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Model, MUAH: Miss Diversity
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Photographer: Hans
Coat: Collectif Clothing
Dress: Stop Staring/ Topvintage
Black-and-white photograph of a family sitting on a veranda surrounded by lush greenery in Nagykőrös, Hungary, 1930s. Taken at the residence of lawyer Dr. Lajos Dalmadi.
1919 black-and-white photograph showing a group of men at an outdoor garden table in Rákoskeresztúr, Budapest, Hungary.
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Dress: Vivien of Holloway
In Houston’s sunlit streets, this Ford Thunderbird rises from the past like a steel phoenix—sleek, commanding, and unapologetically bold. Its sweeping lines and gleaming chrome tell the story of an era when cars weren’t just transportation but declarations of freedom and ambition. The Thunderbird was more than a machine; it was a vision of progress, embodying the spirit of a nation that dared to dream bigger, faster, and louder. Parked against the brick and grit of the present, it shines with timeless defiance, reminding us that true icons never fade—they soar across generations.
Osaka's Sumiyoshi Taisha (住吉大社, "Sumiyoshi Grand Shrine") is one of Japan's oldest shrines. Founded in the 3rd century before the introduction of Buddhism, it displays a unique style of shrine architecture, called Sumiyoshi-zukuri, that is free of influence from the Asian mainland. Only two other shrine architecture styles are also considered purely Japanese: Shinmei-zukuri as seen at the Ise Shrines and Taisha-zukuri as seen at Izumo Taisha.
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Paris, France - September 2016: French woman choosing a book on street market in Montmartre neighborhood.
Model, MUAH: Miss Diversity
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Photographer: Delicate Photography
Bed Jacket: Sterling Gold
Wallpaper 1920x1200 | I created an imaginary cover for a book I love: »The Flowers of Evil« by Charles Baudelaire.
Typeface in use:
Maximiliano Sproviero’s (LIÁN TYPES) charming, breathtaking beauty »Reina«.
Reina Reina is Sproviero’s didone of the year. We recommend seeing its »user guide.
Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface.
Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance.
Similar to what Lian did in his last font Breathe, Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.
TECHNICAL
Reina is a family with many members. In order to achieve better results when printing, Lian took his time to design the necessary styles: Reina 72 Pro, prepared for display sizes; Reina 36 Pro, for medium sizes; and Reina 12 Pro, the best for text or decorative words in small size.
Each of these members have variants inside, which are open-type programmed: The user decides which glyph to alternate, equalizing the amount of decoration wanted.
Reina Engraved Pro has the same features than the variants mentioned above.
The family also contains variants which were made exclusively for decoration. These are: Reina Words, a set of the most common words used in english, german, italian, french and spanish; Reina Capitals, which consists in a big set of ornamented capitals; and Reina Fleurons, those little friends which always help to embellish our work by combining them in the way the we want to.
Toronto, Canada.
Model: Raquel Casanova.
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A sepia toned reverie, sculpted in light and hush. She stands as though carved from the last warm breath of a fading century—shoulders bare, gaze lifted, hair curled in the soft architecture of mid century glamour. The ornate necklace crowns her collarbones like a vow forged in metal and memory. Every contour glows with the calm authority of someone who has survived her own storms and chosen elegance anyway. This portrait is not merely posed; it is inhabited—a stillness that speaks, a silence that remembers, a beauty that refuses to apologize for its depth.
POEM — “The Sepia Oracle Speaks Softly”
I.
She rises from the hush where old light lingers,
A whisper carved in amber, warm and slow.
The past leans close, brushing her shoulders,
As if to ask what future she intends to hold.
II.
Her gaze is a lantern trimmed in patience,
A vow unbroken by the weight of years.
She wears her silence like a sovereign mantle,
Letting truth arrive without trembling.
III.
The necklace gleams like a forged confession,
Metal shaped by hands that understood longing.
It rests upon her like a quiet prophecy,
Waiting for the moment she chooses to speak.
IV.
Her hair curls in the language of old cinema,
Frames of memory stitched into soft spirals.
Every strand a reel of unspoken stories,
Every shadow a doorway she has already crossed.
V.
She is the calm after a storm that never apologized,
The breath drawn when the world finally loosens its grip.
Her stillness is not surrender but strategy,
A map of battles she no longer needs to fight.
VI.
Light gathers on her skin like a benediction,
A blessing earned through quiet endurance.
She stands unhurried, unhidden, unbroken,
A testament to the art of remaining.
VII.
In her posture lives a myth of reclamation,
A woman returning to herself without ceremony.
The sepia glow becomes her chosen armor,
Soft, unyielding, and entirely her own.
VIII.
She is the echo of a century’s forgotten glamour,
Yet nothing about her belongs to the past.
She is the present, sharpened and luminous,
A truth that refuses to dim for anyone.
IX.
Her beauty is not the kind that begs to be noticed,
But the kind that waits for the worthy to understand.
A quiet fire, a disciplined radiance,
A story told in the spaces between breaths.
X.
And so she stands—an oracle of stillness,
A portrait of becoming rather than being.
In her silence, entire worlds rearrange,
And the future leans in to listen.
Models: Pri Perobelli and Jeinny Burgos
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Steam enthusiasts have at least four opportunities a year to ride a steam train in Thailand. These day trips take place on 26th March (anniversary of the opening of the first public railway), 12th August (Queen’s birthday), 23rd October (anniversary of the death of King Chulalongkorn) and 5th December (HM The King’s birthday). Sometimes there are additional trips. Each trip has a different destination. The steam trains are usually kept at the workshops near Thonburi station when not being used. I have been there before to take pictures though officially it’s not open to the public.
locomotive on a mother's day of thailand - Each year, the State Railway of Thailand will launch a steam train to run a four-day tour of the nation's major roads, including 26th March, the 28th of July (The King's birthday) , 12th August (Queen's birthday), and 23rd October (anniversary of the death of King Chulalongkorn)
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Photographer: Jens Peltzer
locomotive on a mother's day of thailand - Each year, the State Railway of Thailand will launch a steam train to run a four-day tour of the nation's major roads, including 26th March, the 28th of July (The King's birthday) , 12th August (Queen's birthday), and 23rd October (anniversary of the death of King Chulalongkorn)
Shanghai city skyline, Shanghai luajiazui finance and business district trade zone skyline, Shanghai China [IMG_8684]