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This reusable, washable, all cotton, mini flag banner is a great decoration for parties or anywhere you want a splash of color!

 

This banner is one-of-a-kind and features repurposed vintage tea towels for the the 13 double-sided triangles which each measure 5" wide and 6" high.

 

This banner measures 8 feet long from end to end, with about 12" of straight tape at each end for easy hanging. It features a repurposed yellow and white checkered tablecloth used to create the handmade straight tape.

Reduce. REUSE. Recycle.

For the nature

by Vilhelm Holck; reuse by Ulrik Plesner jnr, at Nordstensvej 1

 

foundry for agricultural machinery, opened in 1877, closed in 1988; now houses Hillerød Musikskole and related activities

 

www.stoeberihallen.dk/

www.vores-nordsjaelland.dk/page_id__899.aspx?path=0p302p321p

You may reuse this image on the web provided you credit us with link back to our website www.seychelles.org . For print use please contact us at www.seychelles.org/contact

Masterclass #1: Microfolie, 2013

 

© Alexis Leclercq

Ecotainment! solar powered custom made shabby-chic sound and light disco DJ system

Louise models our new bag! Also good for laundry, apparently.

Reusable bag. Carry over shoulder or by hand.

 

Size:

The bag is 18" wide by 14" tall (21" tall with the straps). The roll is 1.5" in diameter and 5" long.

 

Material:

Medium weight orange/gray nylon.

Machine wash cold, hang dry, iron on low setting.

 

rbags.ecostreet.us

Unknown location

 

found photo scanned from contact print

Masterclass #1: Microfolie, 2013

 

© Alexis Leclercq

I cannot help myself. Here’s a story about records, books, postage, recycling and reuse.

 

This box started out life containing 16 copies of Patrick O’Farrell’s paperback book with ISBN 0-86840-635-X, sent from the University of New South Wales Press (printed on the box). It must have been sent to Readings bookshop in Carlton, who reused it to send something to Dr Phillip Law (1912-2010) at his home in Canterbury (address label on the bottom of the box, unfortunately Post Paid Australia with no postmark). Dr Law used it to store excess publications about Antarctica (inscribed on the box in his own hand). On the death of Dr Law in 2010, the box ended up with us, the eScholarship Research Centre, who have been working with Dr Law on his papers since the mid 1980s. We have the final material from Dr Law now processed and boxed in special National Library of Australia boxes, ready for transfer to their custody.

 

Looking up the book in the National Library of Australia’s Trove catalogue and checking the ISBNs of the different editions reveals that this box originally held the third edition of The Irish in Australia, published in 2000.

 

I needed a box to send 18 copies of a book we have just published (November 2011), Founders, Firsts and Feminists: Women Leaders in Twentieth-century Australia, to a conference being held in Canberra next week. This box did the job nicely!

old growth lumber from the rebuilding exchange being prepared for installation as a bench surface in a charter elementary school.

Picture of the deep gusset.

 

I had a stack of Amy Butler fat quarters and decided to mix and match on this really cool reusable grocery bag.

 

Masterclass #1: Microfolie, 2013

 

© Alexis Leclercq

St John’s church, Escomb was founded in c.670-675, much of the stone came from the nearby Roman Fort at Binchester. On the south wall is a 7th or early 8th Century sundial, and on the north wall is a reused Roman stone with the markings "LEG VI" (Sixth Legion) set upside down. The church was restored in 1875-1880 by RJ Johnson, and in 1965 by Sir Albert Richardson. It is a Grade I listed building.[1]

Set in its circular churchyard, has been in continuous use since Anglo-Saxon times but for a brief interval in the nineteenth century when a new church was built nearby and the Anglo-Saxon fabric was allowed to lie derelict. It was partly unroofed from 1863 until 1867. The church is built of large roughly dressed, squared stones, with particularly large quoin-stones, many of which are up to 2 ft high and between 3 ft and 4 ft measured along the wall face. Because Bede did not mention the church, some argued that it was not built until after his death (735). However, he only named churches which were associated with events which he recorded.

In his book (Anglo-Saxon Architecture, 1965) H.Taylor mentions that the early character of the building and its resemblance to other early work in Northumberland suggest that it was built in the period 650 to 800. Apart from the insertion of some medieval windows and the alteration of the south doorway (of which the eastern jamb is perhaps alone original), the body of the church stands now as it was built comprising a long rectangular nave, with five small windows high up in its lofty walls, and a square chancel, entered through an arch of imposing design. Above the sundial is a projecting animal’s head. Internally the most impressive feature is the tall, narrow chancel arch, the jambs of the head being formed of stones that pass through the full thickness of the wall. It has been noted that the southern impost of this arch is reminiscent of one of the gateways of the Roman fort of Chesters on the Roman wall, in this case supporting the theory that stones were removed from the neighbouring fort of Vinovia (Binchester). Many of the stones exhibit Roman tooling, which is a common occurrence with Anglo-Saxon church buildings. Eaton in his book relating to the re-use of Roman stonework mentions the chancel arch of typical Roman form, tall with massive through-stone jambs, simple chamfered imposts and precision-cut, radial voussoirs, and unlike the non-radial voussoirs that the Anglo-Saxons typically manufactured.

In the restoration of 1880 there were found to be a number of delicately carved fragments of cross-shafts of the high quality commonly assigned to the Hexham school. These were found built into the gables, doubtless at earlier restorations.

Model: Brittany Cervantes

Hair by Wild Orchids, Antioch ca

Makeup and Body art by Chris

Photo & Edit: Me

tute coming to Crafting a Green World next week!

I'm glad that the MBTA isn't wasting its scarce resources on frivolities like having their own signs made. I mean, there's nothing wrong with scrounging for old traffic signs and using the reverse side, right? Waste not, want not.

Part of the "Jefferson National Expansion Memorial Park" from the top of the St. Louis Gateway Arch

Made this book bag as one of a set to give away for a local contest.

Old CD jewel cases. Stuck to wall with double sided velcro.

another mans junk is another mans treasure

 

photo by Scott Beale / Laughing Squid

 

This photo is licensed under a Creative Commons license. If you use this photo within the terms of the license or make special arrangements to use the photo, please list the photo credit as "Scott Beale / Laughing Squid" and link the credit to laughingsquid.com.

Reusable food wraps made with flouro car fabric purchased at an op shop, a shower curtain, and remnants of a belt

 

recycled-sewing.blogspot.com/2011/04/things-to-do-with-sh...

Photos from my Silversea Silver Cloud expedition cruise to the South Shetland Islands and Antarctica Peninsula in March 2019. For more visit www.tipsfortravellers.com/silversea-antarctica for videos and articles

I had been saving some wine corks and old spreaders to re- purpose so took advantage of the theme to make these party spreaders. I put the 'how to' on my blog at www.yarnigras.blogspot.com

Once I'm done with a craft project involving felt, I recycle the bits & pieces into two things : the biggest pieces wil be re-used for other projects, and the smallest pieces will be cut into tiny pieces to make stuffing for other projects ...

Masterclass #1: Microfolie, 2013

 

© Sylvain Adenot

Stationary Re-use centre volunteers making a collection on folders from Accounts Payable - Chancellery Building

Made out of recycled black tshirts

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