View allAll Photos Tagged SHIFTING
Here's one from sunrise last week in Malibu, CA. Looking forward to getting on the road and heading up to the Sierras sometime in October. Not that I don't love shooting at the sea but I'm ready for some new scenery. Thanks for taking a look.
Pine forests surround a shifting sand dune on the northwest side of Gotska Sandön in the Baltic Sea, Sweden.
A Staxed time lapse photo at Aiken Mine in the Mojave National Preserve. The modern day relics appear to have been abandoned and left for others to use at their will. In this case, I take the night shift on photography with time lapse.
See my YouTube video of this trip:
According to Backroadswest online, this mine was abandon in 1990, and was one of 2 mines in the area that produced Cinder Cone landscape rocks for the industry.
Not much else is known about this mine. Nevertheless, it's in a remote area of Mojave National Preserve. I Google Mapped it and got there from the North East off Cima Rd to Valley View Ranch Rd. It's a nice 16 mile off road drive through several miles of narrow sandy wash, and a harsh gravel rock road near the mine. It takes about 1 hour to get there. And, there is a shorter 7 mile dirt road from Kelbaker Rd to the mine.
This is shot #280 of a time lapse staked. Nikon D5500, Rokinon 10mm at f/2.8, ISO1000, 13 sec exposure one shot every 15 seconds. A LED lamp was reflected off a old water heater to light the foreground. The moon was 50%. There is no escaping the lights of Las Vegas Strip. Even over 80 miles away. So, I incorporated it in the time lapse and used some warm WB to give that cold night some warmth.
I thought to include something about that night that has resurfaced again. On that night, I had plans to stay to morning for more time lapse. But something in the dark made me uneasy. There was a small light at about 18 inches off the ground in the upper mine area, a few minutes it was at ground level about 50m away near the structures. At first I shrugged it off as a reflection of some kind, as there are many metal remains of the mine and broken glass all over. But after watching it for a few seconds, it went off and on and moved several feet to the side. Then it vanished and reappeared in the darker area near the structures, making it's way towards me. I turned on the LED headlamp to see what it was, but there was nothing. I suspect it was some kind of animal with one eye. It was too windy to hear anything. And the moon's illumination was too weak to make out any detail in that dark area.
Thus, I spend the rest of the night in the car waiting for the time lapse to end. Once it completed, I packed up and headed home. Not many things shake me or break my mind while out in remote areas alone in the Mojave Desert. But for some reason, this one eye animal gave me the creeps. I've been confronted by coyotes, burros, horses, and some strange loud noise making creatures while out alone. But this one creeps me out the most. Because, I have no idea what it was.
Nexus: a performance by Body Shift as part of the Austin Dance Festival on April 1, 2017, in downtown Austin. Body Shift is a mixed-ability dance project that offers classes, workshops and performances in creating ways for people of all abilities to dance together.
I just kept aiming my little $10 .1 megapixel Shift 3 mini digital camera at the thunderstorm until I got something. Only twice did the delayed reaction of the shutter on the toy camera fire at the same time as the lightning struck, but this was the best of the two times it did. I was standing in the relative comfort of my covered front porch and holding my hand with camera attached out from under the edge of the roof into the rain and aiming in an upwardly direction. I remember this streak - it was a lot longer, but I just caught part of it.
The UK has been experiencing high winds today and Swansea Bay was no exception.
Most of the sand from the West side of the beach is now on the east side!
LNER A4 Class 4-6-2 Pacific 60007 "Sir Nigel Gresley" is prepared for the following day's work at Didcot Railway Centre during a Timeline Events night photo shoot.
a security guard is waiting for finishing his duty in Agra fort..
white balance was in tungsten by mistake.. later on i liked it this way. :)
This was a difficult shot to get right as I couldn't view the composition before taking the shot. Then after viewing the image on the LCD, I would have to recompose and refocus. This would've been so much easier if it wasn't a self portrait! This is certainly a shot I would like to try again in the future. I need to find a way to hide the camera in the reflection.
Strobist: 580EXII sitting on the passenger seat, E-TTL, triggered by ST-E2.
This film expired one year after I was born, 1979. Kodacolor 100. I bought it from a friend in Singapore. The colour shift is cool. I can't remember what I rated this at when I shot it. Pentax 645N.
The commodification of nature to the detriment of nature. Picture Resources: Shift Art: CJM-DreamlikeGrunge; Earth Goddess-622; DSC-2180; Pixabay: birds-2750483, sky-49520_1920, sunset-1626515, lamb-292509, lamb-1081950_19; CJM-Flare; Kpertiet Overlay; Magical Reality; DAZ Brush Orestes; lamb toy: Chewy.com; @RobertCornelius @CarolineJuliaMoore #ShiftArtChallenge #ShiftArtShop
As most of you know by now that I'm writing my first HDR book. And I have been trying to recall different styles that I've used during the course of my HDR evolution. So, bear with me if you see different pictures from my stream with different techniques. And that should also explain why I was not able to visit you these days.
This HDR is actually made up of just 1 exposure of 4 jpgs raws. I changed the light and shadows in contrast with the previous release of the same image.
My HDR book will be very direct. Just how I do my stuff, You'll be surprised to know how easy I make my HDRs if you buy my book. I will be including pictures for your exercise.
Hoping and wishing you will be interested and will support my project.
My latest attempt at tilt-shifting. Quite pleased with how its turned out. Original photo taken from a bridge, just outside of Chepstow on the England / Wales Border.
Best viewed at one of the larger sizes.
thanks to the shift adapter it was possible to show the elegant and slim design and construction of this neogothic church
Die Pauluskirche wurde in Groß-Lichterfelde (seit 1920 Berliner Ortsteil Lichterfelde) wurde im Stil der Backsteingotik von Fritz Gottlob, einem der wichtigsten Verfechter dieser Stilrichtung, errichtet. Die Baukosten betrugen 250.000 Mark (kaufkraftbereinigt in heutiger Währung: rund 2 Millionen Euro). Die Kirche wurde am 2. Juni 1900 eingeweiht. Nach der Zerstörung im Zweiten Weltkrieg wurde sie zwischen 1951 und 1957 unter Leitung von Erich Ruhtz und Karl Streckebach wieder aufgebaut und am 24. März 1957 von Bischof Otto Dibelius wieder eingeweiht. 1987 wurde die unter Denkmalschutz stehende Kirche nach Plänen von Peter Lehrecke grundlegend renoviert.
My hubby took this photo of Table Rock State Park and I applied the tilt shift to it. I love tilt shift!!!!! What do you think?
p.s. Tilt shift gives images (or parts of images) a miniature effect. I love to try new things.........mix things up a little. :0)
Night shift blues..
With some green and yellow too!
(Only an hour and a half late off tonight!) Sigh!
Genuine patient though, so not so bad..
We work for Yorkshire Ambulance Service in and around the city of Sheffield in South Yorkshire.
It’s a great job and I feel very honoured to be able to help people at their point of need.
Check out the website for all sorts of info re YAS and the work we do.
www.yas.nhs.uk/our-services/emergency-ambulance-service-999/
This is the wharf in the small village of Scots Bay three months after tropical storm Arthur rendered it unusable for commercial fishing. We had left Parrsboro for a day of photography around Peggy's Cove, then crossed over to the Fundy shore hoping to catch some fishing boats tied up at this dock. Clear weather while crossing the province gave way to thick fog behind Cape Blomidon... our preferred weather for shooting around fishing boats and gear. Arriving later than we'd hoped, it was getting pretty gloomy and the light was fading fast because of the overcast and thick fog.
A local resident mentioned that fishing operations had to shift over to Halls Harbor, about twelve miles down the bay. He didn't know if this wharf would be rebuilt. Not having returned to this area, I don't know if it has, or will be. Here the heavy planks covering the wharf have been torn up, a wide area washed away, cribbing damaged, and the end near the hoist damaged and strewn with timbers. In better times, boats would approach from open water on the right, travel around the end of the wharf... just clearing the rocks, and tie up in the small area of enclosed water on the left. This would completely drain out at low tide. Taken with a Nikkor-H 85mm f/1.8 lens fitted with an Iscorama anamorphic lens (1968).
DSC-5816
Sunset across lake Bonney in South Australia.
Two stitched shifted shots.
Many trees have fallen over.
Many are standing defiant.
Our grandkids might, in the future, see a different Lake scene.