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Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
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©Notley Hawkins
Israelvis (Trondhrim, Norway) - 1989
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau
.
SQUAT - SOUNDS
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1989-1990:
Archbishop Kebab (Edinburgh, Scotland) - 1989
Citizen Fish (Warminster, England) - 1990
Die Trottel (Budapest, Hungary) - 1988
Do Or Die (Amsterdam, Netherlands) - 1990
Israelvis (Trondhrim, Norway) - 1989
Kina (Valle d'Aosta, Italy) - 1990
Life… But How To Live It? (Oslo, Norway) - 1989
Political Asylum (Edinburgh, Scotland) - 1989
Rikk Agnew (Fullerton, USA) - 1990
Robsie Richter (Hanau, Germany) - 1990
Sharon Tates Children (Stuttgart, Germany) - 1989
Sore Throat (Yorkshire, England) - 1990
Spongetunnel (Chicago, USA) - 1989
Ugly Food (Lübeck, Germany, Odense, Denmark) - 1989
Zygote (Bath, England) - 1990
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
- * -
THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
- * -
SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
- * -
I took this photo in tungsten mode. It was very yellow and orange (I have a tungsten lamp at home) and it didn't look good. I photoshoped it to make the colour more natural. It turned out good. I am happy with the colour.
Doom (Birmingham, England) - 1994
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau
Hardcore Politics
.
SQUAT - SOUNDS *
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1993-1994:
ABC Diabolo (Saarbrücken, Germany) - 1994
Billy Tipton Memorial Saxophone Quartet (Seattle, USA) - 1993
Deo Cadaver (Lausanne, Switzerland) - 1993
Doom (Birmingham, England) - 1994
Extinction of Mankind (England) - 1994
Hadayatullah Hübsch (Frankfurt, Germany) - 1993
In den Wolken schwebende Gänse II (Hanau, Germany) - 1993
Inox Kapell (Wiesbaden, Germany) - 1994
Left Hand Right Hand (London?, England) - 1994
Orchestre Murphy (London, England) - 1993
Peter Brötzmann (Wuppertal, Germany) - 1991
Pszychisz Teror (Zurich, Schweiz) - 1993
Rabenhirn (Frankfurt, Germany) - 1994
Schwartzeneggar (London, England) - 1993
Strelnikoff (Ljubljana, Slovenia) - 1993
Steve Ignorant (London, England) - 1993
Substanz T (Frankfurt, Germany) - 1994
The Honkies (London, England) - 1993
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
- * -
THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
- * -
SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
- * -
To Rococo Rot
CD 1 :
To Rococo Rot
Instrument
City Slang
2014
Music by Robert Lippok . Ronald Lippok . Stefan Schneider
Design by Mark Fell
CD 2 :
The Wire
Tapper 27
2011
Design by Mark Fell
Use Hearing Protection
CGMAYK
Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
Follow me on Facebook.
©Notley Hawkins
Kaktuxxe (Hanau, Germany) - 1992
Live at
Autonomes Kulturzentrum Metzgerstrasse Hanau
.
SQUAT - SOUNDS *
AUTONOMES KULTURZENTRUM HANAU
(Besetztes Haus / Metzgerstrasse-Squat in Hanau / Germany).
Photographs 1987-1994
- Please scroll down for english and german info) -
The Squat - Photos:
www.flickr.com/photos/sterneck/sets/72157627799174125
Squating the Parliament (1988):
www.flickr.com/photos/sterneck/sets/72157627923787960
Concert-Photos 1987-1988:
www.flickr.com/photos/sterneck/sets/72157627799191443
Concert-Photos 1989-1990:
www.flickr.com/photos/sterneck/sets/72157627923799072
Concert-Photos 1991-1992:
www.flickr.com/photos/sterneck/sets/72157627923811302
Concert-Photos 1993-1994:
www.flickr.com/photos/sterneck/sets/72157627923815978
- Concert-Photos 1991-1992:
Charles Hayward (London, England) - 1992
Embryo (Munich, Germany) - 1991
Girls against Boys (Washington, USA) - 1992
Hadayatullah Hübsch (Frankfurt, Germany) - 1991
In den Wolken schwebende Gänse II (Hanau, Germany) - 1991
Kaktuxxe (Hanau, Germany) - 1992
Medusa (Amsterdam?; Netherlands) - 1992
Peter Brötzmann (Wuppertal, Gemany) - 1991
Sterneck-Cage-Project (Hanau / New York) - 1991/92
The Ex (Amsterdam, Netherlands) - 1992
The Honkies (London, England) - 1992
Tom Cora (New York, USA) - 1992
..... and Friends and .....
.........
There were a lot more bands playing in the squat.
If you have photographs or recordings - please get in contact:
contact@sterneck.net
Thanx! *
- * -
THE SQUATED AUTONOMOUS CULTURE CENTER
METZGERSTRASSE / HANAU
In December 1986 some people in Hanau (Germany) decided to squat a house that had been empty for a long time, Metzgerstraße 8. They restored it and filled this free space with a new life.
Soon it became an ’Autonomous Culture-Center’ for the people and by the people, and also a focal point for a solidaric projects and for the resistance against ruling systems in all their repressive forms. The center has had a long history of attempts to establish a self-determined culture-center in Hanau, although it has always been repressed by the local city council.
The basic forum of the center is the ”squatter meeting,” which is open to everyone who has an interest in the squat as a counter-cultural free space. Decisions are made on the consent principle, which means that they try to find a decision that can be supported by everyone. Many activists in the squat, but not all, describe themselves as members of the autonomy movement, which connects anarchist, communist and feminist ideas.
At the moment there are a lot of projects, groups, and events that take place in the center. Everything is done on a do-it-yourself and nonprofit basis; no one receives money for her or his work. Solidarity, trust and self-determination are the basis for all work. Here are some examples:
- The ’Infoladen’ (Infoshop): The Infoshop is an opportunity to get information that can’t be found in the normal bourgeois media. There are a lot of autonomous, left radical and feminist leaflets, brochures and newspapers available. There is also a small media center and an archive that includes material on topics like anti-fascism, atomic politics, women’s liberation, internationalism, etc.
- The ’Volxküche’ (Peoples Kitchen): Frequently people from the community cook a vegetarian meal that is available for a small price. The idea behind this is to overcome isolation between people and the patriarchal roles typical in the kitchen, and, of course, to provide a good tasting meal for many people.
- The Concerts: Concerts in the center are organized, and absolutely dedicated to the principle of working in a self-determined way without a manager, an agency, or even a contract. The bands that play in the squat should have a mutual relation to the ideas of the center. There are no musical limits: Local punk bands have played there as well as jazz bands from North-America and Avantguarde projects from Eastern Europe. Some of the performances have been released on tapes and records.
In a way, the things that happen between the people in the center are more important than the events: changes in behavior, opportunities to live together without hierarchical structures, and new ways of relating. Although the squat is like an island in some ways, it’s far from a concrete utopia. Problems in interpersonal relations exist, as well as differences between ideals and real behaviour.
If people want to go alternative ways, the authorities try to stop them. In Hanau the local city council has said for a long time that none of the things the squatters do and organize represent culture. They decided in parliament that the center was to be closed and torn down without an alternative. In place of the squat, they planned to build five parking places. A decision that is very symbolic and characteristic. Certainly, the real aim was to destroy the ideas and the structures this center stands for.
The answer of the supporters of the Autonomous Culture-Center was the squatting of the parliament of the city. The politicians went out of the building and the squatters voted for the continuation of the center.
Up to now the authorities have not been able to realize their plans for various reasons. On the one hand there are many people who support the squat. There are also legal difficulties around closing it, and they are afraid of the resistance and activities that could take place after closing the squat.
But even if they evict the center, they can’t repress the ideas that the squat stands for. It’s about a self-determined culture and a self-determined life. It’s about dreams and ideals. It’s about consequence and change, here and now.
Wolfgang Sterneck, 2001.
Autonomes Kulturzentrum
Metzgerstrasse 8, D-63450 Hanau, Germany.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Info on the Project of John Cage and Sterneck / KomistA in benefit of the squat:
- www.sterneck.net/john-cage/metzgerstrasse-e
- * -
SUBVERSIVE SOUNDS *
Konzerte im Autonomen Kulturzentrum Hanau.
Das besetzte Haus
Im Dezember 1986 kam es in Hanau zur Besetzung eines ehemaligen Nachtclubs in der Metzgerstraße 8. Das Gebäude, das zuvor über Jahre hinweg leer stand, wurde renoviert, neu gestaltet, umbenannt und wird seitdem als Autonomes Kulturzentrum genutzt. Das Ziel der Besetzung war es, einen Freiraum zu schaffen, in dem die Vorstellung einer autonomen Kultur wie auch die Wiederaneignung des entfremdeten Alltags konkret umsetzbar wird.
Vor diesem Hintergrund gelang es, ein Zentrum zu entwickeln, in dem solidarisches Handeln, kollektives Leben und politische Identität auf vielen Ebenen verschmelzen oder sich zumindest annähern. Die Metzgerstraße wurde dadurch zu einem wichtigen Bezugspunkt von dem auf verschiedenen Ebenen vielschichtige politische, soziale und kulturelle Impulse ausgingen.
Im Laufe der Jahre entstanden vielfältige Projekte wie die Volxküche (Essen zum Selbstkostenpreis), der Infoladen (Aktuelle politische Informationen und Archiv) und das Basta-Cafe (Treffpunkt und Sozialberatung). Die politischen Schwerpunkte der im Kulturzentrum aktiven Gruppen liegen unter anderen in den Bereichen 'Internationale Solidarität', Antifaschismus und 'Soziale Veränderung'.
Die Entscheidungen innerhalb des Kulturzentrums werden basisdemokratisch nach dem Konsensprinzip getroffen. Alle Aktivitäten basieren auf einer idealistischen Grundhaltung. Keine Person aus dem Zentrum erhält für ihre Tätigkeiten eine finanzielle Entlohnung.
Selbstbestimmte Kultur ohne Kommerz
Musik hatte von Anfang an in der Metzgerstraße eine besondere Bedeutung. Über das Musikhören hinaus machen viele AktivistInnen selbst Musik, veröffentlichen eigene Aufnahmen oder organisieren Konzerte. Im Sinne des DIY-Prinzipes ('Do it Yourself') werden die Auftritte im direkten Kontakt mit den MusikerInnen ohne Konzertagenturen und auch ohne Verträge auf völlig nichtkommerzieller Basis organisiert.
Eine Grundlage bildet ein solidarisches Verhältnis der MusikerInnen zur Metzgerstraße, was sich unter anderem auch in der Gage ausdrückt, die sich in der Regel auf die für die Band entstandenen Unkosten und die Verpflegung beschränkt. Der Eintrittspreis ist so ausgerichtet, dass er für alle interessierten Personen erschwinglich ist und die anfallenden Kosten deckt bzw. im Rahmen von Benefiz-Konzerten bestimmte Projekte unterstützt.
Freiräume statt Parkplätze
Während der ehemalige sozialdemokratische Kulturdezernat Hanaus davon sprach, dass in der Metzgerstraße keine Kultur stattfindet, bildete dass selbstorganisierte Zentrum durch die Auftritte von Bands aus Westeuropa und Nordamerika einen im Hanauer Kulturleben herausragenden internationalen Bezugspunkt. Die musikalische Bandbreite umfasst unter anderem Rockmusik in den verschiedensten Schattierungen, Punk, Hardcore, Folk und Jazz, sowie experimentelle und improvisierte Musik. Lokale Nachwuchsbands traten im Laufe der Jahre genauso auf wie renommierte Gruppen aus unterschiedlichsten Ländern. Einen Kultcharakter erlangten zudem die Nachtcafe-Sessions, an denen jeder und jede teilnehmen konnte.
Die Aufnahmen einiger Konzerte wurden später auf verschiedenen Tonträgern veröffentlicht. 1992 kam es daneben zur Veröffentlichung eines der Metzgerstraße gewidmeten Stücks des Avantgarde-Komponisten John Cage.
In den Anfangsjahren plante der Hanauer Magistrat das Haus nach einer Räumung abreißen zu lassen, um dort stattdessen fünf Parkplätze zu errichten. Die Kulturpolitik des Magistrates entlarvte sich dadurch in einer kaum zu übertreffenden symbolhaften Weise selbst. Das Vorhaben wurde jedoch nicht zuletzt in Folge einer Besetzung des Stadtparlamentes durch Unterstützerinnen des Kulturzentrums nicht weiter verfolgt.
Rund 25 Jahre nach der Besetzung wird das Haus weiterhin als Kulturzentrum genutzt. Im ansonsten auf Konsum und Kommerz ausgerichteten Stadtzentrum Hanaus ist es mit seinen vielfältigen Projekten kreativer wie auch subversiver Freiraum.
Wolfgang Sterneck, September 2011.
Autonomes Kulturzentrum Metzgerstraße:
- www.metzgerstrasse-hanau.org
- de-de.facebook.com/people/Metzgerstrasse-Acht-Hanau/10000...
- www.myspace.com/metzgerstrasse
Eine ausführliche Beschreibung der Geschichte des Kulturzentrums:
Freiräume entwickeln - Das besetzte autonome Kulturzentrum Metzgerstraße Hanau
- www.sterneck.net/squat/metzgerstrasse-d
English Info:
The squated Autonomous Culture Center Metzgerstrasse Hanau
- www.sterneck.net/squat/metzgerstrasse-e
Infos zum Benefiz-Projekt von John Cage und Sterneck / KomistA für das Kulturzentrum:
- * -
I have a rather frustrating problem with my sound. When I turn the volume up, the slider falls back down to zero, all by itself.
I've replaced drivers to no avail. I've uninstalled so much software that my computer feels naked. The problem persists.
This is extremely frustrating.
You've got to love those moire patterns though...
[Update: I'd like to extend a special welcome to those who landed up here after doing a search on the word "naked" - I hope the disappointment wasn't too great...]
Polymer covered flute. For more information about this piece and the creation process, please visit my blog post: createmyworlddesigns.blogspot.com/2016/06/sound-wave-flut...
Underground Industries is proud to team up with some new and very talented artists to bring you UNDERGROUND SOUND!
This night will give you a mouthful of awesomesauce & a dancefloor of energy!
BENNY VENOM (California)
Electro | Dubstep | Trap | Moombahton
Benny Venom has been spinning the hardest tracks EDM has had to offer for the past 5 years. He is well known in his hometown for his high energy performances, dirty tracks, and superb mixing ability. Hailing from northern California, he has performed in cities all around his hometown and the bay area including San Francisco, Berkeley, San Jose, Santa Cruz, and Oakland. Though he enjoys spinning tech house and trance, he has earned his name through consistently dropping the freshest in electro, dubstep, and trap for the underground rave scene.
www.facebook.com/pages/Benny-Venom/309715166662
DIGITAL MIZCHIEF (Virginia) BoP Promo
Psytrance
(B.A.R.S., DMSS, LOB, Bop, Skitz.)
DIGITAL MIZCHIEF (Robert Delano) has been a underground staple for the last decade or better. With hundreds of gigs under his belt, he is a master showman, recording engineer, producer, and talented DJ, his sets come strong with a agressive, nothing held back, insane style.
Flavors to a tasty set can include Psycotic Psy to Screaming Americian Hardstylz, Filthy Electro to Disco, and everything inbetween.
Robert is also owner and chief recording engineer of Blue Aura Recording Studio, and owner of DIGITAL MIZCHIEF Stage Systems.
CHARLIE BROWN SUPERSTAR
Charlie Brown Superstar (aka Brett Fuller) has been spinning records in Huntington's most popular nightclubs since
1994, covering a wide range of musical genres. He currently holds residency at the V Club, where he DJ's the area's most popular and longest-running dance night, New Moon on Mondays, mixing the best new wave, rock and pop that the 80's had to offer. He has had the honor of performing with such nationally recognized recording artists as Arrested Development and Electric Six.
Charlie Brown Superstar is also one of the first House music dj's in the area and was the resident at the legendary local venue Gyrationz (the first club to feature an all EDM format) He is known for his marathon sets of Deep House and Electro.
In addition, Charlie Brown Superstar is an LBA Records recording artist and has been composing original electronic music since 1999. He did sampling for and toured with the popular local rock band, Chum, during the mid-90's and is currently a member of the critically acclaimed drone/doom metal band, Hyatari. His influences include everything from Mercury Rev, Gary Numan, Curtis Mayfield, H.G. Lewis, robots and even B-movies.
www.facebook.com/charliebrownsuperstar
soundcloud.com/#charlie-brown-supersta
WE ENCOURAGE PEACE, LOVE, UNITY & RESPECT! PLEASE BRING THE ATTITUDE WITH YOU! ♥
LED'S ENCOURAGED!
Photo/Video by Tophu Photo. www.facebook.com/TophuPhoto?fref=ts
Brought to you by the always dedicated Underground Industries. www.facebook.com/undergroundind
World War I sound mirror now in the middle of a housing estate in Redcar, Cleveland. I read about this on the Hidden Teesside website:
The blue plaque reads:
"Redcar Early Warning Station
This structure is a Sound Mirror or detector, built by the Royal Engineers in 1916. It was part of an extensive Zeppelin and enemy aircraft detection system deployed down the East Coast of Britain during the First World War. Zeppelins raided the North East Coast 15 times between April 1915 and November 1917.
The sound of approaching aircraft was reflected off the concave 'mirror' surface and received into a trumpet mounted on a steel column.
The trumpet was connected to a stethoscope used by the operator or 'listener', and the part of the dish that produced the most sound indicated the direction of the approaching aircraft. advanced warning of an imminent attack could then be given to local people.
By the early 1940's sound detection technology was being replaced by 'reflective detection finding' now known as radar."
The plinth that the blue plaque is on used to be where the listening trumpet stood.
The Royal Flying Corps aerodrome at Marske-By-The-Sea was a few hundred metres away. Captain W.E. Johns of Biggles fame was based there during the early part of World War I. Today the site of the aerodrome is a housing estate with street names such as Barnes Wallis Way.
Sound Transit. F59PHI #911 leads T#1505 south at Sumner, WA on July 19, 2007. At the time of this picture, Sounder ran 4 morning and 4 evening trains on this route to Tacoma each weekday and 2 roundtrips a day north to Everett, WA.(sound100751g)
Desolation Sound Aug 2008
Desolation Sound Aug 2008
desolation sound aug 2008
desolation sound aug 2008
Underground Industries is proud to team up with some new and very talented artists to bring you UNDERGROUND SOUND!
This night will give you a mouthful of awesomesauce & a dancefloor of energy!
BENNY VENOM (California)
Electro | Dubstep | Trap | Moombahton
Benny Venom has been spinning the hardest tracks EDM has had to offer for the past 5 years. He is well known in his hometown for his high energy performances, dirty tracks, and superb mixing ability. Hailing from northern California, he has performed in cities all around his hometown and the bay area including San Francisco, Berkeley, San Jose, Santa Cruz, and Oakland. Though he enjoys spinning tech house and trance, he has earned his name through consistently dropping the freshest in electro, dubstep, and trap for the underground rave scene.
www.facebook.com/pages/Benny-Venom/309715166662
DIGITAL MIZCHIEF (Virginia) BoP Promo
Psytrance
(B.A.R.S., DMSS, LOB, Bop, Skitz.)
DIGITAL MIZCHIEF (Robert Delano) has been a underground staple for the last decade or better. With hundreds of gigs under his belt, he is a master showman, recording engineer, producer, and talented DJ, his sets come strong with a agressive, nothing held back, insane style.
Flavors to a tasty set can include Psycotic Psy to Screaming Americian Hardstylz, Filthy Electro to Disco, and everything inbetween.
Robert is also owner and chief recording engineer of Blue Aura Recording Studio, and owner of DIGITAL MIZCHIEF Stage Systems.
CHARLIE BROWN SUPERSTAR
Charlie Brown Superstar (aka Brett Fuller) has been spinning records in Huntington's most popular nightclubs since
1994, covering a wide range of musical genres. He currently holds residency at the V Club, where he DJ's the area's most popular and longest-running dance night, New Moon on Mondays, mixing the best new wave, rock and pop that the 80's had to offer. He has had the honor of performing with such nationally recognized recording artists as Arrested Development and Electric Six.
Charlie Brown Superstar is also one of the first House music dj's in the area and was the resident at the legendary local venue Gyrationz (the first club to feature an all EDM format) He is known for his marathon sets of Deep House and Electro.
In addition, Charlie Brown Superstar is an LBA Records recording artist and has been composing original electronic music since 1999. He did sampling for and toured with the popular local rock band, Chum, during the mid-90's and is currently a member of the critically acclaimed drone/doom metal band, Hyatari. His influences include everything from Mercury Rev, Gary Numan, Curtis Mayfield, H.G. Lewis, robots and even B-movies.
www.facebook.com/charliebrownsuperstar
soundcloud.com/#charlie-brown-supersta
WE ENCOURAGE PEACE, LOVE, UNITY & RESPECT! PLEASE BRING THE ATTITUDE WITH YOU! ♥
LED'S ENCOURAGED!
Photo/Video by Tophu Photo. www.facebook.com/TophuPhoto?fref=ts
Brought to you by the always dedicated Underground Industries. www.facebook.com/undergroundind
There is some darkness here and the sign says "SILENCE PLEASE". So, "Sound of Silence" by Simon & Garfunkel comes to mind for 'Sight and Sound' :-)
Added to Sight and Sound : Pictures & Music
♫ ♪ ♪ ♫ Listen here - "Sound Of Silence" by Simon & Garfunkel
Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
Follow me on Facebook.
©Notley Hawkins
Sounds Travel Setra S416GTHD (SO58NDS) seen in Utrecht for the European Brass Band Championships while transporting The Fairey Band
Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
Follow me on Facebook.
©Notley Hawkins
Sound and Speed at Nashville Municipal Auditorium, where fans of racing and country music had the opportunity to get up-close and personal with drivers and top-name artists for autographs, story-telling, and question-and-answer sessions. Attendees had the chance to view NASCAR showcars of yesterday and tomorrow, check out sponsor displays, and bid on memorabilia from the racing and entertainment industries as part of a silent auction fundraiser.
NASCAR stars who appear at the festival are:
Dale Earnhardt Jr.
Tony Stewart
Denny Hamlin
Kasey Kahne
Michael Waltrip
Clint Bowyer
Reed Sorenson
David Stremme
Aric Almirola
Justin Allgaier
Kyle Petty
Michael Annett
Carl Edwards
Ricky Stenhouse Jr.
Kyle Busch
James Buescher
Brad Kesolowski
Logan Ruffin
Brian Scott
Morgan Shepherd
Country music stars slated to appear at the festival are:
Chris Young
Jason Michael Carroll
Josh Turner
Members of Diamond Rio
Danny Gokey
Mallory Hope
Danielle Peck
Ashton Shepherd
Nathan Lee Jackson
Duo Kate & Kacey
Love and Theft
Alabama’s Jeff Cook
Bucky Covington
Ranger Doug
Fast Ryde
Chuck Wicks
Whitney Duncan
Público y ambiente durante la 10ª edición del Arenal Sound (del 30 de julio al 4 de agosto en Burriana). Fotos de Carme Ripollès (ACF) para Nomepierdoniuna.
Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
Follow me on Facebook.
©Notley Hawkins
This is my favourite image. I have it on T-shirts and was on my door at Uni etc. It is a Sound Blaster 16 and was my first real sound card. Turned my dull 286 into a creative music box. This picture seems to attract a very small sub group of people "old time computer/music nerds".
Underground Industries is proud to team up with some new and very talented artists to bring you UNDERGROUND SOUND!
This night will give you a mouthful of awesomesauce & a dancefloor of energy!
BENNY VENOM (California)
Electro | Dubstep | Trap | Moombahton
Benny Venom has been spinning the hardest tracks EDM has had to offer for the past 5 years. He is well known in his hometown for his high energy performances, dirty tracks, and superb mixing ability. Hailing from northern California, he has performed in cities all around his hometown and the bay area including San Francisco, Berkeley, San Jose, Santa Cruz, and Oakland. Though he enjoys spinning tech house and trance, he has earned his name through consistently dropping the freshest in electro, dubstep, and trap for the underground rave scene.
www.facebook.com/pages/Benny-Venom/309715166662
DIGITAL MIZCHIEF (Virginia) BoP Promo
Psytrance
(B.A.R.S., DMSS, LOB, Bop, Skitz.)
DIGITAL MIZCHIEF (Robert Delano) has been a underground staple for the last decade or better. With hundreds of gigs under his belt, he is a master showman, recording engineer, producer, and talented DJ, his sets come strong with a agressive, nothing held back, insane style.
Flavors to a tasty set can include Psycotic Psy to Screaming Americian Hardstylz, Filthy Electro to Disco, and everything inbetween.
Robert is also owner and chief recording engineer of Blue Aura Recording Studio, and owner of DIGITAL MIZCHIEF Stage Systems.
CHARLIE BROWN SUPERSTAR
Charlie Brown Superstar (aka Brett Fuller) has been spinning records in Huntington's most popular nightclubs since
1994, covering a wide range of musical genres. He currently holds residency at the V Club, where he DJ's the area's most popular and longest-running dance night, New Moon on Mondays, mixing the best new wave, rock and pop that the 80's had to offer. He has had the honor of performing with such nationally recognized recording artists as Arrested Development and Electric Six.
Charlie Brown Superstar is also one of the first House music dj's in the area and was the resident at the legendary local venue Gyrationz (the first club to feature an all EDM format) He is known for his marathon sets of Deep House and Electro.
In addition, Charlie Brown Superstar is an LBA Records recording artist and has been composing original electronic music since 1999. He did sampling for and toured with the popular local rock band, Chum, during the mid-90's and is currently a member of the critically acclaimed drone/doom metal band, Hyatari. His influences include everything from Mercury Rev, Gary Numan, Curtis Mayfield, H.G. Lewis, robots and even B-movies.
www.facebook.com/charliebrownsuperstar
soundcloud.com/#charlie-brown-supersta
WE ENCOURAGE PEACE, LOVE, UNITY & RESPECT! PLEASE BRING THE ATTITUDE WITH YOU! ♥
LED'S ENCOURAGED!
Photo/Video by Tophu Photo. www.facebook.com/TophuPhoto?fref=ts
Brought to you by the always dedicated Underground Industries. www.facebook.com/undergroundind
This photo was taken during the first sound waves, which featured DJ Andrea Dunn from Radio Rio, Moacyr Marchini of the band Samba Bom and Scott Rice, a drummer and dance accompanist
pulitzerarts.org/events/film-poetry-other/sound-waves-bra...
Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
Follow me on Facebook.
©Notley Hawkins
Stirring my morning coffee, with the spoon making a slight scraping sound against the bottom of the cup. If you listen closely, you may be able to hear me lick the froth off the spoon afterwards, and then the little clink as the spoon goes back onto the saucer.
Taken with iPhone 3GS.
Entry for Daily Shoot 470: "Make a photograph illustrating a sound that catches your ear today."
Underground Sound 7 at Hogrock Ranch in Cave-In Rock Illinois.
Follow me on Facebook.
©Notley Hawkins
Siddharth Nagarajan, 15 year old prodigy,has been mesmerizing the audience around the globe for the last 10 years!!
Believe it or not! His first show was on 16th April 2000, when he was barely 2 and a ½ years old.
“These are the tender hands that gave me so much happiness in the last few minutes”.said our dearest Hon’ble Ex-President of India,Dr.A.P.J.Abdul Kalam. stroking Siddhu’s hands affectionately,when he heard Siddhu play for his birthday celebrations at the Rashtrapathi Bhavan on 16th Oct’04
AWARDS AND TITLES
Youngest Drummer Of India
Youngest musician to record music for a film
Balashree’09 (The President Of India Award-The Highest Honour For Children In India)
BALARATNA’08 (C.M. AWARD Which he received from the late Chief Minister of Andhra Pradesh,Dr.Y.S.Rajasekhar Reddy.)
Bala Kala Ratna (from the Ex-Governor of A.P,Shri N.D.Tiwari)
Balamani (Bharat Vikas Parishad)
Prince Of Rhythm
Pogo Amazing Kid Award’05
Bharatiya Gaurav, Delhi
Ugadi Puraskar’03
Isai Mamurasu
Global Education Young Achiever’09 (1st Runner-Up)
Horlicks Wizkid 1st Place
Percussion Prodigy’05-Rotary Club
Young Achiever’05 – Rotary
Wisdom International Child Prodigy Award’04
Example For Youth’04-Rotaract Club
Young Aciever’04-Lion’s Club
Most Promising Young Misician’04 (International Women’s Association)