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Chris Turpin (Kill It Kid) features on the compilation album released by Dermot O'Leary / BBC Radio Two entitled 2The Saturday Sessions"
Chris covers Aloe Blacc's 'I Need A Dollar' and joins the likes of Adele, Florence & The Machine, Elbow etc on this album.
Released November 2011 on Sony Records
GEORGE ROW 1. 5327 Sessions House (Formerly listed as SP 7560 SW 3/12 19.1.52. County Hall) SP 7560 SE 4/12 I GV 2. 1676-8, one of the first buildings to be begun after the town fire of 1675. Attributed to Henry Bell of Kings Lynn and to Sir Roger Norwich, responsible for the plan. Symmetrical front with Corinthian order. 3 central windows between pilasters under balustrade with swags enclosing central shield. Semi-circular headed doorway either end between coupled half columns under segmental pediments. Hipped Welsh slated roof once had cupola and oval dormers under pediments. West side elevation has round headed doorway flanked by coupled pilasters under pediment with swags and cartouche in tympanum. Tall plinth, single storey. Interior: very fine plaster ceilings, 1684-8, by Edward Goudge. AM. Judge's Lodgings, Sessions House, County Hall, County Council Offices & Nos 8, 8A, 9 & 9A form a group.
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Julie Jackson (Newark '94) shared her experiences as part of the Creating a Culture of Greatness panel
Sesion Maternal realizada en exteriores al mejor estilo de campo, aprovechando las situaciones que el lugar nos ofrece, con un toque vintage en coloracion modo cross process, una familia muy bonita, grandes amigos Ana y Eduardo a la espera de su segunda hija en ese entonces. =)
Es difÃcil pensar que uno solo pueda montarse un picnic, no tanto por la tarea de hacer los bocatas, sino por la pereza de extender la manta en medio del césped y sentarse sin compañÃa a ver las hormigas pasar. Eso puede ser una merienda introspectiva en el campo infinito de la subjetividad. Nuestro respeto para esos momentos del yo. Un picnic implica más de una persona, conjunción, atención y cuidado por el otro, puesta en común. Lo mismo pasa con nuestras Picnic, a las que uno puede venir solo pero la empatÃa, el roce de los cuerpos, las risas y las puestas de sol veraniegas de fondo, hacen de la experiencia algo inolvidablemente colectivo. En esta edición de las Picnic insistimos un año más en el movimiento peculiar que produce lo efÃmero, en el aquà y ahora, en la sutileza del juego de intensidades, en los lÃmites de la percepción, en lo desconocido. Quisimos ralentizar el parpadeo, el guiño, quedarnos sin respiración, quisimos sudar, excitarnos, activar nuestros cuerpos y mentes en un ejercicio de cinestesia. Creando un paréntesis en la virtualidad pensamos estas picnic como un catalizador que produjese efectos inesperados pero tangibles, que nos tocasen, que nos afectasen y que nos devolvieran a la ciudad con otra mirada sobre nuestro cotidiano.
Ópera Performance: LINA LAPELYTE
CANDY SHOP
It is difficult to think that one can only set up a picnic, not so much for the task of making the sandwiches, but for the laziness of extending the blanket in the middle of the lawn and sit unattended to watch the ants go by. This can be an introspective snack in the infinite field of subjectivity. Our respect for those moments of self. A picnic involves more than one person, conjunction, attention and care by the other, pooling. The same happens with our Picnic, to which one can come alone but the empathy, the friction of the bodies, the laughter and the background summer sunsets, make of the experience something unforgettable collective. In this edition of the Picnic we insist on another year in the peculiar movement that produces the ephemeral, in the here and now, in the subtlety of the game of intensities, in the limits of perception, in the unknown. We wanted to slow down the blink, the wink, our breath, we wanted to sweat, excite us, activate our bodies and minds in a kinesthesia exercise. Creating a parenthesis in virtuality we think of these picnic as a catalyst that produces unexpected but tangible effects, that touched us, that affected us and that we return to the city with another look at our daily life.
Comisarios/ Curators: Juan Dominguez and Jose Villalobos.
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