a day from one side of Expo to the other, along the Brisbane River. Built by Swedish manufacturer Von Roll, the monorail cost $12 million and comprised four MkII trains with nine carriages each. The idea of keeping the monorail operating after Expo and extending it into the Brisbane CBD was discussed. Ultimately, the existing monorail wasn’t a feasible long-term people-moving solution and it was disbursed. Three trains were sold back to Von Roll and were used in Germany’s Europa-Park. The remaining train and some tracks were incorporated into the Sea World theme park on the Gold Coast.
Some of the most significant installations, exhibitions and artworks from Expo 88 were relocated and continue to be enjoyed today. Ken Done AM, a prominent Australian artist and designer, was commissioned to produce the entry and exit statement art pieces for the Australia Pavilion. Using the word ‘Australia’, Done produced a sign nearly six metres tall that could not be missed by anyone who attended Expo 88. The letters have since been restored and are on display at the Caboolture Heritage Village. The Nepal Peace Pagoda was the only international pavilion that remained on-site, after a petition asking that it remain attracted about 70,000 signatures. The Japan Garden and Pond were gifted to the city of Brisbane and moved to the Botanic Gardens at Mt Coot-Tha.
The buzz of activity, the investment in South Bank’s infrastructure and the spotlight on Brisbane transformed the city. The physical legacy left by Expo 88 turned South Bank into a thriving social space and prominent cultural hotspot: 42 hectares was dedicated to the construction of the South Bank Parklands.
blogs.archives.qld.gov.au/2021/10/29/when-the-world-comes...
Claude Lorrain (Claude Gellée), Chamagne/Lothringen ca. 1600 - Rom 1682
Sonnenaufgang / Sunrise / Levata del sole (1646/7)
Metropolitan Museum of Art, New York
Claude noted in his Liber Veritatis that this picture was painted in Rome for an unnamed client in Lyons. Although the foreground and middle ground have darkened, the horizon preserves its characteristic luminosity. Once again Claude used the countryside around Rome—the Campagna—as his direct source of inspiration for the poetic landscape depicted in this canvas.
Source: Metropolitan Museum of Art
Try Kruy, of the APS engineering support division, checks the installation of a newly installed front end system for beamlines at Argonne National Laboratory’s Advance Photon Source in May 2014. The front ends contain an X-ray beam position monitor (XBPM) that is unique in the world and will enable the beam stability needed to take advantage of the 1,000 times increase in coherence that the APS Upgrade will provide, making it the brightest high-energy synchrotron in the world. The new front end designs have two different types of next-generation XBPM both work on the principle of X-ray florescence from copper, which will reduce detection contamination and improve the long-term stability of the storage ring compared to traditional photoemission XBPMs.
Panoramic view of the interior of the Advanced Light Source, Lawrence Berkeley National Lab.
The Advanced Light Source is one of the world's brightest sources of x-ray radiation.
For information about the facility see
Try Kruy, of the APS engineering support division, checks the installation of a newly installed front end system for beamlines at Argonne National Laboratory’s Advance Photon Source in May 2014. The front ends contain an X-ray beam position monitor (XBPM) that is unique in the world and will enable the beam stability needed to take advantage of the 1,000 times increase in coherence that the APS Upgrade will provide, making it the brightest high-energy synchrotron in the world. The new front end designs have two different types of next-generation XBPM both work on the principle of X-ray florescence from copper, which will reduce detection contamination and improve the long-term stability of the storage ring compared to traditional photoemission XBPMs.
56th Filmfare Awards 2010 held at Yashraj Studios, Mumbai
Source : www.bharatstudents.com/cafebharat/event_photos_2-Hindi-Ev...
Tags : Amitabh Bachchan, Shahrukh Khan, Karan Johar, Kajol, Aishwarya Rai Bachchan, Ranbir Kapoor, Hrithik Roshan, Suzanne Roshan, Katrina Kaif, Malaika Arora Khan, Arbaaz Khan, Vidya Balan, Rekha, Madhuri Dixit, Sonakshi Sinha, Genelia D'Souza, Boney Kapoor, Sridevi, Avantika Malik, Imran Khan, Prachi Desai, Neha Dhupia, Preity Zinta, Farah Khan, Rishi Kapoor, Urmila Matondkar, Manasvi Mamgai, Dia Mirza, Prateik Babbar, Sameera Reddy, Kalki Koechlin, Poonam Sinha, Shatrughan Sinha, Shriya Saran, Bhushan Kumar, Hiroo Johar, Kunal Kapoor, Sonu Nigam, Gulzar, Alka Yagnik, Mugdha Godse, Arshad Warsi & Maria Goretti, Vishal Bhardwaj, Rekha Bhardwaj, Sarah Jane Dias, Raveena Tandon, Supriya Pathak, Pankaj Kapoor, Poonam Dhillon, Eesha Koppikhar, Timmy Narang, Adnan Sami, Bappi Lahiri, Neelam Roy & Ronit Roy, Atul Kulkarni, Jatin Pandit, Shivangi Kapoor, Shraddha Kapoor, Vashu Bhagnani, Anuradha Paudwal, Prasoon Joshi, Mohit Chauhan, Sajid Khan, Wajid Khan, Aarti Chhabria, Hakim Aalim, Ali Zafar, Ayesha Fazli, Kabir Bedi, Parveen Dusanj, Claudia Ciesla
Channel source selector on DK 4/19 in C34
The source labelled BB is Big Ben. There are microphones inside the tower at Westminster Palace, see here: flic.kr/p/4WH3rh
This means the BBC can have a live feed of the Big Ben chimes for the broadcasts. If you turn this up (when the bells aren't ringing) you can hear traffic noise.
M1 - M4 : Microphones
CT : "Combined Tapes" a mix of all 6 tape inputs.
T1 - T6 : Tape inputs originally, latterly connected to computer playout systems (Radioman)
CD: "Combined Disks" a mix of all 4 disk inputs.
D1 - D4: Disk inputs, originally record decks (or "Grams"), mostly replaced by 2 CD players
OS1 - OS6: "Outside Sources", sources from other studios, ISDN connections, telephone lines, etc.
DSC04858a
Source: livinghistories.newcastle.edu.au/nodes/view/32494
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Image Source: www.archivessearch.qld.gov.au/items/ITM299141
Australia was approaching its bicentennial celebrations, and after Brisbane’s success hosting the 1982 Commonwealth Games, Brisbane City Council and the Queensland State Government were confident they could win the bid to hold the next World Exhibition.
Brisbane won the right to hold the event and Expo 88 was officially opened by Her Majesty Queen Elizabeth II on 30 April 1988. By the time it closed, it had changed the way the world saw Brisbane and helped shaped the city as we know it today.
Starting with an estimated budget of $645 million, the Queensland State Government developed a World Expo that would recoup and support its own costs and promote international investment in Queensland, both during and after the event. South Bank, badly damaged in the 1973–74 floods, was chosen and the site acquired for $150 million. Developers completed construction on time and within budget. The targets set for ticket sales were reached 11 weeks before Expo 88 had even opened. It was off to a smashing start.
Celebrating ‘Leisure in the age of technology’, there was an incredible range of pavilions, performances, parades, comedy and artwork on show. Guests could experience over 50 restaurants filled with flavours from around the globe. Hosted over six months, it drew more than 18 million people to the renewed South Bank parklands district. An average of 100,000 people a day entered the gates.
An influx of royalty, celebrities and international visitors came to Brisbane for the exhibition, but it was Queensland residents who attended the most often, purchasing 500,000 season tickets. Expo 88 provided something the city needed: an easy-to-access recreational facility with exciting things to do, see and experience. Brisbanites returned again and again to socialise and enjoy the festival atmosphere.
The monorail was one of the most popular attractions. Giving travellers a view of the entertainments from above, it operated along a 2.3-kilometre track during Expo 88, taking up to 44,000 visitors a day from one side of Expo to the other, along the Brisbane River. Built by Swedish manufacturer Von Roll, the monorail cost $12 million and comprised four MkII trains with nine carriages each. The idea of keeping the monorail operating after Expo and extending it into the Brisbane CBD was discussed. Ultimately, the existing monorail wasn’t a feasible long-term people-moving solution and it was disbursed. Three trains were sold back to Von Roll and were used in Germany’s Europa-Park. The remaining train and some tracks were incorporated into the Sea World theme park on the Gold Coast.
Some of the most significant installations, exhibitions and artworks from Expo 88 were relocated and continue to be enjoyed today. Ken Done AM, a prominent Australian artist and designer, was commissioned to produce the entry and exit statement art pieces for the Australia Pavilion. Using the word ‘Australia’, Done produced a sign nearly six metres tall that could not be missed by anyone who attended Expo 88. The letters have since been restored and are on display at the Caboolture Heritage Village. The Nepal Peace Pagoda was the only international pavilion that remained on-site, after a petition asking that it remain attracted about 70,000 signatures. The Japan Garden and Pond were gifted to the city of Brisbane and moved to the Botanic Gardens at Mt Coot-Tha.
The buzz of activity, the investment in South Bank’s infrastructure and the spotlight on Brisbane transformed the city. The physical legacy left by Expo 88 turned South Bank into a thriving social space and prominent cultural hotspot: 42 hectares was dedicated to the construction of the South Bank Parklands.
blogs.archives.qld.gov.au/2021/10/29/when-the-world-comes...
Source: Scan of an OS RP photograph.
Grid: SU1488.
Date: June 1954.
Copyright: Ordnance Survey/Crown.
Used here by very kind permission.
Repository: Local Studies at Swindon Central Library.
Source: Scan of original postcard from our image collection.
Image: P19567.
Date: August 7th 1906.
Publisher: H. Stevens.
Repository: Local Studies at Swindon Central Library.
Typed on reverse: West Maitland from the tower of St. Paul's.
Image courtesy of Enid Farnham
Folder 3
This image can be used for study and personal research purposes. Please observe copyright and acknowledge source of all photos. If you wish to reproduce this image for any other purpose you must obtain permission by contacting Maitland City Library
If you have any further information about the image, please contact us or leave a comment in the box below.
View this and other original records at the Queensland State Archives:
The Brisbane Public Library moved into the Old State Library Building in William Street, Brisbane in 1899. This building had formerly been occupied by the Queensland Museum.
The Library originally shared accommodation in the building with an art gallery. In the late 1950s, an extension, with a distinctive tiled mural by Lindsay Edward on the exterior, was built onto the building to provide more space. The mural was the winning design in a national competition held in 1958.
In 1988, the year of Brisbane's World Expo 88, the State Library of Queensland moved to a new home within the Queensland Cultural Centre at South Bank, near the Queensland Museum and the original Queensland Art Gallery, on the site of the former St Helen's Methodist Hospital, South Brisbane.
In 2004, work began on the Millennium Library Project - a major redevelopment of the existing State Library building. After three years of extensive redevelopment, the South Bank building officially re-opened on 25 November 2006 as "a new cultural and knowledge destination" and a fitting showcase for the collections. New services include the kuril dhagun Indigenous Knowledge Centre, and The Corner, an activities area for children under 8, their parents, carers, educators and friends.
The newly-redeveloped building was designed by Brisbane-based architecture firms Donovan Hill and Peddle Thorp. Their work earned them the prestigious RAIA Sir Zelman Cowen Award for Public Architecture, 2007 (award for best public building in Australia), the RAIA Emil Sodersten Award for Interior Architecture, 2007, the RAIA Queensland Architecture Award for Brisbane Building of the Year 2007, the RAIA FDG Stanley Award for Public Buildings Architecture 2007 and the AIB Queensland Awards - Project of the Year + Sustainability Commendation 2007.
The building overlooks Stanley Place between the Queensland Art Gallery and the new Queensland Gallery of Modern Art.
Try Kruy, of the APS engineering support division, checks the installation of an intensity monitor at the exit table in the newly designed and installed beamline front ends at Argonne National Laboratory’s Advance Photon Source in May 2014. This monitor will quantify the X-ray flux from the insertion device. The upgrade of the APS will increase flux by a factor of two.
Source: Stanford School of Medicine
Published at: digitalpostermuseum.com/smoking/chesterfield-ad-and-poste...
Histoire : La source Lardy, du nom de son inventeur, fut exploitée à partir de 1848, peu après sa découverte (1844). Les pavillons primitifs étaient de petits édifices en bois recouverts de chaume. Le pavillon actuel a été édifié en 1900. Edifice en bois de plan rectangulaire, terminé au nord par trois pans. L'ensemble repose sur treize piliers de bois. A l'intérieur, un mur clôt les sources et supporte une verrières à petits bois. L'ensemble a un plan en U. Intérieurement et extérieurement, le mur est recouvert de carreaux de faïences aux couleurs bleu, jaune, vert et or. A l'intérieur, deux parties sont délimitées par une différence de niveau, matérialisée par un escalier et une grille en fer forgé. Dans chacune d'elles, un bassin circulaire contenait la source, recouvert de carreaux de faïence de même couleur que les murs extérieurs. La source du fond était protégée par une cloche de verre. A son aplomb a été élevé un dôme hexagonal, couvert en écailles et terminé par un lanternon. Ce pavillon est, à Vichy, l'un des derniers vestiges de ces constructions en bois, architecture de jardin dans la tradition des fabriques.
Précisions : Source Lardy avec le hall qui la couvre (cad. AT 18) : inscription par arrêté du 8 février 1986
Adresse : 111 rue du Maréchal-Lyautey
Type : Monuments historiques
Epoque : 1er quart 20e siècle
Année de construction : 1900
Eléments protégés : fontaine ; vestibule ; source
source/credit: Tourism Tasmania
This image has been supplied to www.traveloscopy.com on the understanding it is
copyright released and/or royalty free.
This figure traces the growth of the various metals in the anthropogenic metals stock – which is created by human activity – to 2040. The stock of all the metals investigated (aluminium (non-ferrous metal); magnesium (non-ferrous metal); zinc (non-ferrous metal); tin (non-ferrous metal); stainless steel (non-ferrous metal); brass (alloy); neodymium-iron-boron magnetic materials / rare earths (alloy)) is expected to increase substantially and will thus serve as a good source of raw materials in future.
Further information can be found in the blog article Civilisation’s gold: first-ever mapping of the urban mining potential to 2040 (blog.oeko.de/civilisations-gold-first-ever-mapping-of-the...).
Source: Scan of an OS revision point photograph.
Grid: SU1383.
Date: 1953.
Copyright: OS.
Used here by very kind permission.
Repository: Local Studies at Swindon Central Library.
Source Images:
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