Das Kalksandsteinwerk am Rodinger Bahnhof produzierte schon vor dem Ersten Weltkrieg. Im Jahr 2000 wurde der Betrieb endgültig eingestellt.

Rode tulpen

copyright Peter van de Lavoir. Do not use this photo in any way, without my permission.

De Hertogswetering en de Rode Wetering in de polders: "Het Hoogh Hemael"en "Het Laagh Hemael". Gezicht op de weg: "Nulandse Kerkdijk, met silhouetten van populieren"

The afluents "Hertogswetering" and "Rode Wetering" in the polders: "Het Hoogh Hemael" and "Het Laagh Hemael". in the province of "Noord-Brabant, with view on the road called "Nulandse Kerkdijk", with silhouettes form poplars.

benen?

www.Janedewaard.nl

Startklaar voor actie... Ceintuurbaan, Amsterdam.

De rode wouw is één van de weinige vogelsoorten die bijna alleen in Europa voorkomt. Door intensieve vervolging was hij sterk afgenomen en plaatselijk verdwenen. Beschermende maatregelen hebben hieraan een eind gemaakt; tegenwoordig komt de soort in onze buurlanden weer voor, zij het nergens talrijk. Het voedsel bestaat vooral uit aas; daarnaast worden prooien tot de grootte van een konijn gevangen.

Rode Hall is a beautiful early eighteenth century country house with a fine collection of porcelain and extensive gardens set in a Repton landscape.

Home to the Wilbraham family since 1669, the extensive grounds boast a woodland garden, formal garden designed by Nesfield in 1860, a stunning two acre walled kitchen garden, which provides produce for the farmers' market and tearooms and a new Italian garden.

Rode Draad

rode bruggetje

Visitor information and opening times: www.rodehall.co.uk/

Rode Hall, a Georgian country house, is the seat of the Wilbraham family, members of the landed gentry in the parish of Odd Rode, Cheshire, England. The estate, with the original timber-framed manor house, was purchased by the Wilbrahams from the ancient Rode family in 1669. The medieval manor house was replaced between 1700 and 1708 by a brick-built seven-bay building; a second building, with five bays, was built in 1752; the two buildings being joined together in 1800 to form the present Rode Hall.

The house is Grade II* listed, and is surrounded by parkland and formal gardens, which are included as Grade II on the National Register of Historic Parks and Gardens. On the site are a grotto, an ice house, and an ornamental obelisk, all Grade II listed structures. Rode Hall is still owned and occupied by the Wilbrahams, currently by the 8th Baronet, Sir Richard Baker Wilbraham, and his wife, Lady Anne Baker Wilbraham. The hall and gardens are open to the public from April to September.

Taken from: en.wikipedia.org/wiki/Rode_Hall

Once again, I have to give credit where credit is due..... I have watched and learned a tremendous amount from dude, walking, on

All I can say is, thanks!

images of my new Rode VideoMic Me microphone

Additional items

Iphone 6

GoPro 3way Selfie stick

shop.gopro.com/mounts/3-way/AFAEM-001.html#/start=1

Square jellyfish smartphone tripod mount

www.squarejellyfish.com/spring-tripod-mount.html

Monopod Tripod Mount Adapter 1/4'' Screw Thread For GoPro

Large Skipper.

Orange tip. Little bit of warmth brings them out.

I first rode this Toronto Subway at a District Convention in 1966, 44 years ago. It is still a super fast way to travel, although we got to see some very odd things this time. We seen them evacuate an entire train for some unknown reason to all the riders dismay at rush hour, and then later while we were riding they had to shutdown all the trains because they lost the computer showing the trains locations. People went scrambling off the train to catch taxi cabs if they could not wait. The trains come flying in so fast the air flow will almost take the newspaper right out of your hands. Next year they will be adding all new trains, but it still looked very clean to me. We will add more about Fresh Wednesday, Tasty Thursday, the downtown buildings, and the underground city called PATH soon, when we have more time.

kat

De Eindhovense citymarketing, Eindhoven365, is verantwoordelijk voor de rode pijlen. Als er bijvoorbeeld een nieuwe winkel of een nieuw restaurant opengaat en de marketingorganisatie denkt dat dat weleens een echte hotspot gaat worden, dan plaatsen ze zo’n pijl voor de deur. Twee weken lang staat die onderneming dan in de spotlights op straat en dus ook op deze website.

indebuurt.nl/eindhoven/genieten-van/mysteries/eindhovens-...

Visit my Parker County Sheriff's Posse Rodeo set.

Sold with the roots attached so it will keep fresh for a long time. In your fridge. Make sure to keep the roots moist.

(ccc-12-10-2010)

Selected Writing.

by bpNichol;

edited by Jack David & bpNichol.

Vancouver, Talonbooks, october 198o. ISBN o-88922-176-6.

5-3/16 x 8-1/4, 72 sheets tan wove newsprint perfectbound in glossy PVC white card wrappers, all except inside covers & 3 pp (2, 8, 32) printed black offset with 3-colour process additions to front cover.

cover photograph by Kim Ondaatje.

other contributors:

David Aylward, Matsuo Basho, Barbara Caruso, Gaius Catullus, Wayne Clifford, Co-Accident, Jack David, Vivien Halas, Kirby Malone, Chris Mason, Steve McCaffery, Libby Oughton, Marshall Reese, Karl Siegler, Toronto Research Group.

includes:

i) Y (p.33; poem)

ii) H (an alphhabet), lettered by Barbara Caruso (p.34; visual poem)

iii) from 'ABC: the aleph beth book' (p.35; visual poem (ie poem for "Q", "WE MUST PUT THE POEM IN OUR LIVE"))

iv) Blues, typeset by Vivien Halas (p.36; concrete poem)

v) "arrow worra worra arrow" (p.37; concrete poem)

vi) The End of the Affair (p.38; concrete poem)

vii) The Complete Works (p.39; visual poem, revised)

viii) Allegory No. 6 (p.4o; visual poem)

ix) Aleph Unit, drawn by Barbara Caruso (pp.41-48; visual poem in 8 parts, titles not here given:

–1. [Aleph Unit Closed] (p.41)

–2. [Aleph Unit Opened] (p.42)

–3. [Aleph Unit Distance] (p.43)

–4. [Aleph Unit Surface] (p.44)

–5. [Aleph Unit Observed] (p.45)

–6. [Aleph Unit Enigmatic] (p.46)

–7. [Aleph Unit in Transit] (p.47)

–8. [Aleph Unit Not] (p.48))

x) Cycle No. 22 (p.49; concrete poem)

xi) NOT WHAT THE SIREN SANG BUT WHAT THE FRAG MENT (pp.5o-51; concrete/sound poem)

xii) Dada Lama (pp.52-56; sound poem in 6 parts:

–1. "hweeeee" (p.52)

–2. "eeeeeeeeeeeeeeeeeeeeeeeeee" (p.53)

–3. "oudoo doan doanna" (pp.53-54)

–4. "AAAAAAAAAAAAAAAAAAAAA" (p.54)

–5. "tlic" (p.55)

–6. "wwwwwwwwwwwwwwwwwwwwwwwwwww" (p.56))

xii) Lament (p.57; concrete poem, revised to a single page)

xiii) from 'Trans-Continental' (pp.58-59; poetry, parts 1-4 (of 49):

–1. "an h moves past an m" (p.58)

–2. "x d" (p.58)

–3. "z" (p.59)

–4. "a d in a cloudbank" (p.59))

xiv) after hokusai (p.6o; poem)

xv) COLD MOUNTAIN (pp.61-62; poem (revision of concrete poetry object) in 2 parts:

–1. "GO" (p.61)

–2. "RETURN" (p.62))

xvi) to the memory of su t'ung po (p.63; poem)

[(xvii)-(xx) under section title 4 poems from 'Still Water']

xvii) "2 leaves touch" (p.64; poem)

xviii) "blob", translation of Matsuo Basho (p.65; concrete poem)

xix) "em ty" (p.66; concrete poem)

xx) "moon (p.67; poem)

xxi) the other side of the room (p.68; poem)

xxii) 1335 COMOX AVENUE (pp.69-7o; poem)

xxiii) Chapter 7 (pp.71-73; poetry (fromThe Captain Poetry Poems) with 2 works embedded in full:

–1. bpNichol, "Dear Rex:" (correspondence)

–2. Rex Allen, "Dear Barrie:" (correspondence))

xxiv) from 'The Plunkett Papers' (p.74; poem, "we rode the train back west in 54")

xxv) two sections from 'Mono Tones' (pp.75-76; poetry in 2 parts:

–13. "terra" (p.75)

–5o) "walk in the woods" (p.76))

xxvi) Coda: Mid-Initial Sequence (pp.77-86; poetry in 11 parts with 1o drawings of clouds by Libby Oughton:

–1. "faint edge of sleep" (p.77)

–2. "orange" (pp.77-78)

–3. "last note" (pp.78-79)

–4. "bushes" (p.79)

–5. "there is no desire for speech" (p.8o)

–6. "in vocation" (p.81)

–7. "within the difference" (p.81)

–8. (variation on a line by H.D. – in memoriam) (p.82)

–9. "whatever dies" (pp.82-83)

–1o. "11 years since i first conceived myself a writer" (pp.83-84)

–11. "'dogma i am god'" (pp.84-85))

xxvi) Scraptures: seventh sequence (pp.87-89; prose in 8 parts:

–1. "green yellow dog up. I have not. I am. green red cat" (p.87)

–2. "insect. incest. c'est in. infant. in fonts. onts. onts. ptonts." (p.87)

–3. "liturgical turge dirge dinta krak kree fintab latlina santa" (p.88)

–4. "an infinite statement. a finite statement. a statement of" (p.88)

–5. "grewat small lovers move home. red the church caught us" (p.88)

–6. "halo. hello. i cover red my sentiment. blankets return the" (p.89)

–7. "il y a là lever la lune. l'amour est le ridicule of a life sont" (p.89)

–8. "au revoir. le réveille sounds up the coach. les pieds de le" (p.89))

xxvii) from 'Andy' (pp.9o-93; prose in 1o parts:

–1. August 27, 1944 (p.9o)

–2. August 28, 1944 (p.9o)

–3. August 29, 1944 (p.9o)

–4. August 30, 1944 (p.9o)

–5. August 31, 1944 (pp.9o-91)

–6. September 2, 1944 (p.91)

–7. September 3, 1944 (p.91)

–8. September 4, 1944 (p.92)

–9. September 7, 1944 (p.92)

–1o. September 10, 1944 (pp.92-93; includes:

––a. "Received your letter & poem today. I think I will write wool-", by Andy Phillips (prose correspondence)))

xxviii) Gorg, a detective story (p.94; prose)

xxix) TWO HEROES (pp.95-99; in 11 numbered parts:

–1. "In the back garden two men sit. They are talking with one another" (p.95)

–2. "Once a long time ago they talked more easily. Once a long time" (p.95)

–3. "When the fight was over & Riel was dead & Dumont had fled into" (pp.95-96)

–4. "Time passed. No one heard much from either of them. In GRIP" (p.96)

–5. "There are some say Billy the Kid never died the story began." (pp.96-97)

–6. "Billy was in love with machines. He loved the smooth click of the" (p.97)

–7. "It was a good story as stories go. Most of their friends when" (p.97)

–8. "The problem with Africa was it was kind of damp & there was no" (p.98)

–9. "When Billy the Kid awoke the clockwork man was very still. There" (p.98)

–1o. "There are strange tales told of Billy the Kid, of what happened" (p.99)

–11. "One year the two men returned. They were both grayer & quiet." (p.99))

xxx) Twins – a history (pp.1oo-1o1; prose)

xxxi) from 'Journal' (pp.1o2-1o6; prose, part III:2, "some days i want to talk to you mommy some days i")

xxxii) Two Words: A Wedding (pp.1o7-1o8; prose)

xxxiii) Lust (a little play) (p.1o9; script)

xxxiv) Naming 3 (p.11o; concrete poem)

xxxv) probable systems 9 (pp.111-112; nonfiction in 2 parts:

–1. "problem: find [the square root of] logic to the nearest whole letter" (p.111)

–2. commentary (pp.111-112))

xxxvi) probable systems 21 (pp.113-115; nonfiction in 2 parts:

–1. the weight of speech (pp.113-114; prose with 2 graphics:

––a. "(variable member of human speech community)" (p.113)

––b. "(speech funnel)" (p.114))

–2. commentary (p.115))

xxxvi) from Catullus poem XXVIII (pp.116-117; poem in 2 parts:

–1. "Pisonis comites, cohors inanis,", by Gaius Catullus (p.116)

–2. "Piss on his committees, cohorts in inanities," (p.117))

xxxvii) The Words – Montagnais Indian (pp.118-119; sound poem)

xxxviii) Chant to the Fire-Fly (p.12o; sound poem in 2 parts:

–1. TEXT

–2. TRANSLATION)

xxxix) Translating Apollinaire (p.121; poem)

xl) Translating Translating Apollinaire 32 / Negatives 4 (p.122; poem)

xli) a poem by bill bissett (pp.123-124; poem)

[(xlii)-(xliv) under heading Three Found Poems]

xlii) "from Jacques Barzun's 'Tomorrow's Illiterates'", with David Aylward (p.125; concrete poem)

xliii) Turner's Golden Vision, with David Aylward (p.125; poem)

xliv) Puzzle, with David Aylward (p.126; poem)

xlv) from 'A Collaboration', with Wayne Clifford (pp.127-131; poem, part II:5 of Theseus ("In the garden speech continues"))

xlvi) from 'In England Now That Spring', with Steve McCaffery (p.132; poem, part 6 ("Above Ambleside the water falls"))

xlvii) Particular Music (pp.133-135; sound poetry score)

xlviii) from 'Sorrow Laid As This One', with Co-Accident & Toronto Research Group [ie Kirby Malone, Chris Mason, Steve McCaffery, Nichol, Marshall Reese] (p.136; sound poetry score, panel "in the corridor")

il) from 'The Body: In Darkness, with Steve McCaffery (p.137; sound poetry score, panel "A A")

l) Maps (pp.138-139; poem in 3 parts:

–1. 'a day' (p.138)

–2. "i don't need the framework" (pp.138-139)

–3. "the moment doesn't come" (p.139))

li) Bibliography (pp.14o-143; list of 98 titles in 1o parts:

–1. books (p.14o; 17 titles)

–2. pamphlets (pp.14o-142; 6o titles)

–3. editor (p.142; 5 titles)

–4. prints (p.142; 2 titles)

–5. radio serials (p.142; 1 title)

–6. records (pp.142-143; 4 titles)

–7. tapes (p.143; 1 title)

–8. publications as part of the Four Horsemen (p.143; 7 titles)

–9. translations (p.143; 1 title)

–1o. "has also adapted science fiction & fairy tales for the comic book" (p.143))

lii) acknowledgements (p.144; prose)

also includes:

liii) "H", by Kim Ondaatje (front cover; photograph)

liv) Introduction, by Jack David (pp.9-31; prose in 6 parts:

–1. "In 1975 I had an idea for a book: a selection of poetry from" (pp.9-12)

–2. "The writing included in this book has been chosen from Nichol's" (pp.12-13)

–3. "Nichol has said, at readings, that his favourite letter is H; in 'H" (pp.13-28)

–4. "Five years ago, I began the last paragraph of an essay entitled" (pp.28-29)

–5. A Brief Note on the Flux (p.29)

–6. Footnotes (pp.3o-31))

lv) SELECTED WRITING, by [Karl Siegler?] (rear cover; assemblage of quotes from:

–1. Douglas Barbour, This courageous poet stalks trail of saints

–2. Frank Davey, bpNichol

–3. George Woodcock, Poetry)

lvi) [untitled portrait of bpNichol], by Andy Phillips (rear cover; reduced version of the "Robert Planet Look-Alike" portrait)

This topiary locomotive is the station master's pride and joy.

On the way home from Swansea we stayed for four nights in a converted coach house in Rode.

This was wonderful (and very reasonably priced) Jane Austen heaven. Built in 1810, with a walled garden and a round thingie outside that a horse and carriage could circulate in (since they could not do three point turns).

We imagined Lady Catherine de Burgh turning up at midnight to refuse my daughter's hand in marriage to Mr Darcy

This is the bokeh and bouquet shot from the garden

Ambulance Ford Transit V van het Rode Kruis Vlaanderen, afdeling Duffel.

Gefotografeerd in Putte, tijdens de verkiezingen van 25 mei 2014.

Sunny mornings walk.

River Roding - Two Mute Swan, a female and cygnet meander through the early morning mist.

The shop from the corner of Great North Road & Point Chevalier Road.

These three photos will be the first to be hanging on the wall inside the reception room of the studio.