View allAll Photos Tagged Silbersalz

Silbersalz 250 D

Silbersalz 250D Film

Halbinsel Nordstrand

1634 die grosse Sturmflut

Silbersalz 250D

Hasselblad XPAN on Silbersalz 35,lab Scan

Das Record Rapid ist eines der Papiere, die keinen, oder nur wenig Verzögerer im Lithentwickler benötigen. Easy Lith FT Special enthält jedoch eine größere Menge Kaliumbromid. Dennoch kann dieser Entwickler verwendet werden, das Papier benötigt dann jedoch eine erheblich längere Belichtungszeit. Unabhängig von der Entwicklerabstimmung liegt der Snatch-Point normalerweise bei etwa 10 Minuten. Auch bei einer längeren Belichtungszeit kommen dann die Lichter nicht wesentlich farbiger, es sei denn, es wird ein zweiter Entwickler für die Lichter eingesetzt. Nach der üblichen langen Entwicklungszeit im Lith, bringt der zweite Entwickler allerdings nur wenig Effekt, weil die Lichter schon ausentwickelt sind. Soll ein anderer Ton für die Lichter erzeugt werden, muß die Entwicklungszeit im Lith verkürzt werden, damit der zweite Entwickler noch ausreichend unentwickeltes Silbersalz vorfindet. Allerdings würde dann das, für dieses Papier übliche tiefe Schwarz fehlen. Deshalb braucht es eine kurze Behandlung mit einem Nachbrenner (mit B oder Omega) nach dem Lith. Sobald sich ein tiefes Schwarz in den Schatten zeigt, wird zweimal kurz gespült, bevor im Siena die noch fehlenden Lichter entwickelt werden. Das mag kompliziert klingen, doch erfahrene Lithprinter werden dies nachvollziehen können.

  

Record Rapid is one of the papers that require little or no restrainer in the lith developer. Easy Lith FT Special, however, contains a larger amount of potassium bromide. Nevertheless, this developer can be used, but the paper then needs a considerably longer exposure time. Regardless of the developer adjustment, the snatch point is usually around 10 minutes. Even with a longer exposure time, the highlights then do not come out much more coloured, unless a second developer is used for the highlights. After the usual long development time in the lith, however, the second developer brings little effect because the highlights are already developed out. If a different tone is to be produced for the highlights, the development time in the lith must be shortened so that the second developer still finds sufficient undeveloped silver salt. However, the deep black that is usual for this paper would then be missing. Therefore, it needs a short treatment with an afterburner (with B or Omega) after the lith. As soon as a deep black appears in the shadows, a short rinse is done twice before the still missing highlights are developed in the Siena developer. This may sound complicated, but experienced lith printers will be able to follow this.

 

Hasselblad XPan on Silbersalz 35, lab Scan

I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Zeiss Ikon Contarex (built in 1965-1966)

Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Silbersalz 250 D

Nikon 35 mm

Barns near Chrishall, Essex. Taken on SilberSalz 250D film.

 

www.facebook.com/nigadwphotography

Acer palmatum in autumn

 

I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Zeiss Ikon Contarex (built in 1965-1966)

Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

I've tried it several times before in digital or analog, with several cameras and films, and still can't get it right. There must be some spell on it that prevents it from being photographed. Actually it's a beautiful thought that some things may be committed to memory, but not recorded on film.

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Nikon F5

Lens: AF Nikkor 50mm 1:1.8

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Silbersalz 200T film

Nikon FE

High quality 4K images - I've ordered the 14k to see what the difference is...

 

Silbersalz35 500t

Leica M6 on Silbersalz 35

Hasselblad XPan on Silbersalz 250 D, lab Scan

Leica M6 on Silbersalz 35, lab Scan 4K

Pentax 67 / Panorama Adapter on Silbersalz 250 D

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 500 tungsten balanced film. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Leica M3, single stroke (IGEMO), 1966

Dual Range Leitz Summicron f= 5 cm 1:2 (M+DR-rigid-chrom, 11318), 1960

Silbersalz35 500T colour cine film

Developed and scanned by silbersalz35.com

A hopefully fitting tribute to the passing of the greatest sportsman of our age. 😪

 

I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Zeiss Ikon Contarex (built in 1965-1966)

Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Hasselblad XPan on Silbersalz 250 D, lab Scan

Hasselblad XPan on Silbersalz 250 D, lab scanned

Hasselblad XPan on Silbersalz 250 D, lab scanned

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Canon EOS3

Lens: Canon EF 28mm 1:2.8 IS USM

Silbersalz35 250D daylight balanced colour cine film

Developed and scanned by silbersalz35.com

Pentax 67 on Silbersalz 250 D - panorama adapter

mju 1

fuji c200

ecn-2 and apollon scan by silbersalz.lab

 

03.2023

 

@catchy_meaning / film photography

@marmolada_films / stop-motion animation

@no_name_poland / day after day

 

soft sandy evening light caught on a Silbersalz35 500T

Big word alarm! xylophagous means "wood-eating".

 

I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Zeiss Ikon Contarex (built in 1965-1966)

Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

The soft glow of the coloured lights is typical of cine film and would be difficult to achieve in a digital photo, and probably also less pronounced with still film. I found that when using this film, the resilience against blown out highlights is very high, especially keeping in mind that I was overexposing by one stop.

 

Camera: Leica R7 (10068), made in 1996

Lens: Leitz Summilux-R 50 mm 2nd model (11776)

Silbersalz35 250D colour negative film

Developed and scanned by silbersalz35.com

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Canon EOS3

Lens: Canon EF 50mm 1:1.8 II

Silbersalz35 250D daylight balanced colour cine film

Developed and scanned by silbersalz35.com

Hasselblad XPAN on Silbersalz 35,lab Scan

canon 30

kodak vision3 500t

 

epson v700

 

insta | blog

Merry Christmas, everyone!

  

On this day I was carrying a Contarex and a F5. Quite a heroic feat.

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Nikon F5

Lens: AF Nikkor 50mm 1:1.8

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Hasselblad XPAN on Silbersalz 250 D, lab scan

Hasselblad XPAN on Silbersalz 35, lab Scan 14 K

Hasselblad XPan on Silbersalz 250 T

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 500 tungsten balanced film. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Leica M3, single stroke (IGEMO), 1966

Dual Range Leitz Summicron f= 5 cm 1:2 (M+DR-rigid-chrom, 11318), 1960

Silbersalz35 500T colour cine film

Developed and scanned by silbersalz35.com

Leica M6 on Silbersalz 250 D, lab Scan

Silbersalz 200T film

Nikon FE

High quality 4K images - I've ordered the 14k to see what the difference is...

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Nikon F5

Lens: AF Nikkor 50mm 1:1.8

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Pyrgos, Santorini

Leica M6

MS-Optics Aporia 24mm 2.0 @ f/.8.0

Silbersalz 200T

 

This was shot two years ago. I had less luck with the weather this year and I still need to shoot the 4th roll of the batch I purchased this autumn so I can have them developed

 

I have created a new Flickr group for film photography using the Contarex series cameras and lenses --> Click

 

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain film. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Zeiss Ikon Contarex (built in 1965-1966)

Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount

Silbersalz35 250D colour cine film

Developed and scanned by silbersalz35.com

Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. This is the ISO 250 daylight balanced fine grain fim. Silbersalz 35 comes in DX coded cartridges. The DX code automatically sets an overexposure by one stop.

 

Camera: Leica R7 (10068), made in 1996

Lens: Leitz Summilux-R 50 mm 2nd model (11776)

Silbersalz35 250D colour negative film

Developed and scanned by silbersalz35.com

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