View allAll Photos Tagged Slicer
This photo was edited using the Time Slice technic.
It consists in 17 photos "time sliced", so it gives the effect of going from night to day.
Lisbon, Portugal
The Lemon Slice Was Left To Dry Out Next To A Hot Water Cylinder.
Dried Out Lemon Slice With Back light.
Just to celebrate my 50mm -
© All rights reserved - Please don't use this image without my permission.
On the lek this morning, the golden hour lasted 15 minutes. We were fortunate that there was a thin slice of clear sky in the east. Image taken at 5:56 am, six minutes after sunrise.
A riot of wild grasses, flowers and weeds. The white flower is Queen Anne's Lace or the common carrot. The carrots we eat are the same plant just selected over centuries for fat, juicy roots.
Slice
Chandratal Lake - one of the most frequented places among photographers visiting Himachal, has been shot a million times in its full glamour
"Wide angle at f8" is what a photographer would obviously think of as he gets the first visuals of the lake after 15 mins of easy trek
But, "telephoto at f8" is what I think when I look at majestic landscapes. I love shooting landscapes with Nikkor 70-200. Creating images that go beyond the usual is the challenge for any photographer and 70-200 can help you see and capture such gems. And here is an example
About Chandratal : literal meaning being moon shaped lake (Chandra means moon & tal means lake ) is situated at an altitude of 14000 ft and 8 KMs away from the Kunzum Pass in Spiti & Lahaul district of Himachal Pradesh, India and lies between a low himalyan ridge and the main Kunzum range. Boasting of a circumference of about 3 KMs, the crystal clear water of Chandra Tal Lake is one of the source of the violent Chandra river
Nikon D5 | Nikkor 70-200
A slice of Kiwi fruit shot on a lightbox.
Copyright © GP Images Photography 2012. All rights reserved.
After subzero temperatures and high winds it was nice to see an open area of water, if only a slice. New snow helped warm things up somewhat.
With some shaping we can turn the slice of lemon into half a lemon. Here I also inverted the paper colours to make the outside yellow.
A testfold for my dear friend Carlos Gonzalez Santamaría
Diagram: in Pajarita Magazine Extra 2015.
I thought I’d take a moment today to show what a “slice” of one of my snowflakes looks like, with just a few basic adjustments done in Lightroom to bring this to you. View Large!
Snowflakes are complex little crystals, and the best way to showcase this complexity is to get light to reflect off the surface of the snowflake. If the crystal was parallel to the focal plane in the camera to get most of it in focus, such lighting would be impossible as the light would need to originate from inside the camera lens itself to bounce back in the right direction for “surface glare”. Instead, the snowflake needs to be photographed on an angle.
There is about a five degree window where the surface reflection really shines and makes the snowflake sparkle, and I rotate the camera around the snowflake in order to get this angle exactly as needed. A few test shots and I usually find it, and then I continuously shoot hundreds of images of the same snowflake at all different “slices” of focus.
If the snowflake is on an angle like this, it reveals how truly shallow the depth of field is – fractions of a millimeter most of the time. An average of 40 frames are required to get focus from tip to tip, though the most I’ve done for a snowflake is 70. Photoshop does a decent job of aligning the images, but the geometry will never be perfectly connected due to shifts in perspective from one image to the next. The process of combining the images together automatically takes minutes, but applying all of the corrections takes hours.
For a larger snowflake like this one, I would probably spend 5-6 hours working on it; I may never edit this one in its entirety, however. One of the left branches is significantly broken just outside of the frame, so this one is lower on my priority list. I have well over 700 unedited snowflakes and I know I’ll never get to them all – so here’s a glimpse at some of the magic that remains locked away. Every new snowfall I shoot far more snowflakes than I can edit, and choose the best ones to work on for this series. For other projects if I need a special type of snowflake or to showcase a unique feature, I dig through my archives and bump a matching crystal higher in the list of ones to edit.
If you’re curious about the process that I go through with my snowflakes, in the field all the way through the post-processing workflow, I’ve got just the thing: www.skycrystals.ca/book/ - roughly a third of the 304pg hardcover book is dedicated to the photographic process that results in images like this. You’ll also find equal time spent discussing the science of snow and how these gems are created – it’s a book perfect for any naturalist or photographer!
This started out as a late afternoon time lapse movie, with individual shots taken every minute, until it got dark. But instead of a movie, I created this composite by taking one slice from each image. Here the time slices begin at the lower left (around 5:30pm) and go on toward the upper right, until it gets dark, a little after 9pm, a total of 215 pictures. The occasional dark strips correspond to times when the sun went behind a cloud. The hook shaped clouds arise from the clouds moving down toward the horizon as time moves to the right.