View allAll Photos Tagged Screening

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Participants capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017

Copyright by World Economic Forum / Sikarin Thanachaiary

Submitted by: May Ho

Country: Vietnam

Organisation: Brien Holden Vision Institute

 

Category: Amateur

Caption: Third and fourth year optometry students from the Hanoi Medical University conducting a school vision screening. These students are the pioneering optometrists in Vietnam. #VisionFirst #ourchildren

 

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Photo uploaded from the #VisionFirst! Photo Competition (photocomp.iapb.org) held for World Sight Day 2019

STAY

Screening/ Q&A

with Director Wiebke Von Carolsfeld

 

Moderated by Award-winning Director Tim Southam

 

TIFF Bell Lightbox

March 15th 2014

  

Photo Credit:

Nick Wons 2014

www.nwons.com

nick@nwons.com

 

Showcase of film by Marcella Finazzi at Devonport Live Venue

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

North American Premiere of THE SISTERHOOD OF NIGHT at 2014 Woodstock Film Festival (Photo by Chris Hallman)

On April 11, 2018, MALA hosted a pre-air screening of “The Muslim Next Door,” an installment in Katie Couric’s National Geographic docuseries, AMERICA INSIDE OUT. In the episode, Couric explored the stories of Muslim Americans in today’s America. The screening was followed by an impressive panel of MALA storytellers, who shared their own experiences as “the Muslim next door.”

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

The Second Lady, Dr. Jill Biden, speaks with attendees at the "Army Wives" Screening

 

© U.S. Army Photo by Janet L. Davis

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

Our hearing screening experts aim to attain excellent balance between performance and cosmetic appeal in real life. Our wide range of hearing aids can easily be connected to all communication and media options and are available in a wide range of styles, including a water and dust resistant model. For more details please Visit at www.ccsahaltd.com/

Screening with Norway Spruce, Maples, and Vanderwolf Pine.

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

Records and Wireframes presents moving image works by artists Paul Dolan (UK) and Paul Walde (Canada) alongside skeletal remains of the extinct Tasmanian Tiger, on loan from the collection of the University of Dundee’s D’Arcy Thompson Zoology Museum. Curated for NEoN by artist Kelly Richardson to accompany her exhibition at DCA, ‘The Weather Makers’, ‘Records and Wireframes’ explores themes around climate change and screen culture with allusions to the past, present and future.

 

In the expansive video installation Requiem for a Glacier (2013), Paul Walde memorialises British Columbia’s Jumbo Glacier, or “Qat’muk”, now under immediate threat from global warming and resort development. The work shows a four-movement oratorio performed by an orchestra and chorus atop the area’s Farnham Glacier. Over thirty-seven minutes, Requiem for a Glacier features panoramic glacier views alongside the oratorio that was composed by converting data such as temperature records for the area, into musical notation.

  

Requiem for a Glacier (2013), Paul Walde

 

The theme of disappearing landscapes, and data as a form of media archaeological artifact, continues in Paul Dolan’s real-time video work, Wireframe Valley (2017), which presents the gradual disappearance of a digitally constructed landscape, revealing its virtual origins. The defining features of the landscape degrade over the exact duration of the exhibition. In the context of global warming, where the physical planet is increasingly incapable of sustaining life as we know it, our refuge amongst digital environments may not placate us for long.

  

Wireframe Valley (2017), Paul Dolan

 

Should we fail to alter our course, predictions for the fallout from large-scale, unchecked industry are nothing short of terrifying. Some scientists believe that a 6th mass extinction event is already underway through the “biological annihilation” of wildlife in recent decades. Recent studies suggest that the Tasmanian Tiger’s extinction in the 1930s was itself caused by drought.[1] Due to human overpopulation and overconsumption, roughly 50% of the earth’s wildlife population has been lost during our lifetime. A recently published study in the peer-reviewed journal Proceedings of the National Academy of Sciences forgoes the usual sober tone and refers to the gravity of the loss as a “frightening assault on the foundations of human civilisation”. [2]

 

Carrying on from themes explored in Kelly Richardson’s exhibition The Weather Makers at DCA, Records and Wireframes shows the work of artists who, through their art, are creating digital records expressing how we understand our world today. These art works, like the fragmented thylacine skull, may become artifacts that future archaeologists consider in their search to appreciate how, in 2017, inhabitants of Earth understood the global environmental crisis facing them.

 

About the Artists

 

Paul Walde is an intermedia artist, composer, and curator. His work has been exhibited across the United States and Canada, including View From Up Here: The Arctic at the Center of the World at the Anchorage Museum, Anchorage, USA (2016), All Together Now at the University of Toronto Art Centre in Toronto, Canada (2014); Beyond/In Western New York (2007), a biennial organised by the Albright Knox Gallery in Buffalo, USA;. His work is held in several Canadian and American collections including the Museum London, Canada and the Anchorage Museum, Anchorage, USA. Walde currently lives and works in Victoria, British Columbia, where he is Associate Professor of Visual Arts and Department Chair at the University of Victoria.

 

Paul Dolan is an artist, animator and musician, interested in the materiality of media and how it relates to ideas surrounding ‘nature’ and ‘environment’. He is a current PhD candidate at Northumbria University where he is exploring changing notions of materiality within computer simulation-related contemporary art. Wireframe Valley (originally from 2015, reproduced in 2017) was commissioned by Queens Hall (Hexham, England) and included in the exhibition Land Engines alongside established artists using video game design tools to create works that explore computer generated landscapes, including David Blandy (UK), Jen Southern (UK) and Mark Tribe (USA). He currently lives and works in North East England, where he is Senior Lecturer of Animation at Northumbria University.

   

Supported by the High Commission of Canada to the United Kingdom

   

________________________________

 

[1] www.theguardian.com/science/2017/sep/28/tasmanian-tigers-...

 

[2] Gerardo Ceballos, Paul R. Ehrlich, and Rodolfo Dirzo (2017) ‘Biological annihilation via the ongoing sixth mass extinction signalled by vertebrate population losses and declines’ Proceedings of the National Academy of Sciences of the United States of America. See www.pnas.org/content/114/30/E6089 Accessed: 25/09/17.

 

Opening Preview Thursday 9 November 5pm – part of our Gallery Tours and Exhibition Opening Night programme

 

SCAN Tour

 

Images: Kathryn Rattray Photography

Director Liz Manashil and actor Christine Weatherup at world premiere screening of BREAD AND BUTTER at 2014 Woodstock Film Festival (Photo by Peggy Fusco)

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

Records and Wireframes presents moving image works by artists Paul Dolan (UK) and Paul Walde (Canada) alongside skeletal remains of the extinct Tasmanian Tiger, on loan from the collection of the University of Dundee’s D’Arcy Thompson Zoology Museum. Curated for NEoN by artist Kelly Richardson to accompany her exhibition at DCA, ‘The Weather Makers’, ‘Records and Wireframes’ explores themes around climate change and screen culture with allusions to the past, present and future.

 

In the expansive video installation Requiem for a Glacier (2013), Paul Walde memorialises British Columbia’s Jumbo Glacier, or “Qat’muk”, now under immediate threat from global warming and resort development. The work shows a four-movement oratorio performed by an orchestra and chorus atop the area’s Farnham Glacier. Over thirty-seven minutes, Requiem for a Glacier features panoramic glacier views alongside the oratorio that was composed by converting data such as temperature records for the area, into musical notation.

  

Requiem for a Glacier (2013), Paul Walde

 

The theme of disappearing landscapes, and data as a form of media archaeological artifact, continues in Paul Dolan’s real-time video work, Wireframe Valley (2017), which presents the gradual disappearance of a digitally constructed landscape, revealing its virtual origins. The defining features of the landscape degrade over the exact duration of the exhibition. In the context of global warming, where the physical planet is increasingly incapable of sustaining life as we know it, our refuge amongst digital environments may not placate us for long.

  

Wireframe Valley (2017), Paul Dolan

 

Should we fail to alter our course, predictions for the fallout from large-scale, unchecked industry are nothing short of terrifying. Some scientists believe that a 6th mass extinction event is already underway through the “biological annihilation” of wildlife in recent decades. Recent studies suggest that the Tasmanian Tiger’s extinction in the 1930s was itself caused by drought.[1] Due to human overpopulation and overconsumption, roughly 50% of the earth’s wildlife population has been lost during our lifetime. A recently published study in the peer-reviewed journal Proceedings of the National Academy of Sciences forgoes the usual sober tone and refers to the gravity of the loss as a “frightening assault on the foundations of human civilisation”. [2]

 

Carrying on from themes explored in Kelly Richardson’s exhibition The Weather Makers at DCA, Records and Wireframes shows the work of artists who, through their art, are creating digital records expressing how we understand our world today. These art works, like the fragmented thylacine skull, may become artifacts that future archaeologists consider in their search to appreciate how, in 2017, inhabitants of Earth understood the global environmental crisis facing them.

 

About the Artists

 

Paul Walde is an intermedia artist, composer, and curator. His work has been exhibited across the United States and Canada, including View From Up Here: The Arctic at the Center of the World at the Anchorage Museum, Anchorage, USA (2016), All Together Now at the University of Toronto Art Centre in Toronto, Canada (2014); Beyond/In Western New York (2007), a biennial organised by the Albright Knox Gallery in Buffalo, USA;. His work is held in several Canadian and American collections including the Museum London, Canada and the Anchorage Museum, Anchorage, USA. Walde currently lives and works in Victoria, British Columbia, where he is Associate Professor of Visual Arts and Department Chair at the University of Victoria.

 

Paul Dolan is an artist, animator and musician, interested in the materiality of media and how it relates to ideas surrounding ‘nature’ and ‘environment’. He is a current PhD candidate at Northumbria University where he is exploring changing notions of materiality within computer simulation-related contemporary art. Wireframe Valley (originally from 2015, reproduced in 2017) was commissioned by Queens Hall (Hexham, England) and included in the exhibition Land Engines alongside established artists using video game design tools to create works that explore computer generated landscapes, including David Blandy (UK), Jen Southern (UK) and Mark Tribe (USA). He currently lives and works in North East England, where he is Senior Lecturer of Animation at Northumbria University.

   

Supported by the High Commission of Canada to the United Kingdom

   

________________________________

 

[1] www.theguardian.com/science/2017/sep/28/tasmanian-tigers-...

 

[2] Gerardo Ceballos, Paul R. Ehrlich, and Rodolfo Dirzo (2017) ‘Biological annihilation via the ongoing sixth mass extinction signalled by vertebrate population losses and declines’ Proceedings of the National Academy of Sciences of the United States of America. See www.pnas.org/content/114/30/E6089 Accessed: 25/09/17.

 

Opening Preview Thursday 9 November 5pm – part of our Gallery Tours and Exhibition Opening Night programme

 

SCAN Tour

 

Images: Kathryn Rattray Photography

From l to r: Brian Spears, Brent Kunkle, NEED, Larry Fessenden, NEED and Jim mickle (?) at East Coast Premiere of LATE PHASES - 2014 Woodstock Film Festival (Photo by Daniel Timoldi)

loading 20-5mm chips for the readymix plant.

North American Premiere of The Sisterhood of Night at the 2014 Woodstock Film Festival (Photo by Chris Hallman)

Davy Chou, Founder, Partner and Filmmaker, Anti-Archive, Cambodia capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017

Copyright by World Economic Forum / Sikarin Thanachaiary

at the New York Premiere of Angel Azul 2014 Woodstock Film Festival (Photo by Daniel Timoldi)

Miguel Syjuco, Assistant Professor of Practice, Literature, and Creative Writing, New York University Abu Dhabi, United Arab Emirates capture during a session: Screening: Diamond Island at the World Economic Forum on ASEAN in Phnom Penh, Cambodia, May 10, 2017

Copyright by World Economic Forum / Sikarin Thanachaiary

A Branko Documentary Film

Film Screening

October 18, 2014

2:00 PM

 

Tear sheet from Magazine: Ironbound Unbound #5

Open Doors 2014

Prospect St. Firestation Gallery

56 Prospect Street, Ironbound, Newark NJ

Arts & Cultural Center

Curated by Hal Laessig

 

Page 21

 

en.wikipedia.org/wiki/111_First_Street_(film)

 

a2b1.com/111.html

 

en.wikipedia.org/wiki/Harry_Benson

 

111 First Street (film) - Wiki

en.wikipedia.org/wiki/111_First_Street_(film)

 

111 First Street (a Branko Film), Trailer

youtu.be/WluWZBqEQMg

 

111 Jam Band (a Branko Film). Unedited

youtu.be/SiwlMJOQzg0

 

Faizulla Khamraev (a Branko Film)

youtu.be/c07dlkHvLvE

 

Maria Benjumeda, Flamenco and Bulerias at 111 First Street

youtu.be/IwZaogSBKmE

 

American Watercolor Movement, Live at Coney Island. A Branko Film (Unedited)

youtu.be/EHSx0TgjepE

 

© branko

www.a2b1.com

youtube

instagram

facebook

 

Branko: Entrevista TV Español

youtu.be/uF46ark3mlE

 

Movies:

911 Number Seven

111 First Street Movie.

Hola Presidente

Enjay 2

 

Books:

West Indian Parade (Photo Book)

Cecilia Mamede, Times Square NYC (Photo Book)

Anabel - Libro Español-Spanish

Version ebook

Libro en Español

Versao Portugues

Monday, June 16, 2014 at the ArcLight Hollywood in Los Angeles, California

For the special screening of Objectified at the School of Visual Arts Theatre; Chelsea, Manhattan

North American Premiere of The Sisterhood of Night at the 2014 Woodstock Film Festival (Photo by Chris Hallman)

LOS ANGELES, CA - OCTOBER 30: Actress Thandie Newton arrives at the Warner Independent Pictures' "Darfur Now" screening held at the Directors Guild of America on October 30, 2007 in Los Angeles, California. (Photo by Alberto E. Rodriguez/Getty Images for Warner Independent Pictures )

Photo credit: Joshua Barash

City of West Hollywood to Host a Special Celebration of the 61st Anniversary of the Universal Declaration of Human Rights by Featuring an Advance Screening of the Film Invictus on Wednesday, December 9, 2009

KFN 2014: The Year of the Film Professionals begins with the talented screenwriter Park Hoon-jung

 

The Year of the Film Professionals programme illuminates the overlooked processes of filmmaking behind the screen. This Year's programme focuses on four critical elements of filmmaking: Screenwriting, Film Music, Cinematography and Production Design.

The Korean Film Nights 2014: The Year of the Film Professionals' first guest director & screenwriter Park Hoon-Jung held an Q&A session with the audience that was chaired by Damon Wise, followed by screening of his latest film New World on Thursday 27 March 2014 at the Korean Cultural Centre UK. In this film noir crime thriller in which Park directs his own screenplay, New World explores the criminal underworld through the precarious maneuvering of an undercover cop caught between conflicting loyalties.

 

KFN 2014: The Year of the Film Professionals begins with the talented screenwriter Park Hoon-jung

 

The Year of the Film Professionals programme illuminates the overlooked processes of filmmaking behind the screen. This Year's programme focuses on four critical elements of filmmaking: Screenwriting, Cinematography, Film Music and Production Design. The Korean Film Nights 2014: The Year of the Film Professionals' first guest director & screenwriter Park Hoon-Jung held an Q&A session with the audience that was chaired by Damon Wise, followed by screening of his latest film New World on Thursday 27 March 2014 at the Korean Cultural Centre UK. In this film noir crime thriller in which Park directs his own screenplay, New World explores the criminal underworld through the precarious maneuvering of an undercover cop caught between conflicting loyalties.

 

Park Hoon-jung / Screenwriter: For the first quarter, we have shown four films by the talented screen writer and film director, Park Hoon-jung starting with I Saw the Devil (13 Feb) followed by The Unjust (27 Feb), The Showdown (13 Mar) and New World (27 Mar).

  

Vice President Joe Biden speaks with an attendee at the "Army Wives" screening

 

© U.S. Army Photo by Janet L. Davis

Lisa Kletjian and Andrew Miller speak with cast members Anthony Rapp and Maia Brewton.

 

92YTribeca Film

92YTribeca Film on Facebook

Twitter/92YTribeca

 

sorry so late but these are photos from our screening. sabo's is run by the literature committee of the grand rapids branch of the industrial workers of the world.

 

cole 6168815263

2364 cloverly nw

grand rapids, mi 49544

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