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We were lucky to have an extra window screen hanging around. This helps get any bigger pieces of gravel out, which would leave tracks in the plastering.
at the Why I Am Not On Facebook screening at the 2014 Woodstock Film Festival
(photo by Silvia Forni)
“DNA” Medical Screening is your friendly one stop location for accurate, reliable and affordable DNA testing. We are a full-service testing and specimen collection facility serving the Greater Orlando and Central Florida area and are staffed by caring and experienced testing professionals. Our DNA testing and specimen collection services are conducted in a safe and secure environment and test results are discreetly communicated to ensure the credibility and confidentiality of our clientele and their family members. As you may know, DNA testing procedures have matured significantly over the past several years and have become the leading method for establishing one’s legal identification and/or relationship to others. Moreover, DNA testing is now the most commonly utilized procedure within today’s scientific and judicial professions. In response to our clientele’s needs, DNA Medical Screening now offers a variety of DNA tests to meet your specific needs including Paternity, Ancestry, Child Identification (Profiling, Banking or Nursery identification) and Forensic testing. Additionally, we provide specimen collection services for most substance testing laboratories throughout the United States. We offer same day appointments for testing and specimen collections, and “walk-in’s” are always welcome. Results are normally available within a 24 to 72 hour time frame and are fully documented. Our pricing varies according to the type of testing required but you can be assured that we are extremely competitive and quite affordable. Please feel free to contact us for a free quote and to assist you in selecting the testing that best fits your needs.
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November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
A child is being weighed to check if he is malnourished, at the Centre for Intensive Nutritional Rehabilitation, part of Zinder hospital in Niger.
Here, EU humanitarian aid provides funds to the French Red Cross to ensure the treatment of all cases where the life of the child is at risk.
© 2018 European Union (photo by Ollivier Girard)
November 7, 2018 at 7:00pmtil 9:00pm at George Orwell Pub
A curated series of national and international artists’ shorts reflecting the festival theme of Lifespans including future of visions of AR, the start of a revolution, and the future of dance.
Featuring Gina Czarnecki, Jeremy Bailey, Floris Kaayk, Francois Knoetze, Mike Pelletier, Benny Nemerofsky Ramsay, Liat Berdugo and Emily Martinez, Keiichi Matsuda, Bex Ilsley, Mary Maggic Tsang.
Full screening notes:
Gina Czarnecki, Infected (2001) 8 mins.
Infected is a film about the nature of the physical body in the context of future technological possibilities, seen through dance and digitally manipulated imagery. The new bio-engineered body is still an sexual, organic, stark, brutal, pounding system. It is beautiful, repulsive, indulgent, curious, emotional, un/controlled, breeding, changing… Is this a futuristic vision of the human body infiltrated and changed, ‘infected’ by biotechnology? Or is the reverse happening? Is the human body, the warm-blooded body of sinews and emotions, corrupting the ‘pure light’ of technology? Infected features Scottish dance artist, Iona Kewney, and a specially commissioned score by Fennesz.
Floris Kaayk, The Order Electrus (2005) 7 mins. 35 sec.
The Order Electrus is a fictional documentary which shows Floris Kaayk’s imaginary world of industrialised nature, situated in a derelict area of the Ruhr in Germany. Due to overcapacity in production systems, many factories in Germany were forced to close down. Over the course of many years these derelict industrial areas became a breeding ground for an electrical insects species, also called the Order Electrus. These insects evolved through the merging of nature and technology.
Mike Pelletier, Still Life (2017) 4 mins. 7 sec.
“This animation combines my interest of contemporary technological forms with the more classical form of still life painting. What attracts me to still life paintings is how the paintings can study the form of their subject but also reveal much about how they are made. The quality and materiality of paint exist on equal footing with the study of light, color and form. I took inspiration from the term “still life” itself, by focusing on the idea of stillness. I also took inspiration from how the term is expressed in French as “Nature Morte,” which can be literally translated to dead nature. In this animation the stillness, unnaturalness and deadness of these virtual objects becomes the focus of the piece.”
Liat Berdugo and Emily Martinez, Making You (2016) 7 mins. 32 sec.
“Anxious to Make is the collaborative practice of Liat Berdugo and Emily Martinez, two commissioning bodies. Our focus is on the so-called “sharing economy” and the contemporary artists “anxiety to make” in the accelerationist, neoliberal economic landscape. While Anxious to Make’s physical existence takes many shifting forms, it often manifests as a series of video commissions, downloads, online generators, workshops, net art interventions, and sweepstakes. Anxious to Make believes in absurdist extremes as way to examine contemporary realities. Our work has appeared recently in The Wrong Biennale, Transmediale (Berlin, DE), Yerba Buena Center for the Arts, MoMA PS1, V2_ Institute for the Unstable Media, WRO Media Art Biennale and The Luminary (St. Louis, MO).”
Keiichi Matsuda, Hyper-Reality (2016) 6 mins. 15 sec.
Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and experience, offering amazing possibilities, while also controlling the way we understand the world. Hyper-Reality attempts to explore this exciting but dangerous trajectory. It was crowdfunded, and shot on location in Medellín, Colombia, and presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. It is the latest work in an ongoing research-by-design project by Keiichi Matsuda.
Francois Knoetze, Core Dump (2018) 11 mins. 45 sec.
Core Dump explores the place of screens in global and localised politics and history, looking specifically at the contradiction of Silicon Valley’s techno-utopianism and its impact on the low-tech manufacturing bases of Africa. The project comprises a series of performances, projection-mapping video installations, and interviews that draw from audiovisual archives, early African cinema and the daily life of the cities of Dakar and Kinshasa. These two cities represent both the origin points of mineral extraction for materials used in the production of technology, and the end points at which certain African countries become dumping grounds for electronic waste from Europe and the USA which is then often repaired, re-purposed and reused. In contrast to the spectacle of technological singularity and the Western myth of progress, Core Dump considers the connections, disruptions and contradictions inherent in these ideas, through conflicting designations of value and waste.
Bex Ilsley, Codex (2016) 3 mins. 30 sec.
Bex Ilsley is an artist based in Coventry. Her practice explores the nature of body and personality in virtual, physical, and psychological spaces. Fantasy, performativity, objecthood and paradox are used as a lens through which to examine the authenticity of these structures. Codex was filmed in April 2016 in Grand Rapids, Michigan, USA, on The Moon, a multidisciplinary arts space. It was produced In collaboration with Los Angeles based videographer Bokeh Monster and INTERSPACE, a student arts organisation from Kendall College of Art and Design. The film is a re-interpretation of a specific illustration from Luigi Serafini’s 1981 book Codex Seraphinianus, updated as a music video for the social media age. Music: King Gizzard & The Lizard Wizard – ‘Work This Time’
Jeremy Bailey, Transhuman Dance Recital (2007) 6 mins. 29 sec.
“From this point forward I dedicate myself to finding better ways for humans to dance.” – Famous New Media Artist Jeremy Bailey
Mary Maggic Tsang, Egstrogen Farms (2015) 1 min.
Egstrogen Farms is a tactical media project that addresses the domestication of women’s reproductive abilities by the biotech industry, including hormonal therapies in the assisted reproductive technology (ART) sector. Presented as a fictional company, a parodic diversion of exchanges between species, Egstrogen Farms markets genetically modified eggs that produce a “cocktail of gonadotropins” to allow women to ovulate as frequently as chickens do. Inspired by the work of collectives such as subRosa or Critical Art Ensemble, Egstrogen Farms delivers a critique on the current commercialization of reproduction and expands the symbol of the egg as a therapeutic, nutritional and reproductive matrix.
Benny Nemerofsky Ramsay, A Short History of My Art Practice (2016) 15 mins. 17 sec.
In answer to the question, what is it that you do? – perennially asked of contemporary artists – Nemerofsky summarises fifteen years of professional practice in fifteen minutes, describing and re-embodying key artworks in his sound- and video-centric work.
Image Credit: Kathryn Rattray Photography
Mingle Media TV and Red Carpet Report host Kaitlyn Durocher were invited to cover the premiere screening of Amazon Studios’ Brand-New, Original Hour-Long Drama Series, Hand of God, at Ace Theater Downtown Los Angeles.
All ten episodes to premiere Friday, September 4 exclusively for Amazon Prime members in the US, UK, Germany and Austria.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About Amazon Studios’ Hand of God
Created and written by Ben Watkins (Burn Notice), Hand of God marks the television debut of renowned filmmaker Marc Forster (World War Z), and stars Golden Globe winner Ron Perlman in his first lead television role since Sons of Anarchy. The show centers on Judge Pernell Harris (Perlman), a hard-living, law-bending married man with a high-end call girl on the side, who suffers a mental breakdown and goes on a vigilante quest to find the man who raped his daughter-in-law and tore his family apart. With no real evidence to go on, Pernell begins to rely on “visions” and “messages” he believes are being sent by God through Pernell's ventilator-bound son, PJ, who attempts suicide shortly after his wife, Jocelyn, is raped in front of him. Is he inspired or is he insane?
www.facebook.com/pages/Hand-of-God/479377635571174
www.amazon.com/Hand-of-God-Season-1/dp/B00MR9W36Q
About Amazon Studios
Amazon Studios launched in 2010 as a new way to develop feature films and episodic series—one that’s open to great ideas from creators and audiences around the world. Last year Amazon Studios launched its first two prime time series, Alpha House and Betas, and recently debuted its first three children’s series, the Annecy International Animated Film Festival Award-winning Tumble Leaf from Bix Pix Entertainment, as well as Creative Galaxy from Angela Santomero, the creator of Blue’s Clues, and Annedroids, from Emmy nominated Sinking Ship Entertainment. Amazon Original Series are available exclusively to Prime members through Prime Instant Video. For more info, visit www.amazonstudios.com
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Kaitlyn on Twitter at twitter.com/katedurocher11
cancer screening camp - Outreach Health Programs by Trinity Care Foundation in Backward Areas of Karnataka State, India. trinitycarefoundation.org/preventive/outreach-health-prog...
Trinity Care Foundation ( trinitycarefoundation.org/ ) is a Public Health Organization based in Bangalore, India that is involved in Holistic Treatment for Children with Facial Deformities, School Health Programs and Outreach Health Programs..
Connect with us :- www.facebook.com/trinitycarefoundation
{ For Partnership & Volunteering Write to - support@trinitycarefoundation.org }
Last time out I snuck the swallows nest into the window after noticing it on the floor inside. I guess the wind had knocked it out of the ceiling truss. There must not have been much for wind since because it was still in the window. I wanted to return with the tripod this time and I got the shot. I also got to where another shot caught my interest and really fine tuned it. What a difference the podzilla makes! This window still has some screening on it but it probably only keeps flies inside this derelict spring house now. You can see the scene through the opposite window is slightly obscured. This window screening partly obstructs the view through the window opposite which I like. The sun on the screen accentuates the masking effect. The long slant of the sun is a warm color adding to the warm tones. The unpainted wood has taken on the patina of the ages and boasts the grainy structure of the trees themselves.
Eddie decided this old shed was a spring house for the farm. There is a cutout in the concrete floor in the close right-hand side. There was a drain cut from the cutout through the north wall. I expect they cooled milk cans in the water bearing depression whether they milked the cows in here or not.
The temperatures are again pleasant a week into January especially if one stands in the sun and away from the slight breeze. The morning sun lit the old barn from the south east just like this. I will savor coming back when the life restarts in the spring but that desire didn't bother the multitude of detail shots on the farm today. I better start pacing myself.
There is an enormous amount of shooting to be done here. This is life in this microcosm of the dust belt of America. A farmer would have been up early to do the milking even in the bitter wind-driven snows. This farm is now abandoned since any soil was turned or the barnyard animals fed. I bet the old tractor would struggle turning the native plants that have return with so much as a hefty two bottom plow.
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
Vice President Joe Biden speaks with Fort Belvoir Installation Command Sergeant Major (CSM) Gabriel Berhane and his wife, Connie, at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
Our students practicing how to take vital signs such as: blood pressure, glucose levels, and other wellness measurements during Health Screening Week. The goal is to help make people’s everyday lives better and healthier.
Ric Burns at Enquiring Minds screening at Enquiring Minds screening at the 2014 Woodstock Film Festival
(photo by Silvia Forni)
Brian McNamara, who plays MG Michael Holden on the Lifetime TV series "Army Wives", signs autographs and poses for pictures with attendees at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
Screening of documentary about Dolores Huerta sends a powerful message about activism and fostering change within minority communities. Speakers included Maria Elena Chávez, Gary Segura and Abel Valenzuela. Photos by Bryce Carrington
Leah Meyerhoff at the I Believe in Unicorns Screening at 2014 Woodstock Film Festival
(photo by Jan Rattia)
Sebastian Junger, the author of “War” and director of “Restrepo” and “Korengal,” spoke with cadets Sept. 22 during a panel discussion hosted by the Defense and Strategic Studies Program. Moderated by Maj. Matthew Cavanaugh, DSS instructor, the panel also featured Maj. Dan Kearney, formerly the commander of Battle Company, 173rd Airborne Brigade Combat Team. In the evening, Junger and Kearney spent an hour signing books before presenting a screening of "Korengal" at Robinson Auditorium. Photo by Mike Strasser/USMA PAO
at the World Premiere of THE AMERICAN SIDE by Jenna Ricker. 2014 Woodstock FIlm Festival. (Photo by Anjali Bermain)
Producer Jonathan Shoemaker at World Premiere of THE AMERICAN SIDE by Jenna Ricker. 2014 Woodstock FIlm Festival. (Photo by Anjali Bermain)
The London Korean Film Festival began with the Opening Gala Screening of at the Odeon West End. Following the screening, Director Huh Jung and Actor Son Hyun Joo held a Q&A session with the audience that was chaired by Tony Rayns.
From the outside, café owner, Sung-soo lives an ideal life. He has a beautiful family, and a sumptuous home. But something is not quite right as Sung-soo battles with a past he tries to forget and a growing obsessive-compulsive disorder. Sung-soo’s comfortable life is shaken when he learns of his brother’s disappearance, he and his family visit the rundown apartment outside of Seoul. Sung-soo soon realises that something is not right from the agitated neighbours and strange symbols found around the complex. Eager to leave he and his family return to Seoul to find that they did not come but alone.
With a banner year for the Korean box office, Hide and Seek is the breakout film of 2013. The film attracted a massive 5 million plus viewers with its quintessential Korean thriller flavour and masterful storytelling from its debut filmmaker, Huh Jung, and fantastic cast.
A great way to kick off the 8th London Korean Film Festival!
Diabetes Screening camp
Trinity Care Foundation Initiative in Backward Areas in Karnataka, India.
Connect www.facebook.com/trinitycarefoundation : trinitycarefoundation.org/csrprogrammesindia
Vice President Joe Biden with Mr. Allen Hanson and Mr. Don Hodge, both with AMVID, at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
ActorsEd Crawford, Keith Leonard, Joe James and Reagan Leonard at Q&A for THE SUFFERING KIND at 2014 Woodstock Film Festival
(Photo by Patricia Mitchell)
Mingle Media TV and Red Carpet Report host Kaitlyn Durocher were invited to cover the premiere screening of Amazon Studios’ Brand-New, Original Hour-Long Drama Series, Hand of God, at Ace Theater Downtown Los Angeles.
All ten episodes to premiere Friday, September 4 exclusively for Amazon Prime members in the US, UK, Germany and Austria.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About Amazon Studios’ Hand of God
Created and written by Ben Watkins (Burn Notice), Hand of God marks the television debut of renowned filmmaker Marc Forster (World War Z), and stars Golden Globe winner Ron Perlman in his first lead television role since Sons of Anarchy. The show centers on Judge Pernell Harris (Perlman), a hard-living, law-bending married man with a high-end call girl on the side, who suffers a mental breakdown and goes on a vigilante quest to find the man who raped his daughter-in-law and tore his family apart. With no real evidence to go on, Pernell begins to rely on “visions” and “messages” he believes are being sent by God through Pernell's ventilator-bound son, PJ, who attempts suicide shortly after his wife, Jocelyn, is raped in front of him. Is he inspired or is he insane?
www.facebook.com/pages/Hand-of-God/479377635571174
www.amazon.com/Hand-of-God-Season-1/dp/B00MR9W36Q
About Amazon Studios
Amazon Studios launched in 2010 as a new way to develop feature films and episodic series—one that’s open to great ideas from creators and audiences around the world. Last year Amazon Studios launched its first two prime time series, Alpha House and Betas, and recently debuted its first three children’s series, the Annecy International Animated Film Festival Award-winning Tumble Leaf from Bix Pix Entertainment, as well as Creative Galaxy from Angela Santomero, the creator of Blue’s Clues, and Annedroids, from Emmy nominated Sinking Ship Entertainment. Amazon Original Series are available exclusively to Prime members through Prime Instant Video. For more info, visit www.amazonstudios.com
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Kaitlyn on Twitter at twitter.com/katedurocher11
Infographic Newborn screening system in Colorado: Colorado Department of Public Health and Environment
Orphan Black screening and Q&A.
Day One of the Calgary Comic & Entertainment Expo.
15Challenges - Theater/Cinema - 2021-07-18
Vice President Joe Biden speaks with LTC Gregory D. Gadson, Army Wounded Warrior Program (AW2) at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
Eva-Last, Eva-tech, Dual Tone, Rusteak, Bamboo Composite Decking, Eva-tech, Xavia, Fascias, Gate and Screening
WEDU held a free preview screening of the Ken Burns documentary JACKIE ROBINSON on April 6, 2016 at Friday Morning Musicale in Tampa. During the event, former Negro Baseball League players shared their own personal stories, memories and experiences.