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Source: Scan of an OS Revision Point photograph.
Grid: SU1484.
Date: 1953.
Copyright: Ordnance Survey.
Used here by very kind permission.
Repository: Local Studies at Swindon Central Library.
Based on any of a variety of different criteria – number of users, publications or deposits in the Protein Data Bank, for example – the Advanced Photon Source at Argonne National Laboratory stands out as the premier hard X-ray research facility in the Western Hemisphere.
Source: Scan from a slide.
Set: Dixon Attwell Donation.
Date: 1986.
Photographer: Attwell.
Donated to Local Studies in 2016 by Mr M. Attwell (Dixon Attwell Donation).
Source: Scan of an OS revision point photograph.
Image: P...
Grid: SU1383.
Date: 1953.
Copyright: (c)OS.
Used here by very kind permission.
Repository: Local Studies at Swindon Central Library.
Source: Scan of a photograph.
Image: P50526.
Date: Unknown.
Repository: Local Studies at Swindon Central Library.
I am loving Unknown Source Lilith's accessories, particularly her boots. Those stockings with NuFace written on them is spectacular.
The Saladin Citadel of Cairo (Arabic: قلعة صلاح الدين Qalaʿat Salāḥ ad-Dīn) is a fortification in Cairo, Egypt.
The location, part of the Muqattam hill near the center of Cairo, was once famous for its fresh breeze and grand views of the city, and was fortified by the Ayyubid ruler Salah al-Din (Saladin) between 1176 and 1183 AD, to protect it from the Crusaders[1].
source/credit: (c) David Hinkel - www.BlueAbyssPhoto.com
This image has been supplied to www.traveloscopy.com on the understanding it is copyright released and/or royalty free.
Source: www.autoline-eu.nl
autoline-eu.nl/sf/trekker-open-laadbak-LIAZ-Madara-080926...
Could also ba a Madara 903
Source: en.wikipedia.org/wiki/Mascoutah,_Illinois
Mascoutah is a city in St. Clair County, Illinois, United States, named for the Mascoutens, a tribe of the Michigan Indians. The population was 7,483 at the 2010 census. According to the US Census Bureau, the population was estimated at 7,994 in 2019.
Source: www.mascoutah.org/about-mascoutah
Mascoutah offers small town feel with modern amenities. Located just off Interstate 64, Mascoutah is in close proximity to St. Louis, Missouri. Mascoutah is easily accessible to St. Louis and Lambert Airport by Metrolink with stations minutes away from town. Mascoutah is home to Mid America Airport which currently flies to Daytona Beach, FL; St. Pete/Clearwater/Tampa Bay, FL; and Las Vegas, NV.
Mascoutah has some of the first rate public and private schools in the area. The Mascoutah School District has more than 4,100 students. There are three elementary schools, one middle school, and one high school. Mascoutah is 15 minutes away from McKendree College and Southwestern Illinois College, and thirty minutes away from Southern Illinois University at Edwardsville, St. Louis University, and Washington University.
Mascoutah is a growing community and is well positioned for growth. There have been numerous construction projects in the past year that have provided many new homes and businesses in the community.
There are three parks in town that offer a wide array of activities. Scheve Park has two swimming pools, baseball diamonds, two lighted tennis courts, a lighted sand volleyball court, lighted horseshoe pits, two soccer fields, skate park, ten pavilions varying in size, and several playground areas. Scheve Park also has a restored train caboose that visitors can tour. Maple Park is equipped with outdoor basketball facilities, a ball playing area, playground equipment, and a family sized pavilion. Prairie Park has two fishing lakes, a fountain, and a pavilion.
Mascoutah has 21 organizations in town, men and women’s sports teams, festivals, parades, and lots of other events year-round! Come see us in Mascoutah
King George V and his Racing Manager: A Conversation Piece at Aintree, c.1929–30
Oil paint on canvas
This work was made from a press photograph rather than a personal snapshot. It is a double portrait of King George V and Major F.H.W. Fetherstonhaugh, who was manager of the Royal Racing Stables, attending the Grand National at Aintree in 1927. The work was criticised at the time because of the informality with which it portrayed the King. However, Sickert valued the way that using an unposed photograph allowed a more nuanced portrayal of the relationship between the two men, unlike a formal portrait.
King George V and Queen Mary, 1935
Oil paint on canvas
King George V and Queen Mary was based on a press photograph of the royal couple. This unposed source means that the painting unusually includes a large white void in the centre of the composition. The figure of Queen Mary is cropped by the frame of the carriage, giving the effect of movement frozen in a film still.
From his initial interest in music halls, Sickert’s fascination with popular culture continued throughout the 1930s. He began to paint on a larger scale and use a brighter colour palette. Scenes from the theatre and stories in the popular press dominated his output. He would use black and white photographs as visual sources, which he translated into vivid colour on the canvas. Sickert was fascinated by how black and white photography’s flattened perspectives and stark tonal contrasts resulted in simplified forms. He retainedthese elements, creating almost abstract effects in his finished paintings.
Sickert also produced a series of works based on Victorian engravings, which he entitled ‘Echoes’. In contrast, his theatrical scenes were based on photographs taken himself or by his assistants during rehearsals, or on press cuttings. Here, he featured his favourite performers, such as Peggy Ashcroft and Gwen Ffrangcon-Davies, whom he painted repeatedly.
He also used press-cuttings as the source for images of royalty or historic events such as Amelia Earhart’s solo flight across the Atlantic in May 1932. Sickert’s use of photography is now recognised as a significant precursor of subsequent developments in art. Pop art’s transposition of found popular images is indebted to Sickert, as is the use of photography as source material by late 20th-century artists, such as Francis Bacon.
[Tate Britain]
Taken in the exhibition
Walter Sickert
(April – September 2022)
Walter Sickert is recognised as one of the most important artists of the 20th century, having helped shape modern British art as we know it. With ties to renowned painters from James Abbott McNeill Whistler to Edgar Degas, he strengthened the artistic connections between Britain and France and continues to influence contemporary painters to this very day.
The first major retrospective of Sickert at Tate in over 60 years, this exhibition explores how he had an often radical, distinctive approach to setting and subject matter. From working off detailed sketches to taking inspiration from news photography, these were the tools he used to depict his vision of everyday life.
A former actor, he had a flair and fascination for all things theatrical, including performers in music halls crafted on canvas, and nude portraits staged in intimate, domestic settings. His imagination was also fuelled by current events including the rise of celebrity culture, and he used this to create compelling narratives.
Much like the man, his art was complex. Creative and colourful, his body of work was ever-changing and can be interpreted in different ways. His own self-portraits, for example, showcase how he evolved throughout his career – from his beginnings as an actor and artistic apprentice, to becoming one of the most gifted and influential artists of his time.
[Tate Britain]
Source: UCL Institute of Archaeology Collections, Air Survey Photographs Box: 247 (UCL0093560); Item: AP10
Type: Glass Plate (Gelatin Dry Plate Neg(?))
Date: 19240915
Container information: IRAQ 1, Abu Sukhair, Iraq T.C. 218.E.D.85 bd, 15.9.24 0700hrs, f10'' 6500 ft, A.P. 10; 8.A.284
Photograph text: ; AP 10
Creator: Royal Air Force
Collection: Likely part of the original deposit of aerial photographs collected by O.G.S. Crawford in cooperation with Royal Air Force
All reproduction enquiries must be directed to UCL Institute of Archaeology Collections Manager Ian Carroll i.carroll@ucl.ac.uk
TWI has been at the forefront of the technological development of using lasers for materials processing since the mid-1960s, providing world-class support to many industries, including the automotive, shipbuilding and aerospace sectors.
Many variants of laser technology are currently used in production processes including cutting, welding, marking, surface engineering and direct parts fabrication. The range of applications covers metals, plastics, semiconductors and ceramics on a scale from sub-micron to several metres.
TWI has a number of laser facilities, and the development of laser processing for metals and non-metallic materials is carried out using a wide variety of laser sources operating at powers up to 7kW.
For more information www.twi.co.uk/technologies/welding-coating-and-material-p...
If you wish to use this image each use should be accompanied by the credit line and notice, "Courtesy of TWI Ltd".
© Sanctuaires ND Lourdes
Restons en contact : www.facebook.com/lourdes.tourisme
Photo by: Boris Jordan (Germany)
Location: Rhenish Hesse (Rhineland-Palatinate)
WMO 2021 Calendar Competition Entries
Source: livinghistories.newcastle.edu.au/nodes/view/32704
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
West of Watling Street
A muddy ditch drains the wet wilds of Warwickshire
Sliding secretly under ancient trackway Roman-clad in stone.
Straddled one foot each side
Camera low to the water
OneRiver is born.
The Soar rises in Warwickshire, but only by 100 metres. It slips secretly under Watling Street and is not easy to find. This is as close as you can get to the source without becoming hedgehog pizza on the A5 or crossing the county border. While looking for this spot I bumped into a chap called Livingstone and asked him if he'd found the source but he said he was lost.
Source: en.wikipedia.org/wiki/Grand_Canyon
The Grand Canyon is a steep-sided canyon carved by the Colorado River in Arizona, United States. The Grand Canyon is 277 miles (446 km) long, up to 18 miles (29 km) wide and attains a depth of over a mile (6,093 feet or 1,857 meters).
The canyon and adjacent rim are contained within Grand Canyon National Park, the Kaibab National Forest, Grand Canyon–Parashant National Monument, the Hualapai Indian Reservation, the Havasupai Indian Reservation and the Navajo Nation. The surrounding area is contained within the Baaj Nwaavjo I'tah Kukveni – Ancestral Footprints of the Grand Canyon National Monument. President Theodore Roosevelt was a major proponent of the preservation of the Grand Canyon area and visited it on numerous occasions to hunt and enjoy the scenery.
Nearly two billion years of Earth's geological history have been exposed as the Colorado River and its tributaries cut their channels through layer after layer of rock while the Colorado Plateau was uplifted. While some aspects about the history of incision of the canyon are debated by geologists, several recent studies support the hypothesis that the Colorado River established its course through the area about 5 to 6 million years ago. Since that time, the Colorado River has driven the down-cutting of the tributaries and retreat of the cliffs, simultaneously deepening and widening the canyon.
For thousands of years, the area has been continuously inhabited by Native Americans, who built settlements within the canyon and its many caves. The Pueblo people considered the Grand Canyon a holy site, and made pilgrimages to it. The first European known to have viewed the Grand Canyon was García López de Cárdenas from Spain, who arrived in 1540.
Source: en.wikipedia.org/wiki/Grand_Canyon_National_Park
Grand Canyon National Park is a national park of the United States located in northwestern Arizona, the 15th site to have been named as a national park. The park's central feature is the Grand Canyon, a gorge of the Colorado River, which is often considered one of the Wonders of the World. The park, which covers 1,217,262 acres (1,901.972 sq mi; 4,926.08 km2) of unincorporated area in Coconino and Mohave counties, received more than 4.7 million recreational visitors in 2023. The Grand Canyon was designated a World Heritage Site by UNESCO in 1979. The park celebrated its 100th anniversary on February 26, 2019.
Source: www.nps.gov/grca/index.htm
Entirely within the state of Arizona, the park encompasses 278 miles (447 km) of the Colorado River and adjacent uplands. Located on the ancestral homelands of 11 present day Tribal Communities, Grand Canyon is one of the most spectacular examples of erosion anywhere in the world—a mile deep canyon unmatched in the incomparable vistas it offers visitors from both north and south rims.
Additional Foreign Language Tags:
(United States) "الولايات المتحدة" "Vereinigte Staaten" "アメリカ" "米国" "美国" "미국" "Estados Unidos" "États-Unis" "ארצות הברית" "संयुक्त राज्य" "США"
(Arizona) "أريزونا" "亚利桑那州" "אריזונה" "एरिजोना" "アリゾナ州" "애리조나" "Аризона"
(Grand Canyon) "جراند كانيون" "大峡谷" "גרנד קניון" "ग्रांड कैन्यन" "グランドキャニオン" "그랜드 캐니언" "Гранд-Каньон" "Gran Cañón"
I dreamed about a human being is is part of a project exploring the use of artificial intelligence as applied to photography by using online open source code and data.
More information at fransimo.info/?p=1100
ID:338d8a144e3b0323ce33ca3408879cfd
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www.flickr.com/photos/rforeman/5396129611/
www.flickr.com/photos/chocolatisimo_com/5404346630/
www.flickr.com/photos/schoey/5406769409/
www.flickr.com/photos/hopeforafreepalestine/5406770339/
www.flickr.com/photos/hopeforafreepalestine/5406770339/
www.flickr.com/photos/hopeforafreepalestine/5407376260/
www.flickr.com/photos/epeactueel/5420756041/
www.flickr.com/photos/50062849@N08/5422695557/
www.flickr.com/photos/skampy/5423308438/
www.flickr.com/photos/skampy/5423308438/
www.flickr.com/photos/hailmerry/5431636851/
www.flickr.com/photos/hailmerry/5431636851/
www.flickr.com/photos/elevatecentral/5431643979/
www.flickr.com/photos/elevatecentral/5431650243/
Source: Scan of a photograph.
Image: P...
Date: October 2007.
Copyright: SBC.
Repository: Local Studies at Swindon Central Library.