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Foliering av båter hos Signmaker AS. Montasjeansvarlig og partner Danial Z. Zielinski folierer sammen med daglig leder Ruth Breitenstein.
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Copyright © 2012
haven't been feeling well so long
past 3 days i have been so much better
my goals were many and i got closer to feeling good enough to get a sunrise this am
the colors were brighter but i was in line getting coffee :(
small marker for me, hopefully it'll continue ~ ty for all your kindness
sorri, i wish they were better, but i was where i was :~
Kirsty Donald and Damian Jacobs win Young Signmaker of the Year, presented by Mark Jones of Roland DG
Robotron was not amused when I first scanned his name as Robot-ron. He went to his signmaker to see about having a dash inserted in the appropriate place.
2 0f 6
French Quarter Festival, French Quarter, New Orleans, April 2009
Some have noted the challenge the word occupy holds for many and different so for different folks from different backgrounds. For some it has too aggressive, too militaristic a tone. Ideas of inhabiting a space, owning a place and position may be more to the point. Any thoughts?
June 29, 2018: Featuring Evan Voyles: artist & signmaker.
Sponsored by Spredfast, USAA, Rambler and Cuvée Coffee.
Hosted at Austin Beerworks.
Photos by Manny Pandya.
Video Production by Erik Mauck.
Illustrations by Ami Plasse with Gonzo Viz.
June 29, 2018: Featuring Evan Voyles: artist & signmaker.
Sponsored by Spredfast, USAA, Rambler and Cuvée Coffee.
Hosted at Austin Beerworks.
Photos by Manny Pandya.
Video Production by Erik Mauck.
Illustrations by Ami Plasse with Gonzo Viz.
Kirsty Donald and Damian Jacobs win Young Signmaker of the Year, presented by Mark Jones of Roland DG
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Copyright © 2011
the wars will end,
the hungry will be fed
love will resolve
and peace will prevail..
~ when is all quiet and peaceful
positive energy will surround us and spread ...
a sound will be heard......... like music
.. can you hear it yet?
<3
Copyright © 2011
womens correctional facility
over 90% of females incarcerated in the US are there for non-violent drug offenses with treatment not often an option.'
the onset of crack cocaine led a new population to the prison system and a large social problem. Who watches the children?
for every parent doing time on the inside there's at least one child doing it on the outside
A repro (not shown to scale) of a frame from the short-lived "Wondersign" as mounted above the then-RKO Palace Theatre on Times Square in New York City, as seen in the summer of 1945 when the Gary Cooper-Loretta Young movie "Along Came Jones" was playing at the Palace (the first film shown at the point this was reactivated after being blacked out for the duration of World War II).
This display was first introduced there in the spring of 1939 (on, about or before April 30, in time for the start of the 1939-40 World's Fair). Created in France by noted poster designer Jean Carlu as the "Luminograph," it sported a total of 27,000 bulbs in a 180 x 150 grid - four each of 6,750 bulbs in red (top left), clear (top right, shown as white), amber-orange (bottom left) and a somewhat bluish green (bottom right). The bulbs were all 3-watt, 14-volt S-11's, spaced 1.875" apart, thus the measurements of this display would have been 337.5" (28' 1½") x 281.25" (23' 5¼"). [Artkraft's and Wondersign's literature maintained the lamp diameter was 342" (28' 6") x 285" (23' 9") totalling nine sections, each section measuring 114" (9' 6") x 95" (7' 11").] The entire display was 465" (38' 9") x 306" (25' 6").
When this board started, advertisers whose wares were peddled on this early multicolor electrical display were Wonder Bread, Piel's Beer, Enna Jetticks, La Palina Cigars, Hamilton Watches, Sitroux, and William Jameson & Co. One of the executives at The Wondersign Corp. which licensed this was Bert Roth, who was also an executive at Trans-Lux - and as Artkraft Strauss installed this, it would later pave the way for the exclusive arrangement between the signmaker and the company known at the time for its stock tickers and movie theatres when they first marketed their fabled "Flashcast" and "Adcast" (originally "Ad-News-O-Graph") traveling message sign controls starting in 1940-41. (The Wondersign Corp. was headed by Harry Latz, who acquired the license from Carlu's Luminograph Co.) One of Wondersign's lighting designers, after the war, would go on to gain fame as an abstract painter - Irving Kriesberg.
Like other electronic displays in lights, this was deactivated for over three years starting in 1942 due to World War II dimout requirements. During this period, this display was refurbished and put back into action almost on the eve of the Japanese surrender in 1945; in this new incarnation, it largely showed promos for movies (pretty much all RKO features at that point) being shown at the Palace at the time. Its color range almost resembled that of movies shot and processed in the cheaper two-color Cinecolor process. But the complexities of this operation in terms of its animation (with a process involving massive sheets that resembled player piano rolls), and accompanying costs, led to this being turned off for good before the end of 1948. It would be another 28 years from this before Douglas Leigh's competing EPOK display had a formidable competition in a newer multicolor electronic sign which was an indirect descendant of the Wondersign, but whose operation was much different - Spectacolor.
Dedicated to the Dads
www.youtube.com/watch?v=pmyBA2xPN4g&feature=mh_lolz&a...
'Rumors fly and you don't know where they start
'Specially when it concerns a person's heart
I've heard tales that would set my heart a-glow
wish i knew if the things i heard were so....
they say that falling in love is wonderful... it's wonderful
so they say
and with the moon up above it's wonderful.. wonderful
so they tell me....
I can't recall who said it, i know i never read it..
I only know they tell me that love is grand and.... '
father/daughter Bonnie and John Raitt singing 'It's Wonderful'
~ irving berlin
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Copyright © 2011