View allAll Photos Tagged Set
As with the cheerleader set, the molded sneakers are terrific, but these are an improvement on the last pair in that they're a snugger fit on the TBLeague ankle ball without needing any extra padding. This set doesn't come with socks, but I guess you can claim that the woman is wearing no-shows or something.
MILANI presents to you the “Trapo Set” Now at The Directory Event // Booth #67 ‼️‼️ @thedirectoryevent
🌐 GIVE AWAY TIME 🌐 Like, Share , and Comment your avatar name for a chance to win the “ Trapo Set “.
Gender : Male
Compatibility : Legacy / Jake / Gianni
- 20 + Hoodies 🌐
- 20 + Bottoms 🌐
- 20 + Designs 🌐
- 10 solids 🌐
In “Milani” you’re always going to drip with the drop. This cannot be found anywhere except exclusively through Us. 🌐
Make of the "Rubber Duck"
To get a dry underwater view of the duck, I put a small tank in my bathtub. Instead of putting my camera into the tank I used a mirror. This makes it easier to focus the subject. As the light source I used my flash (SB-800), fired through diffusion umbrelle and a reflector.
.
Check out the notes on the photo for more info. This is a set up shot for:
www.flickr.com/photos/efleming/2477656342/
www.flickr.com/photos/efleming/2477653718/
“Sapete, è geniale questa cosa che i giorni finiscono. E’ un sistema geniale. I giorni e poi le notti. E di nuovo i giorni. Sembra scontato, ma c’è del genio. E là dove la natura decide di collocare i propri limiti, esplode lo spettacolo. I tramonti.”
Set up shot for "football" . Bare in mind that the image itself is upside down from what is seen here.
Seer/director Michael Reich, wizard/editor Forrest Borie, and white witch/set designer Tamarra Younis tapped their deepest inner goth vibes to film doom-folk artist Chelsea Wolfe. To enjoy this truly spellbinding performance we suggest you turn down the lights, don headphones, relax and get yourself into a gloomy Portishead-meets-Mary Shelley’s Frankenstein state of mind… just let the grime and the glow wash over you.
BIO
California native Chelsea Wolfe has always embodied both the darkness and the light. Although her music is a raw strain of electric folk tinted by black metal and deep blues, it never wallows in despair. Instead, it wraps itself like a cloak around the human experience, encouraging uplift and seeking triumph. Her voice is a haunting call, warm and lingering, and her lyrics acknowledge life’s obscure and melancholy moments in service to the unlikely truths and beauty they so often reveal. It makes sense then that her influences run from Nick Cave and Selda Bagcan, to directors as varied as Ingmar Bergman and John Waters, with nods to the dramatic flair of Antony and Patti Smith.
COMPONENTS
Video
• YouTube: youtube.com/playlist?list=PLC4EEUwd7e4kKO3oHcYD1X8K7hMCVWk-M
• Vimeo: vimeo.com/album/2240301
Photos
• Flickr: flic.kr/s/aHsjy1sUwv
Music
• SoundCloud: soundcloud.com/goincase/sets/chelsea-wolfe-at-room-205
CREDITS
Executive Producer
• Incase: goincase.com
Producer
• Arlie Carstens: disastercasual.typepad.com
Director
• Michael Reich: videothing.com
Set Designer
• Tamarra Younis: union-of-art.net
Audio Engineer
• J. Clark: facebook.com/jason.clark.752
Camera
• Jeffrey Peters: vimeo.com/user2059918
• Michael Reich: videothing.com
Director of Photography
• Jeffrey Peters: vimeo.com/user2059918
Editor
• Forrest Borie: vimeo.com/forrestborie
Photos
• Arlie Carstens: disastercasual.typepad.com
Performing Artist
• Chelsea Wolfe: chelseawolfe.net
Label
• PENDV NYC: pendunyc.com
Room 205 Theme Song
• Cora Foxx: theheapsf.com
From Teen Set magazine, approximately 1990.
This magazine, by the way, was a kidnapper's catalogue. There are several pages of photos of 10- to 16-year-old children with their names and addresses. They are looking for "pen pals."
A Bennachie Silhouette and Sun set.
Copyright Terry Eve Photography 2009
High Resolution image available, contact Terry Eve on email below.
Terry Eve Photography (Including Moira) now available for Weddings, Graduations, Special Occasions, Children, Commercial, and Pet pictures in and around Scotland UK
terryeve71@yahoo.com (Flickr Mail)
Or is it "seTr"? This and the very similar followup SET R2 were late examples of SLRs built with behind-the-lens leaf shutters. The "R" versions allow interchanging a limited number of Kowa lenses with an unusual mount.
The mechanism to close-open-close-open the shutter, flip the mirror up and down, and close and reopen the lens diaphragm meant a lot of mechanical complexity. Many brands were unable to do this reliably but at least a few Kowas are still working. Ultimately this approach fell out of favor, as wide-aperture lenses or 1/1000 shutter speeds were not really attainable with this scheme.