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Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 500 tungsten balanced film. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.
Leica M3, single stroke (IGEMO), 1966
Dual Range Leitz Summicron f= 5 cm 1:2 (M+DR-rigid-chrom, 11318), 1960
Silbersalz35 500T colour cine film
Developed and scanned by silbersalz35.com
Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. Their film is sold in packs of four cartridges.
I tried them once last winter, at the time with four rolls of their 500T tungsten balanced high ISO film.
This time I ordered a pack of four different rolls. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 now comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.
I used the Nikon F5 with a AF Nikkor 50 lens 1:1.8D for this roll.
Camera: Nikon F5
Lens: AF Nikkor 50mm 1:1.8 D
Silbersalz35 250D colour negative film
Developed and scanned by silbersalz35.com
I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click
Silbersalz Edition Vivid 125T is tungsten balanced Fujifilm cine film stock that went out of production in 2013. Originally rated at ISO 500, Silbersalz recommends to shoot it at ISO 125.
I bought two rolls with the intention of testing it. It appears to age a lot faster than still film material. I stored my rolls in the fridge and shot them as soon as possible. Because it was summer, I had to shoot at daylight.
I find it a lot more difficult to handle than the Kodak based films Silbersalz usually offers. A lot of post-processing is required to coax out the right colour tones. Sharpness is always somewhat deficient with cine film; it matters less with moving pictures.
Camera: Zeiss Ikon Contarex (built in 1965-1966)
Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount
Silbersalz35 Edition Vivid 125 T tungsten balanced cine film
Developed and scanned by silbersalz35.com
Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. Their film is sold in packs of four cartridges. I bought a pack of four 500T cartridges, which I shot, as they recommend, overexposed by one 1 EV, though looking at the results of this batch, I maybe should not have done that.. I shot one roll each on a Leica M3, a Zeiss Ikon Contarex, a Nikon F5 and a Canon EOS3.
This is from the roll I shot with the Zeiss Ikon Contarex with a Planar 50 lens.
I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click
Camera: Zeiss Ikon Contarex (built in 1965-1966)
Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount
Silbersalz35 500T colour cine film
Developed and scanned by silbersalz35.com
canon 30
portra 160
ecn-2 and apollon scan by silbersalz.lab
04.2023
@catchy_meaning / film photography
@marmolada_films / stop-motion animation
@no_name_poland / day after day
Nordrhein-Westfalen (North Rhine-Westphalia, Germany)
Neersen ist ein Stadtteil von Willich im Kreis Viersen
(Neersen is a district of Willich in the district of Viersen)
Konica Auto S3
Hexanon 38mm F1.8
SILBERSALZ 35 500T
canon 30
portra 160
ecn-2 and apollon scan by silbersalz.lab
04.2023
@catchy_meaning / film photography
@marmolada_films / stop-motion animation
@no_name_poland / day after day
Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.
Camera: Nikon F5
Lens: AF Nikkor 50mm 1:1.8
Silbersalz35 250D colour cine film
Developed and scanned by silbersalz35.com
mju 1
fuji c200
ecn-2 and apollon scan by silbersalz.lab
03.2023
@catchy_meaning / film photography
@marmolada_films / stop-motion animation
@no_name_poland / day after day
Upon entering Virigina City, we were greeted by this historic house called Collar Mansion. The house was built in the mid 1860s. It served as a residence for one of the prominent miner in town. I stopped there for a brief moment to capture this shot.
Film: SIlbersalz35 200T
Camera: Leica M6
Lens: Leica Summicron-M 35mm F2 Asph II
I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click
Silbersalz Edition Vivid 125T is tungsten balanced Fujifilm cine film stock that went out of production in 2013. Originally rated at ISO 500, Silbersalz recommends to shoot it at ISO 125.
I bought two rolls with the intention of testing it. It appears to age a lot faster than still film material. I stored my rolls in the fridge and shot them as soon as possible. Because it was summer, I had to shoot at daylight.
I find it a lot more difficult to handle than the Kodak based films Silbersalz usually offers. A lot of post-processing is required to coax out the right colour tones. This one came out pretty much the way I remember seeing it.
Camera: Zeiss Ikon Contarex (built in 1965-1966)
Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount
Silbersalz35 Edition Vivid 125 T tungsten balanced cine film
Developed and scanned by silbersalz35.com
mju 1
fuji c200
ecn-2 and apollon scan by silbersalz.lab
04.2023
@catchy_meaning / film photography
@marmolada_films / stop-motion animation
@no_name_poland / day after day
Silbersalz Edition Vivid 125T is tungsten balanced Fujifilm cine film stock that went out of production in 2013. Originally rated at ISO 500, Silbersalz recommends to shoot it at ISO 125.
I bought two rolls with the intention of testing it. It appears to age a lot faster than still film material. I stored my rolls in the fridge and shot them as soon as possible. Because it was summer, I had to shoot at daylight.
I find it a lot more difficult to handle than the Kodak based films Silbersalz usually offers. A lot of post-processing is required and the shots I made with the Canon did not turn out very impressive. I shot another roll with a Contarex. Those came out better.
Camera: Canon EOS3
Sigma EX DG Fisheye 15mm 1:2.8
Silbersalz35 Edition Vivid 125 T tungsten balanced cine film
Developed and scanned by silbersalz35.com
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Related videos:
> YouTube: Kodak Vision3 film - youtu.be/hvfR1FtgtWw
> YouTube - Leicaflex SL - youtu.be/wnaenlElIaQ
Justina with ECN-2 chemistry. I much prefer my crossed processed C-41 look colour wise but here is a sample. The colours look washed out to me but should suit some subjects.
Leicaflex SL + Leica Summicron-R 50mm f2 + Silbersalz Kodak Vison3 500T @200
Silbersalz Lab developed, lab scan in ECN-2 chemistry
Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 500 tungsten balanced film. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.
Leica M3, single stroke (IGEMO), 1966
Dual Range Leitz Summicron f= 5 cm 1:2 (M+DR-rigid-chrom, 11318), 1960
Silbersalz35 500T colour cine film
Developed and scanned by silbersalz35.com
YouTube | Blog | Workshops | Instagram | Wedding | Patreon | Presets
Related videos:
> YouTube: Kodak Vision3 film - youtu.be/hvfR1FtgtWw
> YouTube - Leicaflex SL - youtu.be/wnaenlElIaQ
More sample photo from my trip to Brighton with my Leicaflex SL + Silbersalz film
Full YouTube video to follow. Subscribe so not to miss it!
Leicaflex SL + Leica Summicron-R 35mm f2 + Silbersalz Kodak Vison3 50D @40
Silbersalz Lab developed, lab scan in ECN-2 chemistry, lab scan
Whenever I start discussing a matter with someone on Flickr, it always ends with me buying something.
Harman Phoenix 200 colour negative still film, made in the UK, and Orwo NC 500, which somewhat confusingly is an ISO 400 film, derived from motion picture film stock. This is also repackaged and sold as Ilfocolor 400. My plan is to shoot both with my Nikon F5 at exactly the nominal ISO rating and see how it goes.
My experience with cine film stock is rather mixed. I find Silbersalz 500T and 250T, both to be developed with the ECN2 process, absolutely glorious.
Now several makers scrape the remjet layer off cine film so it can be developed with C41. This never convinced me. The remjet layer is there for a reason. Remove it and you get effects that I find unpleasant, such as halation. The Phoenix is a still film, and Orwo is not produced so crudely, so they should be OK. We'll see.
Neither is based on Kodak stock, which is the whole point. I want to see some competition in the colour film market rather than Kodak reigning supreme, now that apparently the survival of analogue film is more likely than it still appeared a few years ago.
Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.
Camera: Canon EOS3
Lens: Canon EF 28mm 1:2.8 IS USM
Silbersalz35 250D daylight balanced colour cine film
Developed and scanned by silbersalz35.com
canon 30
portra 160
ecn-2 and apollon scan by silbersalz.lab
04.2023
@catchy_meaning / film photography
@marmolada_films / stop-motion animation
@no_name_poland / day after day