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The Great Limerick Run 2013 (Marathon, Half Marathon, Relay, and 6 Mile) races were held in Limerick City, Ireland on Sunday 4th of May 2013 starting at 09:00. This was a very large mass participation event which is now firmly established on the Irish running calendar. These are a set of a photographs from: the start of the marathon, the mile 2 mark of the mark, the half way point of the marathon (to about a 3:40 finishing time), a selection from mile 20 of the marathon. In this set there is a selection of photographs from the 6 mile race. These sets of photographs will not include every competitor. The official results are available here [www.tdl.ltd.uk/] and the official race website is available at [www.greatlimerickrun.com/]
How can I get a full resolution copy of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available, free, at no cost, at full resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not know of any other photographers who operate such a policy. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, Google Orkut etc or (2) other websites, web multimedia, commercial/promotional material that you provide a link back to our Flickr page to attribute us. This also means the use of these images for Facebook profile pictures. In these cases please make a wall post with a link to our Flickr page. If you do not know how this should be done for Facebook or other media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember - all we ask is for you to link back to our Flickr set or Flickr pages. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
I ran the race - but my photograph doesn't appear here in your Flickr set!
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
You were hidden behind another participant as you passed our camera
Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
If you want to contribute something for these images?
We do not charge for these images. We take these photographs as our contribution to the running community in Ireland. If you feel that the image(s) you request are good enough that you would ordinarily pay for their purchase we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible.
via Tumblr lawrence9gold.tumblr.com/post/107993950082
A T T E N T I O N:
P S Y C H O A C T I V E
_____________________________The “Vajra” Self-Rectifying Process
A word in advance: This entry contains instructions for procedures that, due to their simplicity, are “advanced” practices. Known together as, The Vacuum Cleaner for Your Mind, they require sufficient control of your attention muscle to do them. Without that adequate control, some may find that their thinking-word mind is producing too much noise, noisier, even, than The Vacuum Cleaner for Your Mind — impossible for some, for now. The key, for such ones is practice of The Gold Key Release and the Middle-Way Memory Matrix Ritual.
In this entry I present two procedures, The Ka-Bong and Flashing the Unknown Unknown, that, when combined, provide a quick, even instant way to disarm and dissolve grips seemingly held upon us by unconscious habits of self-contraction and distress, so they can be sucked out of our mind. Right then.I present them, one at a time, for practice. Once you are practiced in them, you can follow one immediately with the other. In my experience, the immediate result is the recognition and release of self-contraction patterns felt, bodily, as a postural shift and relaxation into a new postural shape, accompanied by relief from the psychological tension you are addressing, and a new sense of presence. The Rationale for The “Ka-Bong”
The Ka-Bong is a “back-door” maneuver for dissolving hidden grips that keep us in the grip of our world-mind inheritance, confused, and stuck.
Those hidden grips show up as repetitious patterns of behavior that are recognizable and characteristic of the person, that have a feel to them that is part of the person’s sense of self, and part of the person’ way of harmonizing by which others recognize them. These grips are the chronic issues and ongoing complaints of a person’s existence, as well as the virtues to which they adhere. They are the programs of a person’s life.
Once recognized (generally, something we do or experience again, and again), the experience (as remembered) can be passed through The Ka-Bong, which dissolves the “part” or aspect of that behavior pattern that we still confuse with the basic reality of life. At that moment, the field of radiant awareness that underlies all can be intuited.
The reason The Ka-Bong works is that our habitual states are always forms of definition, or limited conditioning, whereas reality is inherently formless and, contrary to everything we are taught or have heard, is unknown by us (not a form of knowledge, at all, but ineffable experience). What we know is our conditioning, which we confuse with reality, “itself” (there is no “itself”, except in a manner of speaking). When we do the release step of The Ka-Bong, though we may think we are releasing the effort to intuit, identify or “locate” reality, what we are really doing is releasing an effort that keeps us stuck in our conditioning (which, as I said, we confuse with reality). Said another way, when we release the effort to intuit reality, the force of our conditioning releases along with it,
This way of saying it is a concession to our pre-conceived notions of reality as “the real conditions of our life.”
More strictly speaking, reality is always already the case and always already our present condition, so anything we may do to intuit reality is in addition to that — and can only obscure the intuition of reality as our already-condition. The release that occurs in The Ka-Bong simply clears the way for that intuition. The way to intuit reality is to let go of it and any efforts to intuit it. Then, something entirely unexpected flashes forward. Beyond these words, nothing useful may be said.
So, try The Ka-Bong a few times in a row. Notice the result. It gets interesting.The “Ka-bong!”The “Ka-bong!” is thus:Ka-
Fully feel your experience, whatever it is, whatever you have chosen —
whether some ideal or your sense of “Here-Now”.
Notice whatever you do to locate or identify it.
Stop doing that.Bong!
Do it repeatedly, releasing whatever comes up until the true, formless-ness of your ideal
becomes intuitively obvious.
It’s a form of “drilling down” until you reach the result.Now that’s know-how!Expounding on The “Ka-Bong”
The “Ka-Bong” is the simplest, most immediate maneuver,
for the effect it produces.
It consists of two phases:"Ka-": the set-up"Bong!": the follow-through.
The set-up sets the stage —
a direction of movement
locating or identifying a subject or object
that has a certain intensity —
an ideal outcome of some kind
or the intuition of “what about existence has been the same all your life”
or the sense of “Now-ness”
or the sense of “Here-ness”
— something generally binding upon us.
The follow-through action
is the recognition that whatever we are doing to locate that intuition or sense of reality
is unnecessary and does not represent or produce that which we seek,
and so we instantly desist from that effort of locating it.
The direction of movement is thus:
Identifying “Now-ness”
and then recognizing:
What I call, “Now-ness” is memory
and so I cease to regard it as “Now-ness”,
but regard it as memory.
Now-ness is unknown
and does not become known
until it is remembered.
“Now-ness” is not the so-called “present”.
“Now-ness” is unknown.
Our perception of everything delayed by the reaction time of our nervous system.
By the time we perceive it, it is past (short-term memory).
Everything emerges from “Now-ness”, into “Now-ness”, and exists in “Now-ness”
as the form of “Now-ness” —
but very “Now-ness” is unknown.
The direction of movement is thus:
Identify “Here-ness” for ourselves,
then recognize our two options:
We may mid-identify “Here-ness” as our surroundings.
or
we may identify “here-ness” as our own ever-presence.
In either case, we notice that we identify “Here-ness”
by means of some movement of attention or recollection
by which we refer to “hereness”.
It’s a gesture of intention.
AND THAT’S NOT IT, so LET IT GO, like throwing back a fish.
For “hereness” is the “self-hereness”,
the sense that always, wherever we are, no matter how we are moving,
before anything,
that sense of “here-ness” is unconditionally, always “here”
— omni-conditionally.The Rationale for “Flashing the Unknown Unknown”One of the fundamental predicaments of human beings is that we are involuntarily caught in experience — engaged in ways often not consciously of our own volition — ways that directly cause us pain and distress and lead to dysfunctional behavior and dysfunctional results, ways we have inherited from our parents, society, mass media, “educational” system, and the collective consciousness (“noosphere” or morphogenetic field). We are stuck in repetition of ourselves. Our attention is stuck in “the known” and our intention is stuck in our reactions to “the known”.So — how to get unstuck?The first step is to get a clear (or clearer) perception of the way in which we are stuck; we “surface” the sub-conscious material. Only with a sufficiently clear perception can we release (not repress or suppress) it.When surfacing sub-conscious material, it helps to contrast that material with something else.
There is one condition that stands in contrast to all other conditions: It is the condition of the Unknown Unknown (also known as “I-I”). It requires a release of attention from whatever attention is on to contemplate the Unknown Unknown.
But the Unknown Unknown cannot be known. Only its erroneous proxies (approximations) and our gestures or movements of attention toward it (internal representations) can be known — and they are not the Unknown Unknown — only representations of what we erroneously identify as the Unknown Unknown — the “Known Unknown”.
Actually, that’s not a problem, but actually the very stuff we need to successfully unstick ourselves. We can’t go wrong in this procedure, because any approximation of it gets released in the procedure, itself, leaving us freed to some degree. Repetitions free us more.
An observation by Buckminster Fuller makes it simple: There is only one way into (or toward) something, but infinite ways out of (or away from) it. Ponder that for a moment until it’s obvious. It is obvious, isn’t it?
Since what we’re doing in Flashing the Unknown Unknown is moving out of conditioning, even if we do it wrongly (doing the steps as given), we get the right result.Flashing the Unknown Unknown means intuitively to recall the sense of, Unknown Unknown. This is an act of intention and of faith, of sorts.In general, we first feel fully into the grip we are in — into the dense conditioning — and secondly, while feeling it, we intend to feel beyond it — the Unknown Unknown. It’s a movement outward. So, it’s first into the conditioning, then outward, beyond, toward the Unknown Unknown.
The fact is, we can’t do it. Anything we identify as the Unknown Unknown is, the Known Unknown.
In fact, the Unknown Unknown is always already present and as known as it’s ever going to get — which is to say, NOT! If you can know it, it ain’t the Unknown Unknown.
So, it’s a safe bet that whatever we are doing to intuit the Unknown Unknown is not it and obscures that intuition with effort; and a safe bet that any effort we are making to “Flash the Unknown Unknown”(after making the full-effort) is right-effort. We can’t go wrong. The effort to feel the Unknown Unknown takes us away from our habitual conditioning, both weakening our grip on it and providing a contrast to it, so we can apperceive it (perceive it within) in a new, more complete way that makes it more vulnerable to release. To touch base with (or to intend) the Unknown Unknown changes our experience of the known, reducing its solidity (memory-grip).The Unknown Unknown may be intuited as open-mind-space, an indefinable field of openness, which cannot be remembered, only intended (that’s not a typo or error; I mean intended). Even if we do that step poorly and feel only the effort to locate the Unknown Unknown still confused with the known, we get the intended result — as long as we put our best effort into it.Why do this? Because as we release the effort to intuit the Unknown Unknown, the effort of wrangling with experience also releases. A few repetitions may be necessary.Flashing the Unknown Unknown, alternating with the Ka-Bong, gets verrry interesting. One useful preparation for Flashing the Unknown Unknown is to refresh our sense of attending to something, intending, remembering, and imagining (the TetraSeed). For that preparation, we do The Spell-Maker/Breaker. (to be discussed)Helpful Preparation (click and do)"Flashing the Unknown-Unknown" is thus:
Fully feel your experience, whatever it is, whatever you have chosen.
Feel its location in you, size, shape and intensity.Intend your attention beyond or “larger than” it, toward the Unknown-Unknown.Clearly notice the effort it takes to do that.
Return to your limited experience.
Relax all efforts of attention.
Feel the release."Wash, rinse, repeat."Don’t bother trying to understand this. Just do it. You can’t do it wrongly.Relevant Perspective
What we look for, beyond seeing,
and call the unseen,
Listen for beyond hearing,
and call the unheard,
Grasp for beyond reaching,
and call the withheld,
merge beyond understanding
in a oneness
that does not merely rise and give light,
does not merely set and leave darkness,
but forever sends for a succession of living things
as mysterious as the unbegotten existence
to which they return.
That is why men have called them empty phenomena,
meaningless images in a mirage
with no face to meet, no back to follow.
Yet one who is anciently aware of existence
is master of every moment,
feels no break since time beyond time
in the way life flows.
~~ The Way of Life According to Lao Tzu, The Tao Teh Ching, verse 14
Witter Bynner translation
Integration
Having practiced both procedures, follow one immediately with the other.Reason: Subconscious vestiges of dissolved identity structures may remain even after thoroughgoing practice of some TetraSeed Modulations; procedures that set a new direction flush up what may remain, to which you may then apply one or more of the other TetraSeed Modulations
The “proof” of the “pudding” is in the “eating”.
other TetraSeed Modulations
The Gold Key Release
The Middle-Way Memory Matrix Ritual
The Wish-Fulfilling Gem
Esoteric Somatics and Tibetan BuddhismSEARCH KEYWORDS:(to return to this entry again, later.
caring | | 42
harmony | 85 | 94
memory | | 89
identification | 7 | 148
perpetuation | 78 | 162
copyright 2014 Lawrence Gold
This writing may be reproduced only in its entirety
with accurate attribution of authorship.
Do it for yourself - somatics.com/page7-htm
ifttt.com/images/no_image_card.png via Blogger lawrencegoldsomatics.blogspot.com/2015/01/tetraseed-modul...
Portrait session set-up for Red Oak Strings instructor bios.
Vivitar 283, 1/2 power, 45deg left, 45" shoot through Impact umbrella. Black cover for umbrella put on backwards to act as a gobo and prevent lens flare.
Vivitar 283, 1/16, 90deg right, CTO
Sunpak PZ4000, full, as fill for background.
All triggered with 16 channel RF-616 triggers
Alice in Wonderland set of plain sugar cookies with some lustre highlights, for a party. Available to order, by post, Birmingham UK. Contact via Flickr, or Facebook, or honeycatcookies@gmail.com.
Set for body size:
♥ Ebody Reborn
♥ EBody WAIFU
♥ Ebody Juicy
Separate top and skirt
Check it out: marketplace.secondlife.com/p/Smexy-Ayank-Set-DEMO/25176735
Inworld: maps.secondlife.com/secondlife/Royal%20Tea/33/34/2222
Album/Set: Scarves Dreams (38) - 261 Pics
Taken: June 07, 2014
Upload: June 14, 2014
003TC_Scarves_Dreams_(38)_June07,29,,2014_2560x1920_6071374_sizedflickR.jpg
..
262TC_Scarves_Dreams_(38)_June07,29,,2014_2560x1920_6071113_sizedflickR.jpg
TerenceComanx_Icon_(Scarves Dreams (38))_399x399.jpg
Totally 261 Pics
--
I Love This Kind Of Foreplay With A Few Silk Scarves.
Folding Them, Kissing Them, Let Run The Silk Thru My Fingers.
So I Called These Sets Scarves Dreams. You Understand Now.
--
J'adore ce genre de préliminaires avec quelques foulards en soie.
Plier, baisers Run Them, laissez la soie à travers mes doigts.
Alors j'ai appelé ces rêves de foulards ensembles. Vous comprenez maintenant.
--
Me encanta a este tipo de juegos sexuales con unos pañuelos de seda.
Plegable, besando a ellos, dejar correr la seda a través de mis dedos.
Llamé a estos conjuntos bufandas sueños. ¿Entiendes ahora.
--
Adoro este tipo de preliminares com alguns lenços de seda.
Dobrá-los, beijá-los, deixe correr a seda através de meus dedos.
Então eu chamei esses sonhos de cachecóis de moda. Você entende agora.
--
Adoro questo tipo di preliminari con alcune sciarpe di seta.
Pieghevole, baciare loro, lasciar correre la seta attraverso le mie dita.
Così ho chiamato questi sogni di sciarpe di insiemi. Capisci ora.
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Ik hou van dit soort voorspel met een paar zijden sjaals.
Vouwen, zoenen hen, laat uitvoeren de zijde Thru b-l mijn vingers.
Dus belde ik deze Sets sjaals dromen. U begrijpt nu.
--
Jeg elsker denne form for forspil med et par silke tørklæder.
Folde dem, kysse dem, lad Run silke igennem mine fingre.
Så kaldte jeg disse sæt tørklæder drømme. Du forstår nu.
--
Jag älskar denna typ av förspel med några sidenscarfar.
Fällbara dem, kyssa dem, låt kör silke genom mina fingrar.
Så ringde jag dessa uppsättningar halsdukar drömmar. Du förstår nu.
--
Jeg elsker denne typen forspill med noen silke skjerf.
Folding dem kysse dem, la kjøre silke gjennom fingrene.
Så ringte jeg disse sett skjerf drømmene. Du forstår nå.
--
我喜欢这种与几个丝绸围巾的前戏。
折叠它们，亲吻他们，让运行的丝绸通过我的手指。
所以我打电话给这些集围巾梦。你现在理解。
--
Ich liebe diese Art von Vorspiel mit ein paar Seidentuechern.
Falte sie, Kuesse sie, lasse die Seide laufen durch meine Finger.
Also rief ich diese Sets Tuecher Traeume. Jetzt verstehen Sie.
--
The last major chunk of the 2nd floor of the Deval interlocking tower falling in a cloud of dust as it was demolished this morning.
A chess set from Russia, I really like this one, the pieces are large, but light, they feel like pine cones. When you look at it from the front like this, you have no trouble making out which piece is which.
R8TERZ X FWRD
The Cami Set will be available today at the grand opening of @fwrdevent
Includes a 2 piece mesh:
Leather Biker Jacket & Pants.
Bodies Include:
Legacy F, Reborn, Kupra, Lara X.
Items can be bought separately or all together in the fatpack version with more color options HUD enabled.
Be sure to try the demo before making a final purchase.
Pre-loved Vintage Victorian Sofa Set
Set includes:
4-seater sofa,
2 single seaters
1 coffee table
1 tea trolley
Condition: 8/10
Retail Price: $8000
Selling for $2800
A quarter Moon just visible through thin clouds as it sets behind the trees in St. Patrick's College Maynooth.
The clock icon. I try to make the around steel matterial and glass on clock face.I think I have to learn how to use matterial with illustrator.
The is a photograph from a set of photographs of the 15th running of the Fields of Athenry 10KM took place on Monday, St. Stephen's Day, December 26th 2016 at 11:00 in Athenry, Co. Galway, Ireland. Just under 1,200 participants finished the race today under the Medieval Arch in the town. The weather, for a change, was almost perfect for road running. While there was a stiff breeze into the face of runners for the first 4KM the conditions turned very pleasant and favourable for the final 6KM of the race with the winter sun also appearing.
This is one of the leading 10KM road races in Ireland. It is hard to believe that the race is "only" fifteen years old. It's superb organisation, atmosphere, and great race history gives it the characteristic of a race that is many years older. The credit for this goes to the wonderful athletics club in Athenry AC and the team of volunteers. The attention to every detail in the race which this year attracted over 1,200 participants means that the race has earned it's stripes as one of the leading road races in Ireland.
The race started at the Railway station and then took in a loop of the famous fields of Athenry where it turns left and begins it's return to the town, passing the soccer club, over the railway lines, and finishing under the medival arch in Athenry town for a fittingly atmospheric finish to the race. Race HQ is in the Presentation College in Athenry. Post race showers, prize giving ceremony, and refreshments were provided in the College after the race.
We have a very extensive set of photographs from this year's event. The link to the full set of photographs on this Flickr photostream is here: https://www.flickr.com/photos/peterm7/albums/72157676673218051. There are some photographs of the race start and photographs of the race finish from the 1st across the line until the 50 minutes finish time.
Some useful Internet links
The Athenry AC Website: www.athenryac.com
The Athenry AC Facebook Page: www.facebook.com/athenryac?fref=ts (Requires Facebook Login)
The official website for the Fields of Athenry 10KM 2016 Website: www.athenry10k.com (This also provides access to the complete archive of results for the entire series of Fields of Athenry races)
The Finish of the 10km under the Medieval Arch on Google Streetview: goo.gl/maps/O2Sv1
Our Flickr set from the Fields of Athenry 2015: www.flickr.com/photos/peterm7/sets/72157649881213766
Our Flickr set from the Fields of Athenry 2013: www.flickr.com/photos/peterm7/sets/72157639022727644/
Our Flickr set from the Fields of Athenry 2012: www.flickr.com/photos/peterm7/sets/72157632343684441/
Our Flickr set from the Fields of Athenry 2011: www.flickr.com/photos/peterm7/sets/72157628575384797/
Edenhill77 also posts photographs from road race events in Galway to Flickr: www.flickr.com/photos/edenhill77/sets/
Garmin Connect GPS trace of the 10KM Race Route: connect.garmin.com/player/61755378
Wikipedia Page on 'The Field's of Athenry' en.wikipedia.org/wiki/The_Fields_of_Athenry
The defacto definitive version of the famous song as sung by Paddy Reilly:http://www.youtube.com/watch?v=v9InnXP64To
The fields of Athenry as sung by the fans of the Republic of Ireland soccer team at Euro 2012 against Spain: www.youtube.com/watch?v=cdZqpYX9eNk
USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
BUT..... Wait there a minute....
We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.
This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
Let's get a bit technical: We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets