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LEGAL DISCLAIMER: I Do Not Condone Any Acts Of Vandalism Nor Do I Participate In Such Criminal Activity. I Am Simply An Observant and Take Photos Of This Graffiti You Have Come Across. ALSO I Will Not Condone Any Usage Of My Photos To Support Any Legal Matter Involving These Acts Of Vandalism Therefore YOU ARE NOT WELCOME TO VIEW OR TAKE THIS MATERIAL For ANY Purpose...

246-16 passes through Guelph Jct with CP 7014, CP 9767, and 100 cars.

  

They're about to make the turn south down to Hamilton in this photo.

we don't necessarily realize the complexity or even the time spent behind a piece of jewelry. 😉

For this realistic full-mesh watch, where even the gears are functional, some 50 hours of work were required.

Just the scripts, the new HUD and animation 20 hours of work .

 

You can't make jewelry like this without passion.💗

Thank you for everything, thank you for being there for me as I'm doing all this on my own. 😘😍

When I need space and short camera time I go to the woods at Roosthole, near my home in Horsham; usually walking in a clockwise direction so I hit my favourite spots early in my walk.

 

Today I sought inspiration, hence walked the the reverse direction via a different route in the hope that it would draw creativity.

 

Success, as I had not spotted this angle / compositon of the ford where walkers cross Sheepwash Gill via a ford which is just 100m off the High Weald Landscape Trail.

 

Further creativity by trying an HDR process with partial Levels masks using a feathered edge.

 

A think a successful shoot?

 

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Please feel free to follow me on Flickr by adding me as a contact www.flickr.com/relationship.gne?id=24366212@N07 so I can follow all your new uploads.

 

Previews are on my instagram account at www.instagram.com/charlespuckle/

 

I also curate a photographic magazine on Flipboard. Do drop into Charles' Photographic Scrapbook at flip.it/Fo0Ng.

 

Alternatively follow me on Twitter @CharlesPuckle

 

(c) Charles Puckle

 

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Post script: Most definitely a successful shoot as this image was spotted by Flickr's Explore algorithm! Thank you so much for 11k+ hits and too many kind comments to respond to tonight.

8th street at portola avenue - alameda, california

Looking across at the parge panels of flowing Mongollian script from the wooden bench in the Ancient Asian Artifacts room at the Art Gallery of South Australia.

 

Not surprisingly the Mongollian script is very similar to ancient Chinese script.

Fantasy mailboxes ♥

 

4 colors included (2 versions for each - with mail and empty)

Land impact = 2 (in default size)

 

Scripted to work as a mailbox (people can drag notecards or send messages). Put your email address in description field to get notifications on email!

 

Or replace with your own mailing system/dropbox scripts, it's fully modifiable ♥

 

250L$

Direct LM

 

Or buy on Marketplace

This picture is better viewed:LARGE

I *very* rarely use my lunch hour to go railfanning. Time, and the lack of interesting trains on the Dayton District over the past year or so have negated the need. This day's train was a worthy exception.

 

Leading NS 60P through Springfield, OH was CP 7015, painted in its snazzy, retro Canadian Pacific scheme with block lettering on the long hood. Trailing it was a train of potash bound for the Indiana and Ohio Railway for eventual delivery to a fertilizer plant in South Charleston.

Benched in Southern Ontario.

June 2012.

The founder of the Sassanid Empire is seen being handed the ring of kingship by Ahura Mazda. In the inscription, which also bears the oldest attested use of the term 'Iran' , Ardashir admits to betraying his pledge to Artabanus V (the Persians having been a vassal state of the Arsacid Parthians), but legitimizes his action on the grounds that Ahuramazda had wanted him to do so.

Source: Wikipedia

 

تاجگذاری اردشیر بابکان

این یادمان در گوشه شرقی محوطه در ارتفاع دو متری از سطح زمین قرار گرفته و با توجه به کتیبه‌های آن به سه زبان قارسی میانه، پارتی و یونانی، صحنه‌ای را نشان می‌دهد که اردشیر بابکان (سمت راست) دارد حلقه شاهی را از اهورامزدا (سمت چپ) دریافت می‌کند؛ هم شاه و هم اهورامزدا سوار بر اسب‌اند و زیر پای اسب هرکدام یک نفر افتاده‌است. فرد زیر پای اسب اردشیر باید اردوان (آخرین شاه اشکانی) باشد و دیگری اهریمن.

ویکی‌پدیا

 

Also:

The investiture relief at Naqš-e Rostam. (Width 6.30m; height 4.20m): it shows Ohrmazd handing the ring of sovereignty to Ardašīr (Schmidt, Persepolis III, pp. 121f. and plates 80ff.; Camb. Hist. Iran III, p. 1079 and plate 90). Both figures are mounted. Under the hoof of Ardašīr’s horse lies the defeated Parthian king Artabanus V, and under the hoof of Ohrmazd’s horse lies a figure symbolizing Ahriman. Behind Ardašīr stands a page holding a fly-whisk. The relief is made more explicit by two inscriptions: on the breast of Ohrmazd’s horse, “This is the effigy of the god Ohrmazd” in Middle Persian, Parthian, and Greek, and on the breast of Ardašīr’s horse a corresponding identification of Ardašīr (Schmidt, op. cit.; M. Back, Die Sasanidischen Staatsinschriften, Acta Iranica 19, Tehran and Liège, 1978, p. 282).

 

These inscriptions became known in the 17th century through engravings by Chardin (Voyages en Perse et autres lieux de l’Orient, Amsterdam, 1711, II, pl. 73) and E. Kaempfer, Amoenitates exoticae, Lemgo, 1712, p. 307). Being trilingual, they were a great help to Silvestre de Sacy in his decipherment of the Middle Persian script in 1793 (Mémoires sur diverses antiquités de la Perse, Paris, 1793, pp. 106ff. and plate 1), an achievement long antedating the decipherment of the ancient Persian cuneiform script by Grotefend and Rawlinson. Ohrmazd was already named as the sovereignty-conferring god in the inscription of Darius at Bīsotūn.

 

This is the most mature, and therefore certainly the latest, of Ardašīr’s reliefs. With its balanced composition and fully lifelike sculpture, it falls little short of the earliest relief of Šāpūr I at Naqš-e Raǰab (Hinz, op. cit., pp. 137ff. and plate 73; Luschey, Iranica Antiqua 11 , 1975, p. 125 and plate 29.2).

 

Source: Encyclopedia Iranica

www.iranica.com/articles/ardasir-ii

On rainy days one has to keep oneself busy experimenting inside one's kitchen

I d i d try very many "scripts" so every now and then I will upload one

 

Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved

 

I tried to translate this but it's too difficult to figure out exactly what each symbol is. Ge'ez is an abugida used to write a variety of languages from the horn of Africa.

~*~ PARCEL NAME ~*~

Alice: Madness Returns, FireStarter DesiGns/Xstaxy/Tiger Paw

 

~*~ PARCEL DESC ~*~

American McGee's Alice : MADNESS RETURNS

Experience the Madness.

 

building,fantasy,animation,anim,pose,sex,furry,bed,bath,sculpted,sculpt,script,furniture

 

~*~ PARCEL OWNER ~*~

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~*~ PARCEL GROUP ~*~

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~*~ PARCEL AREA ~*~

61296 m²

 

~*~ PARCEL ID ~*~

5c55fc80-100b-76d7-80a8-1adce095463b

 

~*~ PARCEL SLURL ~*

Crowdore (46,66,32)

 

slurl.com/secondlife/Crowdore/47/68/33

♥My Blog♥

  

** Outfit **

 

{Le'La} Diah Outfit

Sizes- Belleza Gen.X Classic & Curvy / eBody Reborn + Waifu / Kupra / Legacy / Maitreya + LaraX/ Perky/ Erika

▷▶ Le´La Store

 

** Backdrop **

 

BACKDROP URBAN CROSS 2 - STMARK

all modicable

with material

furnished = 100 prims

32 x 64

non poses

Non Scripts

100% mesh

▷▶ Stmark

 

KNOSSOS

Knossos (alternative spellings Knossus, Cnossus, Greek Κνωσός, pronounced [knoˈsos]) is the largest Bronze Age archaeological site on Crete and considered as Europe's oldest city.

  

The name Knossos survives from ancient Greek references to the major city of Crete. The identification of Knossos with the Bronze Age site is supported by tradition and by the Roman coins that were scattered over the fields surrounding the pre-excavation site, then a large mound named Kephala Hill, elevation 85 m (279 ft) from current sea level. Many of them were inscribed with Knosion or Knos on the obverse and an image of a Minotaur or Labyrinth on the reverse, both symbols deriving from the myth of King Minos, supposed to have reigned from Knossos.[5] The coins came from the Roman settlement of Colonia Julia Nobilis Cnossus, a Roman colony placed just to the north of, and politically including, Kephala. The Romans believed they had colonized Knossos.[6] After excavation, the discovery of the Linear B tablets, and the decipherment of Linear B by Michael Ventris, the identification was confirmed by the reference to an administrative center, ko-no-so, Mycenaean Greek Knosos, undoubtedly the palace complex. The palace was built over a Neolithic town. During the Bronze Age, the town surrounded the hill on which the palace was built.

  

The palace was excavated and partially restored under the direction of Arthur Evans in the earliest years of the 20th century. Its size far exceeded his original expectations, as did the discovery of two ancient scripts, which he termed Linear A and Linear B, to distinguish their writing from the pictographs also present. From the layering of the palace Evans developed de novo an archaeological concept of the civilization that used it, which he called Minoan, following the pre-existing custom of labelling all objects from the location Minoan.

  

The site of Knossos was discovered in 1878 by Minos Kalokairinos. The excavations in Knossos began in 1900 by the English archaeologist Sir Arthur Evans (1851–1941) and his team, and continued for 35 years. Its size far exceeded his original expectations, as did the discovery of two ancient scripts, which he termed Linear A and Linear B, to distinguish their writing from the pictographs also present. From the layering of the palace Evans developed an archaeological concept of the civilization that used it, which he called Minoan, following the pre-existing custom of labelling all objects from the location Minoan.

 

Since their discovery, the ruins have undergone a history of their own, from excavation by renowned archaeologists, education and tourism, to occupation as a headquarters by governments warring over the control of the eastern Mediterranean in two world wars. This site history is to be distinguished from the ancient.

♡ rigged : Lelutka EvoX F and Catwa HDPRO F

♡ 14 gem + pearl

♡ hide/show options for each earring

♡ materials + full bright on/off + delete scripts option

PLEASE DEMO ♥

  

▹▹▹ l i n k s

I have been writing a book about humorous tales of cycling around Kent and the many beautiful wild orchids seen on the way. Disappointingly my publisher has been influencing and shaping my writing towards a book concentrating about male obsessions. We have parted company but this has left me with a script that I no longer recognise and as I read my words leaves a sour taste. This will never do and is preventing me produce the light hearted, hopefully entertaining piece I wanted it to be. So today, I pressed the big delete button on my keyboard and away it went! I now have some time to sit and regather my thoughts, regroup and to start again from scratch. Autumn evenings and winter nights are not far away and due to house clearing and redecorating our office/library is back up and running, a lovely, quiet room to work. So, with invigorated interest its eye's down and the "funny gland" excreting on full flow, its time to start again!

A farewell to one of the most imaged objects in the night sky. A project I started in February on the Esprit 100ED telescope at the complex, but didn’t manage to get round to edit it until now. I used it to practice some new scripts in PixInsight for image blending. I am happy with the details in this image, the Esprit 100ED really is a great telescope for wide field imaging. The focal length of this image is 564mm after using the Skywatcher field flattener.

 

A much higher resolution image with imaging details can be found on my Astrobin page at: astrob.in/ev6jv9/0/

 

Thank you for looking.

 

Technical summary:

Captured: 9 Nights in February 2024

Location: Turismo Astronómico, Los Coloraos, Gorafe, Spain

Bortle Class: 3

 

Total Integration: 26h 54m

Filters: Baader Moon & Skyglow, Optolong L-Ultimate

Pixel Scale: 1.4 arcsec/pixel

 

Telescope: Skywatcher Esprit 100ED

Image Camera: ZWO ASI2600MC Pro

Mount: Skywatcher EQ 6R Pro

 

Capture software: NINA, PHD2

Editing software: PixInsight, Adobe Lightroom

linktr.ee/ewitsoe

Warszawa, Poland

Autumn

Karolina Cinematic Portrait Project

On the 110 freeway, taken while driving.

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