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SUDTIPOS NEWS
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We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
James Danger Harvey, the skin gallery, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side tattoo,
Just came across this old file, a test script for a Valentine letter we sent out in 2009 to brands we loved. Handwritten script by Paul Antonio
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Can you guess which letter inspired the form of these links?
I finally listed this one of a kind chain for sale.
James Danger Harvey, the skin gallery Tattoo, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side tattoo, names, footprint, stars,
How to get the process ID (PID) of a shell script
If you would like to use this photo, be sure to place a proper attribution linking to Ask Xmodulo
Available at Myfonts
Bordonaro Spur
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
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Bordonaro Script
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
New font by Ale Paul for www.sudtipos.com
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Get the font MyFonts with a 35% introductory price > www.myfonts.com/fonts/sudtipos/auberge-script/
ABOUT AUBERGE SCRIPT
It took me a long time, but I think I now understand why people of my generation and older feel the need to frame current events in an historical context or precedents, while most of the young couldn't care less about what happened ten years ago, let alone centuries back. After living for a few decades, you get to a point when time seems to be moving quite fast, and it’s humbling to see that your entire existence so far can be summed up in a paragraph or two which may or may not be useful to whoever ends up reading the stuff anyhow. I suppose one way to cope with the serenity of aging is trying to convince yourself that your life and work are really an extension of millenia of a species striving to accept, adapt to, and improve the human condition through advancing the many facets of civilization -- basically making things more understandable and comfortable for ourselves and each other while we go about doing whatever it is we are trying to do. And when you do finally convince yourself of that, history becomes a source of much solace and even a little premonition, so you end up spending more time there.
Going far back into the history of what I do, one can easily see that for the most part it was ruled by the quill. Western civilization’s writing was done with quill pens for more than thirteen centuries and with newer instruments for about two. By the mid-18th century, the height of the quill experience, various calligraphy techniques could be discerned and writing styles were arranged in distinct categories. There are many old books that showcase the history of it all. I recommend looking at some whenever the urge comes calling and you have to get away from backlit worlds.
Multiple sources usually help me get a better perspective on the range of a specific script genre, so many books served as reference to this quill font of mine. Late 17th century French and Spanish professional calligraphy guides were great aides in understanding the ornamental scope of what the scribes were doing back then. The French books, with their showings of the Ronde, Bâtarde and Coulée alphabets, were the ones I referenced the most. So I decided to name the font Auberge, a French word for hotel or inn, because I really felt like a guest in different French locales (and times) when I going through all that stuff.
Because it is multi-sourced, Auberge does not strictly fit in a distinct quill pen category. Instead, it shows strong hints of both Bâtarde and Coulée alphabets. And like most of my fonts, it is an exercise in going overboard with alternates, swashes, and ornamental devices. Having worked with it for a while, I find it most suitable for display calligraphic setting in general, but it works especially well for things like wine labels and event invitations. It also shines in the original quill pen application purpose, which of course was stationery. Also, as it just occurred to me, if you find yourself in a situation where you have to describe your entire life in 50 words or less, you may as well make it look good and swashy, so Auberge would probably be a good fit there as well.
This is one quill script that no large bird had to die for.
A few technical notes
The Auberge Script Pro version includes 1800 glyphs, everything is included there. Also latin language support. We recommend you to use the latest design application to have full access to alternates, swashes, small caps, ornaments, etc. The images from the gallery uses this version. For better results use the fonts with “liga” feature on.
Awards
During 2014 the early develop of Auberge Script was chosen to be part of Tipos Latinos, the most important type exhibition in South America.
Take a look of the complet project at on.be.net/15Yq5XY
Mike Cahill, a visiting screenwriter, meets with creative writing student David Harrison to review his script. Photo by: Philip Channing
James Danger Harvey, the skin gallery, 5739 Auburn blvd Sacramento CA 95841, black and grey, tattoo, script, 916-247-3538, lettering, side
Script-Writing Cleric Paid Tribute at Glendora Dinner
Los Angeles Times
GLENDORA, Oct. 25. — Mayor Earl Comstock tonight paid tribute to Rev. Henry Scott Rubel as community leaders and parish members gathered at a testimonial supper program to celebrate the fifth anniversary of he script-writing cleric's pastorship at Glendora's now famous Grace Church.
When Mr. and Mrs. Rubel came to this town in 1935 this church had been for several months without a minister. The congregation totaled 11 the first two services and there were but four children in the Sunday school class.
Today the parish numbers 189 families and the Sunday-school attracts 95 children. In his spare time during the last five years Mr. Rubel has built up a national reputation as a comic radio writer and composer.
Article from ?
GRACE EPISCOPAL CHURCH
129 North Vista Bonita
Rev. Henry Scott Rubel, Rector
R.H. Benson, Lay Reader
Sermon Subject: “The letter killeth, but the Spirit giveth Life." Today with the threat of war the disaster ministers are warping the literal interpretation of the Bible to act as a prophesy of our times. this has been done during every world crisis. The Bible is misused to prove that God will destroy mankind. God does not destroy—He creates. God builds and man destroys. If anything is willfully destroyed upon this earth you will find that the ignorance, carelessness or malice of mankind is to blame for that destruction. God does not send us to any hell, God tries to save us and we destroy. God tries to help us and we hinder one another. It is only when man becomes God-controlled that he creates, builds, saves, helps and lives. The literal interpretation of the Bible kills—it kills unity among Christians, it kills tolerance and understanding among congregations and nations, but the Spirit of Love, Faith, Hope, Grace, Charity, Wisdom and Temperance—the Spirit of God in this world—gives Life—"and life more abunantly."
Article from ?
Church Vestry to Honor Rev. Rubel Honoring Rev. Henry Scott Rubel on the fifth anniversary of his acceptance of the local pastorate. members of the Vestry of Grace Church will meet tonight at the Parish Hall for a 6:00 o'clock turkey dinner.
A surprise program, in charge of Albert Bernhardt, church choir director, has been arranged. Reservations for the dinner may be made through Stanley McCasulin.
Article from ?
Crowds Praise Comedy Artists
Life in the citrus-growing community of Glendora returned to normal this week after a brief flurry last Thursday and Friday when "Ferdinand Zinz" and his "California Consolidated Mutual Independent Sunshine Cull Corporation" threatened to turn the entire citrus industry upside down.
The near-catastrophe occurred in the presentation of the hilarious musical comedy, "See What I Mean?" which played to capacity audiences in the Glendora Theatre last Thursday afternoon and Thursday and Friday nights.
Albert Bernhardt; as Ferdinand Zinz, brought a host of new ideas regarding citrus culture to Glendora while portraying the featured role in the story written by Henry Scott Rubel and Jean Peyton but reason finally prevailed and it was agreed that the citrus industry was progressing steadily and would survive without the aid of the Zinz Ideas.
Scores of prominent Southland personalities in the stage, screen and radio world turned out for the Performances and enjoyed the story and music which was written by Rev. Rubel, known to the musical world as Hal Raynor.
Specialty numbers. including vocal selections and dancing chorus cts. won recognition for general excellence and the entire cast was lauded for accurate portrayals of difficult roles.
Members of the orchestra which accompanied the cast included Lois Nordblom, Joanne Crew, Carl Nordblom, Paul Brecht, Willard Pierce, Jack Musser and Hal Raynor.
Appearing in the cast were Robert Broadwell, H.C. Warren, Kelly Gamble, Howard Bridegroom, Maryedith Durrell, Rachel Graves Smith, Albert Bernhardt, Jacqueline Scholler, Slauson Vosburg, Lora Spaulding, Hal Raynor, Dorothy Deuel Rubel, George Spelvin and the chorus of Molly Torrey, Billie June Naylor, Barbara McMillan, Angie Lou Blackwell, Jacqueline Scholler, and Phyllis Coe.
The musical comedy was directed by Mrs. Rachel Graves Smith with Henry Scott Rubel as supervising director. The Grace Episcopal, Methodist and Christian Churches shared proceeds from the benefit event.
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Arabic script swoops around the large arches which curve over the entrance to each of the rooms at the Maristan Nur Ad-Din in Damascus. It was built in 1154 as an asylum and hospital for the mentally ill.
Sandusky County Restorers of Antique Power (SCRAP) had a parade from the Tractor Pulling event at the Sandusky County Fairgrounds to their Labor Day show this week at White Star Park in Gibsonburg. The ending parking spot was the script Ohio at the park with their very own tuba dotting the I.
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on the road
iknowcraig@hotmail.com
Mark Ford Evil From the Needle 232 Camden High Street London NW1 8QS www.evilfromtheneedle.com www.doompig.com