View allAll Photos Tagged Rodinal
A rastafari village in Jamaica.
Nikon F5, 35mm f2. Ilford Pan F plus developed in Rodinal 1+100 for 60 mins.
Minox B, Panatomic-X ISO 32, slit from 35mm that I purchased in 1987, Rodinal 1:200 stand development 68F for 1 hour.
first roll exposed using sunny rule and a mechanical zorki 4!
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fp4 EI 125 devel in Rodinal 1:50 for 15 minutes @ 20°C
Superia xtra 400 expired 2006 exposed 2 times at 400 iso and developped in rodinal 1+50 at 20° for 11 minutes
Farragut Square, K Street, Washington, D.C.
I bought this camera to evaluate whether it could be a suitable replacement for my finicky Leica iiib. Unfortunately, at the moment, I just don’t have a lot of 35mm film, and not any BW that I wanted to waste as a tester. So I used my last two rolls of very expired Ektachrome and developed them in Rodinal stand. Nearly all of these shots are 1/8-1/30 at ISO70, so mostly 2.8/4/5.6 in cloudy weather.
It’s a very neat camera and it works well, but I’ve decided that it doesn’t suit my needs.
Zeiss Ikon Contaflex Super, Kodak Ektachrome (E6, expired 2006), Rodinal 1:100 stand development 1 hour
I stumbled upon a really nice way of dealing with duo tones starting with layers sample colorized from several different quadtone tints. It leads to a very complex, subtle, and beautiful B&W color palette. In one of the lays I add a bit of gaussian blur, but I work to make it smooth and not too overbearing.
This particular image has more silver tones in it than the others I just posted. I did this deliberately due to the way the matt finish steel rendered in real life.
I am also working on an idea based on the "Steampunk" Victorian era parallel histories. We have enough materials near where I live that I think I could come up with a rather interesting set of images. Steampunk. Cool.
These were shot originally to film (Mamiya RZ, various lenses, Kodak TMax100, Rodinal 75:1), scanned (Nikon 8000ED), and then manipulated in the Gimp.