Sequential Art
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This is a sequential series of four shot (of many) that I took one afternoon on an outback road in central Australia. I passed a lone Wedge-tailed Eagle feasting on a kangaroo carcass at the side of the road. Knowing that these are notoriously difficult birds to photograph, I stopped some distance from the bird. with camera in hand, I walked back towards the Eagle, but it immediately flew away.
Thinking I'd missed my photo op, I walked towards the kangaroo carcass. Then to my surprise, the Wedge-tailed Eagle flew back to its kangaroo. Perhaps it feared I would be competition for its meal. I got this less than sharp shot as it flew back down to the carcass. Continued, next photo...
Southbound BNSF merchandise train H-SUPNTW1-13A crosses the Black River, 15 miles out of Superior, behind a pair of sequentially-numbered SD75Ms.
During my recent encounter with these Bee Eater I was fortunately to have many keepers of the fight shots. I shoot these at s1/4000, f4 to 5.6, CAF with Subject detection in Sequential Mode of 25 fps or SH2. Taking off or landing shoots were shot with ProCapture SH2.
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Antica miniera di rame di Caporciano (1827-1907) nei pressi di Montecatini Val di Cecina. Sequenza degli accessi all'opificio “Laveria”. Reparto specializzato nella lavorazione del minerale grezzo, con un insieme di processi cosiddetti di "Arricchimento".
Quegli spazi di archeologia industriale, dopo un'adeguata ristrutturazione, furono trasformati in un ambiente suggestivo per rappresentazioni teatrali.
www.youtube.com/watch?v=1ItLLu4wppo
Ancient copper mine of Caporciano (1827-1907) near Montecatini Val di Cecina. Sequence of accesses to the “Laveria” factory. Department specialized in the processing of raw mineral, with a set of so-called "Enrichment" processes.
Those industrial archeology spaces, after an adequate renovation, were transformed into an evocative environment for theatrical performances.
Suburban housing each with a similar sequential cloud overhead. There was no visible or obvious cause of the clouds
The Snail Kite (Rostrhamus sociabilis) is a medium-sized raptor specialized almost exclusively in hunting apple snails in freshwater wetlands. This strong dependence on a single type of prey closely ties it to healthy marsh environments, where it finds both food and the vegetation it uses as support during its foraging movements.
In the image, a single individual appears in three successive flight positions, the result of a stacked sequence that shows how it progresses with controlled, relatively short movements, alternating gentle rises and drops while keeping its gaze fixed downward. This pattern allows it to carefully scan the water surface and emergent vegetation in search of snails.
The individual shows the typical adult male coloration, with dark gray-brown tones and reddish-orange legs and cere. In flight, the white base of the tail contrasts clearly with the rest of the body and is an important field mark for identifying the species. Its broad, rounded wings sustain slow, steady movement appropriate for this precise search behavior. The slender, strongly hooked bill—visible in the image—is a specialized adaptation that allows the kite to extract the snail’s flesh from its shell, demonstrating the high degree of ecological specialization of this raptor.
This low, buoyant, and attentive flight style summarizes the Snail Kite’s strategy as it patrols the wetlands where it feeds.
• Gavilán caracolero, Milano caracolero
• Gavião-de-aruá, Gavião-pescador, Caramujeiro
• Snail Kite
Scientific classification:
Kingdom: Animalia
Phylum: Chordata
Class: Aves
Order: Accipitriformes
Family: Accipitridae
Genus: Rostrhamus
Species: R. sociabilis
Adult specimen
Laguna Garzón area, Maldonado–Rocha border, Uruguay
IC 1026 and 1027 lead other units with what is probably L536, Kirk-bound under leaden skies at 16th Street, Chicago.
Union Pacific SD40-2Rs No. 3214 and 3215 pull the LUJ51 local, the Ogden to Echo turn, through Round Valley east of Morgan, Utah the afternoon of October. 3, 2014. Both were built by EMD in April 1973.
UP 3212, 3213, 3214, and 3215 were assigned to local service between Ogden and Evanston for many years. The two locals would meet at Echo, exchange trains, and return to their home yards.
Couldn’t resist another HD shot.
Came across this one in Santa Pola marina.
Olympus Pen F and Zuiko 75mm f1.8
P42DCs 12 and 11 lead Amtrak's westbound 'Empire Builder', train 8, across the Menomonee River in Milwaukee. In a minute or so, the train will make its station stop at Milwaukee Intermodal Station.
Surface, space, and ornament ...
Fläche, Form und Ornament ...
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onlooker
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contemplator
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considered
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regarded
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viewed
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reflected upon
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looked at
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several times
ƒ/8.0 50.0 mm 1/50 250
_MG_1366_pt_bw2
Sequentially numbered East Midlands Railway Class 158 Express Sprinter DMUs 158863 and 158862, both in Stagecoach livery, pass through Levenshulme station. With the road ahead signaled at caution the units were passing through slowly on the approach to Slade Lane Junction working 1R60 05.48 Norwich to Liverpool Lime Street.
St Thomas's Hall, Canterbury Lane, Canterbury, Built in 1963 as the community hall for the adjoining St Thomas's Church.
There were no nearby clouds to contend with this morning and that permitted the view I was after with Merriam Crater. On any given day that old cinder cone is perfect—then catching it sharing the horizon with this graceful comet gets kind of goosebumpy for me.
In
Details:
I tried to see how long I could observe it visually with binoculars and was able to see it from 3:31–4:54AM—basically right on the horizon up to 13° at the end when the sun was 5° below the horizon. I was able to observe it naked eye, including the tail, up to the last 20 minutes or so.
Theta Auriga was conveniently 3° away for comparison, so naked eye the tail appeared about 1° in length. Through binoculars more like 2.5° long and photographically, about 3.5°. It kept its yellowish color up to the last 20 minutes or so when the sky was pretty bright and making it hard to detect. The pseudonucleus appeared more neutral in color and the tail had that bifurcation both visually through binoculars and photographically. I made a quick field sketch — first one I've done in a while — hopefully I can get that finished up & posted soon.
Photographically I think I'm picking up a hint of an ion tail very faintly just left of the curving dust tail. I need to work on some of the other magnified images to see if it's really there.
Image is from east of Flagstaff, Arizona, USA. 3:44AM MST/1044 UT.
The comet is 2° above horizon/sun is 16° below horizon.
Image comprised of 6 sequential exposures stacked and aligned to improve signal-to-noise ratio.
Canon EOS 6D Mark II, Canon EF 70-300mm lens at 130mm, f/5.0, 2 sec, ISO 6400.
BNSF 1978 and a parade of sequential orange heritage lead the northbound Pikes Peak Local in front of its namesake mountain as it keeps the main on the Air Force Academy, CO.
The Local had to wait here for MoW to clear off the single-track main near Monument, but I'm glad I was able to capitalize on catching the Local on a rare weekday off.
The BNSF Pasadena Road Switcher rolls through Claremont, CA on it's way to Pomona with eleven cars. Up front, three battle-scarred GP60's, 163/164/165 and GP60M 117. The Pasadena Road Switcher replaces the Pasadena Local, which ram M-F, usually to Irwindale. However, construction of the Gold Line extension to Pomona from Covina, has the former Second District OOS west of Pomona.
CP 7018 and 7019 pull train 243 uphill through Little Canada on CP's Saint Paul Sub. Like most CP manifests I would've expected this to be 1x1 but was pleased to see both motors on the headend.
Still life shot with the Olympus E-5, Olympus Zuiko 14-35mm F2.0 lens.
This photo has been in EXPLORE.
Excerpt from en.wikipedia.org/wiki/Gion_Matsuri:
The Gion Festival (祇園祭, Gion Matsuri) is one of the largest and most famous festivals in Japan, taking place annually during the month of July in Kyoto. Many events take place in central Kyoto and at the Yasaka Shrine, the festival's patron shrine, located in Kyoto's famous Gion district, which gives the festival its name. It is formally a Shinto festival, and its original purposes were purification and pacification of disease-causing entities. There are many ceremonies held during the festival, but it is best known for its two Yamaboko Junkō (山鉾巡行) processions of floats, which take place on July 17 and 24.
The three nights leading up to each day of a procession are sequentially called yoiyoiyoiyama (宵々々山), yoiyoiyama (宵々山), and yoiyama (宵山). During these yoiyama evenings, Kyoto's downtown area is reserved for pedestrian traffic, and some traditional private houses near the floats open their entryways to the public, exhibiting family heirlooms in a custom known as the Folding Screen Festival (屏風祭り, Byōbu Matsuri). Additionally, the streets are lined with night stalls selling food such as yakitori (barbecued chicken on skewers), taiyaki, takoyaki (fried octopus balls), okonomiyaki, traditional Japanese sweets, and many other culinary delights.