View allAll Photos Tagged September
One of a family of stonechats seen in the gorse close to the masts in the masts field at Prestbury Hill nature reserve in Gloucestershire on a visit in late September. This confiding female was very oblinging and posed perfectly for the camera.
September 1, 2021, at the Cumbres & Toltec Scenic Railroad found 2-8-2 No. 484 pulling the regular train from Chama to Osier, and No. 487 with a one-car special following behind it. The visiting locomotives from the Victorian Iron Horse Roundup (Eureka and Glenbrook) had been loaded on truck and had left town the previous day.
With every sun’s rising, surprise us with Your love, satisfy us with Your kindness. Then we will sing with joy and celebrate every day we are alive. Psalm 90:14
“The first flash of color always excites me as much as the first frail, courageous bloom of spring. This is, in a sense, my season--sometimes warm and, when the wind blows an alert, sometimes cold. But there is a clarity about September. On clear days, the sun seems brighter, the sky more blue, the white clouds take on marvelous shapes; the moon is a wonderful apparition, rising gold, cooling to silver; and the stars are so big. The September storms--the hurricane warnings far away, the sudden gales, the downpour of rain that we have so badly needed here for so long--are exhilarating, and there's a promise that what September starts, October will carry on, catching the torch flung into her hand.” ― Faith Baldwin, Evening Star
An embrace of September chill,
a harbinger of things to come.
A warmth within,
Thing never undone.
WOLFgang
I hope your September is going well. I had hoped to return to Flickr full time by now but am still super busy with Echo. I will try to drop in and see what you all have been up to,.
De volgende ochtend besloot ik op het laatste moment om nog maar even weer bij de VSM te gaan kijken. De eerste ochtendgoederentrein was mij te vroeg op deze zondagochtend maar de rit terug naar Eerbeek werd bij vertrek uit Loenen gefotografeerd.
De VSM 44 1593 reed in de ochtend van 4 september 2022 goederentrein 761 vanuit Apeldoorn naar Eerbeek. Om eens wat anders te proberen werd het weiland opgezocht tussen de Molenallee en de Broeksweg.
Kort nadat het hoogstatief klaar stond vertrok de 44 1593 uit Loenen en kon zodoende vastgelegd worden tijdens het laatste stukje naar Eerbeek.
English:
On september 4, 2022, the VSM 44 1593 just left Loenen as train 761 from Apeldoorn to Eerbeek.
STRATEGIC SYNCHRONICITY
FUTURA - Pioneer of the American Urban Art Movement
Comes to LA for First Ever Solo Show
When: Thursday September 18th 2008 – Sunday September 21st, 2008
Where: Phantom Galleries LA at the Pacific Electric Lofts 610 S. Main St. Downtown LA, 90014
Preview for the Downtown LA Art Walk 6-10pm September 11, 2008
DowntownArtWalk.com
KRUNK presents, Strategic Synchronicity – an incredibly rare four-day event featuring the first ever LA solo-show by the internationally acclaimed graffiti artist & true pioneer of the American Urban Art movement – Futura. This once in a lifetime event starts on Thursday September 18th and will only continue until Sunday September 21st (in a secret location in Downtown LA). Then it's gone.
This, as perhaps Futura's most anticipated body of work ever, will showcase his extraordinary talent with a range of original canvases and drawings. Fans and art collectors will have a narrow window of opportunity to purchase original Futura art, with prices starting from $1,500 and upwards. The exhibition will not only showcase his new work but will also take a genuinely evolving organic form - a work in progress. This will be a truly historic occasion for fine art and street culture in the U.S. and should not be missed.
"LA was an obvious destination for me to showcase this collection. The city has so many incredible creatives who I consider as friends and whose work I respect enormously. It's about time I hit LA particularly with this collection. Above all, I'm looking forward to having some fun presenting AND creating this new work in LA." Futura
What to expect: Futura's past experience merges with his vision of the future, combining his tendency towards meticulous precision with his trademark free-flowing spraycan techniques. His art appears effortless in its abstraction with commentary on themes such as 'space' and 'the future' and his interpretation of 'the present'. Those lucky enough to be present might spot an 'old friend' in his work (perhaps for the last time?) as well as some incredible advancements and developments of his art form:
Futura has always had a keen interest and somewhat of an obsession with the latest technologies, so expect to see canvases stretched onto aluminium (in order to prevent warping due to environmental factors), pieces complemented by specifically devised music scores and film trials and much more.
"I consider this collection my best work yet, when I started on it I could feel myself about to explode. All these years of development and it reflects my growth and evolution. I want this work considered on its merits….and in that sense, I'm going right back to the beginning." Futura
For more information: madkrunk.com
For media inquiries please contact: Helena Barton
Email: helena@anotheragencyla.com
Tel: (323) 424-3778
Phantom Galleries LA
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web: pirovinoprojex.com
vox: 310.251.8831
Sunset at 6:30pm on September 19th 2014 looking west from the A130 primary route road near Bowers Gifford in Essex (UK).
The electricity pylon which carries either 275kV or 400kV (not sure which) connects the nearby Rayleigh Main Sub Station to Coryton and Tilbury Power Station and is part of the National Grid power transmission network.
I'd be inclined to say this line is carrying the lower voltage.
England-September-2025-019
While other castles in Northumberland were buzzing with the many tourists' activity, Etal Castle was a quiet place where we could relax and enjoy the warmth of the late summer day.
Mamiya C330f professional, Mamiya Sekor 2.8/80, yellow filter, Fomapan 100 developed in Rodinal 1+50 using a Jobo drum and a homemade roller base, scanned on an Epson V800, adjusted in Lightroom.
September 2019
double exposure; expired film (03/2015)
Visit and follow me on
Please do not invite this photo to private/hidden groups. Thank you.
September 1997., Casement Aerodrome, Baldonnel. Ireland
The launch of the new Garda ( Irish Police ) Air Support Unit
14.00pm, in glorious weather, on Sunday 20th September 2020, sees British Rail Class 37 No 37714 Cardiff Canton crossing Swithland Reservoir, Leicestershire with the Great Central Railway's (GCR) Ex 13.50pm Quorn and Woodhouse return passenger service for Leicester North.
This weekend saw the welcome re-introduction of GCR's limited passenger service following the successful replacement of bridge No 340 North of Quorn and Woodhouse Station.
37714 arrived at GCR in early March 2017 after being repainted at Derby into its current Train Load Freight (TLF) metals livery from its former Direct Rail Services (DRS) blue colour scheme. It was named Cardiff Canton ceremoniously on 17th March 2017 during GCR's March 2017 Spring Diesel Gala. The loco is on a five year loan to the 'Heavy Tractor Group'. TLF liveries first appeared on British Rail (BR) in the late 1980's following its formation in October 1987.
The BR Class 37 is a 1,750 bhp diesel-electric locomotive - also known as the English Electric Type 3. 309 were built between 1960-1965 with a top speed of 90 mph.
As a member of the 37/7 subclass this locomotive has additional ballast weight to assist in maintaining traction when starting heavy loads.
September 1976. The SD35s have swung into position and have tied onto the rear of the eastbound coal drag.
September 14, 2020
Moose has a very Monday expression on his face. Skipped boot camp because my shoulder is still painful.
September 7th 2002. I was documenting the protest over affordable housing, outside the old Woodward’s Building on West Cordova Street, downtown Vancouver. Homeless people were squatting in the old Woodward’s building, which had been slated for redevelopment into new homes. It was a large protest, and tensions were high. The police had blocked off the road. In this scene, I am right in the middle of the crowd. I was fascinated by the two men on the left, who were communicating with a unique kind of sign language that involved holding each other’s hands and interpreting the gestures by feeling them, as well as some vocalization. One was deaf, the other was blind. Shot on Kodak BW400CN film.
September 15, 2013
Macee, Saylor, and Kathy shave their heads in search of a cure for childhood cancer.
New York, September 2022
Only the street shots - thestreetzine.blogspot.com/
September 2021 - [RHO/LGRP] Rhodes - Diagoras
"SUNDAIR 40JE" completing the first leg of HER-RHO-LEJ.
cn 3950, delivered to Hamburg International as D-AHIQ in 2009. Former SX-OAG with Olympic, A5-RGI with Druk Air, D-ASTR with Germania, LY-JAY with GetJet and D-ASMI with Sundair.
USA 2016
We went to USA in September 2016. These next set of images are from just a few of the places that we visited. It is a fantastic place to explore. These images are from Boston and other places and represent a few of the buildings and architectural features that were photographed at the time.
This is the first of two postings.
Photograph taken at 11:21am on Friday 13th September 2013 at an altitude of Five hundred and three metres from the comfy confines of an open metal two seater ski chair lift ascending Glen Coe Ski Resort (also known as 'Glencoe mountain' and White Corries ski centre', located on Meall a' Bhuiridh, a mountain on the edge of Rannoch Moor in the highlands of Scotland, close in proximity to Glen Coe and Glen Etive. The mountain is One thousand, One hundred and eight metres tall (3,635ft), ranked 36th in the UK with a prominence of 795 metres and the name in Gaelic means 'Hill of the bellowing'.
The River Coe runs through the valley and the views from the mountain include The Three Sisters, Meall Mor, Aonach Dubh and Bidean Nam Bian, the highest point in the former county of Argyll. Stob Coire Sgreamhach is designated as a separate Munro (a mountain in Scotland with a height over 3,000 ft (914.4 m). Of course, there is always Ben Nevis to admire as well.
There are seven lifts on Meall a' Bhuiridh and nineteen ski runs. The Glen Coe ski resort lies on it's Northern slopes, and the cafe at the base serves the finest hot chocolate smothered with whipped cream and lashings of scrmptious marshmallows that I have ever tasted.
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Nikon D800 45mm 1/640s f/2.8 iso200 RAW (14Bit) Handheld
Nikkor AF-S 24-70mm f/2.8G ED IF. 77mm Jessops UV filter. Nikon MB-D12 battery grip. Two Nikon EN-EL15 batteries. Sandisc 32GB Ultra Class 10 30MB/s SDHC. Nikon DK-17M magnifying eyepiece. Hoodman HGEC soft eyepiece cup. Nikon GP-1 GPS unit.
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LATITUDE: N 56d 37m 41.00s
LONGITUDE: W 4d 49m 54.82s
ALTITUDE: 503.0m
RAW (TIFF) FILE: 103.00MB
PROCESSED FILE: 42.80MB
SAN FRANCISCO, CA - September 24 - Steve Gilmore, Cory Ferraro and Joe Colmery attend JDRF Gala 2022 on Saturday, September 24th, 2022 on September 24th 2022 at The Ritz Carlton in San Francisco, CA (Photo - Devlin Shand for Drew Altizer Photography)
Candy, for Macro Mondays. A half-eaten Hotel Chocolat interloper settles down with some Jeff de Bruges chocolates. Sadly Jeff de Bruges has closed down in the UK, so it's another thing to smuggle back into the UK from trips across the Channel...
September 17, 2011; Tuscaloosa, AL, USA; The Alabama Crimson Tide beat the North Texas Mean Green 41-0 at Bryant-Denny Stadium. Mandatory Credit: Kelly Lambert-US PRESSWIRE
Motorrijtuig 810 039 van de Tsjechische spoorwegmaatschappij České dráhy als Os 15920 van Třemošnice naar Čáslav in Vrdy; 8 september 2020.
September is dedicated to Our Lady of Sorrows. May the Blessed Virgin bring succour and consolation to the wounded Body of Christ; may her tears elicit repentance for the sins that continue to wound the Church and especially her most vulnerable members.
Photo of the Great Rood in Westminster Cathedral, seen from the Sanctuary.
September's full moon, known in folklore as the Harvest Moon, rises over the DC skyline. Pollution and summer-like haze gave the moon its reddish-orange color.
September 24th, 2021
There’s a lot you can say about Yale, but it does add a certain charm to New Haven.
I don’t have much to say lately. Nothings going on in my life atm.
I was in a good mood today, felt a lot less heavy than I have been.
I have TEN pages left of I’ll Be Gone in the Dark, I’ll finish it when I get up tmrw. Ugh it took me way too long to get thru it. My goal is to read TWO more books before the year is over. Mrs. Dalloway for sure but I haven’t decided on the other yet.
September 2011-
Beach Near Lake Sijung.
North Korean people, mainly from Pyongyang and the elite, have access to the wonderful beaches of the east coast. Those kids were having a swim in Chilbo Sea. The parents refused to pause for me. The father had a big car, for sure they are part of the privileged people in North Korea.
© Eric Lafforgue
Wilhelm Kotarbiński (30 November 1848 – 4 September 1921) was a Polish artist and painter of historical and fantastical subjects, who spent most of his life in Kyiv and the Russian Empire.
Kotarbiński was born in Nieborów in Warsaw Province of Congress Poland. His father was an impoverished Polish nobleman who served as a manager for the Radziwiłł estates. He began his studies with Rafał Hadziewicz at the Warsaw School of Art from 1867 to 1871. Afterward, he enrolled at the University of Warsaw, urged on by his parents who were opposed to an artistic career, but stayed for only a short time before borrowing money from his uncle and moving to Italy. The following year, he was able to arrange a stipend from the Imperial Society for the Encouragement of the Arts and enrolled at the Accademia di San Luca, where he studied with Francesco Podesti until 1875, living in poverty and barely surviving a case of typhoid.
In 1888, he left Italy, after being invited by his friend, Pavel Svedomsky, to come to Kyiv and work on an upcoming major public project. He married a distant cousin, acquired property in Minsk Governorate, and began painting in the local churches, but visited Kiev frequently. Although he was Catholic, he did decorative work at the Orthodox St Volodymyr's Cathedral from 1889 to 1894, with several other well-known Russian and Ukrainian artists, notably Viktor Vasnetsov. Under the supervision of Adrian Prakhov, an expert on old Russian and Byzantine art, he worked on 84 individual figures and 18 full paintings, including a large painting of the transfiguration of Christ. During this time, he became friends with the Prakhov family and was said to be enamored of Prakhov's wife, Emilia [ru]. This, combined with his frequent and lengthy absences, eventually led to an estrangement from his wife, who moved to an estate near Vilnius.
Частина інтерв`ю Володимира Мнішенка - «Зірка Вільгельма Котарбинського, Грінченко-інфо. 29.11.2023
«Wilhelm Kotarbiński, artysta malarz», – А ще років з десять тому я й не знав, хто такий Вільгельм Котарбінський. Я не мистецтвознавець, не історик мистецтва, я кардіохірург. Але ця тема настільки цікава, що багато людей в Києві і не тільки дуже поглиблено почали вивчати творчість представника академізму та символізму Вільгельма Котарбінського, творця монументального, монументально-декоративного та станкового живопису.
Котарбінський прибув до нашого міста на запрошення Адріяна Прахова, голови комісії з внутрішнього оздоблення Володимирського собору. Саме Адріян Вікторович розробляв програму розпису, підбирав кандидатури художників і наглядав за ходом робіт. Котарбінський працював над розписом собору з невеликими перервами майже десять років! Трудився від ранку до вечора. Його творчий доробок за площею поверхні розпису собору більший, аніж у Васнєцова і Нєстерова разом узятих. Для розуміння ідеї творчості Котарбінського, його символізм в сакральному живописі, його техніка виконання полярно відрізняються від малярства Віктора Васнєцова і Михайла Нєстерова.
Він народився 30 листопада 1848 року в Неборуві, неподалік Варшави, в родині шляхтича гербу Яструбець (Jastrzębiec), управителя маєтку княгині Олени Радзивіл. Змалку у нього проявився талант художника. На жаль, збереглися одиниці його дитячих робіт. Вільгельм навчався у Варшавських класах малюнка при Товаристві заохочення красних мистецтв. Батько категорично був проти, щоб син став художником. Але Вільгельм отримав від Товариства премію у 500 срібних рублів за «малюнок олійний» і 200 рублів стипендії для навчання за кордоном. І вирішив їхати до Риму: вступив до Академії мистецтв святого Луки, яку закінчив з великою золотою медаллю. Загалом, він прожив в Римі близько 15-ти років.
Адріян Прахов відбираючи митців для розпису Володимирського собору, пропонував узяти участь у проєкті багатьом. Але більшість із різних причин відмовилося. А Васнєцов сказав, що один не впорається з такою масштабною роботою. Перебуваючи в Римі, Прахов запросив до цієї роботи братів Павла і Олександра Свєдомських. Вони дуже тісно товаришували з поляком Котарбінським, тому запропонували тому долучитися. Так Вільгельм приїхав з ними до Києва.
Без творчості Котарбінського, безумовно, Володимирський собор існував би, але був би інакшим. Якби Прахов залишив як сакральних живописців тільки Васнєцова і Нєстєрова, то це був би тільки один напрям, суто російський. А Котарбінський – випускник римської Академії мистецтв, брати Свєдомські здобули художню освіту в Академіях мистецтв Дюссельдорфа та Мюнхена. Тобто базова освіта, школи абсолютно різні.
Вільгельм Котарбінський і Павло Свєдомський написали 18 картин і 84 окремі фігури. Допомагав їм і Олександр Свєдомський. Також Котарбінський разом з Павлом Свєдомським за малюнками Васнєцова і за його участі написали всі орнаменти центральної частини собору. До речі, саме за розписи Володимирського собору Котарбінського нагородили орденом Святого Станіслава II ступеня.”