View allAll Photos Tagged Scanjet
Graflex Pacemaker Crown Graphic large format 4x5 camera. Kodak Portra 400 negative film. Scanned on my cheap crummy HP G4050 flatbed scanner.
Exposure Information
Date: 2012-08-03
Time: 08:10
Aperture: f16
Shutter: 30 seconds
Field Notes: Liked the dappled light. Wondered what the ripples would look like at thirty seconds.
This was really quite a bright morning. Amazing how much light the overhanging trees can cut out. This is taken from a little stone bridge over the brook. A lovely place.
A standout amongst many.
This image was taken with a Pentax 6 X 7 medium format film camera with a Super Multi-Coated Takumar/6X7 1:4.5/75mm Lens using Kodak Ektar 100 film, scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.
“If you want to be a psychological novelist and write about human beings, the best thing you can do is keep a pair of cats” – Aldous Huxley.
Gioachino Rossini – Duetto buffo di due gatti ♫ youtu.be/l7boSJxKAkg
* Film type: Ildford FP4 Plus Black & White
* Developer: Rodinal 1:25
* HP Scanjet 3770
The Point Reyes has left port for the last time, it appears.
This image was shot from a Zenza Bronica S2 Medium Format camera with a Nikkor-H 1:3.5 f=5 cm lens using Fujicolor Reala 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.
frame # 8 Torcello Garden ~ Venice, Italy.
CROSS YOUR EYES TO LINE UP THE 3D / STEREOSCOPIC EFFECT.
CAMERA: ISO Duplex Super 120 Made in Milan, Italy c.1956
FILM: ORWO NP18 (expired 2/1969)
DATE: 3/20/2014
DEVELOPMENT: Labeauratoire's Caffenol Concoction
15 min.@ 20°c
Using Fixer by Chemiewerk Bad Köstritz DDR "A300 for ORWO"
SCANNER: HP Scanjet G4050 with VueScan Software
light sepia added in photoshop
Graflex Pacemaker Crown Graphic 4x5 large format camera. Fuji Provia 100F positive colour reversal "slide" film. Scanned on my crummy HP G4050 flatbed scanner.
Exposure Information
Date: 2012-07-26
Time: 9:31
Aperture: f16
Shutter: 1/30
Lens: Schneider Kreuznach Symmar-S 150mm f5.6
Field Notes: Thick cloud. Briefest flash of sun. Exposed for two stops darker than full sunlight.
I went for a walk one morning hoping to get some nice shots of the beautiful estate that Heather lives on the edge of but the cloud cover was about 90%. The patches of sun that came through were magical but fleeting and very hard to predict. I wasted a lot of time waiting for shafts of sun that never came where I needed them. With the house I got briefly lucky. Not a real "full sun" blast but a little shaft of brighter light that helped pick it out in the shade. It came out a bit better than I hoped.
Castello di Barolo
p.s. così "ritoccata" fa risaltare il sole sulla piazza e il dettaglio degli appezzamenti sullo sfondo, che nella versione normale non si notavano... e la vignettatura le dà l'aspetto di una foto di altri tempi...
tutto sommato mi sembra migliore dell'altra.
Canon AV-1 | Canon FD 50mm | Kodak Elite Chrome 100 - 2004 expired | HP Scanjet G4050 | Adobe Lightroom
Hasselblad 500 c/m
Zeiss Planar 80mm
Fomapan 200
Negative Dev Kodak D76
Print Dev IlFord Multigrade
HP Scanjet G4010
Red Dao minority in Northern Vietnam. Photo taken in November 2003 in Sapa, Vietnam.
www.topasecolodge.com/red-dao-minority/
camera Canon EOS 50E, lens EF 28-80 mm 1:3,5-6,5 IV, slide film Kodak E100GX.
Slide was scaned with HP Scanjet G4010.
For my Lunar New Years Resolution, I promise to eat my greens!
This photo was taken by a Yashica FR-1 SLR 35mm film camera with a Yashica ML1:2.8 f=28mm lens using Kodak Portra 400 135 film, the negative scanned by an HP Scanjet G4050 and digitally rendered in Photoshop.
Graflex Pacemaker Crown Graphic large format 4x5 press camera with Kodak Portra 400 negative film. Schneider Kreuznach Symmar-S 150mm f5.6 lens.
For this one I had more than the normal amount of trouble from my cheap scanner. I ended up having to convert from negative to positive in Photoshop using an old action called C-Neg from an old set of free actions called DonzRGBActions. It is a manual process and normally inferior results to ColorPerfect's ColorNeg module but in this case the scan was not of usable quality for the plugin. In the end, I like the result.
It is not an intentional tinting of the tones. Simply the best compromise on colour that I could achieve. I really need a better scanner for the large format stuff!
Things seem all screwed up!
At least, this best describes how these ornamental cypress shrubs have been trained by the garden landscaper of the Newton Winery in Napa.
This photo was taken by a Kiev 88C medium format film camera and a MИP-26B 3.5/45mm lens using Kodak Ektar 100 film, the negative scanned by an HP Scanjet G4050 and digitalized with Photoshop.
Florencia. Tomada en Sapucai en julio de 2005, con una Pentax K1000, Pentax SMC 50 mm y película Kodak Gold 200-6. Escaneada con un scanner HP Scanjet G2710.
CAMERA: Minolta 24 Rapid (24x24) - c.1965
FILM: Svema DS-5M (Сбема - ДС-5M) expired 12/1983
DEVELOPMENT: regular C-41 at Prodia lab Nimy, Belgium
DATE: 12/2012
SCANNER:HP Scanjet G4050
Gave my CANON A-1 another outing to see if the strange 'exposure fault' had been cured -- YES -- it seemed to be OK now! I loaded with the last cassette of 1993 bulk HP5+ and used my Home-Made FX-15 formula at 'stock strength' again and it gave wonderful negs with excellent 'Acutance' -- under a x6 Magnifier to old Canon FD 35mm f3.5 lens resolved very fine details. I rated the 1993 film at 125 ASA . I did PRINTS of these and scanned with HP Scanjet 4570 flatbed. Canon Breechlock 35mm f3.5 at f4.5 and Yellow Filter OH DEAR !! I forgot to add some 'Unsharp Mask' to the scans !
Inaugurazione mostra "Facce così" di Gianni Ansaldi. Genova. 2008.
Ringrazio Alessandro "Pillola" Vermini per avermi prestato il suo Voigtländer 12mm!
Set.
Graflex Pacemaker Crown Graphic with Kodak Ektar 100 negative film.
Schneider Kreuznach Symmar-S 150mm f5.6 lens.
'Trip 25' working from Motherwell with me as an unofficial 'second man'! Both myself and the driver, an ex Guide Bridge man, are long gone from the railways! I doubt we'll get a 'form 1' after all these years, I even helped the guard with shunting duties. I was a freight guard myself in those days, albeit a tad further South!
I first posted this back in February, 2010, with a crummy scan from an HP Scanjet that wasn't up to the job. I've replaced it with a current scan and some severe airbrushing, due to 36 year old plastic slides in plastic mounts gathering both dust and bacteria that refuses to brushed away!
Bryce and Kaity are getting married.
Polaroid SX-70.
Polaroid 600, expired. ND gel on the film pack.
Scanned on an HP Scanjet 4010.
What a waste!
Little Lou, Ugly Jack, Prophet John
More Allen Hall artwork @ LSU, most notably, the Frescos
Nikon FE2+Nikon 50mm f/1.8 AI-S
Fuji Superia X-400
Developed in CVS and Scanned with a Canon ScanJet 5370C
Graflex Pacemaker Crown Graphic 4x5 large format camera. Fuji Astia 100F positive colour reversal "slide" film. Scanned on my crummy HP G4050 flatbed scanner.
Exposure Information
Date: 31-07-2012
Time: 15:18
Aperture: f16
Shutter: 1/30
Field Notes: I waited for a bright patch (it was shifting light). I also opened up the exposure since I was sure the other was shot too dark.
Lise and I did a mad 24 hour dash across the country whilst staying with her sister Heather in Edinburgh. We drove down the one day to a motel near Nottingham in order to make her morning appointment at The Park Hospital. Afterwards we drove back up to Edinburgh. We came across this scene on the A1 in northern England near the border with Scotland (or, possibly, looking at Google Maps, southern Scotland near the border with England). The sea, sky and countryside were pretty magical but for me the Eddie Stobart lorry just anchored the whole scene.
For this shot I tried my lovely wife's patience by waiting for the light. I was also trying to get the road clear and some seaguls across the cliffs. I eventually gave up on the seaguls as it was just too many parameters. The film looks a bit over-exposed but it scans down nicely. Probably would help if my scanner wasn't so weak at seeing into shadows. Whatever the reason, I think I prefer this version.
No matter how right you think you are, there are always two ways of approaching the truth.
This photo was taken by a Zenza Bronica S2 medium format camera with a Nikkor-H 1:3.5 f=5 cm lens using Fuji Reala 100 film, the negative scanned by an HP Scanjet G4050 and digitally rendered with Photoshop.
TTV from my Rolleiflex 6x6 + Texture + Landscape filter (Virtual Photographer)
Kodak Tri-x 400ASA negative Scanned w/ HP Scanjet G4050
Canon FT 50mm lens
About Paranapiacaba see en.wikipedia.org/wiki/Paranapiacaba
This is a colour print I did in the 1970s when Desi was about 10. She loved to dance. The fellow was a distant relation of Kitty's and a pro song and dance actor who was visiting with us in Wimbledon.
I brought the print back recently from Hungary and decided to scan it.
This is for the techie visitors.
I have quite an old HP Scanjet 6300 flatbad scanner. There is no driver for it under OS X but as the iMac is my main system I eventually obtained a copy of VueScan which can drive it. For whatever reason the last few scans (saved as TIF) although looked OK in the scanner preview ended up very rough in PS or LR. Finally I fired up my equally old Windows desktop and scanned the picture using the latest (ie early 2000) proper HP driver and got a much better result. Further oddity - I am running Windows 7 RC on it. So far it looks promising.
Apresentação do Esquadrão de Demonstração Aérea
Esquadrilha da Fumaça (FAB - Força Aérea Brasileira)
Dia 09/08/2009 - CSU - Lorena/SP
• Nikon F80 + Sigma 70-300mm APO Macro Super II
• Fujifilm Superia Reala 100
Graflex Pacemaker Crown Graphic large format 4x5 camera. Kodak Ektar 100 negative film. Scanned on my cheap crummy HP G4050 flatbed scanner.
Exposure Information
Date: 2012-07-25
Time: 15:02
Aperture: f16
Shutter: 1/15
Lens: Schneider Kreuznach Symmar-S 150mm f5.6
One of the highlights for me of the trip to visit Heather in Scotland was the proximity to one of my favourite examples of bold large-scale engineerig from the height of the golden age of industry in Britain. I am refering to the Forth Railway Bridge. From the first I ever set eyes on a picture of this structure I was mesmerized by it. Something in it speaks simultaneously of such great solid strength and such great poetry of form and elegance. When Heather told me that it was possible to get near the base of the bridge I was very excited.
Since this was after all a family holiday first and foremost it was decided we would go to lunch nearby at Queensferry and I would have twenty or thirty minutes to try to take my pictures after lunch. Given the time pressure and weather conditions I am very pleased with what I managed to accomplish.
The light was somewhat changeable but mostly somewhat dull. I was eventually rewarded by a small spotlighting effect through the clouds that lit up the main vertical columns in the iron structures of the bridge which happily coincided with a small passenger train crossing the bridge. As the train emerged from the stone arch I tripped the shutter.
When I visited JFK Spacecenter there were two Space Shuttles being prepared for lift of, first the Columbia and then Challenger, which had the terrible accident on the 28th of January 1986.
Unfortunatly a lot of the photos I took during that trip have been ruined by the less than ideal environment they'd be stored in..
In end of June I'll return to Florida and we'll probably stay somewhere near Orlando. This will be a family trip with my youngest (age 13 then), wife and myself, but I would like to do at least 1 shoot with a model. Anyone got a tip on any agency there to contact? I don't want to use MM on this as I wold like to be very sure that the shoot will happen and I will need some help getting a location.
Scanned and when I see how bad a lot the ones survived are photography wise I don't feel so bad after all :-)