View allAll Photos Tagged Sequentially
Southbound train 590 (running late) with AMTK 458 and northbound train 589 with AMTK 459 meet up at Fullerton. September 26, 2008
©2006, Ken Szok All rights reserved.
Canon 5DM2 is used as a single camera. Sequential frames are used to get the spacing differential that can be substituted with a 30th of a second time difference, displayed as a space differential. Doesn't always work, but if you know how to move the camera smoothly, you get it 2 out of 3 times, at least as a usable 3D still! Granted, like this image, it might have to be a bit shallow!
The tomb has an amazing minimalist design for the first few layers, with that low band of tiles, and then soft yellow plaster straight up to the open sky 20 feet overhead. With the perfectly contrasting blue expanse above you, the effect is stunning.
JURY DISTINCTION FOR CATEGORY 3. LOCATIONS AND INSTRUMENTS
© CC-BY-NC-ND: Reto Togni
Description by the author:
142 years after Eadweard Muybridge’s invention, the principle of chronophotography remains essential in understanding human movement. The image not only builds on a rich cultural heritage of sequence photographs, nowadays best known in extreme sports, but also illustrates cutting-edge scientific processes that reveal internal working principles of the human body. Shown is a gait trial using a unique moving fluoroscope that tracks and follows the movements of a study participant while taking a series of x-ray images to analyse bone kinematics. By merging a series of six photographs taken during the trial, the image not only shows but also follows the maxim of novelty through continuous reinterpretation and repurposing of methods that are more than a century old.
Comment of the Jury:
A playful mise en abyme of chronophotography, depicting by means of a digital collage the motion of an apparatus that is itself taking sequential X-ray images of the legs of a person walking. It brings into view the actual processes involved in a scientific experiment, rather than solely its results.
Beschreibung:
142 Jahre nach Eadweard Muybridges Erfindung bleibt das Prinzip der Chronofotografie ein wichtiges Mittel, um menschliche Bewegung zu verstehen. Das Bild steht in der langen Tradition von Sequenzfotografien und illustriert gleichzeitig modernste wissenschaftliche Prozesse, die die inneren Abläufe im menschlichen Körper aufzeigen, in diesem Fall die Gangart. Mithilfe eines einzigartigen Fluoroskopie-Geräts werden die Bewegungen der Teilnehmenden aufgezeichnet und verfolgt, während das Gerät gleichzeitig Röntgenbilder macht, um die Knochen kinematisch zu analysieren. Indem das Bild eine Serie von sechs Fotos übereinanderlegt zeigt und versinnbildlicht es, wie durch die alte und neu interpretierte Methoden neues Wissen entsteht.
Kommentar der Jury:
Ein spielerisches Bild im Bild der Chronofotografie: es zeigt eine digitale Bewegungs-Collage eines Geräts, das selber Serien von Röntgenbilder macht, um die Beinbewegungen einer Person aufzuzeichnen. Es gibt uns einen Einblick in den Versuchsprozess anstatt ein Bild des fertigen Resultats darzustellen.
Description:
142 ans après l’invention d’Eadweard Muybridge, le principe de la chronophotographie demeure essentiel pour comprendre le mouvement humain. Cette image s’appuie sur le vaste héritage culturel des photographies séquentielles, aujourd’hui surtout connues dans les sports extrêmes, mais elle illustre des processus scientifiques de pointe qui dévoilent les principes du fonctionnement interne du corps humain. Elle montre un test de marche, produit par un unique fluoroscope mobile qui enregistre et suit le mouvement d’une participante, tout en prenant des images radiographiques pour analyser la cinématique des os. En fusionnant une série de 6 photographies prises pendant le test, l’image suit les principes d’une innovation qui jaillit d’une réinterprétation et d’une réaffectation permanentes de méthodes vieilles d’un siècle, et ne se contente pas de les montrer !
Commentaire du jury:
Mise en abyme ludique de la chronophotographie, décrivant par un collage numérique le mouvement d’un appareil prenant lui-même des images radiographiques des jambes d’une personne en train de marcher. Cette image offre un aperçu éclairé des processus même d’expérimentation, plutôt que de montrer l’image en tant que résultat de cette expérimentation.
Tintypes by Libby Bulloff and Stephen Robinson at the Sequential Art Gallery in Portland, OR.
We made 24 wetplate photographs with our 1908 Seneca Black Beauty 4x5, organized into short narrative sequences on the subject of nightmares. Some teasers are located here: www.flickr.com/photos/henriettaseye/
Also on display are a handful of 16x20 and 24x30 inch museum-quality giclee prints made from high-resolution digital scans of our original tintype photographs, and a handmade, one of a kind rosary constructed from fish vertebrae, chicken bones, and human teeth by Ondine Vivian Eleven.
Through July 27, 2013.
This is 3D that anybody can shoot with a single HDSLR in the video mode. I prefer to turn the camera sideways to get more coverage out of the spherical lens. 1920P on a 5DM2 or M3 trumps the horizontal 1080P resolution and vertical coverage on the sensor. Just take any two video frames that follow eachother. Make one the left & the other the right eye view. Level and paste them side by side in Photoshop. I inhance my images by shooting the video at 320th of a second, which freezes the detail MUCH better. I also use rare 33% anamorphic lenses to get a wider rotated frame, so that each tall video is 1400 pixels wide. This is SO
easy to do, I've decided to open a new GROUP, it will be called "GLASSLESS SEQUENTIAL FRAME 3D" and it will be posted today...Look for it, and if you like the effect, spread the word! In case you are unfamiliar with cross viewing, LEFT EYE LOOKS AT RIGHT IMAGE, and visa versa. You'll see 3 Images, the CENTERED ONE IS IN 3D.
You can block the other two with your hands, or use glasses with little blinders that I make for fans of the technique.
The Messerschmitt KR200, or Kabinenroller (Cabin Scooter), was a three-wheeled bubble car designed by the aircraft engineer Fritz Fend and produced in the factory of the German aircraft manufacturer Messerschmitt from 1955 to 1964.
In 1957, the KR200 Kabrio model was released, featuring a cloth convertible top and fixed side window frames. This was followed by the KR201 Roadster without window frames, using a folding cloth top, a windscreen, and removable side curtains. A Sport Roadster was later offered with no top and with the canopy fixed into place so that the driver would have to climb in and out at the top of the car.[10]
Production of the KR200 was heavily reduced in 1962 and ceased in 1964[11] as sales had been dropping for a few years. The demand for basic economical transport in Germany had diminished as the German economy boomed.[12] A similar situation developed in other parts of Europe such as in the manufacturer's biggest export destination, the United Kingdom, where sales were particularly affected by the increasing popularity of the Mini.
In 1955, in order to prove the KR200's durability, Messerschmitt prepared a KR200 to break the 24-hour speed record for three-wheeled vehicles under 250 cc (15.3 cu in). The record car had a special single-seat low-drag body and a highly modified engine, but the suspension, steering, and braking components were stock. Throttle, brake, and clutch cables were duplicated. The record car was run on 29-30 August 1955 at the Hockenheimring for 24 hours and broke 22 international speed records in its class, including the 24-hour speed record, which it set at 103 km/h (64 mph)[6][13][14]
The narrow body, and corresponding low frontal area, was achieved with tandem seating, which also allowed the body to taper like an aircraft fuselage, within a practical length. 10 PS (7.4 kW; 9.9 hp) propelled the KR200 to around 105 km/h (65 mph). The claimed fuel consumption of the car was 87 mpg-imp (3.2 L/100 km).[9]
The tandem seating also centralized the mass of the car along the longitudinal axis which, combined with the low center of gravity, low weight, and wheel placement at the vehicle's extremes, gave the KR200 good handling characteristics[16] A more minor advantage of tandem seating was that it made an export version to countries that drive on the left unnecessary. An "Export" model was built, but this denoted a more luxurious trim level.[6]
The KR200 ran on a 191 cc (11.7 cu in) Fichtel & Sachs forced-air (fan) cooled[17] single cylinder two-stroke engine positioned in front of the rear wheel,[6] just behind the passenger's seat.[3] The engine had two sets of contact breaker points and, to reverse, the engine was stopped and then restarted, going backwards. This was effected by pushing the key further in the ignition switch than normal, whether intentionally or not. One result of this was that the KR200's sequential, positive-stop transmission provided the car with the same four gear ratios available in reverse as in forward movement.[6]
Apart from the dual-mode ignition, the KR200 had a steering bar reminiscent of that of an aircraft.[4][16] To steer the KR200, the driver would swivel the steering bar about its axis from the horizontal (straight-ahead) position instead of rotating it as with a conventional steering wheel.[citation needed] The mechanism was connected directly to the track rods of the front wheels, providing an extremely direct response best suited to small amounts of movement,[4][16] unlike other common steering mechanisms which involved reduction gearing. The gearshift lever had a secondary lever on it which, when actuated, would put the car in neutral regardless of what gear it had been in before, although the transmission would have to be shifted back to first before the car would be able to move from a standstill.
Unlike the KR175, the KR200 had a full set of pedals: clutch, brake, and accelerator. The brake pedal still operated mechanical brakes using cables.[6]
(HINT-- Click on 'Set' and folow the pictures sequentially and you'l have a continuous storey+
my Personal Manifesto on art vs Capitolism-
ENJOYYYyyyyAHyYYYyyyyEEEEEEeeeeeHAAAAAAaaaaa!!
HAIL STORM
01-14-03
The Pounding Roar of a Very active Surf has not Left my ear since I arrived,
I go to sleep with it,
I wake up to it,
It catches my attention Countless times a Day and is never off my mind except when sought-after Focus finds it Butting
back into the Revolutions my Life is Turning.
The Breakers Crack Like Thunder begins,
Then Rumble down the Wave as it Crests and Falls Laterally into Foam that
Is sucked back into the Deep,
Melting into the Under tow,
with half-Plus of the Force that Facilitated in its Birth.
It’s Dance is the Dance of the Thunderhead,
Celebration of the Thunder Beings.
To Watch the surf is to observe the Thunder Beings Frolic
From a Box Seat in the Balcony of Heaven.
It is the Wind in Liquid Form.
To be
Too Relaxed in these Waters,
is to Be in the Autumn Field disobeying one of Daddy’s Rules.
“Keep Your eye to that Sky Boy,
if it Whimpers Pull the Plow til it Passes!
But you head Straight for the House if you See old Purple Satan Risin’ in the North.”
Old Purple Satan is
What they Should Have Named the Blue Norther.
And Purple he Was.
He would Peak up to over the length of the Northern Horizon,
Just to see if you were Watching, then,
A long and Deep Purple Ribbon
that would Rise into the sky as if a Curtain being Pulled
Into a Turbulent Umbrella of Gail Force Darkness,
Stinging Sands,
Swirling Sheets of Ice,
Snow,
Metal,
Hail and
Trouble for a Youngster in nothing more than Cut offs made from Worn Out Jeans,
With a wrench in his Hand
beside a Farmall in need of repair
while un-awares
Beneath The Amber Glow of a Beautiful Autumn Afternoon.
But!
that Youngster wasn’t me.
I was aware of the Weather,
the wind couldn’t Sneak up on me.
I lived in it.
I began my Day in it,
Hauling water in Buckets to couple a Hundred Hogs
With Straight Winds from the North Passing through three layers of Jeans,
Two Cotton tee shirts,
and however Many shirts would fit
Beneath Uncle A.C.’s old Navy pea Coat
(I assumed it was the Coat he wore
while delivering Marines to the Shores at Guadel Canal),
A Furry Cap with Floppy ears that Tied Around a Cup-towel that
Mother had Fashioned into a Bandana and tied around my face
Like the Guys who held up Stage Coaches in those B-Westerns,
And me,
Side-long and Leaning into the North Like a Lonely Butress Who
Was Forging into the East in Search of a Wall to support,
And with a Full five Gallon Bucket of Sloshing Water
Tugging at each Arm,
Whose Remnants of What the The Hogs Sloshed out of the
Old Hot Water tanks We’d Cut in Half with a torch and
Welded Legs onto,
Would Be Ice before it Reached the Ground.
I watched the Wind through the Corner of my Eye,
With my Face Aimed at the book I was assumed to have been Reading in Silent Class.
I watched my Daddy Feel the Wind as if asking his Question of it,
Then,
Take a Deep Breath,
Put His Hands Backwards to his Waist,
Stretch and say,
“Yep! Let’s get the Seed
in the Planter boxes, Boys.
This is the Day.
Or he’d Huff in an exhale,
Shrug his Shoulder,
His forehead would Wrinkle,
He’d take a Breath,
lean back and moan the Words
“ Fraid we’re in For Hail, Boy!
I can feel it?”
He’d take another Deep Breath.
“Can’t you Smell it?”
“See it’s Color?”
Sequential shifter outlet. This connects to sequential shifters like Frex Shift+, EC Sim Pro Shift etc.
I just discovered Robert K. Tanenbaum's series with Butch Karp and Marlene Ciampi. He has written 24 of them and so I have to read them in order as he mentions past events throughout. You don't want to know ahead of time they are going to be kidnapped!
I was delighted to find this old one at Half Price Books. Hopefully my librarian will run down the other old ones for me with the Inter-library loan service. I love knowing I get to spend many more hours with these fictional characters.
ODC: in order
www.messersmith.name/wordpress/2010/05/12/the-quintessent...
In the realm of Geekdom, I believe that I have one of the more peculiar obsessions. I enjoy getting up early in the morning, say 05:00, and looking out at the sky. If it looks very black over town, that is a promising portent. If it looks orangish, that means that there are low clouds over the peninsula and the sunrise will probably be a flop.. I go and fire up the computer and start the day's work. At 05:30, I have another look. If I can see any colour, I make my preparations for the morning's quest for The Quintessential Sequential Sunrise.
The preparations consist of the following, which must be performed in less than ten minutes: (1) get Canon G-11 and attach to cheap tripod, (2) pick the appropriate selection of neutral density and polarising filters from the filter box (3) retrieve a Fanta Orange soda from the bar fridge and slip it into a cozy, (4) grab a folding chair from the overflowing junk room, (5) check to make sure that I have my pants on, (6) stumble outside in the dark with no light (don't want to ruin my night vision), (7) sit down and wait for the action to begin. It's not that much different from going to a footie game, except for the part about pants. I'm sure that it's quite acceptable to show up at a footie game sans pants.
And, this why all the fuss. Yeah, baby, this is what I'm talkin' about: That's the moon up there in the corner. It was so dark at 05:41 that I couldn't see the controls on the camera; I had to work by feel. Fortunately, I have great hands. The shot above was a fifteen second exposure. This long exposure time has the effect of turning the water into a mirror. The town lights are very bright in comparison to the sky.
Four minutes later and I have moved to what it becoming my favourite spot. I like the way the trees frame the sky. This is still at fifteen seconds, so the water of the harbour is as shiny as mercury.
At -6:02 the sky is getting much brighter. This is when it gets fast and furious. I now have less than a ten minute window to catch the best of the sunrise: The sun is still well below the horizon, but it is beginning to light up the clouds much brighter. Note that you can barely see the lights of town. The sky is probably several hundred times brighter than it was a few minutes ago.
At 06:06 the sun's light is being broken up into beams shining between clouds near the visible horizon. This accounts for the radiating pattern of light and dark: This is only four minutes after the previous shot. We are now nearing the end of the show.
Two minutes later, at 06:08, the display it pretty much over: The colours will fade quickly now as the sunrise moves into its second phase when the shiny orb pops above the horizon.
What follows is simultaneously less visually interesting and more difficult for the photographer. As the sun rises, the saturation of the colours will become more washed out by the intensity of the light and the contrast ratio of the brightness surrounding the sun compared to the rest of the scene will overwhelm nealy any camera that an individual human can afford.
I suppose the very rich might be able to afford such cameras, but I'm sure that they have more profitable things to do with their time. Anyway, they would simply hire someone like to to do it for them.
If there are any of the very rich out there reading this (seems unlikely to me), keep in mind that I'm very serious about my art and I work cheap.
If I've hooked you on sequential sunrises, you can see more of mine here, here, and here.
That should keep you occupied until the next time the boss comes around to see what you're up to.
Got buzzed a few more times today :)
The original size of this image is MASSIVE (every frame uncropped) and the detail so fine that you can see the texture of this girls belly including every last stretch mark from a recent pregnancy.
Sequential sunrise, beginning just past the peak and gradually diminishing. The peak is usually a relatively brief time with quickly diminishing intensity. I just missed peak intensity on this one this morning.
pages / covers for Marvel comics project that never got offa tha ground. All characters © Marvel Comics
Ferrari F430 Spider F1 Sequential ShowCar Detailing @ AutoDetailer
Strobist Info: Three Sunpak 383's @ 1/8th power placed at front bumper just out of camera frame and the other two on the wheels to bring out some details from underneath the shadows. Triggered via Elinchrom Skyports. Shot with an A900.
Cheers!
macdude
Sequential Discovery Lego Puzzle Box - A Treasure Chest Full of Adventure
Support now on Lego Ideas: ideas.lego.com/projects/5ff51711-6072-49fe-8d39-aa8c0bd815b4
Sequential Discovery Lego Puzzle Box - A Treasure Chest Full of Adventure
Support now on Lego Ideas: ideas.lego.com/projects/5ff51711-6072-49fe-8d39-aa8c0bd815b4
Sequentially standing my NDLS-BCT Duronto Exp, Flying Ranee Exp, Gujarat Exp and The King BCT-NDLS Rajdhani captured on an busy evening at Mumbai Central.
This number 39 is for the Sequential Numbers Group here on Flickr. Aware that we needed a number 39, I drove by a storage unit place today, and crept along the parking lot hoping the units would go up to 40, and I could get my 39. Well, at first, it looked as if they wouldn't go that high. Then I spotted a 40, and thought, "Ahah! There will be a 39! I get my camera ready, and drive up to the unit between 38 and 40, and sadly, there was only a 9. The 3 had long ago fallen off. So, I go to the Heartland Humane Society, to take some cat pictures, and when I am driving back home, I see a big truck full of ears of corn going by, north on Hwy. 99W in Corvallis, Oregon. Big as life it says 39! I decide a dedicated player should turn around and go after it. I do. Usually there are some ears of corn on the road behind the truck, kind of like Hansel's trail. None when you want them. By the time I turned around, I couldn't tell if the truck continued north through town or took the cutoff East to Hwy. 34. I picked the town, because he was already coming from the countryside. I caught up with him and picked correctly. I got my picture. I went back home and noticed the traffic stuck on the cutoff, was STILL stuck on the cutoff. I had almost decided I would have a better chance of catching up with him if I took that. I am so glad I didn't. So, ears my story! Ouch, that was corny! Oh well, there is a kernel of truth to it!
For the "My Life As" group, this addresses My Life As as serious Sequential Numbers Player. ON Sept. 26, 2006 I also added this to "My Story (Pool)" and to "Pictures with Stories (Pool)".
*******************************************************************
Tenuous Link: 39
Sequential Discovery Lego Puzzle Box - A Treasure Chest Full of Adventure
Support now on Lego Ideas: ideas.lego.com/projects/5ff51711-6072-49fe-8d39-aa8c0bd815b4
Sequential Discovery Lego Puzzle Box - A Treasure Chest Full of Adventure
Support now on Lego Ideas: ideas.lego.com/projects/5ff51711-6072-49fe-8d39-aa8c0bd815b4