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Contact @ Cosmic Cafe
Bangkok - 14-08-2013
www.facebook.com/events/516177178454622
Sounds and WorLds *
Photo-Set:
www.flickr.com/photos/sterneck/sets/72157635217698799
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Wolfgang Sterneck:
In the Cracks of the World
Photo-Reports:
Articles (german / english) :
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Remains of the 1950s sound system in the Orpheum Theatre projection booth.
The Orpheum was built in 1922 and it was designed by John Eberson. It is the first theater to show signs of his famous atmospheric theater design. It hosted weekly vaudeville until 1929 then it showed movies until 1976. It was closed in 1976 and reopened year round in 2000. It is the crown jewel of Wichita movie theaters.
NRIS #80001473. Added in 1980.
For more information:
www.kshs.org/resource/national_register/nominationsNRDB/S...
Sound Block, which consists of 48 multi-speakers, enables us to journey to various sound fields. The reproduction is based on theoretically assured method and boundary surface control method.
みなさんが普段何気なく聴いている色々な音の風景を、この音積木を使って再現してみましょう。48個のスピーカと理論的に正しい方法を使った少し高級なサラウンドです。
平成２６年度九州大学総合研究博物館公開展示「ふくおかをしあわせにするデザイン」
Annual Special Exhibition of The Kyushu University Museum "Exhibition: Design Makes Fukuoka Happy"
Photo by Shiho Nagahama for Geikou Press
©2014 Kyushu University
Desolation Sound Aug 2008
Desolation Sound Aug 2008
Desolation Sound Aug 2008
Desolation Sound Aug 2008
desolation sound aug 2008
desolation sound aug 2008
This tutorial is a supplement to Flipbooks with Sound Part I, which shows how to make the basic flipbook. In this post a sound module is added for the full flipbook experience.
Sofar Sounds Colchester.
27th July 2017. Photos by Jonathan Dadds (www.facebook.com/jonathandaddsphotography/)
"Soundscapes & Sound Identities"
7th international FKL symposium on soundscape
VII SIMPOSIO INTERNAZIONALE SUL PAESAGGIO SONORO
22 23 24 maggio 2015 @ Castello di Beseno in Trentino
PORTOBESENO 2015 FKL - info
www.portobeseno.it/blog/?page_id=6496
PROGRAM
www.paesaggiosonoro.it/soundscapeandid/prev_programme.php
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Portobeseno festival 2015 e il Forum Klanglandschaft (FKL), Forum Europeo per il Paesaggio Sonoro, presentano il VII Simposio Internazionale FKL sul Paesaggio Sonoro.
Il simposio sarà ospitato nel castello di Beseno nei giorni 22-24 maggio 2015 e prevede la presenza di decine di ricercatori, musicisti e artisti provenienti da tutto il mondo.
La selezione dei partecipanti è avvenuta tramite un bando internazionale che ha raccolto oltre 180 proposte suddivise in conferenze, installazioni sonore, video, audio performance.
Il tema proposto per il simposio internazionale FKL 2015 riguarda il rapporto tra i suoni che ci circondano e il concetto di identità.
I luoghi, gli abitanti, ma anche i tempi e le diverse pratiche di comunicazione comportano in maniera inevitabile una molteplicità di identità sonore. Con questo tema si vuol proporre una suggestione trasversale a tutte le discipline della scienza e dell’arte che, ognuna secondo il proprio modo di ascoltare, di sollevare i problemi e di dare risposte, si interessano degli aspetti sonori del paesaggio e della relazione con chi in esso abita.
Ospitando “Soundscape & Sound Identies”, il festival Portobeseno offre un'occasione per confrontarsi e stimolare la riflessione intorno al tema dell’identità sonora, per dialogare all'interno della comunità acustica e per offrire una panoramica sugli studi e sulle ricerche sonore internazionali.
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“Soundscapes & Sound Identities” is the theme of the seventh international symposium on soundscape organized by the FKL (Forum Klanglandschaft)
The symposium is hosted by the festival Portobeseno 2015.
There exists doubtlessly an acoustic identity of places, even in those which, due to the increasing uniformity of the contemporary world, end up being “non-places”; acoustic identity may appear standardized, but is nevertheless present.
The term “acoustic climate” is often used in environmental physics in defining the parameters and quantitative data which characterize an acoustic environment, obviously this term inevitably hints at an idea of identity linked to its measurable aspects.
Bioacoustics and ecology deal with, among other things, the way the acoustic environment, the specific sonic utterances and hearing characteristics of living species represent the identity of a given species, and the way they co-exist and live together.
PORTOBESENO
Il progetto culturale Portobeseno è nato nel 2004 e si occupa di archivi multimediali 2.0, progetti artistici e laboratori creativi aventi per oggetto il territorio, il paesaggio e la memoria individuale e collettiva. I progetti traggono spunto da interviste narrative, ricerche etnografiche, laboratori didattici rivolti alle scuole, da riflessioni sulla memoria orale e sulla conoscenza concreta del territorio, dall’esplorazione dei paesaggi sonori, dalle loro possibili relazioni con il web attraverso lo sviluppo di cartografie virtuali, blog creativi, geoblog, progetti sociali per la Rete. Tali progetti confluiscono nel festival “Portobeseno, viaggio tra fonti storiche e sorgenti web” che produce spettacoli (dal teatro ai concerti di musica elettroacustica) e installazioni multimediali originali e innovative. Il festival Portobeseno propone inoltre riflessioni sui diritti d’autore, la condivisione creativa e sulla percezione del territorio tra reale e virtuale, dalla scoperta di un sentiero nei boschi alla navigazione virtuale offerta da Internet.
Portobeseno è curato da Davide Ondertoller e Sara Maino.
La commissione scientifica di SOUNDSCAPES & SOUND IDENTITIES è composta da: Stefano Zorzanello; Caroline Profanter; Hanke Haun; Lorenz Schwarz; Francesco Michi; Albert Mayr per FKL e Sara Maino per PORTOBESENO.
La commissione artistica è composta da: Gabriele Proy; Francesco Michi; Caroline Profanter; Bernadette Johnson; Mechi Cena; Stefano Zorzanello per FKL e da Sara Maino per PORTOBESENO
These are the historic sound mirrors situated at Lade on the Romney Marshes in Kent. They were used to listen for approaching aircraft.
Copyright Robert W. Dickinson. Unauthorized use of this image without my express permission is a violation of copyright law.
Taken at the Scottsdale Pavilions Car Show on 10/22/22.
Canon 90D and Sigma 24-70mm f2.8 Art lens with circular polarizer.
© Roland Zauner
"Sound of Salzburg" - Lichtinstallation auf der Salzach in der UEFA EURO 2008 Host City Salzburg
Im Hintergrund: Altstadt von Salzburg mit der Festung Hohensalzburg
22.06.2008
"Shared Space" is a tool that allows scenographers to create virtual sound spheres in any space in a museum. This new experience offers the public the possibility to merge more deeply with works of art. While wearing headphones, the visitor is at the center of every sound. Depending on their location in the museum, the visitor can focus on a specific sound, story, or sound texture. In this way, senses other than sight, may be aroused and stimulated.
Situated at Denge near Dungeness in Kent these are the best known of the various acoustic mirrors built along Britain's coast. A forerunner of radar.
After a few rain showers it was time for Sound In Sanity from Stängnäs to enter the stage. They play Metal / Progressive Rock. The singer is Frida Eurenius.
Update. Frida is now playing with the band Lapiz Lazuli.
This is an old telegraph sounder, found on ebay. I have taken it apart and cleaned it up. The finish on the wood has been replaced. All the metal parts shined up. Some of the plating has come off over the years. Made by Foote Pierson & Co. It is a W. U. TELCO MAIN LINE 15B. On the bottom is stamped N.Y.R.S 2099-30 INSPECTED.
2 coils in series
120 Ohms total
In action: www.flickr.com/photos/ibrungit/5389073653/in/set-72157625...
From set www.flickr.com/photos/ibrungit/sets/72157625151478801
Desolation Sound Aug 2008
Desolation Sound Aug 2008
desolation sound aug 2008
desolation sound aug 2008
The sound tube in Melbourne, Australia, is designed to reduce roadway noise without detracting from the area's aesthetics.
Wikimedia Nederland and The National Institute for Sound and Vision organised the first Europeana Sounds Editathon on the 10th of January of 2015. The theme of this editathon was bird sounds, these were added to Wikipedia articles and some Dutch articles on birds were improved. Sander Pieterse gave a presentation on Xeno-canto and Naturalis.
For me, the sound of the cicada is synonymous with the late, hot, hazy days of summer.
When I was young I didn’t know what made the sound and I’d be off trying to find the source.
I didn’t find it but the searching would turn into a game of hide and seek or tag with the neighborhood kids. Later we would sit on someone’s porch drinking Kool Aid watching the lightning bugs.
A small piece of childhood magic and wonder was lost when I found out it was an insect.
Sometimes I wish I didn’t know what made the sound.
Our first view of Doubtful Sound. This is from Wilmont Pass, on the bus ride from Lake Manapouri.
The bus goes over dirt roads built to support the power station. Despite the bus it's a very remote area. The only way in is by boat, which is how the bus was shipped in.
Fiordland National Park, New Zealand
(nz_fiordland_1584)
Designed by: Kazuhiro Yamanaka
Editor: SAAZS
Photographer: Laurent Zylberman
You can also watch our video here: vimeo.com/quantumglass/sound-cloud-kazuhiro-yamanaka-a-gl...
More about LEDinGLASS: www.quantumglass.com/light-space-graphic-lighting-glass-s...
Polifonik Sound - polifoniksound.com/
17 y 18 de mayo de 2013
Barbastro - Huesca
Pics by: Emmanuel León