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Traffic still slowly on the move on the A45 near Queen Eleanor roundabout on the outskirts of Northampton as a blizzard whips the snow across the scene..Jan 18 2013.
Then phone rings..... Miss Prince hang on the phone and said: "See what I mean! Is she!!!!!" She was furious....
I love this girl and her golden eyemake up.
She's modeling a dress by Virginie, jewelry by me, available in my etsy
Copyright Robert W. Dickinson. Unauthorized use of this image without my express permission is a violation of copyright law.
Also, a behind-the-scenes shot with Michelle that was fun. Rick Rowen chose to shoot down on our zombie killer. Loved working with both of them on this shoot. Great fun. Shot using Kodak Ektar 100 film using a Canon EOS 1N camera and the very rare Canon EF 50-200mm f3.5-4.5L lens. Film developed and scanned at Indie Film Lab in Montgomery, Alabama. Finished with a Topaz Restyle Street Wallstreet Gray layer at 80% opacity.
Uni Work:
One of my ideas is to create murder scenes. Not gory using make-up, but just simple scenes.
My first experiment - attacked while getting in the car.
Strobist:
Softbox behind camera. Bare inside car to add some interior lighting
Crime scene tape is used at many major incidents.
It marks the boundary beyond which nobody may cross unless part of the investigating team.
It can also used to indicate the point at which all precautions need to be taken so as not to contaminate any forensic evidence.
To find out more about Greater Manchester Police please visit our website.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
RCMP investigate a Crime Scene in Coquitlam. Police fired shots at two men in a stolen vehicle. Nobody was injured.
Title: Scene in Native House, Palestine
Creator: Unknown
Date: 1899
Part Of: Banks McLaurin, Jr. Stereograph Collection
Place: Israel
Physical Description: 1 photographic print on stereo card: gelatin silver; 9 x 18 cm
File: ag2000_1296_02_d10_palestine_32c_scene.jpg
Rights: Please cite DeGolyer Library, Southern Methodist University when using this file. A high-resolution version of this file may be obtained for a fee. For details see the sites.smu.edu/cul/degolyer/research/permissions/ web page. For other information, contact degolyer@smu.edu.
For more information and to view the image in high resolution, see: digitalcollections.smu.edu/cdm/ref/collection/bml/id/272
Fairchild - The Fairco - Skating Scene
300 pieces. Complete.
#1536. Series 72.
15x10
Artist: John Toole (1815-1860) Irish-American artist.
A puzzle from my childhood, the assembly of which brought back memories of Saturday nights watching The Love Boat with my folks, and eating popcorn.
{9841}
Winter scene on a layout at the 50th Great NYS Model Train Fair organized by the Central NY Chapter, NRHS, in the NY State Exposition Center building in the NY State Fairgrounds, Solvay NY.
Publicity Caption:
Street scene, Gisborne.
Photographer:
D. Nicholson
January 1968, Gisborne
Archives New Zealand Reference: AAQT 6539 W3537 78 / A84702 collections.archives.govt.nz/web/arena/search#/?q=24731429
For further enquiries please email research.archives@dia.govt.nz
Material from Archives New Zealand Te Rua Mahara o te Kāwanatanga
Petersen's Description:
Scene LXXX (p. 80)
Die Quadermauer des Standlagers biegt links gerundet, rechts eckig um. Den geraden zinnenlosen obern Rand überragen zwei Zelte und dazwischen ein Gardeposten. Unten im Thor ist einer von der Leibgarde postiert und hat sein Augenmerk auf den Kaiser gerichtet, welcher, der Geheimhaltung wegen, mit zweien seiner Begleiter ausserhalb des Lagers sich berät. Standlager und darauf folgend in der nächsten Scene Überfahrt zu Schiff, dann Lagerbau, Allocutio und Brückenübergang, das scheint einen neuen Anfang im Laufe der dargestellten Ereignisse anzuzeigen. Hier ist, von dem grossen Spalt am Fenster ab, das obere Trommelstuck ausgerückt und weiter rechts auch seitlich verschoben.
The stonewall of the castrum (permanent camp) curves rounded to the left, squared to the right. Two tents stick out above its uncrenelated top and a sentry is seen between them. Below, in the gate, a member of the bodyguard is posted, with his eyes on the Emperor, who is conferring with two of his advisers outside the camp for secrecy’s sake. Permanent camp, followed in the next scene by a ship’s crossing, then more camp construction, allocutio and bridge crossing seems to signal a fresh start in the sequence of depicted events. Here the upper drum piece has moved forward, starting from the large crack by the window, and it has also shifted sideways farther to the right.
Scene LXXXI (p. 80)
Legionare im untern, Garden im oberen Streifen kommen vom Standlager her eilig zum Ufer und fahren in den bekannten zwei Fahrzeugen Ober ein Wasser. Wasser und Fahrzeuge scheinen etwas grösser als Scene XIII und XXXIV, es kann sich aber doch wohl nur um eine Flusschiffahrt handeln. Der Prätorianer 2 steigt eben noch mit dem linken Fuss ins Boot, und die Gesten von 4 und 5, welche den noch ans Ufer Eilenden nicht Lebewohl sagen, sondern nur, dass sie diesmal nicht mehr mitkommen, bedeuten uns, dass die Böte wiederkommen werden, die andern nach zuholen. In den Böten erscheinen die Garden stehend, nur der vorderste 10 ist schon aussteigend zu denken; von den Legionaren wendet sich 5 noch zu den zurück bleibenden Kameraden; 7, dessen Lanze nur zufällig unten mit dem Ruder zusammengeht, und 9 eilen, wie angelangt, schon zum Aussteigen.
Legionaries in the lower, Guards in the upper band hurry from the castrum to the bank and then cross the water in the familiar two vessels. Water and vessels seem somewhat larger than in Scenes XIII and XXXIV, but it nevertheless can only be a river crossing. Praetorian 2 is just stepping into the boat left foot first, and the gestures by 4 and 5, not in farewell to the ones waiting on the bank, but only telling them that on this crossing there is no more room, signify for us that the boats will return for them. In the boats, the Guards appear to be standing; only the frontmost one 10 is already moving to get off; among the legionaries, 5 is still turned toward the comrades left behind; 7, whose javelin only by happenstance blends with the rudder below and 9 hurry to debark as if already moored.
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Author: Petersen, Eugen (Eugen Adolf Hermann), 1836-1919.
Title: Die Marcus-säule auf Piazza Colonna in Rom, herausgegeben von Eugen Petersen, Alfred von Domaszewski, Guglielmo Calderini; mit CXXVIII Tafeln folio.
Format: Book
Published: München, F. Bruckmann a.g., 1896.
Description: 125 p. illus. (incl. ports., map) 39 cm. and atlas of 128 mounted pl. 50 cm.
Other contributors: Domaszewski, Alfred von, 1856-1927. Calderini, Guglielmo, 1837-1916. Mommsen, Theodor, 1817-1903.
Contents: Einleitung, von E. Petersen.--Der Marcomanen-krieg unter Kaiser Marcus, von T. Mommsen.--L'architettura della colonna, da G. Calderini.--Beschreibung der Bildwerke, von E. Petersen.--Erläuterung der Bildwerke, von A. von Domaszewski.
Subject headings: Column of Marcus Aurelius (Rome, Italy)
Scene 2 Visitation
Gotland (Sweden); Grötlingbo kyrka (church) -
Baptismal font (dopfunten)
The font is made by Master Sigraf around 1200.
It shows scenes from the early life of Christ and his own baptism by St.John.
original photo by courtesy of wm; Wolfgang Sauber
commons.wikimedia.org/wiki/Category:Baptismal_font_in_Gr%...
This amazingly tall standing stone was on Islay. Must be 4 meters. I like the naturalness of the scene even though it is all unnatural straight lines and man made....
We have been pinned down at this position for hours, and have been unable to move due to the giant machine in front of u.... Wai, what's that? Suddenly, there was a giant explosion, and when we looked out, we saw the machine in shatters, but to our horror we discovered our pilots had rammed into it at full speed, and they were now in the firing line. John went with his riot shield to help one of the fallen pilots, while Sam went to drag luke away from the wreckage. I need a new camera
Accident scene in Orange City at Enterprise Road and the Target Shopping Center. The green Honda was turning left into Target, in front of the truck which hit it and pushed it here.
OCPD, VCSO, OCFD (Engine 67, Engine 68, Rescue 68, FM 67), DFD (Deltona) (Engine 65, Squad 65) responded.
(FL)
Just something I have been making in spare time.. Each features a scene or item.... They are for sale but... I just do them for pleasure mostly.
Visit this location at Mystery Hill - A spooky Kinda Village - Fantasy Inspired - in Second Life
Behind the scenes met Dennis & Morris. Tnxx guys!!! Resultaat: www.flickr.com/photos/jornidzerda/5606718049/
Betere kwaliteit op vimeo: vimeo.com/22204636