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The owners of Langham House (formerly Rode or Road Hill House) kindly opened their lovely gardens to the public on Sunday, the first time this has ever happened I believe. Because of its infamy in 1860, and the numerous books written about the murder of a child from the house, the place was overwhelmed with visitors, eager to test their own theories as well as have a nose around a glorious garden. Nice day.
St Mary, Aythorpe Roding, Essex
A new entry on the Essex Churches site.
It was May 2014, the most beautiful spring of the century. I had taken my bike on the train from Ipswich to Bishops Stortford before heading off away from the hell of Stansted airport into the wilds of Essex. Now I veered eastwards from the forest, entering the emptiest and most remote area of the county. No villages for miles, just hamlets, fields and the occasional farmstead. The road to my next target would have meant a five mile ride, but I spotted a half-mile bridleway, of which there are lots in this part of Essex. It would cut three miles off the journey, so I took it. It was a farm track, deeply rutted, and it took me down the side of a barley field to copses in the distance, the hysterical yellow of acres of rapeseed in full flower beyond.
At first, it was just about cycleable, but then it wasn't, so I pushed my bike for about ten minutes or so. As I approached the country lane at the far end of it I thought there seemed something vaguely familiar about it, and then I realised what it was. Ah, I thought to myself, I'm entering East Anglia again. Now I was on hedged lanes through rolling fields of barley and rapeseed. Profound green, intense yellow. The road climbed, and over the rise I saw a spire. I headed down a track for half a mile or so and came to one of the most remote churches in all Essex.
It was locked, there was no keyholder notice. An inexpressibly lonely place. The church itself is a poor little thing, its wooden spire shot through with woodpecker holes. There were no notices of service in the porch, and so I expect it has fallen into disuse. Redundancy beckons, and perhaps it will be left to go quietly back to nature. It might just as well be left open, in which case it would at least serve some purpose to passing walkers, pilgrims and strangers.
And yet there was something very special about just standing in the churchyard, in the silence. It felt like nothing had happened here for a very long time. I looked down at the inscription on a memorial cross to Our Dear Son, Bertie George Emberson, who died at the Military Hospital, Caterham, Surrey, September 7th 1918 aged 19 years. How awful. And yet, I thought, the churchyard they stood in to watch him put into the earth has not changed. The one they knew is the one there now.
Simon Knott, April 2018
Mine - rode 169 miles today with a couple friends - through a valley down a road next to the Pouder River and back down the valley from another way.
Das Kalksandsteinwerk am Rodinger Bahnhof produzierte schon vor dem Ersten Weltkrieg. Im Jahr 2000 wurde der Betrieb endgültig eingestellt.
Russian postcard by Izdanije Byuro Propogandy Sovietskogo Kinoiskusstva, nr. M 11 268, 1970. (This postcard was printed in an edition of 250.000 cards. The price was 6 kop.)
Russian superstar Rodion Nahapetov (1944) works as an actor as well as a writer and director for both the Russian cinema and for Hollywood. He appeared in more than 60 leading roles, including his spot-on depiction of Lenin in Serdtse materi/A Mother’s Heart (1967).
Rodion (Rodin) Rafailovich Nahapetov was born in Pyatikhatki, located in the Dnepropetrovsk region of the Ukraine in the former Soviet Union, in 1944. His mother, Galina Antonovna Prokopenko was a schoolteacher. During the Nazi occupation, Galina was involved in the underground organization Motherland that operated in Krivoi Rog. Rodion was delivered by Russian soldiers during the liberation of the Ukraine. Galina aptly named her son Rodina, which means Motherland. Later, his name was changed to Rodion. Rodion’s father, Raphael Nahapetov, never met his son. After the war, Raphael returned to his family. Galina never married. Rodion lived with his grandmother in the village of Skelevatka (a suburb of Krivoi Rog) until he was 5. In 1950, Galina and Rodion moved to the city of Dniepropetrovsk. She found a job teaching in Elementary School Number 34. By the early 1950’s she was suffering from pulmonary tuberculosis. The management of the school decided to place Rodion in an orphanage, where he spent almost two years. Galina’s health improved and the school helped her procure a small room in a communal apartment. She brought ten-year-old Rodion home from the orphanage and he resumed his place in school. Rodion was once asked to play the part of a bear in a school play celebrating the new year. Wearing a mask, he began to growl fiercely and imitate the bear so well the students applauded his performance enthusiastically. This experience influenced his professional path in the days to come. In 1960, he traveled to Moscow after receiving his high school diploma. His goal was to be accepted in the prestigious acting department of VGIK (USSR University of Cinema). Rodion played the part of an old man for his audition, reading a passage from Gorky’s novel Childhood. Renowned masters of Russian cinema, Sergei Gerasimov and Tamara Makarova recognized the talent in the sixteen-year old, and he moved into the dormitory of the Institute of Cinematography in Moscow.
Rodion Nahapetov acting career started in his third year of studies. His film debut role was an engineer named Gena in the romantic comedy Zhivyot takoy paren/There Lived Such a Lad (1966, Vasili Shukshin). An important acting challenge was playing the young Vladimir Lenin in Serdtse materi/A Mother’s Heart (1967, Mark Donskoy) and the sequel Vernost materi/A Mother’s Loyalty (1968, Mark Donskoy). Rodion was only twenty-years-old and was required to portray the life of Lenin over a period of 31 years (age 16 to 47). His talent to play much older people served him well. In response to his lauded performance of Lenin, Nahapetov received the Moscow Komsomol Award and was presented the Order of Merit medal. These roles in the 1960’s made Nahapetov tremendously popular among a loyal following of fans. Among his most famous films is Vlyublyonnye/Tenderness (1971, Elyer Ishmukhamedov) with Anastasiya Vertinskaya. During this period Rodion’s mother had become seriously ill. The last film she saw which starred her son was A Mother’s Heart. Galina Prokopenko died in Moscow in 1966. Rodion grieved deeply over the death of his beloved mother. Despite his marked success in acting, Rodion chose to return to VKIG to widen the scope of his talent and study directing. His debut work as a director S toboy i bez tebya/With You and Without You (1974, Rodion Nahapetov) was filmed at Mosfilm Studios in Moscow. The film was popular among public and the critics. Nahapetov married actress Vera Glagoleva in 1974. They had collaborations in many films. Their first daughter Anna was born in 1978. Their second daughter Maria was born in 1980. They divorced in 1988. In 1975, Nikita Mikhalkov chose Rodion for the lead role of Pototsky in Raba lyubvi/Slave of Love (1975, Nikita Mikhalkov). This role brought him major fame. The film remains a classic in international cinema – applauded by both critics and audiences. One of Rodion’s most famous roles was playing pilot Belobrov in the classic film Torpedonostsy/Torpedo Bombers (1983, Semyon Aranovich). In 1985 he received The Gold Medal award (equivalent to an Academy Award) for this role. He also continued his directorial work. He directed such films as the comedy Vragi/Enemies (1979, Rodion Nahapetov) after Maxim Gorky and the romantic drama Zontik dlya novobrachnykh/Umbrella for Newlyweds (1987, Rodion Nahapetov) .
In 1987 Rodion Nahapetov filmed the epic Na iskhode nochi/At The Edge of the Night (1988, Rodion Nahapetov) about the early days of World War II. Twentieth Century Fox purchased it for international distribution. The studio sold the film to 91 countries around the world. While promoting the international release of the film in Los Angeles he met media consultant Natasha Shliapnikoff. She started to manage Nahapetov’s career in Hollywood, and projects started slowly to materialize. Nahapetov and Shliapnikoff married in 1991. In 1995, he directed his first American film, Stir (1995, Rodion Nahapetov) starring Traci Lords. Natasha produced the film. Nahapetov wrote about this period in his biographical book In Love (1999). In 2000, the Russian TV channel ORT asked Rodion to direct three episodes of their TV series Uboynaya sila/Lethal Force (2000-2007). These segments, filmed in Los Angeles, became the most popular of the entire series. After this success, ORT asked Rodion to create a series for them. This resulted in the popular 12-part series Russkie v Gorode Angelov/Russians in The City of Angels (2002, Rodion Nahapetov) with guest stars as Gary Busey, Eric Roberts and Sean Young. Rodion also directed the comedy Moya bolshaya armyanskaya svadba/My Big Armenian Wedding (2004, Rodion Nahapetov) with the participation of Armenian and Russian stars, and the psychological thriller Contamination (2007, Rodion Nahapetov) starring Karen Black. Rodion Nahapetov’s oldest daughter Anna is a ballerina with the Bolshoi Theatre Ballet and an actress in films and theatre. His daughter Maria is an artist. Natasha and Rodion’s daughter, Katia, is a photographer and singer-songwriter who performs in Los Angeles clubs. Rodion has a granddaughter, Paulina, born in 2006 to Anna Nahapetova and Egor Simachev and a grandson, Kiril, born in 2007 to Maria Nahapetova and Eugene Dzyura. Currently, Rodion Nahapetov is working on a new film, Dandelion Wine, based upon Ray Bradbury’s novel of the same name.
Sources: Rodionnahapetov.com, and IMDb.
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