View allAll Photos Tagged Screening
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
or "Historia de un letrero" a beautiful short film by Alonso Alvarez Barreda (Wamafilms) see www.wamafilms.com/index.htm
Thank you, Alonso for your generosity in sharing the film!
This is the health post in the village of Lingui. With EU humanitarian funding, medical NGO ALIMA screens for malnutrition at village level.
Children found to be severely malnourished are immediately started a medical plan to recover their health, with Ready-to-Use Therapeutic Food taken at home. Severe cases with medical complications are transferred to the district hospital.
© 2018 European Union (photo by Ollivier Girard)
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
Nurse Mariama measures little Abdou while her mother Massaouda holds him. This is part of the process to check if children are malnourished, at the Health post of Lingui village, in the Mirriah district of Niger.
Here, EU humanitarian aid provides funds to Medical NGO ALIMA to ensure the prevention and treatment of severe acute malnutrition, the most life-threatening form of malnutrition. Severe cases with medical complications are transferred to the district hospital.
© 2018 European Union (photo by Ollivier Girard)
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
at the Why I Am Not On Facebook screening at the 2014 Woodstock Film Festival
(photo by Silvia Forni)
Flagstaff College Health Fair Provided Screenings, Wellness Tips, and Healthcare Job Information to the Community
CollegeAmerica Flagstaff gave local community members a kick start to their new year’s resolutions. The “New Year, New You!” Health Fair held on Friday, January 14, provided information on wellness and disease prevention and an insider’s look into the healthcare profession.
About 110 members of the community attended this inaugural event. Attendees enjoyed a variety of informational booths, activities and a variety of complimentary health screenings including spinal testing and chair massages from DAHL Chiropractic, dental and gum screenings and information on smoking cessation from Coconino County Public Health District, blood sugar screenings and diabetes information from North Country Healthcare, and healthy snacks and water donated by Sam’s Club.
In addition, the event was also an opportunity for people interested in healthcare careers to learn more about the industry and what it takes to earn a healthcare degree. Workshops were held throughout the day and interested people were able to talk to students, faculty and staff members about the medical programs offered at the college.
“The theme of the fair was all about using the new year to start a ‘new you,’ which can be making a commitment to personal health or taking the first step to making your career dreams come true. We know many people are using their New Year’s resolutions to get in shape, finally earn their GED or college degree, or change their career, and we want to support that,” says Suzanne Scales, Executive Director at CollegeAmerica Flagstaff. “The booths, activities, and screenings taught people about their own personal health and provided touch points in creating a healthier lifestyle. In addition to that, our hope is the event also provided a unique insight into different healthcare professions. There is great demand for bright, enthusiastic professionals in this high-growth industry, and CollegeAmerica Flagstaff can provide those interested with the skills and education they need to be successful.”
The “New Year, New You!” Health Fair could not have taken place without the generous support of many local businesses. Flagstaff businesses that participated include: American Cancer Society, City of Flagstaff Parks and Recreation, Coconino County Public Health Services District, Concentra, DAHL Chiropractic, Dr. Emily Davenport, The Guidance Center, Mortar and Pestle, North Country Healthcare, Northland Hospice, and Sam’s Club.
The fair happened in conjunction with ten other events at CollegeAmerica campuses in Colorado (Denver, Fort Collins), and Wyoming (Cheyenne), and at affiliated campuses in California (California College San Diego), Idaho (Stevens-Henager Boise), and Utah (Stevens-Henager Colleges and satellite campuses in Layton, Logan, Ogden/West Haven, Provo/Orem, Salt Lake City/Murray).
CollegeAmerica Flagstaff offers degree programs as well as evening and online classes for busy students balancing work, family and other obligations. In addition to degree programs in Healthcare, students can also earn degrees in Information Technology.
Connect with CollegeAmerica on Facebook at www.facebook.com/collegeamerica.
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
cancer screening camp - Outreach Health Programs by Trinity Care Foundation in Backward Areas of Karnataka State, India. trinitycarefoundation.org/preventive/outreach-health-prog...
Trinity Care Foundation ( trinitycarefoundation.org/ ) is a Public Health Organization based in Bangalore, India that is involved in Holistic Treatment for Children with Facial Deformities, School Health Programs and Outreach Health Programs..
Connect with us :- www.facebook.com/trinitycarefoundation
{ For Partnership & Volunteering Write to - support@trinitycarefoundation.org }
Screening of documentary about Dolores Huerta sends a powerful message about activism and fostering change within minority communities. Speakers included Maria Elena Chávez, Gary Segura and Abel Valenzuela. Photos by Bryce Carrington
Leah Meyerhoff at the I Believe in Unicorns Screening at 2014 Woodstock Film Festival
(photo by Jan Rattia)
Ric Burns at Enquiring Minds screening at Enquiring Minds screening at the 2014 Woodstock Film Festival
(photo by Silvia Forni)
With the A435 road bridge visible in the background, ballast screening takes place in the straight before Hunting Butts tunnel.
22nd June 1998.
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
Lung cancer screening can help find lung cancer at an initial stage with a low dose of radiation in CT scan when it is easier to treat. www.arlingtonmedicalimaging.com/low-dose-ct-scan-lung-car...
SidharthMalhotra hosted a screening of the Ek Villain yesterday for industry friends.
Present were Alia, Parineeti, Puneet Malhotra, Manish Malhotra to name a few
Joseph Semense and Michael Cohn at world premiere of Sacrifice at 2014 Woodstock Film Festival
(photo by Chris Hallman)
at the World Premiere of THE AMERICAN SIDE by Jenna Ricker. 2014 Woodstock FIlm Festival. (Photo by Anjali Bermain)
The London Korean Film Festival began with the Opening Gala Screening of at the Odeon West End. Following the screening, Director Huh Jung and Actor Son Hyun Joo held a Q&A session with the audience that was chaired by Tony Rayns.
From the outside, café owner, Sung-soo lives an ideal life. He has a beautiful family, and a sumptuous home. But something is not quite right as Sung-soo battles with a past he tries to forget and a growing obsessive-compulsive disorder. Sung-soo’s comfortable life is shaken when he learns of his brother’s disappearance, he and his family visit the rundown apartment outside of Seoul. Sung-soo soon realises that something is not right from the agitated neighbours and strange symbols found around the complex. Eager to leave he and his family return to Seoul to find that they did not come but alone.
With a banner year for the Korean box office, Hide and Seek is the breakout film of 2013. The film attracted a massive 5 million plus viewers with its quintessential Korean thriller flavour and masterful storytelling from its debut filmmaker, Huh Jung, and fantastic cast.
A great way to kick off the 8th London Korean Film Festival!
13/06/2023. London, UK. Prince William attends a private screening of RHINO MAN, hosted by United for Wildlife, at The Cinema in Battersea Power Station. Directed by John Jurko II, the documentary, which marks the tragic murder of Anton Mzimba at the hands of wildlife traffickers, follows the training of the next generation of South African wildlife rangers and the crucial role they play in protecting rhinos from poachers and wildlife criminals. Picture by Andrew Parsons / Kensington Palace
Mingle Media TV and Red Carpet Report host Kaitlyn Durocher were invited to cover the premiere screening of Amazon Studios’ Brand-New, Original Hour-Long Drama Series, Hand of God, at Ace Theater Downtown Los Angeles.
All ten episodes to premiere Friday, September 4 exclusively for Amazon Prime members in the US, UK, Germany and Austria.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About Amazon Studios’ Hand of God
Created and written by Ben Watkins (Burn Notice), Hand of God marks the television debut of renowned filmmaker Marc Forster (World War Z), and stars Golden Globe winner Ron Perlman in his first lead television role since Sons of Anarchy. The show centers on Judge Pernell Harris (Perlman), a hard-living, law-bending married man with a high-end call girl on the side, who suffers a mental breakdown and goes on a vigilante quest to find the man who raped his daughter-in-law and tore his family apart. With no real evidence to go on, Pernell begins to rely on “visions” and “messages” he believes are being sent by God through Pernell's ventilator-bound son, PJ, who attempts suicide shortly after his wife, Jocelyn, is raped in front of him. Is he inspired or is he insane?
www.facebook.com/pages/Hand-of-God/479377635571174
www.amazon.com/Hand-of-God-Season-1/dp/B00MR9W36Q
About Amazon Studios
Amazon Studios launched in 2010 as a new way to develop feature films and episodic series—one that’s open to great ideas from creators and audiences around the world. Last year Amazon Studios launched its first two prime time series, Alpha House and Betas, and recently debuted its first three children’s series, the Annecy International Animated Film Festival Award-winning Tumble Leaf from Bix Pix Entertainment, as well as Creative Galaxy from Angela Santomero, the creator of Blue’s Clues, and Annedroids, from Emmy nominated Sinking Ship Entertainment. Amazon Original Series are available exclusively to Prime members through Prime Instant Video. For more info, visit www.amazonstudios.com
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Kaitlyn on Twitter at twitter.com/katedurocher11
Photo Title: Delta Screening
Submitted by: Johan Claassen
Category: Professional
Country: South Africa
Organisation: 20/20 Quest, Inc.DFL
COVID-19 Photo: No
Photo Caption: Dr Jonathan Pons from GSH screen patients in a isolated village within the Zambezi Delta in Mozambique during a DFL eye surgery campaign in Marromeu.
----
Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.
Diabetes Screening camp
Trinity Care Foundation Initiative in Backward Areas in Karnataka, India.
Connect www.facebook.com/trinitycarefoundation : trinitycarefoundation.org/csrprogrammesindia
RCR News Media, Focus on New Mexico and host Noah Solomon were on hand for the red carpet event and screening for “Capitol Barbie”
In attendance at the screening and after party were cast, crew and special guests.
About Capitol Barbie
Up and Coming University Graduate Dolly Golightly lands her dream job working on Capitol Hill in Washington DC. Dolly quickly ruffles the feathers of her cutthroat boss, Congresswoman Melissa Lopez-Gaffney, vying to become the nation’s first Latina president. When the Congresswoman learns a controversial secret from Dolly’s past, she fires Dolly to avoid political fallout, leaving Dolly homeless thousands of miles away from home fending for herself. Through the adversity Dolly’s resiliency thrives , but will she have the staying power ?
Capitol Barbie is inspired by true events of creator Riley Del Rey's former tenure in the halls of congress in Washington, D.C. The cast and crew is all from New Mexico and was shot In Albuquerque, NM on location at Amy Biehl High School, a former post office.
Check out the trailer here:
The screening was held in downtown Albuquerque, New Mexico at the Guild Theatre and the after party was held at the nearby Hotel Andaluz.
Be sure to check out the cast interviews and photos from the event.
Connect with the Capitol Barbie team
Jeanette Aguilar Harris“Congresswoman Melissa Lopez-Gaffney”IG: @JeanetteAguilarHarris
Briana Leslie Gonzalez“Adelina”@itsBriGonzalez
Ivan Hernandez“David”IG: @ivanhdz3.0
Ben Acosta“Congressman Adam Torres”IG: @Ben_Lightning_Acosta
Violet MartinezProducer & Screenwriter, “Capitol Barbie”/
Riley Del ReyCreator & Director, “Capitol Barbie”IG: @
Bianca MitchellProduction Assistant, “Capitol Barbie”IG: @Bianca_Mitchell_Official
Tyler HarrisRecording ArtistIG: @itsty.harris
Sierra Tyrrell/IG: @SierraTyrrell
For video interviews and other RCR News Media coverage, please visit www.rcrnewsmedia.com and follow us on social:
• www.facebook.com/FocusOnNewMexico
• www.facebook.com/RCRNewsMedia
• www.instagram.com/RedCarpetReport
Vice President Joe Biden with Mr. Allen Hanson and Mr. Don Hodge, both with AMVID, at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
ActorsEd Crawford, Keith Leonard, Joe James and Reagan Leonard at Q&A for THE SUFFERING KIND at 2014 Woodstock Film Festival
(Photo by Patricia Mitchell)
Photo Title: Screening for Cataract
Submitted by: Abdul Salam
Category: Amateur
Country: Pakistan
Organisation: Umah Welfre trust
COVID-19 Photo: No
Photo Caption: the photo was shoot in Chitral during free eye surgical camp under the umbrella of umah welfare trust.
----
Photo uploaded from the #HopeInSight Photo Competition on photocomp.iapb.org held for World Sight Day 2020.