View allAll Photos Tagged Script,
Script-Writing Cleric Paid Tribute at Glendora Dinner
Los Angeles Times
GLENDORA, Oct. 25. — Mayor Earl Comstock tonight paid tribute to Rev. Henry Scott Rubel as community leaders and parish members gathered at a testimonial supper program to celebrate the fifth anniversary of he script-writing cleric's pastorship at Glendora's now famous Grace Church.
When Mr. and Mrs. Rubel came to this town in 1935 this church had been for several months without a minister. The congregation totaled 11 the first two services and there were but four children in the Sunday school class.
Today the parish numbers 189 families and the Sunday-school attracts 95 children. In his spare time during the last five years Mr. Rubel has built up a national reputation as a comic radio writer and composer.
Article from ?
GRACE EPISCOPAL CHURCH
129 North Vista Bonita
Rev. Henry Scott Rubel, Rector
R.H. Benson, Lay Reader
Sermon Subject: “The letter killeth, but the Spirit giveth Life." Today with the threat of war the disaster ministers are warping the literal interpretation of the Bible to act as a prophesy of our times. this has been done during every world crisis. The Bible is misused to prove that God will destroy mankind. God does not destroy—He creates. God builds and man destroys. If anything is willfully destroyed upon this earth you will find that the ignorance, carelessness or malice of mankind is to blame for that destruction. God does not send us to any hell, God tries to save us and we destroy. God tries to help us and we hinder one another. It is only when man becomes God-controlled that he creates, builds, saves, helps and lives. The literal interpretation of the Bible kills—it kills unity among Christians, it kills tolerance and understanding among congregations and nations, but the Spirit of Love, Faith, Hope, Grace, Charity, Wisdom and Temperance—the Spirit of God in this world—gives Life—"and life more abunantly."
Article from ?
Church Vestry to Honor Rev. Rubel Honoring Rev. Henry Scott Rubel on the fifth anniversary of his acceptance of the local pastorate. members of the Vestry of Grace Church will meet tonight at the Parish Hall for a 6:00 o'clock turkey dinner.
A surprise program, in charge of Albert Bernhardt, church choir director, has been arranged. Reservations for the dinner may be made through Stanley McCasulin.
Article from ?
Crowds Praise Comedy Artists
Life in the citrus-growing community of Glendora returned to normal this week after a brief flurry last Thursday and Friday when "Ferdinand Zinz" and his "California Consolidated Mutual Independent Sunshine Cull Corporation" threatened to turn the entire citrus industry upside down.
The near-catastrophe occurred in the presentation of the hilarious musical comedy, "See What I Mean?" which played to capacity audiences in the Glendora Theatre last Thursday afternoon and Thursday and Friday nights.
Albert Bernhardt; as Ferdinand Zinz, brought a host of new ideas regarding citrus culture to Glendora while portraying the featured role in the story written by Henry Scott Rubel and Jean Peyton but reason finally prevailed and it was agreed that the citrus industry was progressing steadily and would survive without the aid of the Zinz Ideas.
Scores of prominent Southland personalities in the stage, screen and radio world turned out for the Performances and enjoyed the story and music which was written by Rev. Rubel, known to the musical world as Hal Raynor.
Specialty numbers. including vocal selections and dancing chorus cts. won recognition for general excellence and the entire cast was lauded for accurate portrayals of difficult roles.
Members of the orchestra which accompanied the cast included Lois Nordblom, Joanne Crew, Carl Nordblom, Paul Brecht, Willard Pierce, Jack Musser and Hal Raynor.
Appearing in the cast were Robert Broadwell, H.C. Warren, Kelly Gamble, Howard Bridegroom, Maryedith Durrell, Rachel Graves Smith, Albert Bernhardt, Jacqueline Scholler, Slauson Vosburg, Lora Spaulding, Hal Raynor, Dorothy Deuel Rubel, George Spelvin and the chorus of Molly Torrey, Billie June Naylor, Barbara McMillan, Angie Lou Blackwell, Jacqueline Scholler, and Phyllis Coe.
The musical comedy was directed by Mrs. Rachel Graves Smith with Henry Scott Rubel as supervising director. The Grace Episcopal, Methodist and Christian Churches shared proceeds from the benefit event.
Download these 12 Superb Script & Calligraphy Fonts For Graphic Artists 2017 for your design projects. These fonts ad beauty in your designs and make more professional.
Click here to download
graphicgoogle.com/12-superb-script-calligraphy-fonts-for-...
Available at Myfonts
Bordonaro Spur
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
-----
Bordonaro Script
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
Rubel to Speak Tonight Before Men's Club
Henry Scott Rubel, rector of the Episcopal church at Glendora, and known as a writer of hundreds of songs and script for radio stars, will be the speaker tonight (Friday) at the Woman's clubhouse at the Men's club supper.
His subject is not announced, but this young artist-preacher has many strings to his bow, according to Stanley Trueblood, club president, and an entertaining evening is anticipated. Rev. Rubel's talent in composing music for the recent "Club Royale" show in Covina has widened his acquaintanceship, and a large crowd is expected. The supper guests will be seated at 6: 30.
Advance publicity is mentioning the fact that Joe Coles, long the song-Ieader of this club, will be back wielding the baton after a year's absence. Joe said he didn't care what song was selected as long as it was "My Wild Irish Rose." Under direction of Miss Eugenia Bennesen of Covina, students will appear in circus and carnival stunts.
..’K ALLEY" BOSS HARESFOOT AUTHOR
A two act musical comedy called “Kikmi,” written by Henry Scott Rubel was selected Monday night as the winning piece for Haresfoot’s annual show to be produced early in the spring.
Rubel won the prize of $100 for the best piece submitted.
Three stage sets will be used in the production of the play. The farce tells of an island in a far off sea where pirates, beautiful maidens, and heroes fall in love and have many adventures. The first two scenes in the show take place aboard ship, the third in the streets of “Kikmi,” and the fourth in the interior of a harem on the island.
Sidney Thorson, Madison, a member of the production staff of the club will start work immediately supervising construction of the scenery necessary for the presentation. Haresfoot travels to 10 cities each year, making one night stands.
Rubel is a member of Alpha Delta Phi and Pi Epsilon Delta fraternities. He is a member of the staff of the Wisconsin State Journal, writing “Ink Alley,” the Journal’s humor column. His home is in New York.
new script font called Herchey. High quality script font with swashes inspired by modern vintage design and baseball logo. Plus OpenType features with Stylistic Alternates, Swashes, Ligatures, Stylistic set, Terminal Form and Ornament that allows you to mix and match pairs of letters to fit your design. This font good for vintage design, t-shirt, logo, labels,badges, posters and etc.
download : crmrkt.com/8NO5k
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Every script I get acquires the obligatory coffee stain at some point during the rehearsal process. It is inevitable. This script was taking a while though. I kept waiting...when is the coffee stain going to happen? Usually this stain is a circle or some kind of amorphous blob that I can outline and make a monster face out of or something. Waiting....waiting....waiting... No stain. I started thinking it was some kind of sign that the play was going to suck or something.
Then it happened. I accidentally spilled an ENTIRE CUP OF COFFEE all over my script. He hee. I had to put it in the oven to dry it off.
There's something really beautiful about a well worn script. Doesn't it look like I just pumped every ounce of life I could possibly get out of it? It just looks spent. Gracious, I love that.
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Yellow Bellied Slider (Trachemys scripta script), 2/3/2023, The Landings brackish lagoon # 15, Skidaway Island, Savannah, Ga
Available at Myfonts
Bordonaro Spur
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
-----
Bordonaro Script
www.myfonts.com/fonts/calderon-estudio-type-foundry/bordo...
SUDTIPOS NEWS
--------------------------------------------
We are proud to announce the release of Courtesy Script, our latest ornamental tribute to late S. XiX penmanship.
Get Courtesy > www.myfonts.com/fonts/sudtipos/courtesy-script-pro/
ABOUT COURTESY
--------------------------------------------
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, my newest ornamental script typeface.
Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery.
Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters.
With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
More fonts
Visit www.sudtipos.com
Modern Love
Breaking from our catalog of typefaces to create a new handwritten font family, Modern Love was born out of our desire to see what would happen if we took a step back from the norm. We weren’t looking for the perfection of the many calligraphy techniques, but more of a natural way of writing with the same tools. Our escapist experiment into casual lettering culminated into 4 fonts: Modern Love Regular, Grunge, Rough and Caps.
Modern Love Regular is a hand-painted script, each glyph individually designed with a pointed brush and walnut ink. The aim was to create an effortless hand-drawn feel while keeping the contrast high density.
Playful, yet polished, this font works very well when accentuated with the family’s two distinctive styles: Modern Love Grunge, simulating a washed-out effect, perfect to add a vintage look to your projects; and Modern Love Rough, with its crunchy borders, makes letters visibly rough-around-the edges and gives large letters an unmistakeable pop. All three fonts include a hand-painted set of ornaments, swashes and alternates to limitlessly customize and decorate your texts, accessible through Opentype features.
Modern Love Caps is the fourth font, a handwritten Sans Serif that ties the family together with its simplicity and readability. Designed with a pointed nib and Indian ink, this font boasts a different style that perfectly complements Modern Love Regular, Grunge and Rough.
The result is a fresh font family perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging for cosmetics, fashion supplies, food products, artisanal goods, and an endless array of options for your projects. Modern Love…when brush meets passion.
Modern Love Regular, Grunge and Rough contain 800 glyphs
Modern Love Caps contains 309 glyphs
This font is available at Myfonts bit.ly/1NnpXDc
O-H .... I-O!
The Ohio State University marching band spells out "Ohio" during a halftime performance.
Three newish scripts for flickr and firefox 6.0.2 All are from Userscripts .org.
I'll add the URL's to each down the bottom if your interested in adding them to your firefox browser.
Photo view count on Flickr Photostream. Circled in Yellow above, it puts all your View Stats on your main page.
New Flickr Discuss Post Notification Up in the top right again circled in Yellow is a nice extension that uses color coded mail icons for the Groups I administer or follow. If any new activity is added to a group it pops out and tells me what group and how many new notifications have been added since you last checked them out. A hover over tells you what group it is if you forget the color, click on one and you go directly to the groups discussion area. The normal flickr mail icon is just below these.
Widescreen, really not displayed here but it utilizes all the space a widescreen monitor has to offer.
Photo View count userscripts.org/scripts/show/79829
New Flickr Discuss Post Notification userscripts.org/scripts/show/76587
Widescreen userscripts.org/scripts/show/73305
I had this one-page story to do and I usually draw a thumbnail and think just on the key sentences and dialogues. But I realized this one would have so much text that I needed the full text in order to see how much space I'd have left for the art.
So first I wrote all the text for the story. After that, I divided it in small blocks that would end up being the captions and balloons (that column on the left).
Then I started laying them down on the page. At first I wanted to do big panels, some "narrative panels" only with text (just like in Casanova), but I decided it would be best for the story if I did lots of small panels, even if a little art just to make it a real comicbook, you know?
I drew some panels there for guidance and now I'm gonna print this and draw on the remaining space.
I really don't do it like this very often, but sometimes you gotta go with what you get.
Get it
www.myfonts.com/fonts/sudtipos/merengue-script/
–
Merengue Script is the second typeface designed by Panco, once again together with Ale Paul, who supervised the whole development. In this opportunity, the process of shape research and the systematization of signs led him to dive into new waters. The objective was to generate a system of signs in which the construction of such was not directly bound to traditional calligraphy, nor to texts typography. Instead, the point was to create signs inspired in “Brush pen” calligraphy but with their main features drawn or literally illustrated. The result was a font with personality, authenticity and uncommon formal aspects that make Merengue Script an interesting, highly attractive and rather unusual font.
From the very beginning, the search was based on creating a font with weight and good presence in big formats, but, at the same time, efficient for brief texts of small formats. The aim was to make it usable mainly in candy, sweets and chocolate packaging.
The predominance of round shapes, harmonious modulations and funny and friendly-looking visual rhythms spark a special effect in the usage of Merengue Script. Texts are enhanced with an interesting visual charm, capable of transforming a very simple text into a virtual illustration that semantically reinforces the messages in a simple way, without putting legibility at risk.
With a basic set of stylistic alternatives full of frills and flounces for initials, ornamental and final letters, plus a set of disconnected signs, Merengue Script offers a wide and versatile range of options for graphic designers in the process of packaging design.
Get it
www.myfonts.com/fonts/sudtipos/blog-script/
–
Technology is making it so that we’re all connected without the need for the physical-presence kind of being connected. That is strange, fascinating, and has a certain magnetism that is very difficult to resist. What’s at stake is no less than the transformation of centuries of human behaviour, and that’s part of the fascination. But while our existence morphs and we rush headlong into our socially minimalist future, we use our present culture to helplessly signal our nostalgia about our past. We know what our future will be missing, and we’re already full of nostalgia about it, but we know that what little we can do about isn’t going to affect the outcome that much.
So, almost in full hindsight now, the DIY implosion of the past few years must have really been a reaction to our technological dis/connection. In typography, the minimalist future is already here, with something as austere as the sans serif having become the preferred expression of progress and fortune, both part of the connected isolation we are undergoing. But when physical interaction must take place, like coffee shops and gin joints, our organic alphabets ride high and mighty. That sense of human heritage — elegance and exuberance in our writing, the use of flaws to charmingly brand our own individualism — keeps turning up in all kinds of places, most unexpected of which is the digital world. The overall message seems to be that we’re still creative, imaginative, and unique. In the digital world, on blogs where we write about our puny music and fashion preferences, we’re just articulating this individualism of ours, this third domain of existence our future seems eager to dismiss.
These were the thoughts behind Blog Script, the second collaboration between Carolina Marando and Alejandro Paul, after their successful stint with the Distillery set of fonts. This typeface comes in two weights, alternates for most letters, and a strong aesthetic rooted in individuality and freedom of spirit. Use it to be alone together, to tell the world that we’re still human, for now.