Script photos on Flickr

Onto the brass, I carefully etched the script and flowers. The etching was done by using a chemical etching process and then I oxidized the brass to give it a nice patinaed look. The brown leather was actually recycled from an old leather work belt and I attached it to the fastener using jute and the etched piece is attached using copper wire.

The bracelet measures 7 1/2 inches long and 1 1/2 inches wide. Not your size...let me know I would be happy to make it fit you.

Script lezen by Frits Weener

1

_3270384bk

Script Ohio by brent watkins

American War Cemetery, Normandy by dMb

June 6th 1944 - D Day. American War Cemetery, Colleville sur mer, Normandy, France.

Elsewhere: Visit my photography blog or find me on facebook, twitter, Google+ and 500px.

The Script by Roberto Finizio

The Script

Mediolanum Forum Assago, Milan Italy IT

28th march 2015

for info and photos visit my website www.robertofinizio.it

per info e materiale fotografico visita il mio sito www.robertofinizio.it

The Script by Roberto Finizio

The Script

Mediolanum Forum Assago, Milan Italy IT

28th march 2015

for info and photos visit my website www.robertofinizio.it

per info e materiale fotografico visita il mio sito www.robertofinizio.it

Script by Yogi montenegro

THE SCRIPT by francesco prandoni

Milano, 29/01/2013 the script alcatraz

nella foto the script

foto:Prandoni francesco©

Script of Performance by Ikhlasul Amal

Rehearsal of Uun Budiman's performance.

Location: Taman Budaya Jawa Barat, Bandung of West Java.

Script "Autorimessa" by Daniel X. O'Neil

Counterpart here:

[http://www.flickr.com/photos/juggernautco/7676355630/in/photostream/]

Script by Carobacle

1er dec 07

The Script by Davide Merli

1

The Script @ Mediolanum Forum, Assago (MI). Pics by Davide Merli.

The Script are:

- Danny O'Donoghue

- Mark Sheehan

- Glen Power

The Script @ Paradiso by Rianne Dolfing

The Script, 01.02.2011 at Paradiso Amsterdam.

Script by cherynf

This image was taken in the Hovd Museum; Mongolian script was abandoned during Russian occupation and today Mongolians use cyrillic, customized for their language

The Script by Roberto Finizio

1

The Script

Mediolanum Forum Assago, Milan Italy IT

28th march 2015

for info and photos visit my website www.robertofinizio.it

per info e materiale fotografico visita il mio sito www.robertofinizio.it

Script tattoo by jon.malvern

Jon Malvern

SCRIPT_01 by jsenirx

The Script by Music Box Unwinds

1

The Script

SSE Hydro

Glasgow, Scotland

20th February 2015

All photos by Stacey Auld @ Music Box Unwinds

DO NOT REMOVE WATERMARK OR EDIT.

www.musicboxuwinds.co.uk

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A Presentation of Amanda : a new script type for advertising from : Stephenson, Blake & Co. Ltd. : Sheffield : c.1939 : The London Spectacle by Feliks Topolski by mikeyashworth

The Sheffield, Yorkshire, based typefoundry of Stephenson, Blake issued this 'presentation' or brochure for the Amanda script typeface family in 1939. Designed at Wagner & Schmidt of Leipzig the typeface was one of many contemporary script style as Stephenson, Blake noted in the introduction. The specimens show the seven sizes it was available in alongside examples in various settings.

I'm personally very fond of the work of Feliks Topolski (1907 - 1989) the Polish born artist who settled in Britain in 1936 and soon became a noted chronicler of British and overseas life. He was an Official War Artist to both the British and Polish Government in Exile during WW2.

Script_Shanghai by Bruno Porto

2 1

Brazilian type in China_

scripting-virus by Randy Morin

scripts by Sara

179/365

June 28, 2011

Been working on memorizing my lines for Hairspray.

IMG_3792 by Stephanie Cheung

I am the last advocate for reducing texts, scriptures and languages to mere graphic forms. The whole dimension of the text's meaning, histories, combinations, connotations, sound and craft is disregarded. What is more problematic is that I am ignoring the power of words to move and persuade people.

After first year and my first internship, I felt slightly disillusioned and confused by what Architecture meant to me. I took a trip to Myanmar and the trip recalibrated a lot things. I found it particularly grounding and inspiring for some of the things that I want to achieve in the future.

The spatial and formal organisation of the Burmese language in signage was something I found very compelling. At least with the handwritten texts, so much thought and effort was put into crafting every character. You see pencil marks, underlays, brush strokes and outlines. There is a combination of type faces and textures to create visual impact in different programmatic contexts that I find fascinating.

The Burmese name for the round script is "ca-lonh", literally translating to "round text". There are 33 main characters in the Myanmar language. Instead of words that are formed by a combination of alphabets (like in English), this language makes use of additional vowel shift symbols, tonal change symbols and consonant modification symbols. The rounded form of the characters is a result of the use of palm laves a the traditional writing material. Straight lines and forms would tear the leaves.

By compiling this, I am exposing my status as alien and an outsider. However, the focus on the visuals may have the inverse effect of celebrating the text, for text's sake, specifically, it is celebrated as visual form and not just a sign that says "eggs", or something.

Regardless, I tried to interpret the scope of "text" in a broad but focused way - text, in its literal form, text in prayer, text in recitation, text in architectural program (the stupas of Kuthodaw Pagoda). Photos are arranged in chronological order. The journey started in Yangon, then upstream along the Ayarwaddy river, to Mandalay and Bagan, then back again to Yangon.

These photos aren't really anything special in terms of photography, and I am not going to attempt to make sweeping claims about directing a new visual order, but as a composite they attempt to represent my yearning to celebrate a culture of appreciation for the process driven intensity in text making and in the creation of form.

script by Blair

2 5

130613_03_ISType_14 by ISType