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Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
CAT ON A HOT TIN ROOF
by Tennessee Williams
Village Players, Toronto
September 29 - October 21, 2000
Directed by Anne Harper
Composite CAST photo
Top row:
3 Dixies: Alexandra Heeney, Marta Herman & Samantha Claire Neayem
Fred Dus as Doctor Baugh
Janet Tovey as Sookey; Christine Lambert as Lacey
Second Row:
Lynne Terry as Big Mama
John Sugden as Big Daddy
Trudi Deacon as Mae
Third Row:
Brandon Barre Brick
Kiran Friesen as Maggie
Paul Shoebridge as Gooper
Bottom Row:
Anne Harper, director
Liam Doherty as Reverend Tooker
PRODUCTION STAFF
Producer: Françoise Nadeau
Stage Manager: John Rigby
Set Design: Rick Zimmerman
Lighting Design: Bruce Aitken
SoundDesign: J.R. Rudge
Costumes: Theresa Arneaud
Properties : Anita & Françoise
Poster: Katherine Harper
Program: Heather Aitken
Publicity: Jennifer Hubbs
Box Office: Val, Jenn, Heather, Liz, Judith, Françoise
Photography: Greg Tjepkema
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
18 sept. 2015 NIEUWE FILMERS Filmfestival in Theater aan de Parade Den Bosch.
De première avond van vijf korte films van jonge filmers gemaakt tijdens de ONE WEEK FILM project [10 t/m 14 aug. jl.], met interviews met de makers én uitreiking van de film award Het Paradepaardje! En bekendmaking eervolle vermeldingen voor best editing, best acting, best sounddesign, best camera DOP.
De films
-Mr HERO - team Cinema HYPE, regisseur Vincent Plu
- RUIMEL - team Rebel with a Crew regisseur Joris Sluiter
-SOKPOP - team IN PRINCIPE, regisseur Lenn-Art van Oostenbrugge
-WATERGAMES - team CineRaw, regisseur Robin de Ridder
- ZAP - team Rosebud, regisseur Jan van Ooijen.
Jury Marieke Jonker Amstelfilm/ JT bioscopen,
Marinus Groothof Regisseur, Harry Vermeulen directeur TP en Gertjan Stads ambassadeur TP.
Presentatie Coen Haver,
NF team Monique van de Wijdeven, Coen Haver, Marjoes Corsten en Marcus Peters
Live camera Rolf Jurgens
Techniek Ivan Hidayat
Fotografie Anouk Dalessi, Elise Borsboom, Marcus Peters / film Tristan Verbunt
Sound Design Instructor Curtis Wright (left) with Ray Beckett.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
ITIM ASU. Contemporary dance artist Myra Beltran collaborates with video artist Sherad Anthony Sanchez and sound designer Teresa Barrozo to choreograph a deconstructed version of Virgie Moreno’s play The Onyx Wolf/Itim Asu on November 26 to 28 at Dance Forum Space, 36E West Avenue, Quezon City.
www.manilatimes.net/index.php/lifestyle/5767-virgie-moren...
The Movie 5.1 from Miller & Kreisel makes for a visually pleasant unassuming appearance and brings an unparalleled advantage to surround sound. It effectively offers minimum space requirements, astonishing sound and outstanding price-performance. This stellar system offers crystal clear dialogue reproduction. Explore MK movie 5.1 system, now at Soundfield
For more information on offers in Kerala, please DM, WhatsApp or call +91 8589007362
#SoundField #premiumspeakers #poweredmonitors #Keraladealer #HomeTheatre #Acoustics #ProAudio #Kerala #India #SoundDesign #SoundFieldIndia #SoundFieldKerala #kochi #trivandrum #calicut #trivandrumdiaries #kerala360 #hometheaterinstallation #speakers #speakersystem #luxurylifestyle #audiovisual #LuxuryAudioSystem #LuxuryHomes #LuxuryHomesKerala
Two of the biggest names in feature film sound design dropped by VFS, treating a packed house to an in-depth look at their impressive body of work in films from directors like Terrence Malick, the Coen brothers, Martin Scorsese, and more.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Sound Design for Visual Media Summer Intensive.
Find out more about VFS Summer Intensive programs at vfs.com/summerintensives.
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
The S 801 PM powered monitors takes you to an immersive sound experience with WaveGuide acoustic technology that reproduces unmatched, dynamic sound.
This elegantly designed speakers feature compact cabinets with seamless magnetic grille for aesthetic elegance. WaveGuide acoustic technology paired with a 25.4mm (1”) silk dome tweeter for a cleaner sound throughout your space and 102mm (4") poly fiber woofer for a balanced musical low end. Explore Jamo outdoor speakers with Soundfield
For more information on offers in Kerala, please DM, WhatsApp or call +916238156817
#SoundField #jamo #jamospeakers #premiumspeakers #poweredmonitors #Keraladealer #HomeTheatre #Acoustics #ProAudio #Kerala #India #SoundDesign #SoundFieldIndia #SoundFieldKerala #kochi #trivandrum #calicut #kochigram #calicutdiaries #trivandrumdiaries #kerala360 #hometheaterinstallation #speakers #speakersystem #luxurylifestyle
#soundbar #audiovisual
Valerie Geffner www.valeriegeffner.com,
Music Works' Chris Theberge & Christianne Cook
Robin Duner-Fenter - www.nexcommedia.com
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Sandra Suárez
ICBA - Salvador, BA
- - -
Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.
Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.
Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.
A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.
Equipe:
Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady
Consultoria em Arte e Tecnologia: Karla Brunet
Sound designer: Junix
Assessoria artística: Flávia Bomfim e Juliana Bestetti
Coordenação de produção: Erica Telles
Produção executiva: Jandyra Fernandes
Assistencia de produção: Pedro May
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at vfs.com/sounddesign.
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
Wie immer ein Erlebnis: Die Stimmen, das Bühnenbild, die Ideen ....
Ich kann nur sagen: Notieren Sie sich fürs nächste Jahr die Termine.
Nun einen Auszug aus der Web-Seite der Ruhrtriennale.de:
When the mountain changed its clothing thematisiert vor allem den Umbruch, in dem sich die 40 Mädchen der Carmina Slovenica im Alter von 10 - 20 Jahren aus Maribor befinden. Sie konfrontieren uns mit Geschichten und Fragen zum Abschied von ihrer Kindheit. Das Alte ist nicht mehr, das Neue noch nicht greifbar. An dieser Schwelle finden sie sich zusammen zu scheinbar harmlosen Spielen, Versen, Gesängen und schaffen poetische, bedrohliche Bilder. Im Wechselspiel zwischen Souveränität und Repression bewegen sich die jungen Sängerinnen durch den Zyklus der Jahreszeiten und balancieren die Machtverhältnisse stetig neu aus - untereinander und vor allem zwischen Publikum und Bühne.
»Wovon träumen die jungen Mädchen?« - »Vom Messer und vom Blut.«
Mit diesem Dialog des französischen Autors Alain Robbe-Grillet endete 1995 ein frühes Musiktheaterstück von Heiner Goebbels, Die Wiederholung. Zugleich ist es der Startpunkt für seine neueste Musiktheaterproduktion. Gemeinsam mit den Sängerinnen und seinem künstlerischen Team entwickelt Heiner Goebbels ein Szenario, in dem die Mädchen ständig zwischen einem Klischée kindlicher Unschuld und Unberechenbarkeit schwanken. Nicht zuletzt entstehen diese spannungsgeladenen Bilder aus der unglaublichen Energie der jungen Protagonistinnen, und sie reflektieren auch die rapiden politischen und sozialen Veränderungen der Region, aus der sie und die musikalische Kultur ihres Chores stammen.
Unter der künstlerische Leitung der Dirigentin Karmina Šilec hat sich das Vocal Theatre Carmina Slovenica zu einem international gefragten Klangkörper der Region entwickelt. Mit seinem großen Repertoire von mittelalterlicher über folkloristische bis hin zu zeitgenössischer Musik ist er mit seinen Konzerten weltweit zu Gast. Vocal Theatre Carmina Slovenica beeindruckt sowohl mit der großen musikalischen und choreografischen Präzision als auch mit dem selbstbewussten Auftreten der jungen Sängerinnen. Die Musik zu When the mountain changed its clothing stellt dabei Chormusik aus dem Repertoire von Carmina Slovenica neben Partisanengesänge aus der Tito-Zeit und Popmusik.
Konzept, Regie und Musik — Heiner Goebbels
Bühne und Licht — Klaus Grünberg
Kostüme — Florence von Gerkan
Choreografie — Florian Bilbao
Dramaturgie — Matthias Mohr
Sounddesign — Willi Bopp
Chor — Vocal Theatre Carmina Slovenica
Künstlerische Leitung — Karmina Šilec
Texte —
Jean-Jacques Rousseau, Joseph von Eichendorff, Adalbert Stifter, Gertrude Stein, Alain Robbe-Grillet, Marlen Haushofer, Marina Abramovic und Ian McEwan
Musik —
Johannes Brahms, Arnold Schönberg, Karmina Šilec, Lojze Lebič, Sarah Hopkins und Heiner Goebbels
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Full album in free download here archive.org/compress/DEDDOTAIMU_TKnoBeurK/formats=VBR%20M... More free music on the netlabel profile archive.org/details/le-colibri-necrophile The lastest news are here ello.co/ed_end
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Gary Bourgeois, one of the film industry’s top re-recording mixers, visited the Sound Design for Visual Media campus, enthralling students for nearly four hours with his experiences. Gary has been active in the industry since the early 1970′s, working on Pretty in Pink, Pleasantville, Charlie’s Angels, and The Bourne Supremacy.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign .
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Gail Davis, Kristen Soumas, Chris Theberge, Robin Duner-Fenter
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Moor ist Leben, Leben ist Kunst! Begleite die FH Salzburg bei der Umsetzung und Koordination dieses einzigartigen Projekts. Mit eindrucksvollen Bildern, spektakulären Sequenzen und einzigartiger Inszenierung versteht es die Gruppe rund um Florian Reittner Moor völlig neu in Szene zu setzen. Anfang März 2017 haben wir den Start dieses atemberaubenden Projekts angekündigt. Erlebe jetzt die ersten Eindrücke im Making Of.
Ein Projekt im Ramen des Multimedia Art Studienganges der FH Salzburg
Regie: Florian Reittner
DOP: Andreas Eymannsberger
Produktion: Sarah Hackenberger, Nina Pintis
Sounddesign: Johannes Lugstein, Julia Grall
Regieassistenz: Lukas Ganahl
Aufnahmeleitung: Raphael Maier
Script /Continuity: David Prokop
B Kamera: Cornelia Ohnmacht
A Kameraassistent: Georg Sommer
B Kameraassistent: Maximilan Miller
Materialassistent: Johannes Hagn
Oberbeleuchter: Ben Költringer
Best Boy: Maxi Obermair
Grip: Christopher Eberle
Kostüm: Kerstin Gatterbauer
Maske: Lisa Schwab
DIT: Jonas Wenzl
Technical Director: Bernhard Schröcker
3D Supervisor: Patrick Dunkl
3D Compositing: Bernhard Schröcker
Schnit: Jonas Wenzl
PA: Silvio Ebner, Magdalena Eymannsberger, Nadja Költringer, Philip Kemmer, Daniel Solymar
Cast: Daniel Limmer, Jazz Brantsch, Sophie Itzlinger, Shereen Deen, Farah Deen, Lali Strasser, Sandra Schwann, Mathias Lillich, Günter Ettinger, Gisela Gruber, Ahmed El Wafi, Erich Hufnagl, Claudia Krippl, Thomas Kaserer, Berghof-Alpakas Hallein, Lisa Schwab, Tom Langer, Sebastian Smus, Marwin Wallner, Richard Hofmann Apostolou, Andrea Pastötter, Jeremy Miliker, Julian Wenzel
Last November, sound sculptor Ranjit Bhatnagar visited Berklee's Valencia campus to offer a seminar on interactive sound art and installations. He also handcrafts original music instruments.
Photos from the dress rehearsal for SCLOrk concert inside the Music Recital Hall on March 16, 2017.
SCLOrk (the Santa Clara Laptop Orchestra) is an innovative ensemble of up to sixteen players dedicated to the creation and performance of live electronic music. Created in the Spring of 2012 by SCU faculty Bruno Ruviaro and students, this interdisciplinary group explores the intersection of music composition, live performance, human/computer interaction, programming, and sound design, with emphasis on musical creativity based on cutting-edge technologies.
(Photo by Joanne H. Lee/Santa Clara University)
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Sound Design students take their recording equipment behind the scenes at the Vancouver Aquarium to capture the sounds of the resident wildlife and augment their sound effect libraries.
Find out more about VFS's one-year Sound Design for Visual Media program at www.vfs.com/sounddesign.
Jazz an der HfM
Eine konzertante Klanginstallation
„What you hear is what you hear“
(frei nach Frank Stella, Minimalartist USA)
Big Band der HfM Detmold
Shawn Grocott: Leitung, Posaune
Kim Efert: Kompositionen, Arrangements, Gitarre
– unter Einbeziehung der Wellenfeldsynthese –
[Generalprobe]
3rds Circle – Saxophone: Georg Schmitt, David Waldeyer, Anna-Lena Delger, Magdalena Haßelbacher, Hörner: Lukas Pfundt, Lukas Kuhn, Posaunen: Simon Pfundt, Friedrich Hultsch, Trompeten: Andreas Herrnleben, Tabea Löbbecke, Javier Jiménez Villarán, Malte Mittrowann – Harfe: Milena Hoge, Klavier/Akkordeon: Michael Rettig, Kontrabass: Marius Strootmann, Schlagzeug/Vibraphon: Jens Korte, Schlagzeug/Klavier: René Pauls – Wellenfeldsynthese/Sounddesign: Sascha Etezazi, Leonard Loock, Juan Moreno, Programmierung der Klangquellensteuerung: Alexander Leemhuis, Sounddesign: Sebastian Breiter, Beschallung: Marco Adamczyk, Florian Götz, Licht: Manuel Grunden – Dank an Malte Heins, Prof. Malte Kob und Prof. Michael Schubert, für die große Unterstützung für dieses Projekt [Quelle: www.hfm-detmold.de]
Global BC visited Vancouver Film School to give viewers an inside look at the VFS experience. The special "back to school" broadcast featured demonstrations and interviews with faculty, students, and alumni from a wide range of VFS programs including Sound Design, Digital Character Animation, Acting, and Makeup Design.
Find out more about these one-year programs and more at vfs.com/programs.
Rolex Artist Aurelio Martinez
www.rolexmentorprotege.com/en/music/aurelio-martinez/aure...
photo credit: Kia Michelle Photography kiamichelle.wordpress.com/
Sandra Suárez
ICBA - Salvador, BA
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Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.
Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.
Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.
A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.
Equipe:
Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady
Consultoria em Arte e Tecnologia: Karla Brunet
Sound designer: Junix
Assessoria artística: Flávia Bomfim e Juliana Bestetti
Coordenação de produção: Erica Telles
Produção executiva: Jandyra Fernandes
Assistencia de produção: Pedro May
Sandra Suárez
ICBA - Salvador, BA
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Blog oficial para network do projeto VISIO. cujo foco são as Artes Visuais e suas expressões na contemporaneidade.
Como o próprio nome sugere, é um ponto de encontro para troca de informações, exibição de técnicas, estilos e inspirações das artes plásticas, fotografia, arte digital, design gráfico, videoarte, web art, live act, dentre outros.
Nas edições presenciais, são apresentados projetos colaborativos desenvolvidos em rede; registros e veiculação instantânea de ações artísticas; produções audiovisuais; laboratório de criação e também atividades informais como o coletivo de desenho livre Canetarium; mini-oficinas; instalações, performances e exposições de artes.
A programação gratuita visa, fundamentalmente, a maior aproximação ao universo particular desta classe em seus processos criativos na formação de uma rede cooperativa com utilização de mídias tradicionais e móveis.
Equipe:
Conceito/ curadoria/ produção geral: Andrea May aka Happy Downlady
Consultoria em Arte e Tecnologia: Karla Brunet
Sound designer: Junix
Assessoria artística: Flávia Bomfim e Juliana Bestetti
Coordenação de produção: Erica Telles
Produção executiva: Jandyra Fernandes
Assistencia de produção: Pedro May