View allAll Photos Tagged Screening
SkinMap is total body photography for the early detection of melanoma or skin cancer and is a service being offered here at Dr Ian Johnson’s MoleScreen skin cancer clinic in Brisbane; a specialised practice with over 14 years experience in the early detection and treatment of skin cancer. Your own mole check here in Brisbane.
Molescreen Skin Cancer Clinic
1/537 Sandgate Road
Clayfield
Brisbane
Tel: 07 38623144
Participants capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Submitted by: May Ho
Country: Vietnam
Organisation: Brien Holden Vision Institute
Category: Amateur
Caption: Third and fourth year optometry students from the Hanoi Medical University conducting a school vision screening. These students are the pioneering optometrists in Vietnam. #VisionFirst #ourchildren
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Photo uploaded from the #VisionFirst! Photo Competition (photocomp.iapb.org) held for World Sight Day 2019
STAY
Screening/ Q&A
with Director Wiebke Von Carolsfeld
Moderated by Award-winning Director Tim Southam
TIFF Bell Lightbox
March 15th 2014
Photo Credit:
Nick Wons 2014
nick@nwons.com
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
North American Premiere of THE SISTERHOOD OF NIGHT at 2014 Woodstock Film Festival (Photo by Chris Hallman)
On April 11, 2018, MALA hosted a pre-air screening of “The Muslim Next Door,” an installment in Katie Couric’s National Geographic docuseries, AMERICA INSIDE OUT. In the episode, Couric explored the stories of Muslim Americans in today’s America. The screening was followed by an impressive panel of MALA storytellers, who shared their own experiences as “the Muslim next door.”
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
The Second Lady, Dr. Jill Biden, speaks with attendees at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Our hearing screening experts aim to attain excellent balance between performance and cosmetic appeal in real life. Our wide range of hearing aids can easily be connected to all communication and media options and are available in a wide range of styles, including a water and dust resistant model. For more details please Visit at www.ccsahaltd.com/
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Records and Wireframes presents moving image works by artists Paul Dolan (UK) and Paul Walde (Canada) alongside skeletal remains of the extinct Tasmanian Tiger, on loan from the collection of the University of Dundee’s D’Arcy Thompson Zoology Museum. Curated for NEoN by artist Kelly Richardson to accompany her exhibition at DCA, ‘The Weather Makers’, ‘Records and Wireframes’ explores themes around climate change and screen culture with allusions to the past, present and future.
In the expansive video installation Requiem for a Glacier (2013), Paul Walde memorialises British Columbia’s Jumbo Glacier, or “Qat’muk”, now under immediate threat from global warming and resort development. The work shows a four-movement oratorio performed by an orchestra and chorus atop the area’s Farnham Glacier. Over thirty-seven minutes, Requiem for a Glacier features panoramic glacier views alongside the oratorio that was composed by converting data such as temperature records for the area, into musical notation.
Requiem for a Glacier (2013), Paul Walde
The theme of disappearing landscapes, and data as a form of media archaeological artifact, continues in Paul Dolan’s real-time video work, Wireframe Valley (2017), which presents the gradual disappearance of a digitally constructed landscape, revealing its virtual origins. The defining features of the landscape degrade over the exact duration of the exhibition. In the context of global warming, where the physical planet is increasingly incapable of sustaining life as we know it, our refuge amongst digital environments may not placate us for long.
Wireframe Valley (2017), Paul Dolan
Should we fail to alter our course, predictions for the fallout from large-scale, unchecked industry are nothing short of terrifying. Some scientists believe that a 6th mass extinction event is already underway through the “biological annihilation” of wildlife in recent decades. Recent studies suggest that the Tasmanian Tiger’s extinction in the 1930s was itself caused by drought.[1] Due to human overpopulation and overconsumption, roughly 50% of the earth’s wildlife population has been lost during our lifetime. A recently published study in the peer-reviewed journal Proceedings of the National Academy of Sciences forgoes the usual sober tone and refers to the gravity of the loss as a “frightening assault on the foundations of human civilisation”. [2]
Carrying on from themes explored in Kelly Richardson’s exhibition The Weather Makers at DCA, Records and Wireframes shows the work of artists who, through their art, are creating digital records expressing how we understand our world today. These art works, like the fragmented thylacine skull, may become artifacts that future archaeologists consider in their search to appreciate how, in 2017, inhabitants of Earth understood the global environmental crisis facing them.
About the Artists
Paul Walde is an intermedia artist, composer, and curator. His work has been exhibited across the United States and Canada, including View From Up Here: The Arctic at the Center of the World at the Anchorage Museum, Anchorage, USA (2016), All Together Now at the University of Toronto Art Centre in Toronto, Canada (2014); Beyond/In Western New York (2007), a biennial organised by the Albright Knox Gallery in Buffalo, USA;. His work is held in several Canadian and American collections including the Museum London, Canada and the Anchorage Museum, Anchorage, USA. Walde currently lives and works in Victoria, British Columbia, where he is Associate Professor of Visual Arts and Department Chair at the University of Victoria.
Paul Dolan is an artist, animator and musician, interested in the materiality of media and how it relates to ideas surrounding ‘nature’ and ‘environment’. He is a current PhD candidate at Northumbria University where he is exploring changing notions of materiality within computer simulation-related contemporary art. Wireframe Valley (originally from 2015, reproduced in 2017) was commissioned by Queens Hall (Hexham, England) and included in the exhibition Land Engines alongside established artists using video game design tools to create works that explore computer generated landscapes, including David Blandy (UK), Jen Southern (UK) and Mark Tribe (USA). He currently lives and works in North East England, where he is Senior Lecturer of Animation at Northumbria University.
Supported by the High Commission of Canada to the United Kingdom
________________________________
[1] www.theguardian.com/science/2017/sep/28/tasmanian-tigers-...
[2] Gerardo Ceballos, Paul R. Ehrlich, and Rodolfo Dirzo (2017) ‘Biological annihilation via the ongoing sixth mass extinction signalled by vertebrate population losses and declines’ Proceedings of the National Academy of Sciences of the United States of America. See www.pnas.org/content/114/30/E6089 Accessed: 25/09/17.
Opening Preview Thursday 9 November 5pm – part of our Gallery Tours and Exhibition Opening Night programme
SCAN Tour
Images: Kathryn Rattray Photography
Director Liz Manashil and actor Christine Weatherup at world premiere screening of BREAD AND BUTTER at 2014 Woodstock Film Festival (Photo by Peggy Fusco)
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Records and Wireframes presents moving image works by artists Paul Dolan (UK) and Paul Walde (Canada) alongside skeletal remains of the extinct Tasmanian Tiger, on loan from the collection of the University of Dundee’s D’Arcy Thompson Zoology Museum. Curated for NEoN by artist Kelly Richardson to accompany her exhibition at DCA, ‘The Weather Makers’, ‘Records and Wireframes’ explores themes around climate change and screen culture with allusions to the past, present and future.
In the expansive video installation Requiem for a Glacier (2013), Paul Walde memorialises British Columbia’s Jumbo Glacier, or “Qat’muk”, now under immediate threat from global warming and resort development. The work shows a four-movement oratorio performed by an orchestra and chorus atop the area’s Farnham Glacier. Over thirty-seven minutes, Requiem for a Glacier features panoramic glacier views alongside the oratorio that was composed by converting data such as temperature records for the area, into musical notation.
Requiem for a Glacier (2013), Paul Walde
The theme of disappearing landscapes, and data as a form of media archaeological artifact, continues in Paul Dolan’s real-time video work, Wireframe Valley (2017), which presents the gradual disappearance of a digitally constructed landscape, revealing its virtual origins. The defining features of the landscape degrade over the exact duration of the exhibition. In the context of global warming, where the physical planet is increasingly incapable of sustaining life as we know it, our refuge amongst digital environments may not placate us for long.
Wireframe Valley (2017), Paul Dolan
Should we fail to alter our course, predictions for the fallout from large-scale, unchecked industry are nothing short of terrifying. Some scientists believe that a 6th mass extinction event is already underway through the “biological annihilation” of wildlife in recent decades. Recent studies suggest that the Tasmanian Tiger’s extinction in the 1930s was itself caused by drought.[1] Due to human overpopulation and overconsumption, roughly 50% of the earth’s wildlife population has been lost during our lifetime. A recently published study in the peer-reviewed journal Proceedings of the National Academy of Sciences forgoes the usual sober tone and refers to the gravity of the loss as a “frightening assault on the foundations of human civilisation”. [2]
Carrying on from themes explored in Kelly Richardson’s exhibition The Weather Makers at DCA, Records and Wireframes shows the work of artists who, through their art, are creating digital records expressing how we understand our world today. These art works, like the fragmented thylacine skull, may become artifacts that future archaeologists consider in their search to appreciate how, in 2017, inhabitants of Earth understood the global environmental crisis facing them.
About the Artists
Paul Walde is an intermedia artist, composer, and curator. His work has been exhibited across the United States and Canada, including View From Up Here: The Arctic at the Center of the World at the Anchorage Museum, Anchorage, USA (2016), All Together Now at the University of Toronto Art Centre in Toronto, Canada (2014); Beyond/In Western New York (2007), a biennial organised by the Albright Knox Gallery in Buffalo, USA;. His work is held in several Canadian and American collections including the Museum London, Canada and the Anchorage Museum, Anchorage, USA. Walde currently lives and works in Victoria, British Columbia, where he is Associate Professor of Visual Arts and Department Chair at the University of Victoria.
Paul Dolan is an artist, animator and musician, interested in the materiality of media and how it relates to ideas surrounding ‘nature’ and ‘environment’. He is a current PhD candidate at Northumbria University where he is exploring changing notions of materiality within computer simulation-related contemporary art. Wireframe Valley (originally from 2015, reproduced in 2017) was commissioned by Queens Hall (Hexham, England) and included in the exhibition Land Engines alongside established artists using video game design tools to create works that explore computer generated landscapes, including David Blandy (UK), Jen Southern (UK) and Mark Tribe (USA). He currently lives and works in North East England, where he is Senior Lecturer of Animation at Northumbria University.
Supported by the High Commission of Canada to the United Kingdom
________________________________
[1] www.theguardian.com/science/2017/sep/28/tasmanian-tigers-...
[2] Gerardo Ceballos, Paul R. Ehrlich, and Rodolfo Dirzo (2017) ‘Biological annihilation via the ongoing sixth mass extinction signalled by vertebrate population losses and declines’ Proceedings of the National Academy of Sciences of the United States of America. See www.pnas.org/content/114/30/E6089 Accessed: 25/09/17.
Opening Preview Thursday 9 November 5pm – part of our Gallery Tours and Exhibition Opening Night programme
SCAN Tour
Images: Kathryn Rattray Photography
From l to r: Brian Spears, Brent Kunkle, NEED, Larry Fessenden, NEED and Jim mickle (?) at East Coast Premiere of LATE PHASES - 2014 Woodstock Film Festival (Photo by Daniel Timoldi)
North American Premiere of The Sisterhood of Night at the 2014 Woodstock Film Festival (Photo by Chris Hallman)
Davy Chou, Founder, Partner and Filmmaker, Anti-Archive, Cambodia capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Miguel Syjuco, Assistant Professor of Practice, Literature, and Creative Writing, New York University Abu Dhabi, United Arab Emirates capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
A Branko Documentary Film
Film Screening
October 18, 2014
2:00 PM
Tear sheet from Magazine: Ironbound Unbound #5
Open Doors 2014
Prospect St. Firestation Gallery
56 Prospect Street, Ironbound, Newark NJ
Arts & Cultural Center
Curated by Hal Laessig
Page 21
en.wikipedia.org/wiki/111_First_Street_(film)
en.wikipedia.org/wiki/Harry_Benson
111 First Street (film) - Wiki
en.wikipedia.org/wiki/111_First_Street_(film)
111 First Street (a Branko Film), Trailer
111 Jam Band (a Branko Film). Unedited
Faizulla Khamraev (a Branko Film)
Maria Benjumeda, Flamenco and Bulerias at 111 First Street
American Watercolor Movement, Live at Coney Island. A Branko Film (Unedited)
© branko
Branko: Entrevista TV Español
Movies:
Books:
West Indian Parade (Photo Book)
Cecilia Mamede, Times Square NYC (Photo Book)
North American Premiere of The Sisterhood of Night at the 2014 Woodstock Film Festival (Photo by Chris Hallman)
LOS ANGELES, CA - OCTOBER 30: Actress Thandie Newton arrives at the Warner Independent Pictures' "Darfur Now" screening held at the Directors Guild of America on October 30, 2007 in Los Angeles, California. (Photo by Alberto E. Rodriguez/Getty Images for Warner Independent Pictures )
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
KFN 2014: The Year of the Film Professionals begins with the talented screenwriter Park Hoon-jung
The Year of the Film Professionals programme illuminates the overlooked processes of filmmaking behind the screen. This Year's programme focuses on four critical elements of filmmaking: Screenwriting, Film Music, Cinematography and Production Design.
The Korean Film Nights 2014: The Year of the Film Professionals' first guest director & screenwriter Park Hoon-Jung held an Q&A session with the audience that was chaired by Damon Wise, followed by screening of his latest film New World on Thursday 27 March 2014 at the Korean Cultural Centre UK. In this film noir crime thriller in which Park directs his own screenplay, New World explores the criminal underworld through the precarious maneuvering of an undercover cop caught between conflicting loyalties.
KFN 2014: The Year of the Film Professionals begins with the talented screenwriter Park Hoon-jung
The Year of the Film Professionals programme illuminates the overlooked processes of filmmaking behind the screen. This Year's programme focuses on four critical elements of filmmaking: Screenwriting, Cinematography, Film Music and Production Design. The Korean Film Nights 2014: The Year of the Film Professionals' first guest director & screenwriter Park Hoon-Jung held an Q&A session with the audience that was chaired by Damon Wise, followed by screening of his latest film New World on Thursday 27 March 2014 at the Korean Cultural Centre UK. In this film noir crime thriller in which Park directs his own screenplay, New World explores the criminal underworld through the precarious maneuvering of an undercover cop caught between conflicting loyalties.
Park Hoon-jung / Screenwriter: For the first quarter, we have shown four films by the talented screen writer and film director, Park Hoon-jung starting with I Saw the Devil (13 Feb) followed by The Unjust (27 Feb), The Showdown (13 Mar) and New World (27 Mar).
Vice President Joe Biden speaks with an attendee at the "Army Wives" screening
© U.S. Army Photo by Janet L. Davis