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Mezco One:12 Collective

I decided to change up the location of the lighting and shot tonight. Not sure if I like the busier background, but at least you are able to see the pretty, colorful menorah.

 

Oh, and I did my first menorah HDR!

Project 365, #357 - 19th Feb 2013

 

Whereas some photographers see light, and some see shadows. I see lines…

    

Our Daily Challenge (ODC): LEADING LINES

113 Pictures in 2013: #94 Lines

    

Many thanks for looking/comments/favs!

 

ZMTP | Facebook | Tumblr | Pinterest

The newest Los Angeles bridge lit up

filled up-- sort of! I need more books!

Marvel - Avengers Endgame - Black Widow (Natasha Romanoff) Sixth Scale Collectible figure by Hot Toys

 

Product Code: MMS533, released Q3 2020

Sixth Form Spring Ball, March 2017.

225 South Sixth in one of the tallest building in the Midwest.

 

In downtown Minneapolis, Minnesota

Kimchee and Blue Top

Blue Linen Skirt from U.O.

Black tights

Grey Zara wedges

Silver Necklace from a Thrift Store in Milwaukee

 

sealorraine.blogspot.com

Sixth Street Community Center, NY

Rock Show Verticals Series ~ Elvin Bishop Band

 

Trombone & Percussion - Ed Earley has been on the blues

scene for almost 30 years between St. Louis and the San

Francisco Bay Area. He’s backed up Elvin Bishop, Albert King,

Joe Louis Walker, Buddy Ace, Luther Ingram, just to name

a few. He also has his own band, self named with two CDs.

 

*[FYI: Ship-videos shot in 'very windy' sea-conditions!}

"Old School" www.youtube.com/watch?v=G_S5_p3Z18k

"Everybody's In The Same Boat" - Day 3 - 6:15 PM

www.youtube.com/watch?v=PJUevPctktc (Live)

 

Rock Legends Cruise VI ~ February 15th-19th, 2018

Independence of the Seas ~ Royal Caribbean Line

en.wikipedia.org/wiki/MS_Independence_of_the_Seas

Fort Lauderdale - Cozumel - Fort Lauderdale

Twenty-two bands ~ Five Day Party ~ four stages

Concerts all day-and-night from 10AM to 3AM

********************************************************************

2018 Bands: Sammy Hagar & The Circle ~ Bad Company

John Kay & Steppenwolf ~ Blue Oyster Cult ~ Uriah Heep

Elvin Bishop ~ Molly Hatchet ~ Vanilla Fudge ~ Quiet Riot

Rik Emmett & Resolution 9 ~ The Black Star Riders

The Artimus Pyle Band ~ Pat Travers Band ~ Zebra

Gary Hoey ~ Eric Gales ~ The Devon Allman Band

Two Wolf ~ Mike Zito ~ Andrew Hagar aka Drew Hagus

Brandon "Taz" Niederauer ~ The Damn Truth

*********************************************************************

Tintype slightly larger than a sixth plate. Same posing chair and pose as the companion image.

Okinawa Summer Festival 2015

日程は今月7/18日から8/23日迄

 

今年も去年に引き続き、+Sixth+参加致しますよ!!

今回は凌ちゃんも「猫カフェおはぎ」で女子服を持っての参加

 

僕の店はメンズアイテムで参戦します!

こんなTシャツとかネイルなんかを持っていきますよ

 

暑いのと新作の試行錯誤でぐでぐで…w

ここ一週間くらい外出時以外は作業場生活ですww

ABCとUVERを交互に聴きながらぐるぐる作業はまだ終わっていませんwww

Looking west; currently under construction

I played a bit of Frogger on Sixth Avenue to get some long exposure shots looking south toward the Jefferson Market Public Library and further to World Trade Center. I had enough time between lights to get one or two shots before heading back to safety. I think I'll try this perspective for the Tribute lights next year.

 

More photos like this one are in my set

New York Night

 

More photos taken with the Nokton 17.5mm are in my set

Voigtlander Nokton 17.5

Airbus, A330-243MRTT, msn 1968, MRTT046, tempo spanish reg EC-333, ex F-WWKP, soon to be marked F6 because she will be French Armée de l'Air 46 /F-UJCL (sixth Fenix)

INSTAGRAM TWITTER

 

the Grand Lodge of Maryland Masonic Temple

 

second permanent headquarters of the Maryland Freemasons, 1866-1996

 

also known as: Grand Historic Venue, Tremont Suites Hotel & Embassy Suites Baltimore Downtown

  

architectural style: French & Italian Renaissance, Beaux-Arts

 

architect: Edmund G. Lind

Joseph Evans Sperry, Beaux Arts sixth story, attic & elaborate entryway

 

cornerstone laid: November 20, 1866, President Andrew Johnson was among the attendees

  

Grand Historic Venue

225 North Charles Street

Baltimore, MD

  

Su Nuraxi is a nuragic archaeological site in Barumini, Sardinia, Italy. It was included in the UNESCO list of World Heritage Sites in 1997 as Su Nuraxi di Barumini.

 

Su Nuraxi simply means "The Nuraghe" in Campidanese, the southern variant of the Sardinian language.

 

Su Nuraxi is a settlement consisting of a seventeenth century BCE Nuraghe, a bastion of four corner towers plus a central one, and a village inhabited from the thirteenth to the sixth century BCE, developed around the Nuraghe. They are considered by scholars the most impressive expression of the Nuragic civilization and were included in the UNESCO list of World Heritage Sites in 1997.

 

Structure

 

The main tower and the inner courtyard

 

The Nuraghe and its countryside in summer

The oldest part of the Nuraghe consists of a central tower with three superposed chambers (18.6m high), was built in blocks of basalt between the seventeenth and thirteenth centuries BCE. Later, during the Late Bronze Age, four towers joined by a curtain wall with an upper balcony (no longer extant) were built around the central tower, all communicating with an inner courtyard served by a well. During the Iron Age, the complex was surrounded by a heptalobate curtain wall.

 

Function

The real function of the nuraghe is still debated. The discoverer of Su Nuraxi, the archaeologist Giovanni Lilliu, confirmed the traditional interpretation of fortress-site. Other archaeologists believe that the oldest part of the dolmen was destined for a religious purpose, refuge, civil or even parliament or registered the village chief, while the towers were added perhaps intended for military purposes and stock.

 

The village

A village, intended to accommodate the surrounding population, was built around the Nuraghe in the Late Bronze Age. The village consisted of about fifty huts, and was built on a circular plan with large boulders covered with dry stone walls and conical roofs made of wood and branches. Though the huts were structured in a single unit in more remote periods, there was a later, more prevalent tendency to subdivide housing into individual units. Of the huts found, the most significant appear to have been reserved for meetings of the local leaders. These huts were larger and more complex in structure, and the hut reserved for the inhabitants' meetings contained symbols of the deities worshiped by locals. Other rooms have been identified as workshops, kitchens, and agricultural processing centres.

 

During the sixth century BCE, the buildings were destroyed and subsequently restored by Carthage before being occupied by the Romans. They were eventually completely abandoned.

 

The nuraghe and the village were strategically connected to the system of other Nuraghes, such as the polylobate nuraghe found beneath the fifteenth-century Palazzo Zapata in the village of Barumini.

 

Archaeological excavations[edit]

The archaeological site was fully excavated between 1950 and 1957 under the direction of Giovanni Lilliu, a local expert. The excavations allowed archaeologists to retrace the different stages of the construction of the towers and surrounding village, confirming that the entire complex was a vibrant, vital centre up to the first century BCE, during the Roman period.

 

Excavations brought to light important remains in the form of tools, weapons, pottery, and ornaments.

 

This site is essential to an understanding of the timeline of Sardinian civilization: "The relative chronology of Sardinian prehistory is largely based on the first modern excavation of a 'nuraghe' at Su Nuraxi, Barumini. Giovanni Lilliu […] used a combination of structural phases and pottery typology to construct a general Nuragic sequence."

 

There is another important nuragic site at nearby Casa Zapata, the important finds of which are on display at the site's museum.

 

FOR MORE INFORMATIONS:

en.wikipedia.org/wiki/Su_Nuraxi_(Barumini)

 

FOR THE PLACE, PLEASE, FOLLOW THIS LINK:

wikimapia.org/#lang=it&lat=39.706019&lon=8.991022...

 

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“It is an illusion that photos are made with the camera…

they are made with the eye, heart and head.”

[Henry Cartier Bresson]

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Please don't use any of my images on websites, blogs or other media without my explicit written permission.

© All rights reserved

Sony A1 + Venus Optics Laowa Argus 35mm f/0.95 FF lens

Nº 25.

Toyota Celica.

Escala 1/60.

"Coches en miniatura" - "El Periódico" (España).

Welly/Nex.

Año 2015.

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Toyota Celica

 

From Wikipedia, the free encyclopedia

 

"The Toyota Celica /ˈsɛlɨkə/ is a sport compact car which was produced by the Japanese company Toyota from 1970 to 2006. The Celica name was ultimately derived from the Latin word coelica meaning "heavenly" or "celestial". In Japan, the Celica was exclusive to Toyota Japanese dealerships Toyota Corolla Store.

 

Throughout its life span the Celica has been powered by various four-cylinder engines.

The most significant change occurred in August 1985, when the car's drive layout was changed from rear wheel drive to front wheel drive. During the first three generations, American market Celicas were powered by various versions of Toyota's R series engines. The four-wheel drive turbocharged model called GT-Four worldwide (All-Trac Turbo in the US) was produced from 1986 to 1999.

Variable Valve Timing came in certain Japanese models starting in December 1997, and became standard in all models from 2000-on. Through seven generations, the model has gone through many revisions and design forks, including the Toyota Celica Supra (later known as the Toyota Supra). The Celica was available as notchback and liftback coupes, as well as a convertible."

 

- First generation / A20 & A35 Series (1970–1977)

 

- Second generation / A40 & A50 Series (1977–1981)

 

- Third generation / A60 Series (1981–1985)

 

- Fourth generation / T160 Series (1985–1989)

 

- Fifth generation / T180 Series (1989–1993)

 

- Sixth generation / T200 Series (1993–1999)

 

- Seventh generation / T230 series (1999–2006)

 

"In late 1999, Toyota began production and sales of the seventh-generation Celica. It closely resembled the XYR concept with the exception of the front bumper and rear spoiler, while omitting the previously available coupe bodystyle.

The 2000 model year Celica was an element of Toyota Project Genesis, an effort to bring younger buyers to the marque in the United States. Toyota took time to lighten the car and lower cost wherever possible. Power window and door lock controls were placed in the center console so only 1 set was necessary for both doors. Initial sunroofs were made of polymer plastic instead of the traditional glass. This generation was assembled by Kanto Auto Works at its Higashi-Fuji plant in Susono, Shizuoka Prefecture, Japan.

 

The Celica came in two different models. The ZZT230 was powered by a relatively economical 1.8 L 4-cylinder 140 hp (104 kW) 1ZZ-FE engine and the ZZT231 powered by a higher-performance 1.8 L 4-cylinder 192 hp (143 kW) (in Europe and Japan) 2ZZ-GE version, co-developed with Yamaha, the latter featuring a two-step variable valve lift control in conjunction with its variable valve timing.

In 2004, CNNMoney.com rated the Celica as one of the best cars to purchase for fuel economy.

 

Exporting of the Celica ceased in July 2005. However until mid-May, customers could still order one, although it was advised they took action before that time ended.

 

The last Celica was rolled off production line on April 21, 2006. In its last year, the Celica was only officially sold in Japan."

 

Production

July 1999 – April 2006

 

Assembly

Susono, Shizuoka, Japan (Higashi-Fuji plant)

 

Designer

Alan R. Schneider, Yasuhiko Mizuhata, Hiroyuki Metsugi (1997)

 

(...)

 

Source: en.wikipedia.org/wiki/Toyota_Celica

 

Big Dam Bridge

North Little Rock, Arkansas

Pulaski County

 

LARGE

 

This is from another photo adventure with Ward. Here's a picture he got of me as I was taking this picture. The blur around the lights was BUGS!!! The air was thick with them on this night.

 

This is three one-second exposures blended together to get more "ghosts" on the bridge. I did a wannabe HDR style by doing one over and one underexposed. I've been sitting on this for a while, because it took me a while to get the editing right. Hopefully the results are okay.

This is the sixth photo in the week's theme of Freemasonry. This shot is looking at the main entrance on the north side of the Salt Lake Masonic Temple in Salt Lake City, Utah. The title, "Enter from the Dark Side," will have instant recognition of the meaning by Master Masons around the world. My departed friend and Masonic Brother, WB John Hooker, learned what it meant over sixty five years ago when he was initiated an Entered Apprentice in my lodge. For the rest, well, I'll leave you to do your own research.

  

The doors on the temple have been recently refurbished and restored to the condition they were when the edifice was constructed in 1926. I think the Masonic Temple Association did a stunning job on the reconstruction.

  

I am told that many Egyptian structures were built in honor of the Egyptian God Horus known as the God of Life or of Light. Here, he is depicted as the the double-headed feathered serpent and solar disc above the doorway. The use of an Egyptian design allows the inclusion of Masonic symbolism in and around the building that fits in well with the Egyptian symbols found nearly everywhere.

  

Tomorrow, we will close this theme out with a special description of the West Gate and its meaning to departing Master Masons, especially, the last usage of this gate by my departed friend.

  

References:

As usual with this theme, I will not provide references for those wishing to search for more light on the subject. If you do your own search, I caution you not to believe everything you see, hear, or read -- unless, of course, it is from me.

  

Process:

Nikon D200, tripod, no flash, f/8, 70mm, ISO 100, 1/6sec, 5 exposures @ 1 stop each, HDR in Photomatix Pro 32, minor adjustments in Adobe Photoshop Elements. In this case, the secret stuff was left out in the open for all to see.

   

_WGP6817_18_19_20_21_tonemapped8x10 copy

 

Thanks to the Masonic Temple Association for allowing access to the building.

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