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Participants capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Davy Chou, Founder, Partner and Filmmaker, Anti-Archive, Cambodia capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Participants capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Submitted by: May Ho
Country: Vietnam
Organisation: Brien Holden Vision Institute
Category: Amateur
Caption: Third and fourth year optometry students from the Hanoi Medical University conducting a school vision screening. These students are the pioneering optometrists in Vietnam. #VisionFirst #ourchildren
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Photo uploaded from the #VisionFirst! Photo Competition (photocomp.iapb.org) held for World Sight Day 2019
STAY
Screening/ Q&A
with Director Wiebke Von Carolsfeld
Moderated by Award-winning Director Tim Southam
TIFF Bell Lightbox
March 15th 2014
Photo Credit:
Nick Wons 2014
nick@nwons.com
North American Premiere of THE SISTERHOOD OF NIGHT at 2014 Woodstock Film Festival (Photo by Chris Hallman)
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
The Second Lady, Dr. Jill Biden, speaks with attendees at the "Army Wives" Screening
© U.S. Army Photo by Janet L. Davis
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Screening apparatus to assess C4 phosynthetic properties of wild rice and C4 revertants.
Part of the image collection of the International Rice Research Institute (IRRI).
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Records and Wireframes presents moving image works by artists Paul Dolan (UK) and Paul Walde (Canada) alongside skeletal remains of the extinct Tasmanian Tiger, on loan from the collection of the University of Dundee’s D’Arcy Thompson Zoology Museum. Curated for NEoN by artist Kelly Richardson to accompany her exhibition at DCA, ‘The Weather Makers’, ‘Records and Wireframes’ explores themes around climate change and screen culture with allusions to the past, present and future.
In the expansive video installation Requiem for a Glacier (2013), Paul Walde memorialises British Columbia’s Jumbo Glacier, or “Qat’muk”, now under immediate threat from global warming and resort development. The work shows a four-movement oratorio performed by an orchestra and chorus atop the area’s Farnham Glacier. Over thirty-seven minutes, Requiem for a Glacier features panoramic glacier views alongside the oratorio that was composed by converting data such as temperature records for the area, into musical notation.
Requiem for a Glacier (2013), Paul Walde
The theme of disappearing landscapes, and data as a form of media archaeological artifact, continues in Paul Dolan’s real-time video work, Wireframe Valley (2017), which presents the gradual disappearance of a digitally constructed landscape, revealing its virtual origins. The defining features of the landscape degrade over the exact duration of the exhibition. In the context of global warming, where the physical planet is increasingly incapable of sustaining life as we know it, our refuge amongst digital environments may not placate us for long.
Wireframe Valley (2017), Paul Dolan
Should we fail to alter our course, predictions for the fallout from large-scale, unchecked industry are nothing short of terrifying. Some scientists believe that a 6th mass extinction event is already underway through the “biological annihilation” of wildlife in recent decades. Recent studies suggest that the Tasmanian Tiger’s extinction in the 1930s was itself caused by drought.[1] Due to human overpopulation and overconsumption, roughly 50% of the earth’s wildlife population has been lost during our lifetime. A recently published study in the peer-reviewed journal Proceedings of the National Academy of Sciences forgoes the usual sober tone and refers to the gravity of the loss as a “frightening assault on the foundations of human civilisation”. [2]
Carrying on from themes explored in Kelly Richardson’s exhibition The Weather Makers at DCA, Records and Wireframes shows the work of artists who, through their art, are creating digital records expressing how we understand our world today. These art works, like the fragmented thylacine skull, may become artifacts that future archaeologists consider in their search to appreciate how, in 2017, inhabitants of Earth understood the global environmental crisis facing them.
About the Artists
Paul Walde is an intermedia artist, composer, and curator. His work has been exhibited across the United States and Canada, including View From Up Here: The Arctic at the Center of the World at the Anchorage Museum, Anchorage, USA (2016), All Together Now at the University of Toronto Art Centre in Toronto, Canada (2014); Beyond/In Western New York (2007), a biennial organised by the Albright Knox Gallery in Buffalo, USA;. His work is held in several Canadian and American collections including the Museum London, Canada and the Anchorage Museum, Anchorage, USA. Walde currently lives and works in Victoria, British Columbia, where he is Associate Professor of Visual Arts and Department Chair at the University of Victoria.
Paul Dolan is an artist, animator and musician, interested in the materiality of media and how it relates to ideas surrounding ‘nature’ and ‘environment’. He is a current PhD candidate at Northumbria University where he is exploring changing notions of materiality within computer simulation-related contemporary art. Wireframe Valley (originally from 2015, reproduced in 2017) was commissioned by Queens Hall (Hexham, England) and included in the exhibition Land Engines alongside established artists using video game design tools to create works that explore computer generated landscapes, including David Blandy (UK), Jen Southern (UK) and Mark Tribe (USA). He currently lives and works in North East England, where he is Senior Lecturer of Animation at Northumbria University.
Supported by the High Commission of Canada to the United Kingdom
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[1] www.theguardian.com/science/2017/sep/28/tasmanian-tigers-...
[2] Gerardo Ceballos, Paul R. Ehrlich, and Rodolfo Dirzo (2017) ‘Biological annihilation via the ongoing sixth mass extinction signalled by vertebrate population losses and declines’ Proceedings of the National Academy of Sciences of the United States of America. See www.pnas.org/content/114/30/E6089 Accessed: 25/09/17.
Opening Preview Thursday 9 November 5pm – part of our Gallery Tours and Exhibition Opening Night programme
SCAN Tour
Images: Kathryn Rattray Photography
The Weather Makers is the first solo exhibition in Scotland by Canadian artist Kelly Richardson and is programmed as part of Dundee Contemporary Arts’ Discovery Film Festival. Richardson creates hyper-real digital films of rich and complex landscapes that have been manipulated using CGI, animation and sound. Weaving together myth and metaphor with scientific research and new digital technologies, The Weather Makers will present three large-scale video works alongside a new print series.
The exhibition asks the viewer to consider what the future might look like if we continue on our current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at such a moment of global environmental crisis.
Mariner 9 (2012), Kelly Richardson
A 12-metre-long panoramic view of a Martian landscape set hundreds of years in the future, Mariner 9 (2012) presented in this partnership between Dundee Contemporary Arts and NEoN Digital Arts Festival, evokes the human search for life beyond our own planet that continues even as we damage or destroy entire ecosystems on Earth. This vast video work was created using scenery-generation software employed by the film and gaming industries in combination with technical data from NASA’s missions to Mars to produce a faithful artist’s rendering of Martian terrain, populated by the debris from centuries of exploration.
In Orion Tide (2013-14), Richardson presents a desert punctuated by spurts of light and smoke repeatedly launching into the dark night sky. The viewer is left to question what these rocket-like movements are; why they have been launched; and who or what they are carrying. They could be departing explorers searching for a new world or perhaps the escape of a group of planetary refugees, a mass exodus of humanity.
In Leviathan (2011), a 20-minute loop of footage shot on Caddo Lake in Uncertain, Texas displays the region’s unique bald cypress trees in their swamp environment. Filmed from a single vantage point, like a painting set in motion, Richardson has digitally enhanced the nearly monochromatic setting with strange yellow tendrils of light, undulating and twisting beneath the water, hinting at an undiscovered or mutated bioluminant life-form, or perhaps the aftermath of something altogether more disturbing.
Accompanying the exhibition’s large-scale video works will be Richardson’s latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.
As part of NEoN Digital Arts Festival, Kelly has also been invited to curate an exhibition of digital art making reference to both her own immersive landscape work and the festival theme of Media Archaeology. That exhibition will run in Centrespace in the Visual Research Centre on the lower ground floor of DCA, open from Sat 11 November – Sun 19 November 2017.
Richardson currently lives and works on Vancouver Island where she is Associate Professor in Visual Arts at the University of Victoria. Her work is held in many major international collections including the Hirshhorn Museum and Sculpture Garden, SMoCA and Albright-Knox Art Gallery to the National Gallery of Canada, Art Gallery of Ontario, Musée d’art contemporain de Montréal, Arts Council Collection England and Towner, Eastbourne.
Her work has been selected for the Beijing, Busan, Canadian, Gwangiu and Montreal biennales, and recent solo exhibitions include SMoCA, CAG Vancouver, VOID Derry, Naturhistorisches Museum Wien, and a major survey at the Albright-Knox.
Supported by the High Commission of Canada to the United Kingdom
SCAN Tour
Images: Kathryn Rattray Photography
Director Liz Manashil and actor Christine Weatherup at world premiere screening of BREAD AND BUTTER at 2014 Woodstock Film Festival (Photo by Peggy Fusco)
Fortune Brainstorm Health
Tuesday, May 2nd, 2017. San Diego, CA
11:45 AM
OPTIONAL LUNCH: WORKPLACE WELLNESS INNOVATION
Hosted by Cigna
Americans spend more than half of their waking hours at work—often seat-strapped, deskbound, or flat on their feet for much of that time. Gym breaks are a luxury for a few; eating on the run, a reality for many. Such stasis, say experts—and, well, everyone else, too—isn’t exactly a recipe for human fitness, sharp minds, or bristling productivity. Enter workplace wellness programs—a fix that would seem, on first glance, to be too obvious to ignore. A majority of companies, indeed, now offer some sort of wellness benefits—spending as much as $8 billion on everything from flu shots and health screenings to gym memberships, personal health coaching and weight loss programs. But here’s a dumb question: Is this money being well spent? In this candid conversation, we’ll probe whether today’s wellness programs really are bringing wellness to employees, how they’re impacting productivity and the bottom line, and how to measure their success and keep employees engaged beyond week one.
Chip Bergh,
President and CEO, Levi Strauss & Co. (LS&Co.)
Dr. Nicholas J. Gettas,
Chief Medical Officer, Regional, Government, Select, and Individual & Family Plans; National Medical Officer, Market-facing Clinical Organization, Cigna
Amy McDonough,
VP and GM, Fitbit Group Health
Rick Valencia,
President, Qualcomm Life
Photograph by Stuart Isett/Fortune Brainstorm Health
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
From l to r: Brian Spears, Brent Kunkle, NEED, Larry Fessenden, NEED and Jim mickle (?) at East Coast Premiere of LATE PHASES - 2014 Woodstock Film Festival (Photo by Daniel Timoldi)
La Belle Endormie (Sleeping Beauty), A Screening at TIFF 2010. Bell Lightbox, King street, Toronto, Canada. September 14th, 2010.
North American Premiere of The Sisterhood of Night at the 2014 Woodstock Film Festival (Photo by Chris Hallman)
To get prevented from the fake employee commitments and risking job position with wrong employee. Here are 9 essential steps to verify an executive and make yourself sure about hiring of a person for the any job position. Read the blog to know more. Visit: www.authbridge.com/blogs/9-essential-steps-executive-scre...
80 people attended the Star Wars Uncut: Director's Cut screening at Herzliya Cinematheque in Israel.
February 2012. Photo: Asaf Sagi
Miguel Syjuco, Assistant Professor of Practice, Literature, and Creative Writing, New York University Abu Dhabi, United Arab Emirates capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
A Branko Documentary Film
Film Screening
October 18, 2014
2:00 PM
Tear sheet from Magazine: Ironbound Unbound #5
Open Doors 2014
Prospect St. Firestation Gallery
56 Prospect Street, Ironbound, Newark NJ
Arts & Cultural Center
Curated by Hal Laessig
Page 21
en.wikipedia.org/wiki/111_First_Street_(film)
en.wikipedia.org/wiki/Harry_Benson
111 First Street (film) - Wiki
en.wikipedia.org/wiki/111_First_Street_(film)
111 First Street (a Branko Film), Trailer
111 Jam Band (a Branko Film). Unedited
Faizulla Khamraev (a Branko Film)
Maria Benjumeda, Flamenco and Bulerias at 111 First Street
American Watercolor Movement, Live at Coney Island. A Branko Film (Unedited)
© branko
Branko: Entrevista TV Español
Movies:
Books:
West Indian Parade (Photo Book)
Cecilia Mamede, Times Square NYC (Photo Book)
Davy Chou, Founder, Partner and Filmmaker, Anti-Archive, Cambodia capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017
Copyright by World Economic Forum / Sikarin Thanachaiary
Linda screening with a Hancock Elementary student during our excavations of the Hamline Methodist Church. (Hamline Village History Project)
LOS ANGELES, CA - OCTOBER 30: Actress Thandie Newton arrives at the Warner Independent Pictures' "Darfur Now" screening held at the Directors Guild of America on October 30, 2007 in Los Angeles, California. (Photo by Alberto E. Rodriguez/Getty Images for Warner Independent Pictures )
Photo credit: Joshua Barash
City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009
Yasmine Elmasri, Freida Pinto and the BBC bloke [again] at the screening of Schnabel's Miral. On the right Rula Jebreal and Julian Schnabel.
Small, portable and easy-to-use devices allow screening of all at-risk patients at outreach clinics. UGANDA
© Terry Cooper CC BY-NC-SA 2.0
Published in: Community Eye Health Journal Vol. 34 No. 112 2021 www.cehjournal.org
Vice President Joe Biden speaks with an attendee at the "Army Wives" screening
© U.S. Army Photo by Janet L. Davis
The AeroTrain system cost about $1.4 billion and also includes a new security screening mezzanine. The system utilizes 29 Mitsubishi Heavy Industries Crystal Mover vehicles as its rolling stock.
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