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I was fooling around with iPhone SDK at the very beginning to create an app to give readers short excerpts of blog post, photos, downloads, tweets. Guess what, before I acquired enough skills to actually create one, there is this MotherApp service to do almost everything for you.
Honestly, I don't think people, even myself will read blog posts in an iPhone app but it is fun by itself to create an app that's gonna be on Apple's app store. The Scription app is supposed to be out in January, let's see how it turns out.
More on Scription blog: moleskine.vox.com/library/post/scription-iphone-app.html
LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
I've been seeing people use flic.kr links (Short URL provided by Flickr) so I wrote a Greasemonkey script that will display the current photo's flic.kr link on the page.
You can read about is and get the script here.
BTW, The Flic.kr link is: http://flic.kr/p/6BsJkW
Flickr Short URL here.
Discussion and Javascript function by ‘Xenocryst @ Antares Scorpii’ here. He wrote the Base58 Javascript function I made use of.
lichen photos arranged by genus - www.flickr.com/photos/29750062@N06/collections/7215762439...
my photos arranged by subject - www.flickr.com/photos/29750062@N06/collections/
These are the most frequent scripts made by members of the Scratch Online Community. You can think of them as the collective nuggets of programming wisdom created by a quarter of a million kids from around the world.
This is the result of an analysis of the ~2 million projects on the Scratch website.
The gray ones are the ones without any behavior associated to them, most likely the result of experimentation.
Thanks to members of the Scratch community (MyRedNeptune, Jonathanpb, Scimonster and BWOG) for helping with the creation of this image.
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
TBDBITL performs Script Ohio in Ohio Stadium (the "Horseshoe") before the Maryland game on October 10, 2015
While in the same vein and spirit as Burgues and Compendium, Bellissima began from an entirely different thread as those fonts. It started with Alex Trochut generously showing me a gorgeous lettering book from his grandfather's library: Bellezas de la Caligrafía, by Ramón Stirling, 1844. Stirling was one of the Latin calligraphy pioneers who introduced a refined version of English calligraphy in Spain and made it popular in the nineteenth century.
Some scans from that book served as initial basis for the caps in my Poem Script. But it was always in the back of my mind that I should do a copperplate, and the Stirling model was the perfect source. My intention was to veer away from Stirling's exuberant ornamentation, and work within simplified forms of his ideas. As it usually is with most of my projects, Bellissima became its own bird and shaped its own flying patterns. Suddenly there were many ligatures, multiple endings and swashed connections, hundreds of alternates for both uppercase and lowercase.
Bellissima has an effusive energy that appeals much beyond its sourcing. It's intended for these modern times of appreciation for old crafty things like stationary and letterpress, where its origins help it shine brightly.
Bellissima Script Pro is a complete font with almost 2000 characters full of alternates, swashes, ligatures & ornaments covering a wide palette of latin languages and Bellissima Script Redux is a random sample of glyphs totally usable with a reduced price.
3D art in that Specimen generously provided by Corey Holms.
To celebrate this new font release there is a 30% off discount at @myfonts and you can get the Pro version for just 55$ or a Redux (a random selection of 256 glyphs) for only 34$
More fonts at:
New font by Ale Paul for www.sudtipos.com
--
Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
VIDEO: www.youtube.com/watch?v=M5d9xtMdobk
••• SCRIPT/LYRICS: •••
MOLEMAN'S EPIC RAP BATTLES!!!!!
PORKY MINCH…
…VS…
…ERIC CARTMAN!!!
BEGIN!
Eric Cartman:
Listen up, you worthless sack of protoplasm; here's the deal:
I've utter faith that I'll one-up you, and go platinum for real!
You're an evasive little pussy; I'm a doer, dropping bombs:
I'll whoop your ass a hundred times worse than that bitch you call your mom!
The Triple-K Grand Wizard's here to stick a thousand truths to y'all;
Imagining won't be required to make you suck my salty balls!
Just ask Saddam Hussein: my shocking words are verbal PK Thunder!
Come on down to South Park? You're gonna have a bad time, Mother-fucker!
Porky Minch:
Here's an eight-part melody of hate, you cardboard-cutout brat:
Abort your efforts like the spawn of your Satanic Rankin/Bass,
For I ain't cynical in saying that all I hear from you is crap;
If thunder's what you're spitting, you can call these raps my Franklin Badge!
A bigger pain inside your ass than a visit from aliens,
So shut your mouth before I open it like a Canadian's!
Make Minchmeat out of me? You're Andonuts if you think you could manage,
So buzz off, lest you be bitch-smacked with a "SMAAAASH!!" for mortal damage!
Eric Cartman:
That verse stunk worse than Eagleland's advertisements for your game;
Methinks the lines lost something in translation, kind of like your name!
This ain't your sanctuary, Pokey, and you'd best start running home,
'Cause pissing me off's poorly-thought-out as the schemes of undie-gnomes!
Porky Minch:
You're full of Poo, and no prince, either; more akin to Mr. Hankey.
Wrecking you rivals your mother, it's so easy; spanky-spanky!
I've rolled with blue-power groups, but they at least didn't worship Hitler!
You resent being labelled "fat", yet truly, your bone couldn't be littler.
Eric Cartman:
I HAVE FUCKING HAD IT WITH YOUR SHIT! Cartman means business, buddy:
I'll make you crap in your pants, and not as fear's byproduct, either,
Grind and cook your body up, á la Shakespeare at his most bloody,
And feed you to your own brother; I hear he's no Picky eater.
EarthBound? Trust me: you'd be HellBound, even if you were a Mormon;
You'll be finished by the count of Onett, Twoson, Threed, you whoreson!
I'm school's bottom-one-percent, but first in lyric-busting class,
So take your disses, make like Mr. Slave, and shove them up your ass!
Porky Minch:
Well, let's be honest: we're both corpulent, cruel creeps. Indeed, this match
Is like the Special Olympics: in either race, you finish last,
And you owe more to status quo than any boy band's debts, you freak;
Got the Ass-Burgers beaten out you by a girl, you're so damn weak!
Moonside's the only place I'd answer your dictations with a "yes";
I'm flowing with mach-speed delivery: Escargo Express-esque,
And that two-hundredth episode got screwed by Islamistic pressure,
But your fat face is the blasphemy they really ought to censor!
Eric Cartman:
I take back that "whoreson" line; I really meant: Streisand-begotten!
Man, I'll make a jackass of you swiftly as I did Bin Laden.
You seem pretty rich; your neighbors owe your folks a pretty penny,
But as rhyming skills go, your worth's pretty much on par with Kenny's!
Kenny: Hey man, leave me out of this, yo- (*Explodes for no reason*)
Cartman: Rats; that was inexplicable.
Your death, though, will be no shock; they'll say:
Kyle: Meh; that was predictable…
Cartman: You'll stop right in your tracks, but not to pose saying "fuzzy pickles",
Once my insults blow up in your face like bottle rocket missiles!
Porky Minch:
You put on a less appealing act than Butters' wack tap dancing;
Only half-ginger, yet of a soul, you haven't any fraction!
That'll make it all the easier to leave naught of you remaining,
When I send your mind and body into Mu, and not as training!
Eric Cartman:
Well, I'll tear into you 'til you can't stop crying bloody murder,
Then get drunk upon your tears as if my name was Mason Verger.
Go pig out on some fly honey, barf-head, 'cause it's plain to see
That I could beat you with one hand behind my back; J. Lo agrees!
Porky Minch:
You lived through getting thrown beneath the bus, but listen here, M'kay:
You'll be gone sooner than a hundred bucks in the investment fray!
You wanna Brawl with Porky? Better be prepared for consequences,
For I need no Mr. Saturn to break right through your defenses…
Mr. Saturn: ZOOM, BOING!
Porky: …Behold: I'm sporting heavy arms to heavy metal,
With an evil power on my side, though not your faggot devil.
Welcome to the womb of woe, wherein awaits your final fight;
You can consider yourself dead, and it's too late to make it right!
Mysterion: The evil in Minch's heart can be allowed to run rampant no longer, lest the great darkness he has awakened consume all of us. I, Mysterion, must intervene and- GAH! (*Pushed off rooftop to his death*)
The Coon:
What are you, some future-wetback, trying to take my job away?
Well, I'm the only Chosen One who'll whack this pasty snob today!
Yes, it is I, the Coon, and I'll be giving you my autograph,
In claw-marks on your face through this barrage of my full-throttle wrath!
Porky Minch:
Boy, I'll drop you as hard as your own lame league! Props, though, on those garments:
The costume's spot-on; looks just as if you found it in the garbage.
Not-so-devious raccoon-ass; you should take a page from Sly,
Because I mean business for realsies, and I'm not your buddy, guy!
The Coon:
Here's some enlightenment, you rotten apple: you're as good as toast!
I'll go BP on you: drill through your brains, and that'll be all, folks;
Don't need my so-called "Friends" to burst your ego and your cockpit bubble!
Crossing me was where you fucked up; there, Hindsight: saved you some trouble.
Porky Minch:
What a waste of bars that was; still think you'll pull through all of this?
It's hard believing you believe that; you're like Scientologists!
You long-since butchered Clyde and pals, but playtime's really over now;
When I switch off this clunker's power, watch another surge, and how…
Giygas:
Eric, Eric, Eric… wanna war against Giygas on mics?
Bitch, please; I outdo both Mewtwo and the Empire at counter-strikes!
A psychic psycho mama's boy who puts ol' Norman Bates to shame,
This otherworldly foe who'll cancel you for good ain't turning tame!
Chaos incarnate, I'm one far-off cry from that "Professor" whelp;
Send out a prayer? I'd like to see you try; they'll say:
Kyle: Go fuck yourself!
Giygas: The truth is crystal-clear, and unlike these backgrounds, I won't distort it:
If you fought my fetus, even then, I'd see your life aborted!
From one moviegoing misstep, to Itoi's nightmares, to yours,
To hippies, trees and traffic signs, my darkness spreads 'til all's absorbed,
And though my mind is shattered, you remain the bigger idiot:
Forget the form of my attack; you can't grasp how to flow for shit!
The Coon:
Come on; your bluffing's just like rape, 'cause none of it is getting past me!
…That being said, Minch, I'll admit that your new friend is rather ghastly,
But if "happy"'s how he's feeling, I won't let that stay for long…
Hey, C-Man, that red swirly guy's been talking shit about your mom!
Cthulhu:
WHAT; who dares blaspheme against the Blasphemy from which I spawned?!
I'm waking up to Call this fool out; screw it if the stars are wrong!
You puny Geek; didn't my cultists lay out what'll happen to you,
When straight outta R'lyeh, comes the eldritch mind-fucker, Cthulhu?
H. P. made me, but the rhymes I craft for you comprise pure hate:
You'll wish that I had simply eaten you, so grim will be your fate!
You're but a flower to me, and like that weird tale, I'll put you under;
Wouldn't dream of losing in a vigintillion years of slumber!
Watch me wreck your base to sounds of Starmen's screams and toppled stones;
I'm laying down more maddening words than any A. A.-authored tome!
Your grave's been dug, and it's a Deep One, like my pals in Dagon's Order;
I'll smash you between my palms, and label you The Sandwiched Horror.
Giygas:
Oh, get real, you overrated, mythos-title-hogging hack;
My unreal skills will burst your brains so bad, this time they won't grow back!
Derleth need not be at the helm for your defeat to be achievable:
You're just a big ol' squid; my cosmic terror is unspeakable!
Cthulhu:
Cthulhu fm'latgh hlirgh! You really have destroyed your mind;
Even against my Grim Adventures version, still you'd Trail behind!
We both know well that one immortal's life ends only by another,
And between us, there can be but one, so come and get me, sucker!
(*The two monsters clash; vision is engulfed by a massive, blinding burst of energetic light*)
Porky Minch:
…Dang! It seems that either beast has dealt the other fatal wounds;
Convenient, really… Now, although I'd love to stay and seal your doom,
I've even bigger fish to fry than any Great Old One, and thus,
I leave you in the present, heading off to cause far-future-fuss…
Eric Cartman:
Oh, don't you try to exit-stage-left on me, coward; I've got more to say:
This battle won't be done 'til all respect my rap-authority!
My win can't wait, and so into deep-freezing I retire,
Chilling out for now, but come my waking, I'll be spitting fire…
…
……
………
……
…
…And, like Buck Rogers, the Time Child emerges from his frigid capsule
To engage his rival once more; now, where is that little rascal?
…Ah, you're right in front of me; get ready for round 2.0,
Because I'm back to- …holy David Blaine, have you let yourself go!
Porky Minch:
So, you've come here through space and time pursuing unfounded revenge, kid?
Oh my God; you're killing me with your sheer arrogance, you bastard!
Though you deemed your trip to Casa B. as worth its consequences,
I'll see to it you regret this; welcome to your final chapter!
I'm a king, with a utopian empire in my name;
The dopest Pig-Mask master since Jigsaw, I play the conquest game!
Just ask Fassad: my forces trump foes! Know your heart will break and rend,
But don't you dare start tearing up just yet; no crying until the end.
Eric Cartman:
How can you call this a utopia?! There's too many damn minorities;
You're King of Nowhere: how's that for a title of authority?
There'll be no safety from the PK Hate I'm launching at you:
Bomb-ass lyrics sick enough to topple even your wack statue!
Get up out of bed and fight me; you look like you're from Akira,
But I needn't follow suit and be a blob to fuck your rear up!
With or without godless otters, I bust triple-A-grade verses;
Your delivery's as mechanical as your robot-selves: nerveless!
Porky Minch:
Man, I'm pulling all the stops out; time to get apocalyptic:
In contrast to Mother 3's end, your demise will be explicit!
No chimera'll be required to see you instantly defeated,
So naturally, take after my Killer Cyborg's theme, and Beat It!
Eric Cartman:
I'll strike you in combos to these beats; unravel master plans!
You won't get far with me; your game couldn't even travel past Japan,
And I'll downsize you like its move from 64 to GBA
With words so Negative, they'll leave self-pitying ones all you can say!
Porky Minch:
Al Gore warned you of Manbearpig, and he was two-thirds-way correct:
I'll roast you like a lil' marshmallow; snap your nonexistent neck,
You dumb, malformed Ape! Saying you'd bring me down, you couldn't have been more wrong:
King P'll drop you from a hundred-story building; call you Kong!
My brittle, bed-bound body's broken after countless trips through time,
Yet I remain a towering force in terms of loosing thunderous rhymes!
Your fatty blood's unfit for spilling on my spider-legs, you schmuck;
I thusly let the Parka Man end this…
Kenny: Wait, Cartman?! What the fu- (*Multiple gunshots*)
Porky: Gah! My hit points fall toward zero, and I'm slowly losing breath,
But I've still one last trick, so don't get your hopes up on seeing my death,
For if you'd take sick joy in doing so, I'll keep you from that pleasure,
Even if it means my being deprived of this world's light forever…
(*Absolutely Safe Capsule activates*)
Eric Cartman:
Ha; Guess I didn't need Cthulhu to leave you in dark oblivion!
Hell, I'd take Ensenada over what you'll now be living in,
And hence, our duel concludes: I stand victorious; you're boned,
'Cause you just screwed yourself for good, and on that note, I'm going home…
…
…Wait a minute, my home doesn't exist anymore, and everyone I've ever known has been dead for centuries…
…
…AW, MOTHERFUCKING GODDAMN COC-
WHO WON?
WHO'S NEXT?
I DECIDE!!!!
MOLEMAN'S EPIC RAP BATTLES!!!!!!
Marillion.. Script for a jesters tear.
Formed in Aylesbury in Buckinghamshire in 1979,Marillion went on to become one of the most succesful rock bands of the 80's selling more than 15 million albums...I must say im not a great fan of the bands later work...It was the first couple of studio albums that i loved as these created a sound that reflected the bands influences notably Genesis,Pink floyd,Van der graff generator,Yes and early Rush....The first time i heard Fish's poetic lyrics i was hooked [No pun intended]....This is an essential album for any first or second generation Prog Rock fan.
track: Harrowdown Hill by Thom Yorke
This is Solo Mornington, an Avatar in Second Life who is really good with scripts.
Scripts are the life of all things in Second Life.
But when they are doing it, they just stand there and nothing happens
for a LONG time.
_____
A Second Life machinima
no parcel
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com