View allAll Photos Tagged SUBJECTIVE
You can look, but you can't touch
I don't think I like you much
Heaven knows what a girl can do
Heaven knows what you've got to prove
I think I'm paranoid
And complicated
I think I'm paranoid
Manipulate it
Bend me, break me
Anyway you need me
All I want is you
Bend me, break me
Breaking down is easy
All I want is you
I fall down just to give you a thrill
Prop me up with another pill
If I should fail, if I should fold
I nailed my faith to the sticking pole
I think I'm paranoid
Manipulate it
I think I'm paranoid
And complicated
Bend me, break me
Anyway you need me
All I want is you
Bend me, break me
Breaking down is easy
All I want is you
Paranoid
I think I'm paranoid
Bend me, break me
Anyway you need me
All I want is you
Bend me, break me
Breaking down is easy
All I want is you
Steal me, deal me, anyway you heal me
Maim me, tame me, you can never change me
Love me, like me, come ahead and fight me
Please me, tease me, go ahead and leave me
Bend me
Break me
Anyway you need me
As long as I want you baby it's all right
Bend me
Break me
Any way you need me
As long as I want you baby it's all right.
#DRUNE CONTEST RULES!
Drune: East Of Eden 10,000L Photo Contest
Contest dates: 12 am SLT, Nov 6 - 11:59 pm SLT -Nov 27, 2019
Categories:
10,000L - Grand Prize
5,000L - Best Scenery Photo
5,000L - Best Avatar(s) Photo
5,000L - Best Action Photo
5,000L - Best Erotic Photo
Rules:
1. You must be a member of the Drune Flickr group and submit your entry to that group with #Drune10kContest in the title or description
.
2. Photos must be taken and submitted during the the contest dates. Photos taken prior to or after those dates will not be accepted.
3. The content of the photos can be anything you like as long as it's clear the photo was taken at Drune: East of Eden. This rule is subjective and it's up to the judges' discretion to determine this. Photos taken at other versions of Drune will not be accepted.
4. Each person may submit up to two photos to the contest. You may submit as many photos you like to the group during and after the contest period, but only two for the contest. If more than two photos are submitted with #Drune10kContest in the title or description, only the first two photos submitted will be accepted unless requested otherwise.
5. The number of entries applies per person. This means that photos from alt Second Life accounts or Alt Flickr accounts will not be accepted. Contestants are expected to be honest and self-policing on this issue. If an alt is used, all photos will be disqualified.
6. Photos taken of the three judges (Hera, Sparklebottom Lasertits, and Riowyn) cannot be accepted into the contest, just to eliminate some bias. However, there are images of Sparklebottom in various places on the sim. Photos which include those images will be allowed as long as they are not the main focus of the photo.
Other info:
If you wish to rez any objects to assist with your photo, Drune Forever! is free-to-join group that allows rezzing (and is also the new, PERMANENT group for all future versions of Drune). There is a group joiner at the entrance. Please be courteous and delete rezzed objects once you have finished with them. Rezzed objects not in use will be periodically returned.
Photos do not need to be submitted to any category. It will be up to the judges to decide which category each photo fits best. As such, "Best Scenery Photo" doesn't mean it can't include avatars, and "Best Avatar(s) Photo" doesn't mean it can only include avatars.
A photo can only win one category, so if the photo includes both action and scenery, the judges will decide which category to consider it for. This also applies to the grand prize, which is what we determine to be the best of the bunch. Each prize is mutually exclusive to all of the other prizes.
Also, keep in mind that Drune: East of Eden is Adult rated (as have all previous versions of Drune) and has many erotic images and themes around the sim. Photos for the contest are welcome to be as erotic (or not) as you'd like.
That being said, please feel free to explore ALL Drune: East of Eden has to offer. There are three clubs (including Pino 2051), a hentai shop, a tattoo parlor, private apartments, an obedience training room, and several other hidden interiors. You are encouraged to explore and utilize the entirety of the sim for the contest. or even for your leisure.
Winners will be announced within a week of the contest ending.
The most important part is to have fun and do what you love! Those photos tend to come out best! If you have any questions about the contest, contact Sparklebottom Lasertits (Sparklybootie in Second Life).
Good luck! <3
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Finding your happiness is a subjective thing... Find what you love and happiness will indefinitely follow you
www.youtube.com/watch?v=8BglEyv5O2Y
The Corrs - Dreams
La princesa que emergió de los sueños
Los sueños manifiestan el estilo metafórico que sobreviene en el momento de revelar una idea, una toma, un disparo, una evocación que transformamos en un análisis individual y subjetivo, exteriorizando y exhibiendo aquella parte de nosotros a través de la imaginación de los demás.
The princess who emerged from dreams
Dreams manifest the metaphorical style that comes at the moment of revealing an idea, a shot, an evocation that we transform into an individual and subjective analysis, externalizing and exhibiting that part of us through the imagination of others.
La princesse qui a émergé des rêves
Les rêves manifestent le style métaphorique qui se présente au moment de révéler une idée, un coup, une évocation que nous transformons en une analyse individuelle et subjective, extériorisant et exhibant cette partie de nous à travers l'imagination des autres.
La principessa che è emersa dai sogni
I sogni manifestano lo stile metaforico che viene nel momento di rivelare un'idea, uno sparo, uno sparo, un'evocazione che trasformiamo in un'analisi individuale e soggettiva, esternando ed esibendo quella parte di noi attraverso l'immaginazione degli altri.
María
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Перед вами не документальное изображения Розы. :-( Оно субъективно, потому что мне нравится эта Роза. :-))
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
This is my first Cinnamon Teal carving. There are lots of interesting colours and feather patterns going on with this duck species and several values of the cinnamon colour. I made those cinnamon colours with various ratios of Burnt Sienna, Raw Sienna, and Carbon Black.
I try to paint my carvings to show the species as it might be seen in good light. In the end, it is subjective.
One of my carving buddies took this shot today in my studio with my cell phone. The detail breaks down in the zoom mode and the carving and painting details do not appear as crisp as they actually are.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
La Bassa Padovana è una
vasta zona pianeggiante della Pianura Padana, situata a sud di Padova e delimitata a nord dai Colli Euganei e a sud dal fiume Adige. È un'area rurale, caratterizzata da ampi campi, coltivazioni, ville venete e centri abitati, con un paesaggio interrotto soltanto da fiumi e canali. Quì viene prodotta la quasi totalità della Nebbia Fitta , poi esportata in tutta la pianura ed oltre.Nebbia che con le basse temperature, ghiaccia, formando Brosema ed altri sottoprodotti.
La nebbia, come è facile immaginare, simboleggia assai frequentemente uno stato di incertezza e di indeterminatezza che può anche trasformarsi in confusione totale; esprime, soprattutto pensando ad alcuni poeti crepuscolari, una realtà per nulla chiara né rassicurante, bensì grigia, al limite della tetraggine. Ma la nebbia può avere anche altri significati; per esempio, in una delle poesie più note di Giovanni Pascoli, la vita appare come una valle sommersa da una nebbia fitta, che impedisce di vedere in modo nitido qualunque cosa circostante, e quindi permette soltanto d'intuire o d'interpretare soggettivamente ciò che è lì intorno.....
ENG
The Bassa Padovana is a
vast flat area of the Po Valley, located south of Padua and bordered to the north by the Euganean Hills and to the south by the Adige River. It is a rural area, characterized by wide fields, crops, Venetian villas, and residential areas, with a landscape interrupted only by rivers and canals. Almost all of the Nebbia Thicka (thick fog) is produced here, then exported throughout the plain and beyond. This fog freezes at low temperatures, forming Brosema and other byproducts.
Fog, as one might imagine, very often symbolizes a state of uncertainty and indeterminacy that can even turn into total confusion; especially in the case of some twilight poets, it expresses a reality that is neither clear nor reassuring, but rather gray, bordering on gloom. But fog can also have other meanings; for example, in one of Giovanni Pascoli's most famous poems, life appears as a valley submerged by a thick fog, which prevents us from seeing anything clearly around us, and therefore allows us only to intuit or subjectively interpret what is around us......
Many thanks for your views, faves and supportive comments. These are always very much appreciated.
- No Unauthorized Use.
Absolutely no permission is granted in any form, fashion or way, digital or otherwise, to use my images on blogs, personal or professional websites or any other media form without my direct written permission.
If you recognize yourself in a photo of this gallery, you certainly weren't what I was photographing, if you don't want it to be published let me know and the photo, perhaps, will be removed.
P. Paccagnella. [ph.p.ph.©] TdS Pd Italy
Looking NW from the saddle NE of Mt Carrilon over Tulainyo Lake to Mt Russell at center left, Mt Carillon at far left, and Russell Carilon Col between. This lake is sometimes referred to as the highest elevation lake (12822') in the continental U.S., but this may be subjective given the distinction between lakes, ponds, and tarns is not clearly defined. California, Sierra Nevada Mountains, Sequoia National Park, Tulainyo Lake. Off the John Muir Trail near Mile 210.
(All images copyrighted. Copying or otherwise using my photos in any way is not OK w/out my explicitly granted permission. See my Profile for queries regarding any other usage.)
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Playing with the Sun is one of my favourite aspects of outdoor photography, but also in so far as to play with the results of the light, that paradoxically is of course, the shadow(s), and it intrigues me greatly, how we as energetic entities when immersed from a point of light’s perspective, create a shadow greater than ourselves, in so much as following the vibrational aspect in our daily lives, how our darkest reputation precedes us as entities of light, that the darkest of colours attracts the most heat from light energy, you need dark solar panels to create light energy, a constant paradoxical, conflicting enigmatic and sustained duality, interceding our dimensional “reality” as questionable and subjective as is the perception itself thereafter. Oh trust me I could on…
I hope everyone is well and so as always, thank you! 😊
Zum Bild im Hintergrund (about the background image)
Commissar Demikovsky nannte der in der Ukraine geborene Maler Jules Olitski sein fast monochrom wirkendes Bild. Die Farbe Rot dominiert – lediglich am Rand bricht an einigen Stellen die Komplementärfarbe Grün durch. Dem von Olitski gewählten Titel nach zu urteilen, ist das Bild seinem Vater gewidmet. Dieser wurde während des russischen Bürgerkrieges und wenige Monate vor der Geburt seines Sohnes im Jahr 1922 als Bolschewik hingerichtet. Die Mutter emigrierte kurze Zeit später mit ihrem Sohn nach Amerika. Olitski erhielt seine künstlerische Ausbildung in New York und Paris. In den 1960er-Jahren begann er, Sprühflaschen für den Farbauftrag zu verwenden. Wie im Bild Commissar Demikovsky erzielte er damit Oberflächenstrukturen, die mit ihrer Zurücknahme der subjektiven Handschrift an die Programmatik der Minimal Art anschließen. Olitski gehörte zu den zentralen Vertretern der frühen Farbfeldmalerei im Kontext der sogenannten Post-Painterly Abstraction – einer Malerei, die sich gegen die gestische Malweise des Abstrakten Expressionismus richtet. 1966 wurde Jules Olitski als erstem lebendem Künstler eine Einzelausstellung im New Yorker Metropolitan Museum gewidmet. Auch wenn Olitskis in den 1960er-Jahren einsetzende Karriere bald stagnieren sollte, bezeichnete ihn der Kunstkritiker Clement Greenberg als „größten lebenden Künstler“.
Commissar Demikovsky is the title Ukraine-born painter Jules Olitski gave to this almost completely monochrome picture. The color red dominates, and some complementary green breaks through on the margins. Judging by the title Olitski chose, the picture is dedicated to his father, who was executed as a Bolshevik during the Russian civil war a few months before the birth of his son in the year 1922. A short time later he and his mother emigrated to the United States. Olitski received his art education in New York and Paris. In the 1960s he began to use spray cans to apply paint. As in the painting Commissar Demikovsky, he creates surface structures in which the subjective signature is so reduced that the work can be seen in the context of minimal art. Olitski is one of the main representatives of color-field painting in context of “post-painterly abstraction,” a style of painting that was directed against the gestural approach of abstract expressionism. In 1966 Jules Olitski was one of the first living artists to be given a show at the New York Metropolitan Museum. Even if Olitski’s career, which began in the 1960s, soon began to stagnate, art critic Clement Greenberg still called him the “greatest living artist.”
Source:
www.mumok.at/onlinesammlung/detail/commissar-demikovsky-5357
The poverty of an objectivistic account is made only too clear when we consider the mystery of music. From a scientific point of view, it is nothing but vibrations in the air, impinging on the eardrums and stimulating neural currents in the brain.
How does it come about that this banal sequence of temporal activity has the power to speak to our hearts of an eternal beauty? The whole range of subjective experience, from perceiving a patch of pink, to being enthralled by a performance of the Mass in B Minor, and on to the mystic’s encounter with the ineffable reality of the One, all these truly human experiences are at the center of our encounter with reality, and they are not to be dismissed as epiphenomenal froth on the surface of a universe whose true nature is impersonal and lifeless.
-J. Polkinghorne, Belief in God in an Age of Science (New Haven: Yale University Press, 1998), 18–19.
1/4/2023:
I am moving this shot to the top of my photostream and choosing it for the Your Best Shot of 2022 group. "Best" is a very subjective term. After going through all my posted photos, including many personal faves, I was happiest rediscovering this one. It didn't get as many faves as the ones that made it into Explore, but I think it deserves a second chance at being seen.
I shot this on an elevated subway platform in Queens, on my way home after spending a delightful day in Manhattan alone (by choice) for my birthday, wandering around taking photos, visiting the Museum of Modern Art and seeing a performance of Hamilton: An introvert's dream. #YBS2022 #YBSUrban22 #YBSThroughHerLens22
2/9/2022:
"Nicknamed the 'International Express,' the 7 kicks off on Main Street, in Flushing, Queens; cuts through East Asian, Latino, South Asian, and other immigrant locales; and terminates in Hudson Yards, Manhattan. In 1999, the White House Millennium Council deemed it a National Millennium Trail for being a testament to the immigrant experience." ~ www.bloomberg.com/news/articles/2017-04-24/how-the-7-trai....
From the train platform at the 40th Street & Lowery station, Sunnyside, Queens, NYC -- February 9, 2022
#FlickersGlobalBirthday
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Cropping is very subjective. This is one of those cases where the square crop (of my previous image) has a different visual impact, in my opinion. What do you think?
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
«Включите воображение, используйте ваши таланты. Все вокруг субъективно, что бы это ни значило.»
Каждая встреча имеет один и тот же принцип: герой Одиночка (Импровизатор) заказывает два эспрессо в отдельных чашках и ждёт. Человек, с которым он должен встретиться, приходит и спрашивает: «Вы не говорите по-испански, так?», на что он отвечает «Нет».
Происходит обмен коробками спичек. Импровизатор достаёт из полученной коробки сложенную гармошкой бумажку с каким=то кодом, читает его и съедает бумажку.
Inspired by the movie "The Limits of Control" by J. Jarmusch.
Stoked to announce that the "Observations in the ordinary" book curated by Noah Waldeck is now available for pre-order on Subjectively Objective website : subjectivelyobjective.com/product/observations-in-the-ord...
140 pages / hardcover / 134 artists / lower price for pre-orders
You'll find in there one of my pictures of the Australia series and other stunning photographs of talented worldwide artists.
Can't wait to hold it in my hands !
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
"The artist is the only one who knows that the world is a subjective creation, that there is a choice to be made, a selection of elements."
- Anais Nin
-----------------------------------------------------------------------------------------
Thanks to all for 19,000.000+ views, visits and kind comments..!!
Please don't use this image on websites, blogs or other media without my explicit permission.
© ALL RIGHTS RESERVED
Finally recovering from the Nightscaper Conference last week. As always Royce Bair put together an awesome event. I was privileged enough to assist many of the speakers during the conference and host a round table. The round table was a discussion about photography Ethics. Photography ethics are the principles that guide how we take and share photographs. Photography ethics are subjective, contextual, and fluid, meaning every person's ethics will be different, because ethics are based on a person's life experiences and values. Although everyone will answer ethical questions in their own way and according to observed circumstances, there are some key ethical questions that are useful to consider. This is the incredible panel that I had for the round table.
Wayne Pinkston – Cofounder of LowLevelLighting.org
Mike Shaw – Award winning astrophotographer and author
Brad Goldpaint - 2018 Astronomy Photographer of the year
Bryony Richards – International Award-winning photographer
Jack Fusco - an early nighscape innovator who loves to keep it simple and as real as possible.
Again I can only say that it was such a privilege to host these incredible photographers. each of them were so professional and shared their passion for photography. They had some tough questions to answer and did so with the upmost respect for their passion. One of the questions asked is below. Unanimously the panel felt it important to not share the location. It is not so much to keep a secret as it is to protect the area. We all love to share our images but everyone agreed that photographers need to understand our responsibility to leave no trace.
____________
The term “social media influencer” has become a goal of many. It is not hard to find one. It is the account with thousands of followers that has a pretty photo posted from a stunning location. Some of these influencers have sponsors. They create post content that people like. Do some social media influencers cross the line?
Question:
Does social media help or hurt? Does it bring too much attention to a particular place?
I shot this image the night after the conference. I hope you enjoy it.
My thoughts about soft focus and out of focus...
There’s soft focus and out of focus… The differences between the two are apparent… Soft focus can live within any shot… especially if you’re shooting moving objects… i.e. animals, people, cars etc. The key question is: does the soft focus enhance or detract?
Since shots are all subjective to the shooter… it should be a process of “Should I show this shot?”… soft focus images should have levels of clarity within the shot, if not, then it’s just out of focus… yes the wings and most of the gull shows movement… but the head, beak and eye are for the most part clearly defined… as well as the underlying canvass which is the water…
It’s always a struggle to post these shots… but if you know my work… all shots are just not about sharpness… shots that you post should be about “YOU” your vision, your heart…
TIO...
just my perspective... :))
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
© All rights reserved. A low-res, flatbed scan of a 6x7 (2 1/4 x 2 3/4 inch) transparency
There is an informative link below that gives a better explanation of what you are seeing through this picture from late last year in San Jose, Ca.
I've read all sorts of opinions about this luminous art installation and, I guess, like most art, this project dwells in the realm of subjectivity. It's a lot more colorful under the freeway, though. To be sure.
Thanks for having a look!
"Sensing You" Dan Corson
www.mercurynews.com/bay-area-news/ci_29232455/illuminatin...
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Vintage Leica Tele-Elmarit 2.8 90mm (1976)
The underground in London is one of the best functioning public trafic systems of the world. You can reach everything in a short ride without waiting a long while.
Das U-Bahn System in London ist eines der bestfunktionierenden öffentlichen Nahverkehrssysteme weltweit. Man kann alles in kürzester Zeit und ohne lange Wartezeit erreichen.
THE FARIGOULE COLLECTION by Jules Farigoule - the January 2023 installation @ The Annex of Nitroglobus
A whlile ago when meeting with Jules in his loft, which is really a superb tastefully made place, I asked him if he was willing to exhibit his awesome art collection at Nitroglobus.
At first he hesitated and told me he was neither an artist nor was this a 'collection', just images which he likes to have around him; a very subjective and personal selection. However, in the end he said YES. I am soo happy he did.
Now installed at The Annex of Nitroglobus you see the result: The FARIGOULE COLLECTION: a set of images, gathered from meetings, friendships and by chance, from the serendipity of Jules's long second life.
Jules explains in the notes which are hung on the walls of the gallery along side the art works shown, why or how these works touch him,, what he sees in them, the personality of their creator, or the situation that led him to acquire them.
Moreover, Jules constructed parts of his loft here in the gallery to give the visitors of the exhibition a more intense look and feel of his home and collection.
There is not really a concept in this exhibition, just walk around, enjoy and build your own story.
Dido Haas
My thanks go of course to Jules Farigoule and to Joss Floss who was a great help.
****
Opening party :
Monday 16 January, 12 PM SLT (is 21 hours Amsterdam/Paris time)
Music by Dj Joss Floos
Particles by Venus Adored
taxi to The Annex of Nitroglobus:
maps.secondlife.com/secondlife/Sunshine%20Homestead/166/4...
The installation is already in place and can be visited.
COmposition Series
Extract from the context volumes, colors and shapes by subjectively creating a new self-sufficient harmony.
Wavelengths of light exist outside our brains, but colors are subjective mental phenomena that depend on our visual systems.
The easiest way to realize this is to consider how televisions and other displays create the subjective experience of color. They use red, green and blue light (meaning light with the corresponding wavelengths). With these 3 wavelengths, a television can be used to create any color imaginable.
Consider how red light and green light can be combined to create yellow light. This has nothing to do with physics. The two types of light wave do not in any sense "mix", except at the retina.
The retina is not the whole story, however. The neuroscience of color vision is complex, and only partially understood. The famous image of the blue-and-black / white-and-gold dress illustrates this. Some people can voluntarily switch between the two percepts. This implies that the retina is not the only part of the visual system that is involved in color vision. Voluntary control is generally assumed to act at higher levels of the visual hierarchy.
Yohan John, PhD in Cognitive and Neural Systems from Boston University
Looking across the River Wyre estuary where it meets Morecambe Bay to Fleetwood from Knott End.
Lots of processing to make the image 'gloomy' as the day was quite sunny! If you think it looks too dark then please say (photography is very subjective of course) as I'm quite open to CONSTRUCTIVE criticism. Thanks for looking.
The image captures a realistic scene, but its intense blue-gray tones and hazy effect deviate from its objective documentary nature, creating a surreal or poetic atmosphere.
The solitary figure and desolate scene in the photograph create a strong subjective mood, leaving the viewer with a sense of mystery, loneliness, or provocation, echoing the emphasis on personalization and irrationality in "anti-photos."
This atmosphere is achieved through the use of color, light, and composition, elevating the photograph beyond simple documentary function to become a work of art with powerful emotional and conceptual expression.
Photographed by Liu Wanching in Inner Mongolia, China, 2013🌸
影像捕捉了現實場景，但強烈的藍灰色調和朦朧效果使其偏離了客觀紀實的本質，創造出一種超現實或詩意的氛圍。
照片中的孤獨人影和荒涼場景，營造出一種強烈的主觀情緒，讓觀者感受到一種神秘、孤獨或挑釁的感覺，這與「反照片」中強調個人化和非理性的表達方式相呼應。
這種氛圍的營造是透過色彩、光線和構圖等手法實現的，這些手法讓照片超越了單純的紀錄功能，成為一種具有強烈情感和觀念表達的藝術作品。
劉浣青2013年攝於中國內蒙