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Joy and elation when a sudden change in route on my afternoon walk led me into a field and there on the Dock leaves were loads of these beauties.
Believe it or not I have never found one of these before in the UK. I see them quite often on my other contacts streams, so to finally find these was a real boon.
This is a final instar of Coreus marginatus (Dock Bug), they really are cool looking Bugs and I love 'em. This is a 14 image handheld focus stack using an F/8 aperture, ISO 500 and a 1/160 shutter speed.
Now I know where to look I will be able to hopefully find some of the uber cute earlier instars :o)
VIEW LARGE FOR DETAIL
Taken on Day of Life #33
Amerigo and Arietta truly enjoy each other's commpany.
[SOOC, f/1.4, ISO 100, shutter speed 1/200]
الاعدادات
Model:Canon D500
Lens Type:50mm
Shutter Speed: 1/13
Aperture: f2.5
ISO Speed: 100
Focal Length:50mm
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لـ دقه .. وتفاصيل أكثر , هنا بحجكم أكبر
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يسعدني ويشرّفني , زيارتكم ومتابعتكم لي
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(: للاستفسارات , والتساؤلات , وأعمال التغطيات , والبزنس بشتى أنواعه
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this is my first roll from my yashica tl-electro. would someone be able to tell me why the camera shut down after about half of the roll and the viewfinder was completely black for the remaining roll? also, there were only like 16 out of 36 pictures. why why why? all i did was change the shutter speed...
I took this on my way to work. The sun had not risen above the horizon yet, so there was not very much light. I boosted the ISO, opened the aperture and used a slow shutter speed.
I shoot Nikon, not because I feel it's better than any other brand but because it was on sale when I bought my first SLR camera and Nikon was a recognizable name :-). I wanted an SLR but I also know my tendencies where if it was too much of a challenge for me to figure out how to use the camera I know I'll just put it down and forget about it. Now 3 cameras past my first Nikon D60 camera and 8 lenses later I can say that "I AM NIKON"
Strobist Info:
Camera Settings: Nikon D3s with Sigma 50mm f/1.4 EX DG HSM, Aperture f/11, Shutter Speed 200, ISO 100
Flash Settings: Main Light - AlienBee 1600 at 1/8 power shot into a Westcott 28 inch softbox camera left. Fill Light - AlienBee 1600 with 10 degree grid 1/8 power camera right
Flash triggered remotely using PocketWizard MiniTT1 transmitter and FlextTT5 transceiver with AC3 Zone Controller
© Calvin James 2013
Many of the images I shoot are stitched together from smaller images. When I am shooting like this I have to try to keep everything (lighting, shutter speed, focus, aperture) as constant as one can from shot to shot. What you can see in this 120 image series is that something most definitely did not stay the same between shots.
On this particular day I arrived at the scene just as the clouds were starting to break up and the sun started to poke through, bounce off of everything and light up a shot here or there. Basically this entire sequence was a disaster and had to be scrapped. But it does a decent job showing how the images are assembled and why you must do your best to hold exposures constant so I thought I'd post it up here. There are some creative possibilites with the patchiness effect I want to explore in the near future - I just have to find the right subject to shoot.
The shot I posted a few days ago was taken about an hour later once the sun changed positions and the clouds had moved off.
You can get a better look at the patchwork here. and an even better look here.
Featured on chicagoist.
My mission in life is Let the dogs out, Let the dogs in.. Repeat. I was sitting in the backyard with the dogs when I head a loud helo approaching. Since I had my camera in hand I quickly raised the shutter speed, aimed and shot. This is a helo owned and operated by Native Air, a critical car Air Ambulance Service here in the Southwest.
Zeiss Ikon Erabox with it's case (original?) and a Kodak 6A cloud filter that fits the lens perfectly.
Manufactured in Germany from 1934-38.
Has 2 apertures (F/11 & F/16) and the choice of "instant" shutter speed (I believe to be around 1/35 of a second) and manually controlling the duration of the shutter opening.
Also has a cable shutter-release interface and both vertical and horizontal tripod mounts.
This is a much sturdier and heavier box camera than its Agfa and Kodak peers.
Photo taken with:
Camera: Ansco Speedex 4.5 Special (circa 1952-55)
a rebadged Agfa Isolette II
Film: Kodak Porta 400 (120 rollfilm)
Aperture: F/24
Shutter Speed: 1/2 second
Used Kodak Porta 2+ supplementary closeup lens
Developed by: The Darkroom
2011 GT3RS.
I'm back in Kuwait now. I had a nice two week trip in Europe where I visited the Nurburgring again and saw many wonderful cars.
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Canon EOS 5D Mark II
Lens: EF 100-400 F4.5-5.6L IS
ISO: 200
Shutter Speed: 1/80 sec
Aperture: F/9
Focal length: 135mm
Lens Filter: -------
Software: Adobe Photoshop CS5 - Adobe Lightroom.
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It was an amazing Sunday with fantastic weather and people out enjoying nature and family. Tossing the football around was a great activiity!
Calocedrus decurrens—incense cedar. Pollen cones of the incense cedar. These oblong cones measure 5-7 mm in length. The tree grows in Regional Parks Botanic Garden located in Tilden Regional Park near Berkeley, CA.
Hasselblad 501C
Carl Zeiss Planar 80mm 2.8 CF T*
Kodak Portra 160
This was from the trip to Seattle and the opportunity to shoot the Portra 160 in low light and a 1/2 sec shutter speed
Not a great photo but a good test of the Nikon 400mm f4.5 hand holding possibilities. Having used Nikon 300mm f2.8 and 200-400 f4 I’d always be welded to a tripod as I just couldn’t hand hold the lens.
Having moved back to Nikon to the Z mirrorless I’ve picked up the Nikon 400mm f4.5 due to its lightweight but good performance with a relatively fast aperture. I’ve found it to be great. I no longer take out a tripod and hand holding is a breeze. 1/10 sec at 400mm is just bonkers. It’s now more of a point where the subject needs a faster shutter speed than hand holding the lens!
Left photo:
Shutter Speed: 1/2000
ISO: 1600
F/6.3
Right photo:
Shutter Speed: 1/20
ISO: 100
F/8.0
Camera: Canon SX700
www.flickr.com/cameras/canon/sx700hs/
*Both photos brightened in post-editing*
A wet day in London last September we enjoyed Covent Garden. These buskers made the unusual move of walking as they played and I followed along with shutter speed on 1/5th second. I liked that we made eye contact at this point.
So is it Fast shutter speed, think fast or you will miss the pop or gee I'm running out of balloons really fast trying to get this shot. I think they all work. Another new thing to try and my daughter had lots of fun popping the balloons.
So I was camping and all I remembered about this theme was slow shutter speed. I see now it was panning. I am 4 weeks behind and I have no time for anything, so this is what you get :)
The C-35 saga continues with much simpler models. Plastic construction, auto only exposure, no rangefinder, but a panoplia of colours and the integrated flash.
No info in the viewfinder whatsoever, save for an idiot red led that spells trouble for exposure, you see, minimum shutter speed is 1/60, so flash has to be used. fortunately it is a user choice only.
So we have a guess focus camera fitted with with a 35/2,8 lens, with 5 elements, not 4 as previous C35, why?
Super sharp Nikon D4 photos of a surf goddess! At ISO 200, the shutter speeds were bteween 1/2000 s and 1/5000 s! Thanks to the super-fast Nikon D4 full-frame!
Rising pro woman's surf star Sally Fitzgibbons won the Nike US Open in Huntington Beach in 2011!
Nikon D4 Shots of Beautiful Pro Women's Surfers with 600mm Nikkor Prime!
In Huntington Beach at the Huntington Pier! The US Nike Hurley Open!
First time out with the Nikon D4 & the AF-S NIKKOR 600mm f/4G ED VR with Nikon’s VR image stabilization and Nano Crystal Coat! & a video camera! Here're some pictures of my rig: www.flickr.com/photos/herosjourneymythology45surf/7688611...
The video camera I had mounted on the rig is the amazing image-stabilized Panasonic X900MK 3MOS 3D Full HD SD Camcorder. Here's some of the slow-mo video shot at the same time as the stills:
www.youtube.com/watch?v=h3P74hSJu90
Rock on Surf City USA!
The Nikon D4 is amazing! It never misses a shot! And the 600mm nikkor prime was amazingly fast! I shot at ISO 200 fully open at F4 and many of these photos were shot at 1/4000 s or 1/5000 s! Amazingly sharp & detailed!
She was wearing a white Nike Wetsuit & a red and/or blue singlet!
She was poetry in motion!
May the goddesses inspire you along a hero's journey of your own making! :)
The Caul is a weir, an overflow dam, that raises the level of the water upstream. This weir was built in the early 18th century to serve a nearby mill and to control erosion of the river bank. Breaches have been repaired several times since.
This is a previously unprocessed photo from my holiday in Scotland a few years ago. I posted another photo from this vantage point earlier, but that one was shot at 1/1000 second. It had rained the night before I visited and the river was running fast, so I wanted to capture the power of the river with a longer exposure. This photo was taken with a 10-stop filter to allow me to use a shutter speed of 8 seconds to blur the water. Although the filter is labeled as "neutral density" it's not neutral chromatically, and it imparts a cola-colored red-brown tinge to the image. It required multiple steps to color-correct the image to make this presentable. Surprisingly, the seagull near the middle of the photo remained still enough for the entire 8 seconds that it is still recognizable.
The bridge in the background is the Devorgilla Bridge, portions of which date to the 17th Century.
MS. CHEEKY'S WORKSHOP: week #5
1) 1/250, f2.8, ISO 1000 (doctored with texture)
2) 1/30, f2.8, ISO 320 (SOOC below in comments)
Camera Model : Nikon D700
Lens Nikkor : 16-35 F/4 @ 16mm
Shutter Speed: 15 SEC
F-Number : F/22
ISO Speed: 100
Flash Mode: NO
Exposure Bias:-1/3 EV
EDIT: NX2
I took this photo with an ISO of 200. I chose to take it like this to be able to identify the difference from a low ISO to a high one. I realized that the lower it is the less aperture/brightness it will have.
My buddy "buetts" [https://www.flickr.com/photos/buetts/] gave me this brilliant little aparatus that listens to the speed of light. I have no idea how he did it, but all you need is the free software Audacity and this little black box [http://www.flickr.com/photos/buetts/8515982132/in/photostream] to test all your cameras.
Once you've downloaded the software, plug in the tester. Then you need to have a strong light in front of the lens. This is best done with anything to lay a torchlight on (and don't have a "helper" who's constantly complaining about this and that and gnagnagna).
Make sure you have the setting on your computer so that the "earphone"-plug is on "input"!
Switch the box on, start a record in audacity, and fire the shutter. Stop the record, go backward in it to search for the peaks and measure from start to stop.
Buetts has made a litte video to show the procedure : [http://www.flickr.com/photos/buetts/8516184497/in/photostream/]
Now that I know, how it works, it is a breeze. Easy. And super-exact. I\'ve tested some of my cameras and found that the Kiev/Hartblei is the most exact. Almost to the spot.
For example: 1/125 is 0.008 sec. The Kiev is on 0.009 sec. My Pentacon Six is (same 1/125) on 0.012 sec. Which is still close enough.
Buetts buetts sells these devices, so if you would like to have one: get in touch with him.