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Die unter Sixtus IV. zwischen 1475 und 1481 erbaute Sixtinische Kapelle ist die Hauptattraktion der Vatikanischen Museen und immer überfüllt. Ihre malerische Ausstattung ließ sie zum Synonym für Renaissancemalerei werden.
In den Jahren 1482 und 1483 wurden unter der Leitung von Pietro Perugino an den Längswänden 16 Fresken ausgeführt, von denen noch 12 erhalten sind, und die Szenen aus dem Leben von Moses als Vorläufer Christi auf der einen Seite und aus dem Leben Christi auf der anderen Seite darstellen. Die beteiligten Künstler waren neben Perugino, Sandro Botticelli, Domenico Ghirlandaio, Luca Signorelli und Cosimo Roselli.
Das riesige Deckenfresko, das die Schöpfung und die frühe Menschheitsgeschichte zum Thema hat, wurde von Michelangelo Buonarotti in zwischen 1508 und 1512 im Auftrag von Julius II. della Rovere geschaffen.
Michelangelo schuf in den Jahren 1535 und 1536 im Auftrag von Paul III. Farnese auch das riesige Fresko des Jüngsten Gerichts an der Stirnseite der Kapelle.
Leider herrscht in der Sixtinischen Kapelle Fotoverbot, so dass nur wenige Schnappschüsse, wenn überhaupt, möglich sind. Dieses Album beinhaltet daher überwiegend Scans.
Luca Signorelli - Sermon and Deeds of the Antichrist
(bottom left: self-portrait & portrait of Fra Angelico) [1499-1502] - Orvieto, Duomo, chapel San Brizio
Meglio grande
Altre mie foro del duomo di Orvieto
www.flickr.com/search/?text=orvieto%20duomo
it.wikipedia.org/wiki/Luca_Signorelli
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RESURRECTION - Brian May
The Antichrist, with Satan by his side, is giving a sermon in this painting. The two figures at bottom left are said to be Fra Angelico and Luca Signorelli, the main artists of the chapel.
Orvieto, March 2017
More Duomo Orvieto Pics at - www.flickr.com/photos/justaslice/albums/72157666258857589
c. 1504/1505. Tremp i oli (?) sobre fusta. 72,5 x 101,3 cm. National Gallery of Art, Washington, DC. 1952.5.75. Obra exposada: Galeria 7.
It is often quite crowded inside the Chapel of the Madonna of San Brizio. Visible here is the chapel altar (and the Madonna of San Brizio) and the left side wall (the Sermon of the Antichrist and The Elect in Heaven frescoes).
Duomo Orvieto, March 2017
Panorama Stitched from 2 Images with Arcsoft Panorama Maker
More Duomo Orvieto Pics at - www.flickr.com/photos/justaslice/albums/72157666258857589
Frescoes depicting the Life of Benedict of Nursia - by Luca Signorelli and Giovanni Antonio Bazzi, Monte Oliveto Maggiore
This was one of the works on loan from the Uffizi Gallery for the special exhibition on the works of Luca Signorelli the Italian Renaissance painter.
Capitoline Museum, Rome; July 2019
Montepulciano is a medieval and Renaissance hill town and comune in the Italian province of Siena in southern Tuscany. It sits high on a 605-metre limestone ridge, 70 kilometres southeast of Siena. Montepulciano is a major producer of food and drink. Renowned for its pork, cheese, "pici" pasta, lentils, and honey, it is known worldwide for its wine. Connoisseurs consider its Vino Nobile, which should not be confused with varietal wine merely made from the Montepulciano grape, among Italy's best. The main landmarks include:
•The Palazzo Comunale, designed by Michelozzo in the tradition of the Palazzo della Signoria (Palazzo Vecchio) of Florence.
•Palazzo Tarugi, attributed to Antonio da Sangallo the Elder or Jacopo Barozzi da Vignola. It is entirely in travertine, with a portico which was once open to the public.
•The Cathedral of Santa Maria Assunta, or the Duomo of Montepulciano, constructed between 1594 and 1680, includes a masterpiece from the Sienese School, a massive Assumption of the Virgin triptych painted by Taddeo di Bartolo in 1401.
•The church of Santa Maria delle Grazie (late 16th century). It has a simple Mannerist façade with a three-arcade portico. The interior has a single nave, and houses a precious terracotta altar by Andrea della Robbia.
•The Sanctuary of the Madonna di San Biagio is on the road to Chianciano outside the city. It is a typical 16th century Tuscan edifice, designed by Antonio da Sangallo the Elder on a pre-existing Pieve, between 1518 and 1545. It has a circular (central) plan with a large dome over a terrace and a squared tambour. The exterior, with two bell towers, is built in white travertine.
•Baroque church of Santa Lucia has an altarpiece by Luca Signorelli.
•The walls of the city date to around the 14th century.
This is the square in Florence with a human statue of Dante!
Via Santa Margherita in Florence off Via Dante Alighieri. We stopped here during our guided walking tour of the city. Occasionally he would say something off by heart if his book was turned to a certain page!
The core of the medieval Florence and more specifically the area between the church of "St. Martino "and" Piazza dei Donati ", was the 13th century location of the houses of the Alighieri family, as reported in many old documents. At the beginning of the 20th century, after several studies and researches, the Municipal Administration ordered the building of a house to celebrate the place of birth of Dante.
Today, the building is the seat of the House-Museum of Dante, which was reopened to the public on June 1st, 1994. The museum is arranged on three floors.
The first floor with a series of documents on the subject of the 13th century Florence and on the youth of Dante, on his christening in the "beautiful St. John" (the "Baptistery of St. Mary of the Flower"), on his public political and military struggles (the plastic model representing the Battle of Campaldino and the reproductions of the weapons used at the time are very interesting.
The second floor exhibits documents related to his painful exile of 1301, the year of his condemnation. After visiting several cities (Forli, Verona and Bologna), the poet decided to spend his last years at Ravenna where we would die (1321) in the home of Guido da Polenta.
The iconography and fortune of Dante over the centuries, from the 14th century to the present day. Reproductions includes works by artists like Giotto, Fra Angelico, Andrea del Castagno, Ghirlandaio, Luca Signorelli, Raphael and Michelangelo.
Dante street art
Scan of an analog photo taken in June 1991
The fresco of the Last Supper in the refectory was painted by Luca Signorelli (Cortona ca. 1450 - 1523).
The Sistine Chapel is one of the chapels of the Vatican City Apostolic Palace, where the Pope's official residence is located. Originally it functioned as the chapel of the Vatican fort and was known as the Cappella Magna. Its name comes from Pope Sixtus IV who ordered its restoration between 1473 and 1481. Since then, this chapel has served for the celebration of papal acts and ceremonies.
During the pontificate of Sixtus IV, a group of Renaissance painters were called to perform works in the chapel, including Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio, Cosimo Rosselli and Luca Signorelli. Two series of fresco panels were made, one on the life of Moses on the left of the altar and another on the life of Jesus Christ on the right. These panels were accompanied by portraits of the popes who had ruled the Church until then. The paintings were finished in 1482, and on the occasion of the feast of the Assumption, Sixtus IV celebrated the first mass in the chapel by consecrating it to the Virgin Mary.
On the orders of Pope Julius II, Michelangelo decorated the vault of the chapel, all the frescoes on the ceiling of the Sistine Chapel are the work of this brilliant artist who took four years to complete the work, from 1508 to 1512, creating a work of art without precedent and which would have changed the course of Western art. Years later, between 1536 and 1541, he painted the Last Judgment on the wall of the altar, for Popes Clement VII and Pablo III.
Chaalis Abbey was a French Cistercian abbey north of Paris, at Fontaine-Chaalis, near Ermenonville, now in Oise. Nowadays the buildings of the abbey houses the Musée Jacquemart-André (Jacquemart André Museum).[1].
It was founded in 1136 by Louis VI of France[2]. There had previously been a Benedictine monastery in the same place. Amid the ruins, a chapel with important frescos by Primaticcio survives intact.
The former abbey is now the location of an art museum, the Musée Jacquemart-André - like the one of the same name in Paris. Like the Paris museum it houses a part of the former collection of artworks of Nélie Jacquemart-André. At her death in 1912 she gave it to the Institut de France and asked that a museum was created in Chaalis, where she had spent her childhood. The museum still presents this very rich collection which features paintings by Giotto, Cima da Conegliano, Luca Signorelli, Francesco Francia, Lorenzo di Credi, Joos van Cleve, Tintoretto, Palma the Younger, Jan Davidsz de Heem, Philippe de Champaigne, Charles Le Brun, Nicolas de Largillière, François Desportes, François Boucher, Rosalba Carriera, Giovanni Paolo Pannini, Jean-Baptiste Greuze, sculptures by Baccio Bandinelli, François Girardon, Jean-Antoine Houdon, Augustin Pajou, Jean-Baptiste Lemoyne, Gois, furniture, decorative art as well as a collection of Indian items.
Italien / Toskana - Pienza
Pienza (Italian pronunciation: [piˈɛntsa]) is a town and comune in the province of Siena, Tuscany, in the historical region of Val d'Orcia. Situated between the towns of Montepulciano and Montalcino, it is considered the "touchstone of Renaissance urbanism".
In 1996, UNESCO declared the town a World Heritage Site, and in 2004 the entire valley, the Val d'Orcia, was included on the list of UNESCO's World Cultural Landscapes.
History
Before the village was renamed Pienza its name was Corsignano. It is first mentioned in documents from the 9th century. Around 1300 parts of the village became property of the Piccolomini family. After Enghelberto d'Ugo Piccolomini had received the fief of Montertari in Val d'Orcia from the emperor Frederick II in 1220. In the 13th century Franciscans settled down in Corsignano.
In 1405 Aeneas Silvius Piccolomini (Italian: Enea Silvio Piccolomini) was born in Corsignano, a Renaissance humanist born into an exiled Sienese family, who later became Pope Pius II. Once he became Pope, Piccolomini had the entire village rebuilt as an ideal Renaissance town and renamed it Pienza ("city of Pius"). Intended as a retreat from Rome, it represents the first application of humanist urban planning concepts, creating an impetus for planning that was adopted in other Italian towns and cities and eventually spread to other European centers.
The rebuilding was done by Florentine architect Bernardo Gambarelli (known as Bernardo Rossellino) who may have worked with the humanist and architect Leon Battista Alberti, although there are no documents to prove it for sure. Alberti was in the employ of the Papal Curia at the time and served as an advisor to Pius. Construction started about 1459. Pope Pius II consecrated the Duomo on 29 August 1462, during his long summer visit. He included a detailed description of the structures in his Commentaries, written during the last two years of his life.
Main sights
Palazzo Piccolomini
The trapezoidal piazza is defined by four buildings. The principal residence, Palazzo Piccolomini, is on the west side. It has three stories, articulated by pilasters and entablature courses, with a twin-lighted cross window set within each bay. This structure is similar to Alberti's Palazzo Rucellai in Florence and other later palaces. Noteworthy is the internal court of the palazzo. The back of the palace, to the south, is defined by loggia on all three floors that overlook an enclosed Italian Renaissance garden with Giardino all'italiana era modifications, and views into the distant landscape of the Val d'Orcia and Pope Pius's beloved Monte Amiata beyond. Below this garden is a vaulted stable that had stalls for 100 horses.
The Duomo
The Duomo (Cathedral), which dominates the center of the piazza, has a facade that is one of the earliest designed in the Renaissance manner. Although the tripartite division is conventional, the use of pilasters and of columns, standing on high dados and linked by arches, was novel for the time. The bell tower, however, has a Germanic flavor as is the layout of the Hallenkirche plan, a "triple-nave" plan where the side aisles are almost as tall as the nave; Pius, before he became pope, served many years in Germany and praised the effects of light admitted into the German hall churches in his Commentari. Works of art in the duomo include five altar paintings from the Sienese School, by Sano di Pietro, Matteo di Giovanni, Vecchietta and Giovanni di Paolo. The Baptistry, dedicated as usual to San Giovanni, is located next to the apse of the church.
Palazzo Vescovile
Pius encouraged cardinals to build palazzi to complete the city. Palazzo Vescovile, on the third side of the piazza, was built by Cardinal Rodrigo Borgia, at the time Church Vice Chancellor and the future Pope Alexander VI, to comply with the request by Pope Pius II for the Cardinals to have a residence in the town. It became the residence of the Bishop of Pienza when the town was elevated to a bishopric in 1462. It is now home to the Diocesan Museum,[9] and the Museo della Cattedrale. The collection includes local textile work as well as religious artifacts. Paintings include a 12th-century painted crucifix from the Abbey of San Pietro in Vollore, 14th century works by Pietro Lorenzetti (Madonna with Child) and Bartolo di Fredi (Madonna della Misericordia). There are also important works from the 14th and 15th centuries, including a Madonna attributed to Luca Signorelli.
Palazzo Comunale
Across from the church is the town hall, or Palazzo Comunale. When Corsigniano was given the status of an official city, a Palazzo was required that would be in keeping with the "city's" new urban position, although it was certainly more for show than anything else. It has a three-arched loggia on the ground floor facing the Cathedral and above it is the council chamber. It also has a brick bell tower that is shorter than its counterpart at the cathedral, to symbolize the superior power of the church. The set-back addition to the tower dates from 1599. It is likely that Bernardo Rossellino designed the Palazzo Comunale to be a free standing civic mediator between the religious space before the cathedral and secular market square to its rear.
The travertine well in the Piazza carries the Piccolomini family crest, and was widely copied in Tuscany during the following century. The well-head resembles a fluted, shallow Etruscan Bowl. The flanking Corinthian support a classical entablature columns whose decorations are clearly based upon actual source materials.
Other buildings
Other buildings in Pienza dating from the era of Pius II include the Ammannati Palace, named for Cardinal Jacopo Piccolomini-Ammannati, a "curial row" of three palaces (the Palazzo Jouffroy or Atrebatense belonging to Cardinal Jean Jouffroy of Arras, the Palazzo Buonconti, belonging to Vatican Treasurer Giliforte dei Buonconti, and the Palazzo Lolli constructed by apostolic secretary and papal relative Gregorio Lolli) arranged along the street behind the Bishops Palace. along the main road there are also the Palazzo Gonzaga, built in 1463 by Cardinal Francesco Gonzaga, Palazzo Forteguerri built in 1460 by Ambrogio Fortguerri, Apostolic Treasurer, and the Palazzo of Ambrogio Spannocchi, now Cittadini, again of the XV century. In the northeastern corner of Pienza, in via Casanuova, is a series of Twelve row houses constructed at the orders of the pope by the Sienese building contractor Pietro Paolo da Porrina.
About fifty meters west of the Cathedral Piazza is the church of San Francesco, with a gabled facade and Gothic portal. Among the buildings that survived from the old Corsignano, it is built on a pre-existing church that dated from the 8th century. The interior contains frescoes depicting the life of Saint Francis, those on the walls having been painted by Cristofano di Bindoccio and Meo di Pero, 14th-century artists of the Sienese School.
The Romanesque Pieve of Corsignano is located in the neighbourhood. The monastery of Sant'Anna in Camprena was founded in 1332-1334 by Bernardo Tolomei as a hermitage for the Benedictines; it was remade in the late 15th-early 16th century, and several times in the following centuries. The refectory houses frescoes by il Sodoma (1502–1503).
Monticchiello
The frazione of Monticchiello is home to a characteristic Romitorio, a series of grottoes carved in the rock by hermit monks. In the same locality is the pieve of Santi Leonardo e Cristoforo, rebuilt in the 13th century in Gothic style. The interior has frescoes from a 14th-century Sienese painter, a cyborium in the shape of a small Gothic portal and an alte 15th-century Crucifix. At San Pietro in Campo are the remains of the eponymous abbey.
Monticchiello is the subject of the documentary Spettacolo.
(Wikipedia)
Pienza ist eine italienische Stadt mit 2058 Einwohnern (Stand 31. Dezember 2019) im Val d’Orcia (Toskana), gelegen zwischen den Städten Montepulciano und Montalcino.
Allgemeines
Pienzas Altstadt gehört zum Weltkulturerbe
Der Ort liegt in der klimatischen Einordnung italienischer Gemeinden in der Zone E, 2 113 GR/G.
Einziger Ortsteil ist Monticchiello (500 m, ca. 200 Einwohner). Die Nachbargemeinden Pienzas sind Castiglione d’Orcia, Chianciano Terme, Montalcino, Montepulciano, Radicofani, San Quirico d’Orcia, Sarteano, Torrita di Siena und Trequanda.
1996 erklärte die UNESCO das historische Zentrum Pienzas zum Weltkulturerbe; 2004 wurde zudem das ganze Orcia-Tal in die Liste aufgenommen.
Geschichte
Bevor der Ort in Pienza umbenannt wurde, hieß er Corsignano. Im 9. Jahrhundert wurde er erstmals urkundlich erwähnt. Um 1300 gelangten Teile des Ortes in den Besitz der Familie Piccolomini,[4] nachdem Enghelberto d’Ugo Piccolomini von Kaiser Friedrich II. 1220 mit dem Gut Montertari im Orcia-Tal belehnt worden war. Im 13. Jahrhundert ließen sich Franziskaner in Corsignano nieder.
1405 war Corsignano Geburtsort von Aeneas Silvius Piccolomini, Spross einer verbannten Sieneser Familie und später Papst unter dem Namen Pius II. Als Pontifex Maximus begann Pius, der sich in der Tradition antiker Stadtgründer sah, mit dem Ausbau des Ortes zu einer „idealen Stadt“ und benannte diese nach sich selbst („Pi“-us II.) in Pienza um. Das gilt als ein erstes Beispiel einer so genannten humanistischen Stadtplanung – eine Anregung, die andere italienische Städte aufnahmen und die sich schließlich über ganz Europa verbreitete.
Die Umgestaltung wurde vom Florentiner Architekten Bernardo Rossellino 1459 begonnen, und innerhalb von drei Jahren wurden die Hauptbauten fertiggestellt. Durch den Tod Pius II. im Jahre 1464 wurde die Gesamtplanung jedoch nicht vollkommen verwirklicht. Rossellino entwarf den neuen Stadtplatz, die Piazza Comunale und die sie flankierenden vier Hauptbauten: den Dom und das Rathaus (Palazzo Pubblico, auch Palazzo Comunale genannt) sowie die beiden Palazzi Vescovile und Piccolomini. Ersterer wurde Wohnsitz von Kardinal Rodrigo Borgia, dem späteren Papst Alexander VI. Der Palazzo Piccolomini war Wohnsitz der Familie Pius II., ein vom Florentiner Palazzo Rucellai inspiriertes Gebäude und zugleich das größte und wohl schönste am Platz. Den neuen Dom hat Pius II. am 29. August 1462 geweiht.
Von allen Seiten führen Straßen auf die Piazza Comunale, wobei jeder Standort wechselvolle, harmonische Perspektiven auf die Gebäude bietet und weite Ausblicke in die Szenerie des umliegenden Orcia-Tals gewährt. Der Travertin-Brunnen auf der Piazza, durch seine Aufstellung vor dem Palazzo Piccolomini die bewusste Asymmetrie des Platzes stärkend, trägt das Familienwappen der Piccolominis und wurde in den folgenden Jahrhunderten Vorbild vieler toskanischer Brunnen.
Sehenswürdigkeiten
Der Dom von Pienza wurde von Rossellino zwischen 1459 und 1462 als dreischiffige Hallenkirche mit Umgangschor errichtet. Trotz seiner Renaissance-Fassade ist das Gotteshaus an typischen Bauten der nordalpinen Gotik orientiert, was den zahlreichen Reisen des späteren Papstes Pius II. unter anderem auch in deutsche Länder zu danken ist. Im dreischiffigen Inneren belegen Bündelsäulen und toskanische Kapitelle, wie die Übersetzung eines gotischen Raumkonzepts in die Formensprache der Frührenaissance gelungen ist. Das einer Krypta ähnliche Baptisterium findet sich unter der Apsis; in Teilen entstammt es noch seinem ursprünglich romanischen Vorgängerbau.
Es gibt ein Museo della Cattedrale im Dom. Das Diözesan-Museum im Palazzo Vescovile zeigt sowohl lokale Textilarbeiten als auch religiöse Werke. Drei Wandteppiche mit religiösen Darstellungen sind zu sehen; sie sind Ende des 15. Jahrhunderts in Flandern entstanden und gelangten durch die Piccolominis nach Pienza. In der Gemäldesammlung ist mit Christus am Kreuz („La Croce“) eine Arbeit des 7. Jahrhunderts zu finden. Weiterhin zeigt die Ausstellung Bildnisse von Pietro Lorenzetti (Madonna mit dem Kind) und Bartolo di Fredi (Gnadenmadonna, „Madonna della Misericordia“), allesamt aus dem 14. Jahrhundert. Unter den weiteren Werken des 14. und 15. Jahrhunderts ragt besonders eine Madonnendarstellung heraus, die Luca Signorelli zugeschrieben wird.
Die Kirche von San Francesco, mit Giebelfassade und gotischem Portal, ist eines der wenigen Gebäude, das noch aus der Zeit des alten Corsignano stammen. Sie ist auf den Grundmauern einer Kirche des 8. Jahrhunderts errichtet. Im Inneren befinden sich Fresken aus dem 14. Jahrhundert, von Cristofano di Bindoccio und Meo di Pero, Künstlern der Sieneser Schule, die das Leben des heiligen Franziskus zeigen. Das wertvolle alte Kircheninventar – etwa das mit Tempera gemalte Tafelkreuz von Segna di Bonaventura – ist inzwischen im Diözesan-Museum untergebracht.
Weiterhin sind die Palazzi Ammannati (auch Jouffroy), Gonzaga Simonelli und der Palazzo del Cardinale Atrebatense erwähnenswert, die alle aus dem 15. Jahrhundert stammen.
In der Nähe befindet sich mit der Pieve di Corsignano eines der wichtigsten romanischen Monumente der Gegend.
Die südwestlich gelegene Terrapille dient Fotografen aus aller Welt als toskana-typisches Postkartenmotiv. 1999 war sie zudem einer der Drehorte für den Film Gladiator. Der Domplatz sowie der Palazzo Piccolomini dienten 1968 als Drehorte der 1969 mit zwei Oscars ausgezeichneten Verfilmung von Shakespeares Romeo und Julia. Regie führte Franco Zeffirelli.
Wirtschaft
Pienza ist Sitz von Bottega Verde, der größten Kosmetikkette Italiens.
Auf dem Gemeindegebiet liegen Rebflächen für Weine mit einer „geschützten Herkunftsbezeichnung“: „Orcia DOC“ und „Chianti DOCG“.
(Wikipedia)
The Abbey of Monte Oliveto Maggiore (south of Siena) has a magnificent Chiostro Grande (Great Cloister), constructed between 1426 and 1443. Under the vaults of the cloister are frescoes of the Life of St. Benedict painted by Luca Signorelli and il Sodoma, considered amongst the most important Renaissance artworks in Italy.
Signorelli's paintings were executed in 1497-98, while Sodoma's date to 1505 afterwards.
L'opera fu commissionata a Signorelli dalla Confraternita dello Spirito Santo di Urbino, forse proprio per l'interessamento di Giovanni Santi (padre di Raffaello)
La composizione attenta all'ambientazione storica, con edifici classiccheggianti, è dominata dalla figura di Cristo. L'anatomia accurata e nervosa colpirà Raffaello, che se ne ricorderà quando nel 1502 dovrà dipingere una crocefissione per Città di Castello.
Luca Signorelli (Luca d'Egidio di Ventura 1450 - 1523) - Crucifixion (1494) - Exhibition of Raphael and the echo of the Myth - GAMeC Bergamo
The work was commissioned to Signorelli by the Confraternity of the Holy Spirit in Urbino, perhaps due to the intercession of Giovanni Santi (father of Raphael)
The composition is mindful to the historical setting, with classic-style buildings, is dominated by the figure of Christ.
Raphael was srucck by the precise, nervous anatomy and remembered it when he was commissionedto paint a crucifixion for Città di Castello in 1502
Luca Signorelli, The Damned Cast into Hell, 1499-1504, fresco, 23′ wide (San Brizio chapel, Orvieto Cathedral, Orvieto, Italy)
c. 1506-1507. Oli sobre fusta. 35,9 x 43,5 cm. Museu d'Art de Filadèlfia, Filadèlfia. Cat. 137. Obra exposada: Galeria 312.
Luca Signorelli, The Damned Cast into Hell, 1499-1504, fresco, 23′ wide (San Brizio chapel, Orvieto Cathedral, Orvieto, Italy)
Engel blasen Trompeten, um die Toten zu erwecken. Links liest der Erzengel Michael im recht kleinen Buch der Guten, die erlöst werden, während rechts ein Engel ein großes, dickes Buch mit der Liste der Verdammten in Händen hält.
The dead are awakened by trumpeting angels. On the left side the Archangel Michael reads from the rather small book of the good ones to be saved, while on the right side an angel is holding in his hands a voluminous book containing the list of the damned ones.
Die unter Sixtus IV. zwischen 1475 und 1481 erbaute Sixtinische Kapelle ist die Hauptattraktion der Vatikanischen Museen und immer überfüllt. Ihre malerische Ausstattung ließ sie zum Synonym für Renaissancemalerei werden.
In den Jahren 1482 und 1483 wurden unter der Leitung von Pietro Perugino an den Längswänden 16 Fresken ausgeführt, von denen noch 12 erhalten sind, und die Szenen aus dem Leben von Moses als Vorläufer Christi auf der einen Seite und aus dem Leben Christi auf der anderen Seite darstellen. Die beteiligten Künstler waren neben Perugino, Sandro Botticelli, Domenico Ghirlandaio, Luca Signorelli und Cosimo Roselli.
Das riesige Deckenfresko, das die Schöpfung und die frühe Menschheitsgeschichte zum Thema hat, wurde von Michelangelo Buonarotti in zwischen 1508 und 1512 im Auftrag von Julius II. della Rovere geschaffen.
Michelangelo schuf in den Jahren 1535 und 1536 im Auftrag von Paul III. Farnese auch das riesige Fresko des Jüngsten Gerichts an der Stirnseite der Kapelle.
Leider herrscht in der Sixtinischen Kapelle Fotoverbot, so dass nur wenige Schnappschüsse, wenn überhaupt, möglich sind. Dieses Album beinhaltet daher überwiegend Scans.
Orvieto Cathedral (Italian: Duomo di Orvieto; Cattedrale di Santa Maria Assunta) is a large 14th-century Roman Catholic cathedral dedicated to the Assumption of the Virgin Mary and situated in the town of Orvieto in Umbria, central Italy. The building was constructed under the orders of Pope Urban IV to commemorate and provide a suitable home for the Corporal of Bolsena, a miracle which is said to have occurred in 1263 in the nearby town of Bolsena, when a travelling priest who had doubts about the truth of transubstantiation found that his Host was bleeding so much that it stained the altar cloth. The cloth is now stored in the Chapel of the Corporal inside the cathedral.
Situated in a position dominating the town of Orvieto which sits perched on a volcanic plug, the cathedral’s façade is a classic piece of religious construction, containing elements of design from the 14th to the 20th century, with a large rose window, golden mosaics and three huge bronze doors, while inside resides two frescoed chapels decorated by some of the best Italian painters of the period with images of Judgment Day. The cathedral has five bells, dating back to Renaissance, tuned in E flat.
Die unter Sixtus IV. zwischen 1475 und 1481 erbaute Sixtinische Kapelle ist die Hauptattraktion der Vatikanischen Museen und immer überfüllt. Ihre malerische Ausstattung ließ sie zum Synonym für Renaissancemalerei werden.
In den Jahren 1482 und 1483 wurden unter der Leitung von Pietro Perugino an den Längswänden 16 Fresken ausgeführt, von denen noch 12 erhalten sind, und die Szenen aus dem Leben von Moses als Vorläufer Christi auf der einen Seite und aus dem Leben Christi auf der anderen Seite darstellen. Die beteiligten Künstler waren neben Perugino, Sandro Botticelli, Domenico Ghirlandaio, Luca Signorelli und Cosimo Roselli.
Das riesige Deckenfresko, das die Schöpfung und die frühe Menschheitsgeschichte zum Thema hat, wurde von Michelangelo Buonarotti in zwischen 1508 und 1512 im Auftrag von Julius II. della Rovere geschaffen.
Michelangelo schuf in den Jahren 1535 und 1536 im Auftrag von Paul III. Farnese auch das riesige Fresko des Jüngsten Gerichts an der Stirnseite der Kapelle.
Leider herrscht in der Sixtinischen Kapelle Fotoverbot, so dass nur wenige Schnappschüsse, wenn überhaupt, möglich sind. Dieses Album beinhaltet daher überwiegend Scans.
Luca Signorelli (c1450-1523) - Madonna and Child with Saints Peter, Paul, Bernard and Stephen, 1515-17 (predella attributed to Francesco Signorelli) : detail
Head of a Boy (1492 AD). Luca Signorelli (fl. 1470 AD - 1523 AD). Italian, oil on panel. Sketch. Philadelphia Museum of Art, Philadelphia, Pennsylvania, USA. Copyright 2019, James A. Glazier.
c. 1490. Oli sobre fusta. 78,3 x 53,8 cm. The Walters Art Museum, Baltimore. 37.520. Obra no exposada.
c. 1487-1488. Oli sobre fusta. Galeria dels Uffizi, Florència. Inv. 1890 n. 1605. Obra exposada: Sala 31.
Montepulciano is a medieval and Renaissance hill town and comune in the Italian province of Siena in southern Tuscany. It sits high on a 605-metre limestone ridge, 70 kilometres southeast of Siena. Montepulciano is a major producer of food and drink. Renowned for its pork, cheese, "pici" pasta, lentils, and honey, it is known worldwide for its wine. Connoisseurs consider its Vino Nobile, which should not be confused with varietal wine merely made from the Montepulciano grape, among Italy's best. The main landmarks include:
•The Palazzo Comunale, designed by Michelozzo in the tradition of the Palazzo della Signoria (Palazzo Vecchio) of Florence.
•Palazzo Tarugi, attributed to Antonio da Sangallo the Elder or Jacopo Barozzi da Vignola. It is entirely in travertine, with a portico which was once open to the public.
•The Cathedral of Santa Maria Assunta, or the Duomo of Montepulciano, constructed between 1594 and 1680, includes a masterpiece from the Sienese School, a massive Assumption of the Virgin triptych painted by Taddeo di Bartolo in 1401.
•The church of Santa Maria delle Grazie (late 16th century). It has a simple Mannerist façade with a three-arcade portico. The interior has a single nave, and houses a precious terracotta altar by Andrea della Robbia.
•The Sanctuary of the Madonna di San Biagio is on the road to Chianciano outside the city. It is a typical 16th century Tuscan edifice, designed by Antonio da Sangallo the Elder on a pre-existing Pieve, between 1518 and 1545. It has a circular (central) plan with a large dome over a terrace and a squared tambour. The exterior, with two bell towers, is built in white travertine.
•Baroque church of Santa Lucia has an altarpiece by Luca Signorelli.
•The walls of the city date to around the 14th century.
Die unter Sixtus IV. zwischen 1475 und 1481 erbaute Sixtinische Kapelle ist die Hauptattraktion der Vatikanischen Museen und immer überfüllt. Ihre malerische Ausstattung ließ sie zum Synonym für Renaissancemalerei werden.
In den Jahren 1482 und 1483 wurden unter der Leitung von Pietro Perugino an den Längswänden 16 Fresken ausgeführt, von denen noch 12 erhalten sind, und die Szenen aus dem Leben von Moses als Vorläufer Christi auf der einen Seite und aus dem Leben Christi auf der anderen Seite darstellen. Die beteiligten Künstler waren neben Perugino, Sandro Botticelli, Domenico Ghirlandaio, Luca Signorelli und Cosimo Roselli.
Das riesige Deckenfresko, das die Schöpfung und die frühe Menschheitsgeschichte zum Thema hat, wurde von Michelangelo Buonarotti in zwischen 1508 und 1512 im Auftrag von Julius II. della Rovere geschaffen.
Michelangelo schuf in den Jahren 1535 und 1536 im Auftrag von Paul III. Farnese auch das riesige Fresko des Jüngsten Gerichts an der Stirnseite der Kapelle.
Leider herrscht in der Sixtinischen Kapelle Fotoverbot, so dass nur wenige Schnappschüsse, wenn überhaupt, möglich sind. Dieses Album beinhaltet daher überwiegend Scans.
c. 1522-1524. Oli sobre fusta traspassat a tela. 72,1 x 50,5 cm. Museu d'Art de Filadèlfia, Filadèlfia. Cat. 135. Obra no exposada.
fresco in the chapel of S. Brizio of Orvieto Cathedral by the Italian Renaissance painter Luca Signorelli (1445 –1523)
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Die unter Sixtus IV. zwischen 1475 und 1481 erbaute Sixtinische Kapelle ist die Hauptattraktion der Vatikanischen Museen und immer überfüllt. Ihre malerische Ausstattung ließ sie zum Synonym für Renaissancemalerei werden.
In den Jahren 1482 und 1483 wurden unter der Leitung von Pietro Perugino an den Längswänden 16 Fresken ausgeführt, von denen noch 12 erhalten sind, und die Szenen aus dem Leben von Moses als Vorläufer Christi auf der einen Seite und aus dem Leben Christi auf der anderen Seite darstellen. Die beteiligten Künstler waren neben Perugino, Sandro Botticelli, Domenico Ghirlandaio, Luca Signorelli und Cosimo Roselli.
Das riesige Deckenfresko, das die Schöpfung und die frühe Menschheitsgeschichte zum Thema hat, wurde von Michelangelo Buonarotti in zwischen 1508 und 1512 im Auftrag von Julius II. della Rovere geschaffen.
Michelangelo schuf in den Jahren 1535 und 1536 im Auftrag von Paul III. Farnese auch das riesige Fresko des Jüngsten Gerichts an der Stirnseite der Kapelle.
Leider herrscht in der Sixtinischen Kapelle Fotoverbot, so dass nur wenige Schnappschüsse, wenn überhaupt, möglich sind. Dieses Album beinhaltet daher überwiegend Scans.
The Abbey of Monte Oliveto Maggiore (south of Siena) has a magnificent Chiostro Grande (Great Cloister), constructed between 1426 and 1443. Under the vaults of the cloister are frescoes of the Life of St. Benedict painted by Luca Signorelli and il Sodoma, considered amongst the most important Renaissance artworks in Italy.
Signorelli's paintings were executed in 1497-98, while Sodoma's date to 1505 afterwards.
Jim Signorelli and his daughter at the Raoul's 40th Anniversary Celebration at Raoul's in SoHo on December 8, 2015. Credit: Rebecca Smeyne for the New York Times.
Rome, Italy
From Wikipedia, the free encyclopedia
www.comune.roma.it/was/wps/portal/pcr
For the civilisation of classical antiquity, see Ancient Rome. For other uses, see Rome (disambiguation).
Rome (English pronunciation: /ˈroʊm/; Italian: Roma pronounced [ˈroːma] ( listen); Latin: Rōma) is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in 1,285.3 km2 (496.3 sq mi). Rome's metropolitan area is also the largest in Italy with some 4.2 million residents of Province of Rome.[2] The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.
Rome's history spans over two and a half thousand years. It was the capital city of the Roman Kingdom, the Roman Republic and the Roman Empire, which was the dominant power in Western Europe and the lands bordering the Mediterranean Sea for over seven hundred years from the 1st century BC until the 7th century AD. Since the 1st century AD Rome has been the seat of the Papacy and, after the end of Byzantine domination, in the 8th century it became the capital of the Papal States, which lasted until 1870. In 1871 Rome became the capital of the Kingdom of Italy, and in 1946 that of the Italian Republic.
After the Middle-Ages, Rome was ruled by popes such as Alexander VI and Leo X, who transformed the city into one of the major centers of the Italian Renaissance, along with Florence.[3] The current-day version of St Peter's Basilica was built and the Sistine Chapel was painted by Michelangelo. Famous artists and architects, such as Bramante, Bernini and Raphael resided for some time in Rome, contributing to its Renaissance and Baroque architecture.
In 2007 Rome was the 11th-most-visited city in the world, 3rd most visited in the European Union, and the most popular tourist attraction in Italy.[4] The city is one of Europe's and the world's most successful city "brands," both in terms of reputation and assets.[5] Its historic centre is listed by UNESCO as a World Heritage Site.[6] Monuments and museums such as the Vatican Museums and the Colosseum are amongst the world's 50 most visited tourist destinations (the Vatican Museums receiving 4.2 million tourists and the Colosseum receiving 4 million tourists every year).[7]
Etymology
About the origin of the name Roma several hypotheses have been advanced.[8] The most important are the following:
from Rommylos (Romulus), son of Ascanius and founder of the city;
from Rumon or Rumen, archaic name of Tiber. It has the same root of the Greek verb ῥέω (rhèo) and of the Latin verb ruo, which both mean "flow";[9]
from the Etruscan word ruma, whose root is *rum-, "teat", with possible reference either to the totem wolf that adopted and suckled the cognately named twins Romulus and Remus, or to the shape of Palatine and Aventine hills;
from the Greek word ῤώμη (rhòme), which means strength;[10]
History
Main articles: History of Rome and Timeline of Rome history
Earliest history
Main article: Founding of Rome
There is archaeological evidence of human occupation of the Rome area from at least 14,000 years, but the dense layer of much younger debris obscures Palaeolithic and Neolithic sites.[11] Evidence of stone tools, pottery and stone weapons attest to at least 10,000 years of human presence. The power of the well known tale of Rome's legendary foundation tends also to deflect attention from its actual, and much more ancient, origins.
Monarchy, Republic, Empire
Main articles: Ancient Rome, Roman Kingdom, Roman Republic, and Roman Empire
Capitoline Wolf suckles the infant twins Romulus and Remus.
Rome's early history is shrouded in legend. According to Roman tradition, the city was founded by Romulus[12] on 21 April 753 BC.[13] The legendary origin of the city tells that Romulus and Remus decided to build a city. After an argument, Romulus killed his brother Remus. Archaeological evidence supports the view that Rome grew from pastoral settlements on the Palatine Hill built in the area of the future Roman Forum. While some archaeologists argue that Rome was indeed founded in the middle of the 8th century BC, the date is subject to controversy.[14] The original settlement developed into the capital of the Roman Kingdom (ruled by a succession of seven kings, according to tradition), and then the Roman Republic (from 510 BC, governed by the Senate), and finally the Roman Empire (from 27 BC, ruled by an Emperor). This success depended on military conquest, commercial predominance, as well as selective assimilation of neighbouring civilisations, most notably the Etruscans and Greeks. From its foundation Rome, although losing occasional battles, had been undefeated in war until 386 BC, when it was briefly occupied by the Gauls.[15] According to the legend, the Gauls offered to deliver Rome back to its people for a thousand pounds of gold, but the Romans refused, preferring to take back their city by force of arms rather than ever admitting defeat, after which the Romans recovered the city in the same year.
Map depicting late ancient Rome.
The Roman Republic was wealthy, powerful and stable before it became an empire. According to tradition, Rome became a republic in 509 BC. However, it took a few centuries for Rome to become the great city of popular imagination, and it only became a great empire after the rule of Augustus (Octavian). By the 3rd century BC, Rome had become the pre-eminent city of the Italian peninsula, having conquered and defeated the Sabines, the Etruscans, the Samnites and most of the Greek colonies in Sicily, Campania and Southern Italy in general. During the Punic Wars between Rome and the great Mediterranean empire of Carthage, Rome's stature increased further as it became the capital of an overseas empire for the first time. Beginning in the 2nd century BC, Rome went through a significant population expansion as Italian farmers, driven from their ancestral farmlands by the advent of massive, slave-operated farms called latifundia, flocked to the city in great numbers. The victory over Carthage in the First Punic War brought the first two provinces outside the Italian peninsula, Sicily and Sardinia. Parts of Spain (Hispania) followed, and in the beginning of the 2nd century the Romans got involved in the affairs of the Greek world. By then all Hellenistic kingdoms and the Greek city-states were in decline, exhausted from endless civil wars and relying on mercenary troops. This saw the fall of Greece after the Battle of Corinth 146 BC and the establishment of Roman control over Greece.[16]
The Roman Empire at its greatest extent controlled approximately 6.5 million km2[17] of land surface.
The Roman Empire had begun more formally when Emperor Augustus (63 BC–AD 14; known as Octavian before his throne accession) founded the Principate in 27 BC.[18] This was a monarchy system which was headed by an emperor holding power for life, rather than making himself dictator like Julius Caesar had done, which had resulted in his assassination on 15 March, 44 BC.[19] At home, Emperor Augustus started off a great programme of social, political and economic reform and grand-scale reconstruction of the city of Rome. The city became dotted with impressive and magnificent new buildings, palaces, fora and basilicae. Augustus became a great and enlightened patron of the arts, and his court was attended by such poets as Virgil, Horace and Propertius.[18] His rule also established the Pax Romana, a long period of relative peace which lasted approximately 200 years.[20] Following his rule were emperors such as Caligula, Nero, Trajan, and Hadrian, to name a few. Roman emperor Nero was well-known for his extravagance, cruelty, tyranny, and the myth that he was the emperor who "fiddled while Rome burned" during the night of 18 to 19 July 64 AD.[21] The Antonine Plague of 165–180 is believed to have killed as much as one-third of the population.[22]
Roman dominance expanded over most of Western Europe and the shores of the Mediterranean Sea, though its influence through client states and the sheer power of its presence was wider than its formal borders. Its population surpassed one million inhabitants.[23] For almost a thousand years, Rome was the most politically important, richest, and largest city in the Western world. After the Empire started to decline and was split, it lost its capital status to Milan and then to Ravenna, and was surpassed in prestige by the capital of the Eastern Roman Empire, Constantinople, whose Greek inhabitants continued through the centuries to call themselves Roman.
Middle Ages
15th century miniature depicting the Sack of Rome (410)
The Bishop of Rome became the Pope due to his increased political and religious importance under Emperor Constantine I. The Pope set Rome as the centre of the Catholic Church. After the Sack of Rome in 410 AD by Alaric I and the fall of the Western Roman Empire in 476 AD, Rome alternated between Byzantine and Germanic control. Its population declined from more than a million in 210 AD to a mere 35,000 during the Early Middle Ages,[24] reducing the sprawling city to groups of inhabited buildings interspersed among large areas of ruins and vegetation. Rome remained nominally part of the Byzantine Empire until 751 AD, when the Lombards finally extinguished the Exarchate of Ravenna which was the last holdout of the Byzantines in northern Italy. In 756, Pepin the Short gave the Pope temporal jurisdiction over Rome and surrounding areas, thus creating the Papal States. In 846, Muslim Arabs invaded Rome and looted St. Peter's Basilica.[25]
Rome remained the capital of the Papal States until its annexation by the Kingdom of Italy in 1870; the city became a major pilgrimage site during the Middle Ages and the focus of struggles between the Papacy and the Holy Roman Empire starting with Charlemagne, who was crowned its first emperor in Rome in 800 by Pope Leo III. Apart from brief periods as an independent city during the Middle Ages, Rome kept its status as Papal capital and "holy city" for centuries, even when the Papacy briefly relocated to Avignon (1309–1377).
Early modern
Main article: Roman Renaissance
The latter half of the 15th century saw the seat of the Italian Renaissance move to Rome from Florence. The Papacy wanted to equal and surpass the grandeur of other Italian cities and to this end created ever more extravagant churches, bridges, squares and public spaces, including a new Saint Peter's Basilica, the Sistine Chapel, Ponte Sisto (the first bridge to be built across the Tiber since antiquity), and Piazza Navona. The Popes were also patrons of the arts engaging such artists as Michelangelo, Perugino, Raphael, Ghirlandaio, Luca Signorelli, Botticelli, and Cosimo Rosselli.
The Tempietto (San Pietro in Montorio), which is an excellent example of Italian Renaissance architecture
The period was also infamous for papal corruption, with many Popes fathering children, and engaging in nepotism and simony. The corruption of the Popes and the extravagance of their building projects led, in part, to the Reformation and, in turn, the Counter-Reformation. Popes, such as Alexander VI, were well-known for their decadence, wild parties, extravagance and immoral lives.[26] However, under these extravagant and rich popes, Rome was transformed into a centre of art, poetry, music, literature, education and culture. Rome became able to compete with other major European cities of the time in terms of wealth, grandeur, the arts, learning and architecture.
Michelangelo's ceiling in the Sistine Chapel.
Rome in 1642
The Renaissance period changed Rome's face dramatically, with works like the Pietà by Michelangelo and the frescoes of the Borgia Apartment, all made during Innocent's reign. Rome reached the highest point of splendour under Pope Julius II (1503–1513) and his successors Leo X and Clement VII, both members of the Medici family. In this twenty-years period Rome became one of the greatest centres of art in the world. The old St. Peter's Basilica built by Emperor Constantine the Great[27] (which by then was in a terrible state) was demolished and a new one begun. The city hosted artists like Ghirlandaio, Perugino, Botticelli and Bramante, who built the temple of San Pietro in Montorio and planned a great project to renovate the Vatican. Raphael, who in Rome became one the most famous painters of Italy creating frescos in the Cappella Niccolina, the Villa Farnesina, the Raphael's Rooms, plus many other famous paintings. Michelangelo started the decoration of the ceiling of the Sistine Chapel and executed the famous statue of the Moses for the tomb of Julius. Rome lost in part its religious character, becoming increasingly a true Renaissance city, with a great number of popular feasts, horse races, parties, intrigues and licentious episodes. Its economy was rich, with the presence of several Tuscan bankers, including Agostino Chigi, who was a friend of Raphael and a patron of arts. Before his early death, Raphael also promoted for the first time the preservation of the ancient ruins. The fight between France and Spain in Europe caused the first plunder of the City in more than one thousand years. In 1527 the Landsknechts of Emperor Charles V sacked the city, putting to an abrupt end the golden age of the renaissance in Rome.[28]
In the beginning of the 16th century the Church began also a secular struggle against the Reformation, which subtracted a great part of Christendom to the papal authority.[28] The revenge of the church started with the Council of Trent, and with the great Popes of the Counter-Reformation (from Pius IV to Sixtus V). Under them Rome became the center of the reformed Catholicism, and thanks to them the City was adorned with monuments which celebrated the restored greatness of the Papacy.[29] During the 17th and the beginning of the 18th centuries the Popes continued the tradition of Counter-reformation, enriching the city's landscape with Baroque buildings, erected by the Popes themselves or by theirs Cardinal-nephews.[28] During the Age of Enlightenment the new ideas reached also the Eternal City, where the Papacy supported Archeological Studies and improved the people's welfare.[28] However, at the same time the Popes had to fight against the anti-church policy of the great European powers which, among others, forced them to suppress the Jesuits.[28]
Late modern and contemporary
The rule of the Popes was interrupted by the short-lived Roman Republic (1798), which was built under the influence of the French Revolution. During Napoleon's reign, Rome was annexed into the French Empire. After the fall of Napoleon, the Church State under the pope was reinstated through the Congress of Vienna of 1814. In 1849, another Roman Republic arose within the framework of revolutions of 1848. Two of the most influential figures of the Italian unification, Giuseppe Mazzini and Giuseppe Garibaldi, fought for the short-lived republic.
Italian soldiers enter Rome in 1870.
Rome became the focus of hopes of Italian reunification when the rest of Italy was reunited under the Kingdom of Italy with a temporary capital at Florence. In 1861, Rome was declared the capital of Italy even though it was still under the control of the Pope. During the 1860s, the last vestiges of the Papal States were under the French protection Napoleon III. And it was only when this was lifted in 1870, owing to the outbreak of the Franco-Prussian War, that Italian troops were able to capture Rome entering the city through a breach near Porta Pia. Afterwards, Pope Pius IX declared himself as prisoner in the Vatican, and in 1871 the capital of Italy was moved from Florence to Rome.[30]
Soon after World War I, Rome witnessed the rise to power of Italian Fascism guided by Benito Mussolini, who marched on the city in 1922, eventually declaring a new Empire and allying Italy with Nazi Germany. The interwar period saw a rapid growth in the city's population, that surpassed 1,000,000 inhabitants. In World War II, due to its status of Open City, Rome largely escaped the tragic destiny of other European cities, but was occupied by the Germans from the Italian Armistice until its liberation on June 4th, 1944. However, on June 19, 1943 Rome was bombed by Anglo-American forces, being one of the hardest hit areas in the San Lorenzo district. Causing about 3,000 deaths and 11,000 wounded.
Rome grew momentously after the war, as one of the driving forces behind the "Italian economic miracle" of post-war reconstruction and modernisation. It became a fashionable city in the 1950s and early 1960s, the years of "la dolce vita" ("the sweet life"), with popular classic fims such as Ben Hur, Quo Vadis, Roman Holiday and La Dolce Vita[31] being filmed in the city's iconic Cinecittà Studios. A new rising trend in population continued until the mid-1980s, when the commune had more than 2,800,000 residents; after that, population started to slowly decline as more residents moved to nearby suburbs.
A Byzantine style icon of the Madonna enthroned with Christ Child and Angels is the center piece of the altar in the Chapel of San Brizio. Directly above it is the Christ of the Last Judgement. Orvieto, March 2017
Closer look at the painting of the Greek philosopher Empedocles by Luca Signorelli.
Duomo Orvieto; March 2017
More Duomo Orvieto Pics at - www.flickr.com/photos/justaslice/albums/72157666258857589