View allAll Photos Tagged Signet

naomiさん、持たせてすみません、、、^^;>

psmakiさんのHasselblad 500C/M

naomiさんのKodak Signet35

ワタシのZenza BronicaEC

 

# iPhone4

1953; My Life in Crime by John Bartlow Martin. Cover art by James Meese

James T. Farrell: This man and this woman.

Signet Books 1954.

Cover art by James Avati.

Mickey Spillane: My gun is quick.

Signet Books 1953.

Cover by Lu Kimmel.

Nicholas Monsarrat - Depends What You Mean By Love

Signet Books 1092, 1954

Cover photo of Nicholas Monsarrat by Daniel Farson

Frederic Wakeman - Shore Leave

Signet Books 687, 1949

Cover photo of Frederic Wakeman

1960 - 26th; The long Wait by Mickey Spillane. Cover art by James Avati.

Ed McBain: Cop hater.

Signet Books 1973.

Cover art by Tom Hall.

A hefty $70.00 dollars in 1956 would get this mid-level Kodak rangefinder kit. (That's about $590.00 dollars in todays market.) The Signet series replaced the Kodak 35 series as the second tier group in Kodak's popular lineup.

 

It was a pretty good deal, (not the best, but pretty good.) The radioactive thorium oxide lens is a unit focusing, 46 mm, f/3.5 Kodak Ektanon, 3-element coated wonder. The shutter is a Kodak Synchro 400 that has speeds from 1/5 to 1/400 second .

 

The top deck includes a film exposure guide for Kodachrome, Ecktachrome, and Plus X. The suggested apertures are calibrated for 1/50 of a second. It's located atop a giant rewind wheel that covers the width of the camera - surprisingly functional and easy to use.

 

The shutter must be cocked manually, and the shutter release is a lever on the front of the camera. Focus is by the "old style" button. There is a depth of field scale on the face of the camera next to the aperture ring.

 

The combination of Bakelite, aluminum, and chromed, (stamped steel,) components makes for a surprisingly sturdy little camera. Film advance is by lever and is ratcheted. M & X flash synch are provided for. M works the Kodalite attachment that screws to the body. X works an adapter that also screws to the body in place of the flash attachment.

 

This kit is complete: box and plastic insert, two flash heads, instructions, adapters, and camera. The camera is in better than good condition. It runs as it should and has a quiet and precise shutter. Focusing and winding are smooth. It's gathered some bits of dust, some surface dulling and tarnish that need a good cleaning and waxing. Sounds like a winter project to me.

Fred & Geoffrey Hoyle: Into deepest space.

Signet Books 1975.

Cover art by Dean Ellis.

1954; A Law for the Lion by Louis Auchincloss. Cover art by Stanley Zuckerberg

James T. Farrell: Father and son.

Signet Books 1953.

Cover by James Avati.

Carter Brown: The up-tight blonde.

Signet Books 1969.

Cover by Robert McGinnis.

Graham McInnes - Lost Island

Signet Books S1215, 1955

Cover Artist: unknown

William Faulkner: The unvanquished.

Signet Books 1952 [1st printing].

Cover art by James Avati.

 

Alan Sillitoe: Saturday night and Sunday morning.

Signet Books 1960.

Cover art by Baryé Phillips.

 

1953; A Hero of our Time by Vasco Pratolini. Cover art by Erickson

Robert A. Heinlein: The puppet masters.

Signet 1952.

Cover art by Stanley Meltzoff.

1948; The Caballero by Johnston McCully. Signature is vague Could be Bernard Barton.

Signet Ring bearing the family Seal.

 

From the age when letters were sealed with a small blob of molten sealing wax impressed with the family seal.

 

G-g-grandfathers ring c1850.

18 carat gold and peridot or olivine ring engraved with angel wings and sword..

 

Produced from 1958 to 1962, the Kodak Signet 80 was the last serious rangefinder Kodak made. It was an interchangeable lens camera: in addition to the 50mm lens, 35mm and 90mm lenses were available. It had a unique film take-up mechanism that did not require a film spool. Designed by Arthur Crapsey, it was a striking example of mid-century design aesthetic.

By Robert Reid, 1810 (exterior) and William Stark, 1812-13 (interior) with staircase by W H Playfair, 1819 and William Burn, 1834. Symmetrical, 3-storey and basement, 19-bay Classical purpose-built library.

  

Outstanding, little altered Neo-Classical library of nave and aisles design with bays separated by fluted Corinthian columns and decorative metal anthemion balustraded balconies. Shallow saucer dome above with painted frieze. Semi-elliptical coffered ceiling. Dentilled and finely carved decorative cornice. Stained glass window to W installed in 1889 by James Ballantine for Queen Victoria’s Diamond Jubilee. Stair hall with Ionic and Corinthian columned screens and coffered dome.

  

The Signet Library is an outstanding example of 19th century Classical architecture with one of the finest Neo-Classical interiors in the country. The entrance elevation at Parliament Square is a well-detailed unified façade, which is continuous with the front façade of 2-11 Parliament Square by Robert Reid. The internal decorative scheme is exceptional with opulent ornamentation and intricate detail in both libraries and in the stair hall. The coffered ceiling and central dome are particularly notable.

  

The library building was originally conceived as having one library on the ground floor for the Writers to the Signet, with the upper floor library belonging to the Faculty of Advocates. Robert Reid designed the exterior, but William Stark (1770-1813) was asked to complete the interior decoration as both the Faculty of Advocates and the Writers to the Signet preferred his designs to those of Reid. Shortly after the building was completed in 1822, the Faculty of Advocates decided to build their own separate library to the South of this one and the upper storey was sold to the Writers to the Signet for £12,000. When the 2 libraries came under the same ownership, William Burn designed a grand imperial stair to connect the two. This new staircase incorporated a Corinthian-columned screen by William Playfair which had been part of the previous entrance hall.

Kamala Markandaya: Nectar in a sieve.

Signet Books 1956.

Cover art by Stanley Zuckerberg.

 

Vasco Pratolini: A tale of poor lovers.

Signet Books 1950.

Cover art by James Avati.

 

William Francis: Kill or Cure.

Signet Books 1949.

Signet convertible with a Barracuda grille. Back in the day, I put a Barracuda grille on my parent's 1966 Valiant V-200 4 door. Gave it a slightly sportier look.

Signet for a design center. Artist Hans Schlegerm. Great Britain. From Gebrauchsgraphik No. 6, 1966. Blogged at Aqua-Velvet.

Erskine Caldwell: A woman in the house.

Signet Books 1949.

Cover art by Reynold Brown.

1949; Other voices other Rooms by Truman Capote. Cover art by Robert Jonas

Alexandre Dumas: The man in the iron mask.

Signet Books 1998.

6th printing.

Movie tie-in starring Leonardo DiCaprio, Jeremy Irons, John

Malkovich, Gabriel Byrne and Gérard Depardieu.

1960 PBO; The Status Civilization. unknown Artist.

Richard M. Garvin and Edmond G. Addeo: The Fortec conspiracy.

Signet 1969.

Cover art by Mitchell Hooks.

William Saroyan: Rock Wagram.

Signet Books 1952.

Cover art by Stanley Meltzoff.

  

Erskine Caldwell: Southways.

Signet Books 1952.

Cover art by James Avati.

Adam Knight: Knife at my back.

Signet Books 1953.

 

Truman Capote: A tree of night and other stories.

Signet Books 1951.

Beautiful green agath ladies signet ring

1960 - 50th Print; I, The Jury by Mickey Spillane. Cover art by James Avati. Published by Signet 1789.

 

"James Avati was pushed into making 7 reissue of Mickey Spillane's lurid and phenomenally successful mysteries in a style so different one wouldn't recognize it as his."

[Source page 48 of The paperback art of James Avati by Piet Schreuders & Kenneth Fulton]

 

Enjoy !

Cover art by James S. Avati (his second cover for this title) for Signet #1479, "Place Called Estherville" by Erskine Caldwell, 5th printing, November, 1957. Original painting sold for $4,182.50 on August 16, 2010 at Heritage Auctions

Oliver Wendell Holmes - Elsie Venner

Signet Classics CT78, 1961

Cover Artist: Saul Lambert

Gore Vidal - Three

Signet Books T2131, 1962

Cover Design uncredited

Photo of Gore Vidal by Roger Moore

 

Three by Gore Vidal:

Williwaw

A Thirsty Evil

Julian the Apostate

Fannie Hurst: Back street.

Signet Books 1952 (second printing).

TITLE: The Green Hills of Earth

AUTHOR: Robert A. Heinlein 1907-88

TYPE: paperback collection

PUBLISHER: Signet S1537

COPYRIGHT: 1951

ISBN:

EDITION: 4th

PUB DATE: June 1958

PAGES: 176

COVER PRICE: $.35

COVER ARTIST: Stanley Meltzoff

ISFDB: No

RATING:

INDEX: 0378c - Green Hills of Earth - RAH - 005 – IFB

Contents:

13 • Delilah and the Space-Rigger • (1949) • shortstory by Robert A. Heinlein

24 • Space Jockey • (1947) • shortstory by Robert A. Heinlein

40 • The Long Watch • (1948) • shortstory by Robert A. Heinlein

53 • Gentlemen, Be Seated • (1948) • shortstory by Robert A. Heinlein (aka Gentlemen, Be Seated!) [as by Robert Heinlein ]

62 • The Black Pits of Luna • (1948) • shortstory by Robert A. Heinlein

74 • "It's Great to Be Back!" • (1947) • shortstory by Robert A. Heinlein

90 • "—We Also Walk Dogs" • (1941) • shortstory by Robert A. Heinlein

111 • Ordeal in Space • (1948) • shortstory by Robert A. Heinlein

125 • The Green Hills of Earth • (1947) • shortstory by Robert A. Heinlein

135 • Logic of Empire • (1941) • novella by Robert A. Heinlein

  

QUOTE: “One could write a history of science in reverse by assembling the solemn pronouncements of highest authority about what could not be done and could never happen.”

Robert A. Heinlein

  

Culpability: All images are from publications owned by CW. Image scanning, editing and compiling of bibliographic data was performed by CW. No entry indicates information was not available from book.

ISFDB: Internet Speculative Fiction Data Base.

RATING: On a scale of 1 to 10 with 10 being great and 1 don’t read.

 

Back cover of: Tennessee Williams: The rose tattoo.

Signet 1955.

Movie tie-in starring Burt Lancaster and Anna Magnani.

1 2 ••• 32 33 35 37 38 ••• 79 80