View allAll Photos Tagged September
P2508/ P2509 on 1G30 empty Grain is just north of Perenjori on 18 September 2022. Photo: Phil Melling.
26. September
Første gang jeg har forsøgt med vandsprøjt, da jeg gik billederne igennem faldt jeg over dette.Som har fået titlen Kong Neptun raser
over menneskhedens omgang med hans emperium Verdenshavene. Der er ved at forgå på grund af vores opførsel med hensyn til affald der bliver smidt I havene.
The first time I tried water spray when I went through the pictures I fell over this. Which has been titled King Neptune Rages
over humanity's interaction with his empire World Oceans. We are dying because of our behavior regarding waste being thrown into the sea.
September 2011.
All over the capital, the Arirang adverts (« Grand mass gymnastic and artistic performance », « Welcome to Pyongyang » and so on) warn the profane…Between August and October, takes place one of the biggest and most impressive performances in the world. The tone is set : even the Beijing Olympics ceremony can’t compete with the mass games organized by the Democratic People's Republic of Korea (DPRK). The show is held several times a week and welcomes tourists from all over the World, including the US, in one of the most isolated and despised country on earth. The well-called « mass games » are designed to emphasize group dynamics rather than individual performances as the supreme emblem of communism. Prepared by hundred of thousands performers all along the year, after their classes for the youngest of them, they are entirely dedicated to the NK’s leader Kim Jong Il and his deceased father Kim Il Sung, considered as the « Eternal president » and « sun of the 21st century »…
In the surroundings of Pyongyang's May Day giant Stadium, two girls are running to perform for the Arirang show. They are already dressed in their gymnastic outfits, as well as some 100,000 others who participate to the performance. They all come to honour their self-proclaimed « dear leader » Kim Jong Il, after a very hard and gruelling training, since their earliest age. Yet, it has been many years that Kim Jong Il has not shown up, formally for business reasons. But officials now admit the western medias’ assertions of illness. Anyways, Kim Jong Il or not, the mass games are held every year in Pyongyang, as a means for the regime to show to the entire world the country’s strength and good shape. To reach this sole purpose, not less than 100,000 people are involved in a choreographed show of simultaneous dancing and gymnastics. Many symbols are displayed by thousands of trained athlets, whether they are adults or even children. Hand over their heart, the young pupils sing in chorus "We are the happiest children in the world", one of the famous propaganda songs in North Korea. Many dancers make movements either with ribbons or colourful flowers named « kimjonglias » after the leader Kim Jong Il. All along the show, a live band plays a ceremonious music.
On the background, some 20,000 young koreans sit on the terraces, facing the spectators. They flip coloured cards at a high speed to form a fresco of animated and detailed images, changing from one to another. Each time they turn the page to create a new giant picture, they cry out. It creates a awe-inspiring atmosphere, as the shout is mixed with the noise of thousands of pages turned at the same moment. The figures are stunning : to compose these images, 2000 children are needed to make only one soldier, 20,000 for a north korean flag. Hiding a much more grim reality, the panels represent Pyongyang enlightened by night, wheat fields ready for harvest, scientists at work, atoms as symbols of the nuclear bomb and others for the reunification of two Koreas. One of the North Korea’s myths (history according to them) is recounted by the means of a huge image made by thousands of children. It represents the two pistols reportedly used by Kim Il Sung, when he founded the Anti-Japanese People’s Guerrilla Army in 1932. When the pistols appear, the audience applauses loudly. Among them, many soldiers attend the show as the ultimate award after years of good and faithful service.The thousands and thousands of boys and girls involved create a giant mass movement in the stadium which leaves the public stunned. These talented performers are used to that kind of performance: in North Korea they have to dance, sing, jump and spin around as many times as there are celebrations, always in praise of their leaders.
The show continues in the same way for one hour. Thereafter, the thousands of people present vanish in the dark and silent streets of Pyongyang, which contrast with the flood of lights and music in the stadium. Within the space of a few hours, it gives us a a strange feeling, between the real and unreal, of another universe both terrifying and fantastic.
Dans toute la ville, les publicités d’Arirang (« Grande représentation gymnastique et artistique de masse », « Bienvenue à Pyongyang » etc.) mettent le profane en garde …Entre août et octobre, a lieu l’une des plus grandes et impressionnantes représentations au monde. Le ton est donné : pas même la cérémonie des Jeux de Pékin ne peut rivaliser avec les mass games organisés par la République Démocratique Populaire de Corée (RDPC). Le spectacle se tient plusieurs fois par semaine et accueille des touristes du monde entier, y compris des Etats-Unis, dans l’un des pays les plus isolés et méprisés sur terre. Les biens nommés mass games (« mouvements de masse») sont conçus pour mettre en avant les dynamiques de groupe plutôt que les performances individuelles comme emblème suprême du communisme. Préparés par des centaines de milliers d’artistes tout au long de l’année, après les cours pour les plus jeunes d’entre eux, les jeux sont entièrement dédiés au leader de la Corée du Nord, Kim Jong Il, et feu son père Kim Il Sung, considéré comme l’ « Eternel président » et « soleil du 21ème siècle »…
Aux environs du Stade géant May Day de Pyongyang, deux filles courent pour participer au spectacle de Arirang. Elles sont déjà en costume de gymnastique, tout comme quelque 100 000 autres qui participent à la représentation. Tous viennent pour honorer leur autoproclamé « cher leader » Kim Jong Il, après un très difficile et éprouvant entraînement, depuis leur plus jeune âge. Pourtant, cela fait plusieurs années que Kim Jong Il ne s’est pas montré, formellement pour des raisons professionnelles. Mais des officiels admettent les assertions des médias occidentaux sur sa maladie. Quoi qu’il en soit, Kim Jong Il ou pas, les jeux de masse ont lieu chaque année à Pyongyang, comme moyen pour le régime de montrer au monde entier la puissance et bonne santé du pays. Pour atteindre ce seul but, pas moins de 100 000 personnes sont engagées dans une chorégraphie de danses et gymnastiques synchronisées. De nombreux symboles sont affichés par des milliers d’athlètes entraînés, qu’il s’agisse d’adultes ou même d’enfants. Main sur le cœur, les jeunes élèves chantent en chœur « Nous sommes les enfants les plus heureux du monde », l’une des chansons de propagande les plus connues en Corée du Nord. De nombreux danseurs font des mouvements avec des rubans ou avec des fleurs colorées appelées « kimjonglias », du nom du leader Kim Jong Il. Tout le long du spectacle, un orchestre joue une musique solennelle.
À l’arrière-plan, quelque 20 000 jeunes coréens sont assis sur les gradins, faisant face aux spectateurs. Ils retournent des cartes colorées à une grande vitesse pour former une fresque d’images animées et détaillées, changeant de l’une à l’autre. Chaque fois qu’ils tournent la page pour créer une nouvelle illustration, ils crient. Cela crée une atmosphère impressionnante, le cri étant mêlé avec le bruit de milliers de pages tournées au même moment. Les chiffres sont stupéfiants : pour composer ces images, 2000 enfants sont nécessaires pour faire un seul soldat, 20 000 pour un drapeau de la Corée du Nord. Cachant une réalité bien plus dure, les panneaux représentent Pyongyang éclairée la nuit, des champs de blé prêt à être récolté, des scientifiques au travail, des atomes comme symboles de la bombe nucléaire et d’autres pour la réunification des deux Corées. L’un des mythes de Corée du Nord (ou histoire selon eux) est relaté au moyen d’une image gigantesque faite par des milliers d’enfants. Elle représente les deux pistolets que Kim Il Sung aurait utilisés quand il a fondé l’armée de guérilla populaire anti-japonaise en 1932. Lorsque les deux pistolets apparaissent, le public applaudit bruyamment. Parmi eux, de nombreux soldats assistent au spectacle comme récompense ultime après des années de bons et loyaux services. Les milliers et milliers de garçons et de filles participant créent un mouvement de masse géant dans le stade, qui laisse le public ébahi. Ces artistes talentueux sont coutumiers de ce type de représentation : en Corée du Nord ils doivent danser, chanter, sauter et virevolter autant de fois qu’il y a de célébrations, toujours à la gloire de leurs chefs.
Le spectacle continue de cette façon pendant une heure. Ensuite, les milliers de personnes présentes disparaissent dans les rues sombres et silencieuses de Pyongyang, ce qui contraste avec le déluge de lumières et de musique dans le stade. En l’espace de quelques heures, cela nous donne un étrange sentiment, entre le réel et l’irréel, d’un autre univers à la fois terrifiant et fantastique.
© Eric Lafforgue
September 8
A man wearing yellow getting arrested by police in Hyde Park.
Twenty one world leaders came together in Sydney for the 2007 Apec summit. Roads close and a fence divided Sydney as up to 10.000 protesters participated in a rally on the 8th of Sptember in the central business district.
Eighteen were arrested and two police officers were injured. One got hit by an iron bar, and the other one got hit in the head by a dart.
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On 29 September 2021, after seeing how fast the yellow leaves were falling from the trees, I decided to drive S and SW of Calgary to take a few more autumn photos before it was too late. Five days earlier, the fall colours had been more vibrant - if only this season could last much longer each year.
My morning started off with a visit to the Saskatoon Farm for a late breakfast/early lunch. They now have a take-out menu, as well as their usual patio area, which works well. I ordered a delicious chicken Quesadilla with yam fries and sat in my car in the parking lot to enjoy it.
Feeling full, I continued my drive further south. I wasn't sure exactly where I wanted to go, though a short stop to photograph an old grain elevator was on my mental list. Nothing spectacular when seen close, but I have always loved seeing it in the distance from the next road over, far across the fields. This day, the colours were different, with a large area of deep red. I'm not sure if this was Glasswort, as it was too far from where I was stopped to tell. The red patches were growing side by side with the white of dry salt. Made for a beautiful sight.
Making my way westwards, I eventually reached the other highway that goes N to S. I ended up right by the Bar U Ranch and took several photos looking down on the ranch from the gravel road above. As usual, whenever I am driving in that area, the wind was strong.
Much closer to home, I couldn't resist a very quick stop to take a photo or two of a favourite old, white barn. It is eye-catching and it appears to be in great shape. I still remember how it took my breath away when I came across it the very first time, but seen from the opposite side.
It was a good day to be out of the city!
The September 1, 2009 Wendy's Cruise Night at Chelsea, Michigan, . This cruise-in takes place on the first and third Tuesday evenings of the warm weather months.
The owner of this car lives in Chelsea but didn't know there was a cruise night here. He was out driving and came in for refreshment about the time the show was closing. He told me that this 1955 Buick is completely original.
All of my classic car photos can be found here: Car Collections
Press L for a larger image on black.
September 15, 2017 - Northwest of Odessa Nebraska, US
Prints Available...Click Here
I caught back up to the emerging cells, right at sunset. I couldn't have asked for a better performance!
*** Please NOTE and RESPECT the Copyright ***
Copyright 2017
Dale Kaminski @ NebraskaSC Photography
All Rights Reserved
This image may not be copied, reproduced, published or distributed in any medium without the expressed written permission of the copyright holder.
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Photograph taken at 13:47pm on Monday 9th September 2013 off the A82 between Drymen and Aberfoyle, in the Queen Elizabeth Forest on the shoreline of Loch Lomond in the Loch Lomond and The Trossachs National Park, Scotland.
This view looks across the Loch towards Luss and further afield, part of the horseshoe ridge encircling Glen Striddle. Its eastern arm rises directly from the village of Luss, which is protected by Beinn Dubh and Cruach Dhubh.
Loch Lomond (Loch Laomainn), a freshwater loch situated on the Highland Boundary fault, is the largest inland stretch of water by surface area in Great Britain, at 39km in length and up to 8km in width with a maximum depth of 190metres. Primary inflows and outflows include Endrick water, Fruin water and the River Leven.
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Nikon D800 70mm 1/400s f/13.0 iso200 Handheld
Nikkor AF-S 70-200mm f/2.8G ED IF VRII. Jessops 77mm UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Nikon DK-17a magnifying eyepiece. Hoodman HGEC soft eyepiece cup. Nikon MC-DC2 remote shutter release. Nikon GP-1 GPS unit.
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LATITUDE: N 56d 5m 43.50s
LONGITUDE: W 4d 33m 22.58s
ALTITUDE: 13.0m
RAW (FINE) FILE: 103.00MB
PROCESSED FILE: 21.83MB
This last September, during a long weekend , I visited Oostende with my dog, , Agape !!! It was an Indian Summer here in Belgium, having passed the real Summer under a lot of rain and sober grey weather…
So!!We were very very lucky!! Experiencing lovely, sunny, warm days by the sea!!! And the Oostende sea, has a unique personality, with its huge sandy beaches and the afternoon tides, when the water leaves the naked sand by the sea full of adorable shapes and shadows, especially during its famous sunsets!! Just look at one, right here !! I was mesmerized those moments, while these captures are taken!! Really!!
September 5th, 1966
Mirfield
Heading a fitted freight east is Wakefield WD 2-8-0 90155
Links: WDs / Mirfield / 1966 / Other albums
Ref 05-02
ND Tower sat at the west end of Cumberland, Maryland, a junction between the B&O's main line and the Mountain Subdivision. The Mountain Sub went off to the left, while the main line continued to Sand Patch and Connellsville to the right. ND Tower was closed in January of 1997. An interlocking named Viaduct Junction sits in this location today.
ND Tower. Cumberland, MD.
September 1973. Photographer unknown.
Adam Klimchock collection.
In September 1936, a British Military Mission visited the Soviet Army’s manoeuvres with BT7 medium tanks. The Soviets had evolved all BT tanks from a single Christie M1930 that they had imported from a private American supplier - Walter Christie, of New Jersey.
Colonel Giffard Le Quesne Martel (the Deputy Director of Mechanisation) arranged with William R Morris (Lord Nuffield), a car manufacturer, to import Christie's last M1930 in October 1936 using War Office financing. The turret-less hull arrived on 17 November 1936, and was delivered to the Mechanisation Experimental Establishment at Farnborough for preliminary trials, where it was designated A13E1. The Mechanisation Board chose to design a superior derivative.
The Mechanisation Board and Morris developed the M1930 into the A13E2, which was larger and faster than alternative projects, but no more lethal or survivable. The turret, although starting off as an evolution of the A12’s, was more like the turret on the earlier A9.
On 23 December 1937, the General Staff agreed to order at least 50 Cruiser IIIs in January 1938 to equip one of the three tank battalions in the Tank Brigade. On 22 January 1938, the War Office contracted for 65 Cruiser IIIs, after which production would switch to a version with better protection (A13 Mark IIs, also known as Cruiser IVs).
In December 1938, 11 months after the contract, Nuffield delivered the first production Cruiser III for running trials, although without armaments. Once complete, it was issued to the Army on 20 March 1939. By the start of WWII 43 Cruiser IIIs had been delivered. Production ended on 13 November 1939, after 65 deliveries (67, counting the pilot tanks).
In June 1940, 40 of these landed in France with 1st Armoured Division, where most of them stayed when the personnel were evacuated. A few served in North Africa into 1941.
The above vehicle was apparently retained to prove the attachment of armour plates on the turret in fulfilment of the Cruiser IV’s armour specification (30mm), which is the configuration in which it survives. It was held by the School of Tank Technology until 1949, when it transferred to the Tank Museum.
It is painted to represent a vehicle commanded by Ron Huggins (who later volunteered at the Tank Museum) of 10th Royal Hussars – a part of 1st Armoured Division, which served in western France in June 1940.
The above details were taken from the museum's website. Seen in the Tank Museum at Bovington, Dorset, the image has been processed in Lightroom and Photoshop.
Irish settler Edward William Murphy first purchased the site, now containing Marchant Park, on the 29th of September 1868. Murphy paid ₤186 for Portion 587 that comprised 504 acres of land in the Chermside area then known as Downfall Creek being named after the nearest large watercourse. Portion 587 became known locally as Murphy’s Paddock. After Murphy’s death on the 19th of May 1881, the land passed to his spinster sister, Mary Murphy, of Sydney. On the 10th of February 1885, the title to Murphy’s Paddock was transferred to Michael Ballinger of Brisbane. By December 1891, Murphy’s Paddock had been subdivided, leaving Ballinger with the deed to the smaller allotment comprising 101 acres 2 roods 8.2 perches. By 1897, a road, later named after Murphy, ran through Murphy’s Paddock to connect to Gympie Road.
At the northern corner of Murphy and Gympie Roads was a 4-acre block of land that contained a blacksmith shop run by a German migrant, August Christian Vellnagel. On the 16th of March 1897, William Henry Hacker purchased resubdivision 1 of subdivision 1 of Murphy’s Paddock. The four-acre block had been bought by Vellnagel but registered in Hacker’s name. Vellnagel commenced a blacksmith business on this site and “Vellnagel achieved a good reputation for shoeing horses”. On the 3rd of February 1899, Vellnagel finally acquired the title deed to the block containing his house and blacksmith shop.
On the 24th of August 1899, George Marchant, the owner of a successful aerated waters factory, gained title to resubdivision 2 of Portion 587 that comprised 97 acres. This gave Marchant control of all of the land that was Murphy’s Paddock, other than the 4 acres owned by Vellnagel. Marchant wanted the land to use as a spelling paddock for his company’s horses. Thereafter the land became known locally as Marchant’s Paddock. A man of considerable wealth, Marchant not only owned factories in Brisbane, Sydney, Melbourne, Adelaide, and Newcastle but also held the world patent on a bottling machine. He was a philanthropist, contributing ₤82,000 towards the construction of the Temperance Union’s Canberra Hotel in the City, as well as donating to the Montrose Crippled Children’s Home, the Kings Home for Soldiers, the Garden Home for the Aged, the City Mission Home, the Paddington Creche and Kindergarten, and Chermside’s H.M. Wheller Gardens Settlement aged care facility.
After the declaration of war on the German Empire on the 5th of August 1914, 120 Australian Light Horsemen, from northern New South Wales, encamped at the northern end of Marchant’s Paddock but later shifted across Murphy Road to butcher Alonzo Sparkes’ paddock. This was the start of ‘Military Training Camp Chermside’, an Army establishment that operated out of both paddocks from 1914 to 1918. Marchant’s Paddock was used as a Remount Depot for the Queensland-raised 2nd Australian Light Horse Regiment. Both it and Sparkes’ Paddock “were ideal for the Light Horse as the land had largely been cleared of low scrub to allow both businessmen to use them as rest paddocks for their workhorses”. After the departure of 2nd Australian Light Horse Regiment for overseas service on the 14th of September 1914, Marchant’s Paddock remained a Remount Depot, with wild horses brought in by train to Zillmere Station and then herded up to the Camp. As well, during World War I, Marchant’s Paddock was used as a training camp for the Australian Imperial Force (1st AIF) artillery and machine-gun units. Some temporary buildings were erected in Marchant’s Paddock including a gun park for the artillery’s 18 pounder guns.
In 1917, before the end of the Great War, George Marchant offered to donate his paddock to the Kedron Shire Council for use as a park. Marchant placed, as a major condition of his donation, the requirement that Vellnagel’s land also had to be acquired by the shire council. This would allow the whole area bounded by Gympie, Murphy and Ellison Roads (Murphy’s original paddock) to become a park. Marchant also asked the Council to pay him £200 compensation for the caretaker’s cottage that he had built in his paddock.
On the 20th of March 1917, the Kedron Shire Council decided to resume Vellnagel’s land. Council did try and buy two acres of land from Sparkes’ Paddock but Alonzo Sparkes refused to sell though he did offer to donate one acre from his paddock to help in the negotiations with Vellnagel. The Council offered ₤150 for Vellnagel’s four acres, a further ₤75 for loss of business plus one acre at the corner of Short Street and Gympie Road, to where they would move his blacksmith’s shop and house free of charge. Vellnagel had a thriving business of 20 years and a family home with improvements such as crops and fruit trees on his land, so he rejected this offer.
After the resumption notice was advertised in the local newspapers, Vellnagel attended a Council meeting on the 21st of May 1917, where he presented a written objection to the resumption of his land. As well, a number of ratepayers, led by Councillor Ruskin, pushed for a rejection of Marchant’s offer of land. Vellnagel probably found himself in a difficult situation as World War I was reaching a climax. There was some anti-German sentiment within the local districts as they contained many farmers who had migrated from Germany in the nineteenth century. Vellnagel possibly felt bullied not only by the stipulation that he had to shift his blacksmith business and family home but also by the inadequate compensation package being offered by the Council. So he refused to move and make way for the park.
Several public meetings followed. A plan to relocate Vellnagel to a nearby Council Reserve set aside for a public hall was declared illegal. On the 3rd of September 1918, the Council expanded its offer to include the digging of a well on any site accepted by Vellnagel, as well as allowing “him to remove all his crops and any flowers or shrubs he chooses.” As well, the Council formed a Park Committee and also decided to indemnify any Council officers, should the matter end up in the court.
The controversy dragged on into the post-World War I period. At the Council meeting of the 13th of March 1919, controversy was raging over how the Shire could raise the ₤1,000 needed to outfit a new park, plus compensate both Marchant and Vellnagel. While the former Chairman of the Council had arranged a ₤1,000 loan from the state government, this had never been approved by the rest of the Council and so was described by some councillors as “a dirty, underhand business”. By the 1st of February 1921, Marchant was threatening to withdraw his offer of land by the 1st of July, if the issue of moving Vellnagel off his land had not been resolved.
At this time, the Council had changed its offer of compensation to Vellnagel. He was offered 3 acres, 2 roods and 20 perches of land bordering Downfall Creek and directly across Gympie Road from his existing site, but no money. Vellnagel was given until the 3rd of March 1921 to accept the Council’s offer. On the 2nd of March, Vellnagel grudgingly accepted the land swap but he also requested ₤300 compensation for loss of business and cultivation, deprivation of fruit trees, and personal inconvenience. The Council accepted Vellnagel’s request on the 8th of March 1921. On the 12th of April 1921, Isaac White was awarded a contract for ₤180 to shift Vellnagel’s house, blacksmith shop and other improvements across Gympie Road. Vellnagel left behind a row of pine trees along Gympie Road. These were incorporated into the new park, which was to be named Marchant Park.
First thought of placing a war memorial at Marchant Park seems to have been in July 1917 when the Kedron War Council wrote to Kedron Shire Council asking them to consider opening Marchant Park on the 29th of September 1917 as it was “their special day of effort in aid of the Repatriation Fund”. But because of the acquisition problems, the Council declined. At the Council meeting of the 13th of March 1919, a number of shire war memorial ideas were discussed, including a memorial stone at either the intersection of Hamilton and Gympie Roads or outside of the Shire Hall, a memorial circular water trough, memorial marble tablets for the Zillmere and Aspley schools and for Zillmere Railway Station. Later a Kedron War Memorial Committee was formed with the explicit purpose of building a war memorial but had not made much headway, for in June 1920:
A committee of citizens representing the Kedron Shire War Memorial Committee waited on the Council and expressed their inability to bring to a successful issue the undertaking for the erection of a War Memorial in the Shire, and asked Council to take over the duties. It was finally decided, after some of the committee had been heard on the matter [... indecipherable word], that the Council take over the responsibility.
Also at this meeting, notice was received that the new Australian War Memorial Museum, in Canberra, was preparing a list of memorials planned or already erected throughout Australia. The following month, in July 1920, the Council received a further public deputation about the erection of a war memorial in the Shire. In September, the War Memorial Committee asked Council for permission to erect a soldiers’ memorial in Marchant Park and recommended that the Council peg out roads in the park, “to enable the committee to permanently fix the position of the memorial”.
At the same time, the Bald Hills War Memorial Committee had approached the State Trophy Commission and successfully secured a captured heavy machine gun and bipod for its proposed John Street war memorial. The Bald Hills Progress Association had already planted a row of pine trees, in 1919, in honour of Ernst Feuerriegel, the first soldier from the Bald Hills district killed in World War I. After learning of the Bald Hills success, Kedron Shire applied for a war trophy. There had been a heated debate as to whether the Bald Hills trophy was meant for Bald Hills alone or the whole of Kedron Shire. The debate ended with support for the Bald Hills case but an application was made for two artillery guns for Kedron Shire.
The debate seems to have inspired further action on the proposed war memorial for, in November 1920, the Council Chairman moved “to erect a memorial to represent the whole shire and that as soon as the form has been decided upon particulars will be forwarded” to the Australian War Museum in Canberra. The Kedron Shire War Memorial Committee was replaced by the Kedron Shire Anzac Day Committee, which was formed in March 1921. Kedron Shire Council began fund-raising for the erection of the proposed war memorial gates. The Council donated ₤30 and a further ₤445 was raised through public subscription to pay for the total cost of £475 for the sandstone gateposts, iron gates and four marble tablets. One of the prominent local identities involved with the war memorial project was builder Walter Scott Barrett, the treasurer of the Aspley Progress Association.
On Saturday, the 3rd of May 1924, the former commander of the 1st Division (1st AIF), General Sir William Glasgow officially unveiled the Kedron Shire War Memorial Gates at the entrance to the new Marchant Park. Among the other dignitaries, who were present, were Mr. D.S.J. Barker (presiding), Mr. W. Kelso M.L.A., Kedron Shire Councillor Marquis and the Reverend S. MacDonald. Two marble tablets on the gate posts listed the names of the 273 men from Kedron Shire who had enlisted during World War I, a third tablet listed the names of the 53 local men who had died during the war, while a fourth tablet listed the names of the five local men who had enlisted to fight in the Boer War. General Glascow stated “that he knew the district well for a strongly patriotic place” and that as “a trooper in the mounted infantry long ago, he had served in Kedron, and many happy memories had he of it.”
Kedron Shire Council was incorporated into the new Greater Brisbane City Council (BCC) in 1925. Marchant Park along with the Kedron Shire Quarry at 41 Turner Road, Kedron and Lutwyche Cemetery at 418 Gympie Road, Kedron, remain the only places that had been operated by the former Kedron Shire Council. So Marchant Park passed under the control of the BCC. The BCC connected town water to Marchant Park in December 1928.
That year, Marchant Park was leased to the Warehouse Cricketers’ Association (WCA) for £5 per wicket per season, plus £123 for the construction of two dressing sheds towards which the Council would contribute labour costs. The lease was for 10 years from the 22nd of September 1928 to 22nd of September 1938. The terms of the lease stipulated that the WCA would not interfere with the right of public access to the park, other than when a game was in progress, and that it could only be used for cricket, with “no dissolute or disreputable behaviour”, nor “games of chance”. Sabbath days were to be observed, alcohol prohibited, and “no offensive trade, business occupation or calling” could be carried out at the park. The Returned Soldiers, Sailors Imperial League of Australia (RSSILA, later the RSL) could use the park for 14 days a year, upon notifying the Warehouse Cricketers’ Association. In return, the BCC agreed to clear away the tree stumps on the site that possibly were left after trees were felled at Military Training Camp Chermside. In order to complete the tree stump removal, in 1930 the WCA applied for a grant under the Unemployment Relief Scheme that operated during the Great Depression (1929 - 1939).
Eventually six pitches were completed, making Marchant Park a major amateur cricket facility around Brisbane. The WCA now leases an area of 101 acres, 2 roods and 8 perches, virtually all of the old Marchant’s Paddock. But it had to survive a challenge, supported by Mr Harry Moore, the BCC Parks Superintendent and other notables, when application was made for nine-hole golf course in 1928 - 1929. The BCC refused the application ostensibly on the grounds of the quantity of green timber that would need to be destroyed in order to build the fairways. The George Hastie Cricket Pavilion was erected in the memory of the long-serving secretary and founding member of the WCA. In 1936, a severe storm swept across the park dragging one shed off its stumps and smashing the other, leading to a dispute between the Council and cricketers about who was responsible for the costs of repair work.
During World War Two (1939 - 1945), Marchant Park was utilised as a component of the Chermside Army Camp that was established across Ellison Road (in Sparkes’ Paddock) on the 7th of October 1940. Marchant Park was designated as “Camp Area “J” and, because it was a public space containing important cricket facilities, the park was to be used only for training purposes. No Army buildings were placed in the park, but, by the end of the war in 1945, vehicle training had caused some damage to the park’s cricket pitches.
George Hastie Players Pavilion:
A rectangular, freestanding single-skin timber hiproofed pavilion with a projecting gabled porch, the players’ pavilion provides perimeter seating for players and a scorers’ table centre front.
Marchant Memorial:
A squat rectangular monolith of quarry-faced granite set in the narrow oblong garden near the memorial gate entrance on Murphy Road commemorates the donation of land for the park by George Marchant in 1921.
The Kedron Shire War Memorial Gates were badly vandalised around 1972 and one of the marble tablets was smashed. Due to the efforts of the Chermside & Districts Historical Society, particularly research work undertaken by Pat O’Shea, the names of the servicemen on the destroyed tablet were rediscovered. A new tablet was produced and was positioned on the Kedron Shire War Memorial Gates at a ceremony held on the 30th of August 2003. Another mindless vandal attack on the Memorial Gates’ marble tablets, in early 2005, resulted in $480 damage that was repaired by the BCC. A detailed report about the maintenance and repair of the Memorial Gates was prepared by the BCC in October 2005. Damage to the Memorial Gates piers by a BCC bus resulted in another repair report prepared in July 2006.
An arson attack occurred on the WCA’s facilities at Marchant Park on the 25th of April 2006. While a storage shed, containing a mower, a pitch roller, and other WCA equipment was destroyed, the George Hastie Cricket Pavilion remained undamaged.
Source: Brisbane City Council Heritage Register.
Coming September 1, to the new GIMME GACHA event THE IMAGINARIUM: WHO TREES from Breaux Jr.!!
10 Commons, 1 Rare!
Every tree is animated with 1-2 animations for all sized avatars! Whoville Seats and the Rare come with more seating options!
Mod/Trans!
Awesome seats, yard decor, party decorations... JUST ADD YOUR OWN IMAGINATION!
Your ride:
maps.secondlife.com/secondlife/Gimme%20Gacha%20Production...
Shopping Guide: theimaginariumevent.com/index.php/sep2017/
Van 3 t/m 6 september 2025 ben ik weer met mijn treinenspotmaat een paar dagen in Tsjechië geweest om weer te genieten van het mooie materieel en de fraaie landschappen. Deze keer hebben we wat meer lokale diesellijntjes bezocht. De modernisering van de Tsjechische diesellijnen gaat snel. Mooie klassieke series als de 810 en 854 verdwijnen steeds meer van het spoor, stationnetjes worden gemoderniseerd en klassieke beveiliging is ook nog nauwelijks meer in gebruik. Tijdens deze paar dagen in Tsjechië hebben we genoten van de fraaie oude dieseltreinen en tussendoor werden enkele stekken langs de hoofdbaan gepakt.
Na een lekker propvolle eerste dag met veel zon en mooie treinen op de zowel de diesellijntjes alsook een aantal hoofdlijnen, werd voor de laatste opname een diesellijn in de buurt van ons hotel opgezocht. De spoorlijn Pečky-Kouřim wordt al jaren met opheffing bedreigt. Een deel van de stoptreinen rijdt zelfs niet verder dan Plaňany. De fraaie lijn behoort nog steeds tot het inzetgebied van de Broodtrommels. Deze dag zat ook nog een leuke kleurvariant in de omloop die wij nog niet eerder hadden gespot. Reden te meer om in het laatste zonlicht nog een stekje aan deze lijn te zoeken.
Hier zien we de Čd 810 298-0 met Os 19334 Pečky-Kouřim bij Dobřichov op 3-9-2025. Op het digitale bordje achter het voorraam staat overigens het voorlaatste station Bošice, dus we laten maar in het midden waar de trein uiteindelijk "gestrand" is ;-).
On September 29th, 1973, a new School house ROCK music video was played for the first time alongside your regular American Saturday morning cartoons such as Scooby-Doo, old Rocky and Bullwinkle show episodes and maybe some Johnny Quest. This new music video featured a diminutive stereotypical train conductor, two hobos (one fat and tall, and one small and skinny), and a train with words on it... not just any words, but CONJUNCTIONS, as the name of the video and location is Conjunction Junction. This train is shown below, with comments about what it could possibly be carrying in the fictional ROCK-verse.
All together, these train cars taught (and entertained!) generations of school-age children and some older adults about Conjunctions, and other videos taught about American history, the environment, math (multiplication tables up to 12 but skipping the number 1), science, money and even early home computers! (among MANY other subjects) All of them can be found on Disney +, as Disney owns ABC, which is who made the original music videos, and the newer ones up to 2009.
This solar storm happened 2 years ago on a warm September night. It's been 2 years since we've had a storm this big in Anchorage
It's 5 years since the last time we were here.
The view northwards from Holme Moss moor over Holmfirth with Huddersfield in the left distance. We were taking Woodhead Road over to the A638 and stopped to enjoy this view.
The tallest free-standing building in the UK is not that recent southern upstart, the Shard in London, but the 1083ft Emley Moor transmitter mast which opened in 1971. It can be seen in the distance, mid right.
In the very distant distance, far right, the North Yorkshire Moors could be seen on this very clear day.
Date night with Charles!! First, dinner at Kipos (note the ginormous mac and cheese cubes.) Then, relaxing on the back porch at the Slope. Such a wonderful evening.
Actually, September 5, 2015 in Woodstock Ontario.
Pictured is OSR 6508 and OSR 1620 rolling through Woodstock heading back to home rails with a cut of autoracks for the GM Cami Plant.
I was on the wrong side of the sun and 6508's new paint is a royal bitch to get a proper white balance off so I elected for the older feel with the black and white.
Funny the difference two years makes: www.flickr.com/photos/93850525@N02/10535602615/in/album-7...
September 29, 2012: Tall Ship Kajama - Toronto, Canada
The mast of a sailing vessel is a tall, vertical or near vertical spar, or arrangement of spars, which supports the sails. Large ships have several masts, with the size and configuration depending on the style of ship. Nearly all sailing masts are guyed masts. A guyed mast is a tall thin vertical structure that receives support from guy lines.
The Tall Ship Kajama traded under sail for nearly 70 years. She was a familiar ship in ports from Northwest Spain, through western Europe, and as far north as Norway and Russia. In 1999, Kajama was delivered transatlantic by Great Lakes Schooner Company and restored to her original profile. Today, the 164' three-masted gaff-rigged schooner can comfortably accommodate parties of up to 225 people in the 1,600 sq ft dining room while cruising Toronto Harbour. Kajama was used on the television series The Amazing Race.
explore: Nov. 6/12
September 1963
A high wall stops even the most determined child in the class from trying to escape.
The art lesson features the rotten jars of liquid paint, that stops any young budding artist experimenting with other colours and shades, each jar has its own brush and they must not be mixed.
At the start of the lesson you were given two or three jars of paint, later you would swap your jars for different colours, Once you had gone through all the colours you could then repeat the range until your painting was finished.
They thought I was strange at the age of six, by not wanting to use all their jars of these bright colours. For most of the time I wanted to keep the jar of black paint - All railway steam engines were black in the early 1960s (weren't they?).
When we started the lesson one of the jars would be black or brown (made up of the paint from the previous day, plus two colours of the teachers choice. Later they would be changed for a different set.
For the previous five years I had never been made to share things, now I found having to change to different colours or the like a bit of an annoyance.
Breaking off in the middle of the lesson to go for a pee was allowed, what was annoying on return was finding that another child had decided to dip their brush in your paint whilst you were away, yellow now took on a greenish hue, white might now be pink.
Others had found a easy solution by not leaving their easel, a puddle on the floor was put down to spilled water from your brush washing up jar, when outside, there was never any evidence. When I was told to wear waterproof pants after minor accidents during rest time, I too never left my easel to visit the toilet.
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I didn't much like the idea of school - there were too many other children, I started school at the age of six (a year later than the others). "Philip is gradually learning to be a co-operative member of the group"
At my second infant school at the age of six and a half, I was put back a year and was with a class of five year olds, more fun and play at this school.
Then another move just before I was seven, I was then on my third infant school, and managed to become the first infant in many years to receive the cane from the headmistress. "His work was generally messy and untidy. He is highly strung"
It made a good start for my next seven Junior & primary schools until I was eleven.
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September 13, 2009
Beth Miller won Women’s 1/2/3 race while Dan Vaillancourt won the Men’s P/1/2. Mark Alden, CRCA/Blue Ribbon-Translations.com won the 40+, Matt Doron, Global Locate, the Cat 3, Lyn Frampton the Women’s 3/4,Al Blanchard, Westwood Velo the 50+, Matt Sack the Cat 4A and Danny Habig the Cat 4B, Mark McCarthy the 60+,and Kevin Rooney, CRCA, the Cat 5.
racers....
Jerry Ascolese Cycles 54 - YSG Racing
Bogdan Blai www.SpinCityTeam.net
Miguelangel Blanco
Bill Blank Watchung Wheelmen/High Gear
Michael Boardman Signature Cycles/Rock Star Video Games
Jacob Bobrow university of vermont
Kevin Brubaker CRCA/Pacifico-Hincapie Sportswear
Joaquin C De Baca KISSENA
Patrick Campbell Westwood Velo/Trade Manage Capital
Romel Campbell WestWood Velo
Anthony Canger CRCA/Sid's-Cannondale
David Carr CRCA/Setanta
Chris Chapman Westwood Velo
Jeff Cline EECT
Bryan Dobes Westwood Velo / Trade Manage Racing
Matthew Doran GLOBAL LOCATE RACING
William Doyle-Capitman Kissena Cycling Club
Paul Eisele Max Power Cycling
Jesus E. Espitia CRCA/Blue Ribbon - Translations.com
Myles Fennell 3D Racing Team/Tom's Atlantic Cyclery
Mark Fontanilla Liberty Cycle
Raul Galliano Westwood Velo-Trade Manage Racing
Steven Goldman Westwood Velo - Trade Manage Racing
Pavel Gonda New York University
Ben Harris CRCA/Jonathan Adler
Corey Hilliard Chelsea Bikes
Brendan Housler Minerva Design Cycling / GVCC
Nick Iacovelli Colavita Racing
Jeffrey Ingraham CRCA/Sanchez-Houlihan Lokey
Herb Jimenez Jimenez Velo Sport
Gregory Lafiura
John Landino DeathRow Velo
Todd Lippin 3D Racing Team/Tom's Atlantic Cyclery
Arland Macasieb Jimenez Velo Sport
Tadeusz Marszalek Sommerville Sports
Mike Monastero CRCA Babylon Bike
Kuria Njenga Westwood Velo
Peter Ognibene GS Park Ridge/Cyclesport
Radames Parissi JIMENEZ VELO SPORT
Steven Persak Liberty Cycle
Michael Prokopec miyashoji
James Ruhl babylon bike
Brian Sacawa Kelly Benefit Strategies/LSV Amateur Cycling
Sender Sakajani Team Sotheby's / Strictly Bicycles
Dennis Schwandtner Kreb/EECT
Tom Shebell Rocket Racing/YSG
Abraham Soler Foundation
Tim Spence CRCA/Axis
James Stevens GS Gotham/Toga
David Stires Century Road Club of America
Terry Totemeier U.S. Army/Central Wheel-GHCC
Lawrence Uhrlass EECT
Hammean Walker CRCA Major Taylor Iron Riders
Andrew Walsh CRCA/Foundation
Tron Witt CRCA/Jonathan Adler Racing
Zak Abdullah CRCA/FGX Racing
Naoufal Alaoui Brooklyn Arches
Breogan Alvarez CRCA/NY Velocity
Jimmy Andrello CRCA/Foundation
John Anthony NYSketches
Walter Archer
Matt Armstrong
Alexander Barouh Kissena Cycling CLub
Sean Barry
Michael Beckerman CRCA/FGX Racing
Kusmanto Beham
Myles Billard Vicious Cycles
Ira Blumberg CRCA/Setanta
David Bowen CRCA/Organic Athlete
Ian Byrd CRCA/Setanta
Chad Casselman CRCA/FGX Racing
Brian Collet CRCA/Sanchez-Houlihan Lokey
Peter Conroy CRCA/NYVelocity
Clint Dager University of Delaware
Aaron Deutsch Brooklyn Arches
Bryan Dougherty Kissena
Benjamin Fackler CRCA/NYVelocity
Adam Francis
Steven Fritz CRCA / Teany Cycling
David Gardiner Kissena
Benjamin George Connecticut Coast Cycling
Chris Gurr CRCA/Setanta
Robert Haber CRCA/FGX Racing
Paul Italiano GS Gotham/Toga
Matthew Jackson
Eric Kuo CRCA/Setanta
Christopher Leong CRCA/NYVelocity
Jonathan Leong CRCA / Teany Cycling
Benjamin Lesnak NY Sketches
Leonides Lopez jimenez velo sports
James Mahlmann
Steven Marmo crca/setanta
Carlos Martinez www.SpinCityTeam.net
George Mastrogiannis CRCA/Sanchez-Houlihan Lokey
Anthony Mazzella Sanchez Houlihan Lokey/CRCA
Todd McLoughlin Kissena
Clayton McPhail CRCA/NY Velocity
Mark David McPherson Kissena
Eli Mernit GS Gotham/Toga
David Miller
John Miller Champion System p/b Cycles Gladiator Wine
Angel Molina Chelsea Bicycles Team
Matthew Montesano Kissena Cycling Club
Shane Moran Westwood Velo
Philip Nerges Jimenez Velo Sport
Jorge Orrego Strictly Bicycles
Brian Pan
Phil Penman CRCA / Teany Cycling
Don Peretz Watchung Wheelmen
Daniel Reiners Kissena Cycling Club
Guillermo Rincon Chelsea Bicycles Team
Alistair Rogers East End/ Kreb Cycle
Jonathan Sebat East End/Kreb Cycle
Etienne Shanon CRCA/Foundation
Mark Spottiswood GBSC / Babylon Bike Shop
Joe Steele Brooklyn Arches
Joshua Storck Brooklyn Velo Force / GQ Racing
John Suscovich CRCA/NYVelocity
John-Taki Theodoracopulos
Crihs Thormann kissena cycling club
David Trumpf CRCA/FGX Racing
Roy Vaccaro Jimenez Velo Sport
George Vlahogiannis JIMENEZ VELO SPORT
James Westman
Stuart Wilkins EAST END
Benjamin Woodbury Brooklyn Velo Force/GQ Racing
eter Alford CRCA
David Anthony CRCA/NYVelocity
Eloy Anzola Kissena Cycling Club
Nathan Archibald none
Jack Baranski CRCA/OrganicAthlete
Todd Brilliant CRCA/Setanta
Dean Brizel CRCA/Sanchez Houlihan-Lokey
James Brosnan CRCA/NYVelocity
John Buenaventura CRCA/NYVelocity
Eric Carlson Westwood Velo / Trade Manage Capital
Brian Cesaratto
Bladdymir Coronel Westwood Velo-Trade Manage Racing
Michael Desmarais University of Vermont
Michael Dimson Yorktown Cycles/Tarmac Cycling
Gregory Donovan Kissena Cycling Club
Gary Eveland Quaker City Wheelmen/Breakawaybikes.com
Craig Fleischer East End/Kreb Cycle
Miguel Flores Chelsea Bicycles Team
Christian Forsyth CRCA/Setanta
Gregory Fowlkes CRCA/Rapha Racing
Bryan Fried crca/nyvelocity
Andrew Gillis Unione Sportiva Italiana
Paul Goldman CRCA / Teany Cycling
Craig Goodstein CRCA/Sanchez-Houlihan-Lokey
Patrick Grehan Kissena Cycling Club
Seth Gross CRCA/NYVelocity
Andy Guy Tri-State Velo
Rick Hall CRCA / Teany Cycling
Mark Heithoff Signature Cycles/Rockstar Games/CRCA
Shawn Herndon Signature Cycles/Rockstar Games
Michael Innusa east end/kreb cycle
Mitchell Jacaruso CRCA/NYVELOCITY
John Jackson Skylands Cycling
Jordan Jan Brooklyn Velo Force / GQ Racing
Barry Kaplan Watchung Wheelmen
Phil Karavidas westwood velo
Hanjiro Kawai BCA
Tom Krol Cheshire Cycle Racing
Claude Laberge Liberty Cycle
Paul Lestage Yorktown Cycles / Tarmac Cycling
Thomas Mattioli Western Union/CRCA
Peter McCormick CRCA/OrganicAthlete
Gregory McCoy Yorktown cycles/Tarmac cycling
James Mernin CRCA/Kingpin Racing - HJD
Chris Mooney none
Juan Nunez VO2MaxOut.COM
Michael O'Neill
Owen Oconnor East End/Kreb Cycle
Maurice Osorio kissena cycling club
David Parker Signature Cycles/Rockstar Games
Reginald Rasch CRCA/FGX Racing
Russell Raymundo
David Regen CRCA/OrganicAthlete
David Richman CRCA/Kingpin Racing-HJD
Jeffrey Robins CRCA/NYVelocity
Timothy Rogers CRCA/FGX Racing
George Romonoyske East End / Kreb Cycle Cycling Team
Adam Rosenthal CRCA/Kingpin Racing-HJD
Arthur Roulac CRCA/Sanchez Houlihan Lokey
Reed Rubey CRCA / Teany Cycling
Bruce Schwartz Signature Cycles/Rockstar Games
Christopher Schwenker East End/Kreb Cycle
Steven Senne Boston Road Club
Joel Simon Brooklyn Velo Force/GQ Racing
Leszek Sniadowski Organic Athlete
Warren St John NY Velocity
Etsu Taniguchi CRCA / Teany Cycling
Niko Triantafillou CRCA / Teany Cycling
Jay Vincent Zama Racing
Timothy Voake CRCA
Joseph Wiener Kissena Cycling Club
Steven Winfield Signature Cycles/Rockstar Games
Jeffrey Alpert CRCA/NYVelocity
Gregg Beimler
Sonny Bindra CRCA/NYVelocity
Robert Bonelli DC Racing / Sebago
Scott Burch Organic Athlete NYC
Jim Cleary GS Park Ridge
Roy Currie SMAC
Mark Cywin Propeller Racing
Nicholas David Propeller Racing
Shawn Erickson Tenafly Bicycle Workshop/Road Dawgz
Aaron Essner
Jesus Flores chelsea bicycles team
Pedro Furtado Signature Cycles/Rockstar Games
Leonard Galati CRCA/NY Velocity
Jay Goldwein CRCA
Luis Gonzales
Matthew Graham 3d racing
Russ Green 3D Racing Team/Tom's Atlantic Cyclery
Lorenzo Grippo Tarmac Cycling
Jud Heugel
Ian Japal Yorktown Cycles/Tarmac Cycling
John Kladis yorktown cycles/tarmac cycling
Nicholas Malter F.D.N.Y.
Jim Marrone USI
Israel Martinez chelsea bicycles team
Matthew Matassa
Michael Novich
Juan Orrego Strictly Bicycles
Myles Partellow yorktown cycles / Tarmac cycling
Victor Perez Chelsea Bicycles Team
Michael Petermann none
Jaroslaw Prokop
John Ragel crca
Luis Ramirez
Kevin Rooney CRCA
Patrick Ruane 3D Racing
Kristian Saether EAST END/KREB
Andrew Schmidt
Travis Skinner propeller racing
Jose Soriano CRCA
Carlos Sosa Chelsea Bicycles Team
Warren St John NY Velocity
Chris Thorpe
James Triano
Alexander Vogenthaler
Tim J. Walsh CRCA/Signature Cycles
William Weiss Velocity
James Williams CRCA/NYVelocity.com
Harry Zernike CRCA/New York Velocity
Jonathan Zimmerman CRCA
Mark Alden CRCA/Blue Ribbon-Translation.com
Peter Askin Cafeteros Cycling Club
Geoff Bickford CRCA/Axis
Scott Bodin TARGETRAINING
Robin Bolduc Ride With Randall
Paul Carbonara Century Road Club /Axis
Todd Cassan Westwood Velo
Thomas Cromie Sleepy Hollow
Mark Czarnecki Laurel Bicycle Club
D.j. Dart
Carlos Gonzalez CRCA
Kurt Gustafsson CRCA / AXIS
Peter Hines CRCA / Jonathan Adler Racing
Roy Hutchinson Kissena
Danny Inoa Brooklyn Velo Force/GQ Racing
Charles Issendorf Champion System
Michael Joseph Colavita Racing
Lennard Katz Kissena Cycling Club
James Keaveny none
Troy Kimball Westwood Velo
Kenneth King CRCA/Die Hard-Think Racing
Robert Lattanzi Westwood Velo
Gregory Lee CRCA
Max Lippolis TARGETRAINING/ FASTAR
Robert Lombardi Brooklyn Velo Force/GQ Racing
Thomas Luzio Deno's Wonder Wheel
Jerry Martinez global locate
Alessandro Matteucci Brooklyn Velo Force / GQ Racing
Jan Micko german bicycle club
Matt Murphy GS RETROVELO
Anthony O'Malley CRCA/Diehard-Think Racing
Jon Orcutt CRCA/Axis
Thomas Pennell CRCA/Blue Ribbon - Translations.com
Christopher Peterson CRCA/Sanchez-Houlihan Lokey
Eutimio Quintero CRCA/ Foundation
James Regan Northeastern Hardware/CJCT
Carl Reglar
Keith Ryan CRCA-AXIS
Cliff Saper crca/ Sanchez Houlihan Lokey
Haluk Sarci Deno's Wonder Wheel
Pascal Sauvayre CRCA/Pacifico-Hincapie Sportswear
Will Schneider VO2MAXOUT.COM Training Systems
Leigh Sorrells Fioradifrutta/Masters
David Taylor CRCA/Blue Ribbon-Translations.com
Jerry Truppelli Colavita Racing
Phill Vermette Caboto Velo
John Wain
Ralf Warmuth Westwood Velo
Andrew Williams RUUD Racing / TVC
David Wilson Northeastern Hardware/CJCT
Mark Adler Tokeneke
Al Blanchard Westwood Velo
Kevin Butler GS Park Ridge
Greg Campi 3D Racing Team/Tom's Atlantic Cyclery
Reb Cole cafeteros
William Crowley CRCA/Die-Hard-Think Racing
Carlos Cruz colombia
Damian Dicostanzo Deno's Wonder Wheel
Mark Durso Zephyr Cycle
Tom Guimond CRCA/Rockstar/Signature
Michael Haddad Signature Cycles / Rockstar Games
Jose Hernandez Colavita Racing
Kenneth Hochman Deno's Wonder Wheel Cycling
Ken Johnsson Pawling Cycle & Sport
Richard Kazimir Century Road Club of America
Robin Kinney Team Somerset
Jeff Knisely Cafeteros Cycling Club
Chuck Litty Bethel Cycle Sport Club
Bob Meikle Mystic Velo Club
Kevin Mosher C B R C
Doug O'Neill Deno's Wonder Wheel
Cleofus Price gs gotham
Brian Rafferty Deno's Wonder Wheel
Ricardo Sanchez KISSENA CYCLING CLUB
Philip Soroka crca/Organic Athlete
Robert Stern CRCA/ WesternUnion
Hajo Thiele Cafeteros Cycling Club
William Thompson CCC/Keltic Const/Zanes Cycles
Lawrence Towner Liberty Cycle
Tom Bridges Favatas table rock tours
Chuck Dominick onondaga cycling club
Michael Patterson
Stephen Sirico Laurel/get carter.com
Roger Aspholm Westwood Velo
Thomas Bencivengo Sommerville Sports World Team
Blair Berbert Kelly Benefit Strategies/LSV Amateur Racing
Brian Breach Brooklyn Velo Force / GQ Racing
Franklin Burgos western union
Brett Cleaver Sommerville Sports
David Costa Anthem Sports Elite Development
Matt Cuttler CRCA/Jonathan Adler Racing
David Freifelder Westwood Velo/Trade Manage Racing
Eneas Freyre TARGETRAINING
Todd Hesel Kelly Benefit Strategies/LSV Amateur Racing
Matthew Howard CRCA/Empire Cycling Team p/b Northwave
David Hoyle CCNS
Christopher Johnson Above Category Racing
Matthew Johnson CRCA/Empire Cycling Team p/b Northwave
Christopher Kohnle CCNS
Erin Korff CRCA/AXIS
Matt Lorenz Army
Damien McCabe Melania
Kevin Molloy CRCA/Empire Cycling Team p/b Northwave
Austin Moran TARGETRAINING p/b confabricate.com
J.p. Partland Kissena Cycling Club
Kyle Peppo CRCA/Jonathan Adler Racing
Karl Rahn CRCA/Empire Cycling Team p/b Northwave
Dan Vaillancourt Colavita/Sutter Home
Chris Worden CCB Racing
Jeff Zygo MVP Health Care Cycling
Sarah Chubb Sauvayre CRCA/Comedy Central-Sid's Bikes
Caryl Gale Deno's Wonder Wheel
Kimberly Geist Team Alliance Environmental
Kristen Gohr Colavita Racing Inc.
Dara Kiese CRCA/Radical Media
Deb Killmon CRCA/Signature Cycles-Rockstar Games
Becky Koh CRCA/Comedy Central-Sid's Bikes
Donna McMahon CRCA/Radical Media
Ann Marie Miller CRCA Sanchez Houlihan Lokey
Maria Murphy GS RETROVELO
Andrea Myers CRCA/Comedy Central-Sid's Bikes
Ashley Prine CRCA/Radical Media
Erica Adelberg CRCA/Radical Media
Dawn Burrell Colavita
Joanne Cabello CRCA Sanchez Houlihan Lokey
Colleen Conway CRCA / Teany Cycling
Ruth Dickinson Philadelphia Ciclismo
Renee Engelhardt CRCA/NYVelocity
Xieyue Fan CRCA Sanchez Houlihan Lokey
Gabrielle Fisher CRCA/Sanchez-Houlihan Lokey
Nancy Ford USI
Lisa Gizzarelli Hudson Valley Velo Club
Anneliese Haines CRCA/NY Velocity
Stacy Jargowsky crca/sbr multisports
Cynthia Lo TriLife Racing
Kristin Lotito CRCA/Sanchez-Houlihan Lokey
Emily Maynard CRCA/Radical Media
Caitlin Olson
Lindsey Paluska CRCA/NYVelocity
Edie Perkins Kissena Cycling Club
Althea Grace Pineda crca
Jennifer Solomon East End Cycling Team
Andrea Urist CRCA/Sanchez Houlihan-Lokey
Kathleen Vedock
September 1963.
A close up view of a summer art session at school.
Someone with a degree in child psychology will be able to work out what a six year old boy in the early 1960s has on his mind, and why he wants to wear his wellingtons in school on a dry summer day.
To me, a sand dune that had a clump grass in it with some barbed wire with a dead seep caught up in it, or some totally different idea a child can put down from their mind if a teacher does not interfere.
The one positive matter about painting outside the classroom is that cleaning up afterwards is a lot easier, after the jar of paint falls over.
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I started school in January 1963 at the age of six.
Burnham on Sea in Somerset seemed to be one massive snow drift. Having lived in London up to this point I had never seen so much snow.
I really did not know what to expect with this new idea of school, for the first few days of the term, just a few pupils turned up as it was impossible for most of the children to even manage to get close to the school. I had no excuse for not turning up, together with another boy we were boarders, I think it was the only school were I got a mark for most days of the term.
The weather was poor, we were allowed outside in the small garden and playground, most of us wore wellingtons in class during our lessons to stop having to change several times during the day.
Due to the freezing weather, the water to the boys toilet had frozen solid for several days, those of us aged five to nine we were sent out to a remote area of the garden if we wanted a pee, out of sight of the girls and adults. Those under five were allowed to use the girls lavatory, these were also for us if we needed to be seated.
With so few of us in lessons, the first part of the term was not very productive in work, if one of the teachers could not make it in, two groups were put together.
For fun there was often the request made by us in the middle of a lesson, that we needed to have a pee again, it might have been the cold, but the fun of peeing in the garden was probably more on our minds.
After a few months I was sent to an ordinary local infants, my lack of school at the age of five meant I was well behind the others, so a move was thought best for me.
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My second infant school at the age of six and a half was much more fun than my first infant school, other than some written work, there was much more play in lessons instead of been sat in rows of desks.
The only things I did not like about this second infant school, was that I had to learn the ITA English alphabet with its 44 letters, I could not understand it, I could already read with the normal 26 letter alphabet.
The other matter was a short afternoon rest period when the teacher read us a story, we were meant to lie face down on the mats or camp beds, due to weak bladder muscles, I ended up with a small damp patch on my shorts. I was then sent to school wearing waterproof pants, until my fidgeting got me sent out to spend the period in the playground, I was not alone a girl from the same class was sent out with me for not wanting to listen to the stories. There was a little embarrassment as I still was sent to school in the waterproof pants, my mother not realising that I had been sent out of the rest period for been a naughty fidget, it was easier to let her think I still went for an afternoon nap and needed to wear my waterproofs under my shorts, which was ideal to cover up any damp underpants that had happened during the day.
During art lessons, we started the lesson often with just three jars of paint, one of the jars would be black or brown (made up of the paint from the previous day), plus two colours of the teachers choice. Later they would be changed for a different set.
For the previous five years I had never been made to share things, now I found having to change to different colours or the like a bit of an annoyance.
Breaking off in the middle of the lesson to go for a pee was allowed, what was annoying on return was finding that another child had decided to dip their brush in your paint whilst you were away, yellow now took on a greenish hue, white might now be pink. Others had found a easy solution by not leaving their easel, a puddle on the floor was put down to spilled water from your brush washing up jar, when outside, there was never any evidence, I too never left my easel to visit the toilet.
At this second school at the age of six, I was shown and taught by a five year old girl, what our differences were.
Not having been with any other children before the age of six, I knew there was some differences between boys and girls, but exactly what was what - I had little knowledge of.
In an isolated quite area of the playground, the girl told me that she wanted to find out what was in my underpants and did it behave the same as her brothers' when she touched it, he was two years older than her.
I was so innocent of the facts of life.
On another break I was given a demonstration of how she had to go for a pee once she had removed her knickers.
Later when no other children were around, I had to demonstrate to her how accurately a boy could pee.
At my third infant school I was allowed to go without waterproof pants, a thick pair of very absorbent underpants and a pair of shorts that look like ordinary school shorts but were actually waterproof themselves solved any future problems.
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Red Legged Seriema ~ Blair Drummond Safari Park ~ Sterling ~ Scotland ~ Saturday September 26th 2015.
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Red Legged Seriema ~ en.wikipedia.org/wiki/Red-legged_seriema ~ The red-legged seriema or crested cariama (Cariama cristata) is a mostly predatory terrestrial bird in the seriema family (Cariamidae), included in the "Gruiformes" in the old paraphyletic circumscription, but increasingly placed in a distinct order Cariamiformes (along with three extinct families). The red-legged seriema inhabits grasslands from Brazil south of the Amazon to Uruguay and northern Argentina. The area over which it occurs is estimated at 5.9 million km², though the bird is not found everywhere in this region of course. The species is absent from the Mata Atlântica and planalto uplands along the coast of Brazil.
Description ~ It is 75 to 90 cm (30 to 36 in) long and weighs about 1.5 kg, with a fairly long neck, tail, and legs. The plumage is medium brown above with black markings; pale brown on the head, neck, and breast; and white on the belly. The tail has a black band near the tip and a white tip. The beak and legs are red, and the eyes are yellow. Soft feathers emerge from the base of the bill to form a fan-shaped crest.
Many other characteristics are shared with the black-legged seriema (Chunga burmeisteri), the only other living member of its family. Some of these traits are discussed in the Cariamidae article.
The song has a quality described as "a cross between 'the serrated bark of a young dog and the clucking of turkeys'".[3] At the loudest part of the song, the bird has its neck bent so its head is touching its back. Both members of a pair as well as young down to the age of two weeks sing; often one member of a family starts a song just as another finishes, or two sing simultaneously. The song can be heard several kilometres away; in Emas National Park, Brazil, in 1981–1982, observers often heard four red-legged seriemas or groups singing at once.
The full song consists of three sections:
Repeated single notes at constant pitch (1,200 to 1,300 Hz) and duration but increasing tempo
Repeated two- or three-note subphrases of slightly higher pitch with increasing tempo
Subphrases of up to 10 notes, shorter ones rising in pitch and longer ones falling, two-subphrase combinations increasing in number of notes and tempo and then decreasing in tempo.
Ecology ~ The red-legged seriema prefers grassland habitat to any other. Though it likes to inhabit lush meadows near rivers, it will not readily move into wetlands or crop fields. It is usually seen singly or in pairs, but sometimes in groups up to four, apparently families. It typically walks on the ground and can easily run faster than a human in its habitat. It will flee a car on foot at speeds up to 25 km/h (15 mi/hr) before flying.
In one conflict between two birds, they jumped at each other feet-first, keeping their balance by flapping.
This species nests on the ground or in a bush or tree up to 3 m above the ground. In the latter case adults jump into the nest rather than fly.
22 September 2009 - Ngorongoro Crater, Tanzania
Common Wildebeest (Connochaetes taurinus), subspecies Western White-bearded Wildebeest (Connochaetes taurinus mearnsi)
For those who like the biological details:
Click a link and you'll go to the Flickr photo page for that rank in the biological classification.
Phylum: Chordata; Vertebrates / Gewervelden
Class: Mammalia; Mammals / Zoogdieren
Order: Artiodactyla; Even-toed Ungulates / Evenhoevigen
Suborder: Cetruminantia; Ruminants, Whales and Hippos / Herkauwers, Walvissen en Nijlpaarden
Infraorder: Pecora; Ruminants / Herkauwers
Family: Bovidae; Bovids; Antelopes, Gazelles, Buffalos, Sheep, Cattle / Holhoornigen; Antilopen, Gazelles, Buffels, Schapen, Runderen
Subfamily: Alcelaphinae; Wildebeests, Hartebeests, Topis / Koeantilopen
Genus: Connochaetes; Wildebeests / Gnoes
Species: Connochaetes taurinus; Common Wildebeest / Gewone Gnoe
* Subspecies: Connochaetes taurinus johnstoni; Nyassaland Wildebeest, Johnston's Wildebeest or Nyassa Gnu / Mozambiquegnoe
Subspecies: Connochaetes taurinus mearnsi; Western White-bearded Wildebeest / Westelijke Witbaardgnoe
Read the complete blog about Wildebeests in Ngorongoro Crater: wildlifespotting.blogspot.com/2010/08/wildebeests-in-ngor...
© 2012 RESilU | Please don't use this image without my explicit permission.
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We spoke with the brow, and listened with the eye.
Rumi
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September 26
First thing this morning, I got the RED all built and ready, and Emily and I drove to the Distinguished Gentleman’s Ride. Today was actually just the part where people show off their bikes and enter a contest or something, but there were some really cool bikes there! We saw Brandon and hung with him a little bit, but mainly I got some shots that I needed for Sofi’s video. I’m really close to being finished with that thing!
When the shoot was over, we drove back to Dallas, unloaded camera gear, loaded up with boxes, and drove back to Denton to dump it all into our storage unit. Based on our first load, the size of our unit should be perfect. We saw my people back at Westridge, and we all determined that we were starving. For lunch we went to Tex Tapas. It wasn’t bad! They have a lot of weird food and weird drinks, but everything we tried was very good, albeit a tad pricy.
While we were eating lunch, I made the mistake of pulling up Zillow. I found an amazing new build that is in our price range and fits our style really well. At my mother’s suggestion, we drove out to see it and found that there’s an entire neighborhood being built that is made up of these mid-century-style homes. We actually discussed the idea of just buying the place today, but we decided to wait until some of the other ones finish being built so we can buy one of them instead. Jeez.
Finally, we wandered around Westridge Manor with my peeps and talked about its needs. The place is destined for a deep clean in the near future for sure. I’m actually a bit excited to see the place all sprucy and clean.
🔥📣 We are pleased to say that we are starting our 8th round at UniK. Come and meet the designers of September 😎.
LM: maps.secondlife.com/secondlife/UniK/128/128/3000
Opening: 7th September / 13:00 SLT
UniK TEAM 🚀💜
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Tysm <3
A lovely early September sunset taken at Surprise View near Hathersage in the Peak District, England.
ACN4169/ ACN4152 on 7762 empty Karara iron ore approaching Tardun on 3 September 2022. Photo: Phil Melling.
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Twee opvallende Taurus-locomotieven van Die Länderbahn in Regensburg: 183 005 (heeft Alex-trein 375/79857 München - Hof gebracht) en 183 004 die net voor Alex 360/79860 Hof - München is geplaatst; 13 september 2021.
Tomaso Buzzi (born September 30, 1900, Sondrio, Italy–died February 16, 1981, Rapallo, Italy) was an Italian designer, architect, and interior decorator. Tomaso Buzzi graduated from the Politecnico di Milano in 1923. Before graduating, he became associated with the Studio di Sant’Orsola group, which included Gio Ponti, Michele Marelli, and Emilio Lancia.
In 1927, along with Paolo Venini, Gio Ponti, Emilio Lancia, and Pietro Chiesa, he created the association named “Il Labirinto,” a design house dedicated to promoting modern decorative arts with innovative design and high quality. He produced glass, ceramic, and porcelain objects, as well as mirrors and handcrafted wood furniture.
During the 1920s and 1930s, Tomaso Buzzi became a renowned designer and one of the favorite architects of the Milanese bourgeoisie. Although Buzzi and Gio Ponti had a long-lasting professional collaboration, they parted ways by the early 1930s, and Buzzi took on more industrial design projects. During this time, Buzzi designed cutlery and metal flatware for Sambonet in Milan and Christofle in France, glasswork for Fontana Arte in collaboration with Pietro Chiesa, and fabrics for Ravasi in collaboration with Mariano Fortuny.
Between 1932 and 1934, Tomaso Buzzi became the artistic director at Venini & Company, for which he designed a series of vases with classical forms and manufactured through traditional techniques. During this time, he and Gio Ponti organized several national and international artistic events, including the Triennale di Milano and the National Sports Exhibition. From the late 1930s until the end of the war, Buzzi isolated himself to avoid collaborating with the Fascist regime. He even declined to collaborate with Gio Ponti for the VI Triennale di Milano in 1940.
After World War II, he was appointed representative of the National Liberation Front, and he focused his work on creating luxury furniture for the upper classes. His furniture pieces mixed pre-modern styles with a soft sense of modernity until the late 1960s.
In 1956, Tomaso Buzzi bought La Scarzuola, a 13th-century Franciscan convent in Umbria, Italy, and transformed it into his residence. There, he created a fantastic architectural complex with structures of strong esoteric value, which he named with eloquent titles, such as the Boat of Souls, the Stone Whale, the Tower of Desperation, the Staircase of Life, the Temple of Eros, the Well of Meditation, the Theater of the Bees, and the Termite.
De brug heeft de bouwplek verlaten op weg naar zijn plek over het kanaal.
The bridge has left the construction side on its way to the place over the canal.
My first trip abroad, in the Dolomites, in north Italy, in September 2016, It was moonlit and mostly cloudy. And those six cold nights it was difficult to photograph the beautiful landscapes with our galaxy and its constellations. However, one of those nights, I made a little effort in one of these landscapes, since the sky seemed to be a little clear before the moonrise. So in Misurina lake, even with light pollution and if I remember correctly, at moonrise, I attempted to take a astrophotography and somehow, I vindicated by the result you see in the photo. The galaxy appeared a little over the peaks (whose name I still could not find) :/ and for my good luck, its reflection on the lake, made the image a little more interesting!
I hope you like it!