Part of the sculpture named "Passage of Time" in Oulu city center.

Shot on Ilford HP5+ @1600 and developed in 1+100 Rodinal using 1 hour semi-stand method.

Mamiya RB67, 80mm, Rollei 25 ISO, Dev Rodinal,Printed on Foma FB matt, Print dev Ilford PQ universal.

Views well on black.

Smena 8, yellow filter,rodinal

Bronica SQ-Ai

Arista Ultra 400

Rodinal (1:100 @ 68F for 60 minutes / 1 inversion at 30min)

Ricoh Singlex TLS, Helios 44-2, Fomapan 100 at EI 80 in Rodinal 1+49 nine minutes at 20C

Agfa CNS (Color)

Roll Film 120

Rodinal 1:100, 2 hours, stand development

Jehovah's Witnesses congress 1969 in Nuremberg

Ultrafine Xtreme 400, shot on MInolta HI-Matic AF2, developed in Rodinal

Nikon F3HP + Voigtlander Ultron 40mm + Kentmere 100

Rodinal 1:50 15min 20C

Agitation: 10sec every 1min

Munich, pedestrian area, June 2006 during the football championship

Yashica T5

Tri-X in Rodinal 1+50, 400 ASA

Agfa CNS (Color)

Roll Film 120

Rodinal 1:100, 2 hours, stand development

Jehovah's Witnesses congress 1969 in Nuremberg

Ricoh Singlex TLS, Helios 44-2, Fomapan 100 at EI 80 in Rodinal 1+49 nine minutes at 20C

Rodinal 1+25

Rolleiflex 3.5F

Rolleiflex 3.5 Xenotar plus-x 125 rodinal

Leica M5 + Elmar-M 50/2.8

XP2 Super

Rodinal 1:100 Stand Dev. 1 hour @68F

Fed 2, Fed 50mm f/3.5 collapsible, Fomapan 100 at box speed in Rodinal 1+49 nine minutes at 20C

Be'er Sheva, working class neighborhood

Yashica Electro 35

Foma 400

Rodinal 1:100 for 1 hour

Slowly losing faith in Rodinal, I'm not sure I like the course grain for scanning. I've got an enlarger now, so maybe you'll see a print from this batch.

Darkroom recently flooded so pardon the dust since I had to develop somewhere else. Plus the reload cart I used fucking SUCKS. Need to get me some snap caps or something.

Bairro das Estacas

foma 100 in rodinal 1/50, 18°C 13 min

Olympus XA2

Kentmere PAN 200

Rodinal 1:100, 45min.

Fomapan 400, shot on Holga 120N, stand developed in Rodinal

This is my first roll of Agfaphoto APX100 "New Emulsion". It's quite clear that the new film is manufactured by Ilford for Lupus Imaging. The film comes in the typical black Ilford black tub and the packing has the same style machine print for expiry. The negative has the same font used in the exposure of the film name. The final clue is the identical development times as Ilford's sub brand "Kentmere", 100 film.

Overall it isn't bad I was worried it would horrible as my only other experience has been with Kentmere 400 which wasn't good. This roll was developed in Rodinal for 5.5mins at 1+25. I quite like the tonal levels throughout the film but we'll have to see how it performs with a more modern developer like Kodak's Tmax.

Ultrafine Xtreme 400, shot on Canon Sure Shot Telemax, developed in Rodinal

Leica 111f, 90mm apo lanthar mounted on a visoflex 1, apx100 at 200asa in rodinal 1-50 21mins. sepia toned in photoscape.

Rollei Retro 80s in Rodinal 1:50 26C

Graflex Graphic View I ; 4x5" EFKE PL 100;

Ernemann Ernon 13.5 cm F6.8;

t 1/10; f 11;Rodinal 1:50; 20 C;

13 min

Rollei 35

Rollei Retro 400s

Rodinal 1:25

10min @20°

foma 100 in rodinal 1/50, 18°C 13 min

foma 100 in rodinal 1/50,

18 °C 13 min

foma 100 in rodinal 1/50, 18°C 13 min

Yashica Electro 35 GSN; Lomographic Ladygrey 400; Rodinal 1+100 1 hour Stand.

Rollei 35

Rollei Retro 400s

Rodinal 1:25

10min @20°

RZ67 FP4 Rod

Taken with Minolta Hi Matic 7s Rangefinder camera, using FP4 film, developed in Rodinal developer & scanned with an Epson V600 scanner.

Sheringham Viking Festival 2019.

Rodinal 1+25

Rolleiflex 3.5F

Ricoh Singlex TLS, Helios 44-2, Fomapan 100 at EI 80 in Rodinal 1+49 nine minutes at 20C

rodinal 1+50 for 13 min at 20°

tokina 20-35 with red filter