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Ripley from the Alien Resurrection line. Didn't really like the movie, yet somehow I have the figures...
Making its way east, the Kringle Railway Adventure™ passes Restland Memorial Park Cemetery in East Hanover.
USA Opening. #keanu #keanureeves #neo #matrix #resurrections #matrixresurrections #premiere #castro #sf #sanfrancisco #movie
Recently refurbished for use with Rail Operations Group, 37800 approaches Clapham Junction P17 with 0O43 from Derby North Dock Jct to Three Bridges.
Love the way that car owners put their vintage autos in perfect places. This background made a lovely shot.
The countdown has begun. Happy New Year's Eve!
Explore Mar 23, 2008 #210
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"Ele não está aqui, mas ressuscitou" (Lucas 24:6).He is not here, resurrected !...
Glass by Max Ainmiller of Munich (c1855) on the south side of the chapel.
Peterhouse is Cambridge's oldest college though it wasn't served by its own purpose-built chapel until the present one was built in 1628-32, the college having previously used the neighbouring church of St Mary the Less. The building is a handsome example of early 17th century Gothic Survival, mixing medieval-style traceried windows with Renaissance detail inside and out, most noticeable in the flourishes of the stepped gables of the main facades to the street and quadrangle respectively.
The interior remains largely as first built and furnished aside from some ornamental details that were destroyed under the orders of the Puritan iconoclast WIlliam Dowsing only a decade later in 1643. Sadly the biggest loss at this time was the scheme of six side windows of the chapel that were glazed by Flemish glass-painters in 1632, leaving only a few fragments that remained until the present glazing replaced them in 1855. The east window however miraculously survived the Puritan onslaught, and is thought to have been carefully removed and stored out of harm's way to be reinstated following the Restoration of the monarchy. It depicts the Crucifixion spread across five lights and was based on a painting by Rubens, but frustratingly was out for restoration when I called in 2019 (I have tried to see this window every time I've visited Cambridge and found Peterhouse College with its 'closed to visitors' sign up on each occasion except this one, when of course by cruel irony the glass I'd waited so long to see wasn't even here!).
The present set of eight side windows are rather unusual, dating from 1855 and designed by Max Ainmiller of the Munich Glassworks with Old and New Testament themes. They are distinctly Continental in approach, Renaissance in spirit and heavily painted as if they were opaque canvases. Windows of this type never really took hold in England, which makes this set all the more remarkable.
Getting into Peterhouse College may be tricky, I have seen their closed sign up so many times just beyond the entrance gate, but later in the day on my last trip someone had moved it so I seized my moment (the chapel being very close to the entrance). Even then I couldn't shake that feeling someone might come and tick me off or ask me to leave, but thankfully my fears were unfounded.
en.wikipedia.org/wiki/Peterhouse,_Cambridge#Chapel
For more on the Flemish glass (which I missed!) see the article on Vidimus below:-
USA Opening. #keanu #keanureeves #neo #matrix #resurrections #matrixresurrections #premiere #castro #sf #sanfrancisco #movie
As always NEoN celebrates its festival with a late night party. Acts include Plastique Fantastique, Verity Brit & Musician U, Fallope & The Tubes and Resident DJ RHL. With a pop up bar and performances amongst our large group exhibition the vast factory space West Ward Works, this night promises to be a visual audible delight.
Plastique Fantastique (UK)
A performance fiction envisaged as a group of human and non-human avatars delivering communiqués from the past and the future. The communiqués are channelled through installations, writing, comics and sound and moving image work and performances, addressing technology, popular and mass media and sacred cultures and also human-machine animals and non-human entities and agents. Over several years, numerous people have produced Plastique Fantastique but there is also a core group producing the performance fiction. Plastique Fantastique was first presented by David Burrows and Simon O’Sullivan and developed with long-term collaborators Alex Marzeta and Vanessa Page, and more recently with Mark Jackson. For NE0N 2017, this group will call forth and trap a bit-coin-fairy-spirit to ask it seems questions. The performance – Plastique Fantastique Protocols for the Society for Cutting Up Mun-knee-snakers (S.C.U.M.): I-Valerie-Solaris-AKA-@32ACP-Amazon.co.uk-recommends-‘Pacific-Rim’ may/may-not shoot b1t-c0in-f@iry-sp1r1t) – uses drone-folk-songs, moving image projection, reliquaries and ritual to manifest the block-chain-spirit.
David Burrows, Alex Marzeta, Vanessa Page and Mark Jackson will be performing.
Rites of the Zeitgeber, Verity Brit & Musician ‘U’ (UK)
9 channel video installation, live score performed by musician ‘U’
The Zeitgeber (‘time giver’ or ‘synchroniser’) is honoured by a triadic henge of stacked CRT monitors in which past durations collide with future vacuums. Strange extra-terrestrial topographies are traversed across geological time and the internet. Curious substances are unearthed and lost languages resurrected. Fragments from Mina Loy, J. G. Ballard and Henri Bergson emerge amongst an archaeology of media from Super 8, VHS, to HD. Time bends from matter, history is up-set and the clock is obsolete.
Verity Birt an artist based in London. She studied an MA in Moving Image at the Royal College of Art (2013–2015) and BA in Art Practice at Goldsmiths University of London (2008–2011). She is involved with collaborative research groups; The Future is a Collective Project, Reconfiguring Ruins and a founding member of women artists collective Altai. This summer, Verity was artist in residence at BALTIC and The Newbridge Project in Newcastle. Previous exhibitions include: Our House of Common Weeds; Res. Gallery, London (2017); Relics from the De-crypt | Gossamer Fog Gallery London (2017), Altai in Residence, Experiments in Collective Practice, Dyson Gallery, London (2017); Chemhex Extract, Peacock Visual Arts, Aberdeen (2016); Feeling Safer, IMT Gallery, London and Gallery North, New York (2016); Come to Dust, Generator Projects, Dundee (2016)
Fallopé & The Tubes (UK)
A weirdo-punk performance band. Each live show features live humans! film and visuals! costumes! sculpture! visual props! and music/a sequence of sounds!
Fallopé and The Tubes is a fluctuating live musical and performative event with contributions from Sarah Messenger, Ruby Pester, Nadia Rossi, Rachel Walker, Catherine Weir, Emma McIntyre and Skye Renee Foley. The group are made up of Scottish based artists and musicians that are also filmmakers, festival organisers, librarians, boatbuilders and more who work collaboratively to devise live performances. Drawing influence from a wide range of fringe and mainstream musical genres, exploring sexuality, elements of social satire, self promotion and leftist political ideologies.
The group was established in January 2014 at Insriach Bothy, Aviemore and have developed their practice during numerous residency experiences across Scotland. By living and working together ‘off grid’ the group have developed experimental techniques to create a collective energy. Fallopé & The Tubes draw influence from a wide range of fringe and mainstream musical genres, as well as sexuality, elements of social satire and self promotion and leftist political ideologies. Soakin Records
DJ RHL (UK)
Resident NEoN DJ has been entertaining us since 2010. Djing for about 25 years, he predominately plays Techno but you often find him playing anything dance music related. Spinning old school vinyl sets containing an eclectic mix of old and new stuff. RHL just likes making people dance. Check here for past performances.
Accompanying DJ RHL is ‘The Wanderer‘ aka Naomi Lamb. Naomi works layers of diverse video loops into an ever evolving collage colours textures and shape and intuitively mixies visuals live. She improvises, freestyles and channels the room, customising the ephemeral moving collage in response to the tone of the happening.
For the past 20 years Naomi has been a prolific live video art performer utilising techniques and process that is often associated with the ever growing subculture of VJing and presents under the name of ‘The Wander’. Naomi has an intimate knowledge of not only the process of live video performance but also an wide reaching connections within the VJ community and has performed at many of the leading outdoor music and art festivals in New Zealand with a debut at two English Festivals this summer and she is super please for her first time mixing it up in Scotland to be at NEoN. “
AGK Booth
Yuck ’n Yum hereby invites you to attend the Annual General Karaoke booth at this year’s NEoN at Night. The AGK is a fiercely contested karaoke video competition, getting creative types to make videos that will shock, delight and confound its audience. First staged back in 2010, over the years the AGK has built up a sizeable back catalogue of singalong anthems encompassing everything from pop classics to the most extreme avant garde out there. Now Yuck ’n Yum will bring the AGK archive to NEoN revellers in an audiovisual extravaganza that will overturn everything you ever thought you knew about karaoke convention. This November, Yuck ’n Yum together with NEoN are making a song and dance about it.
About the Artists Yuck ‘n Yum is a curatorial collective formed in Dundee 2008. Until 2013 its main raison d’etre was to make zines and distribute art. The AGK booth is the first of three projects that will kick start a period of activity after a couple of years of hibernation.
Yuck ‘n Yum are Andrew Maclean, Gayle Meikle, Ben Robinson, Alexandra Ross, Alex Tobin, Becca Clark and Morgan Cahn.
WEST WARD WORKS
Guthrie Street
DD1 5BR
Images: Kathryn Rattray Photography
Newer (13 month old) Motorola ROKR screen died, rendering it unusable. Our old Nokia phone, which was bare-bones but worked great, has been used for the last year as a play-toy by the kids. I told Cingular that I had an old GSM phone that could work, but they wanted me to buy a new phone at full MSRP since I wasn't "eligible" for a phone "upgrade" yet. After several support calls and a fruitless visit to the store, one Cingular rep suggested simply moving the SIM card from the new phone to the old one. I did that but the old phone came up with a restricted message, looking for a code to be entered. I found that on eBay it is possible to buy codes to unlock phones previously locked by a carrier, and $1.75 later, my old phone works great!
E251 with CN 8952 (GTW Heritage) on 12/17/20, monster train of 11441 feet, 130 cars at the RO station!
Toynbee Tile: One of two tiles at 37th and Chestnut streets in Philadelphia, PA.
For more information, see "Resurrect Dead: Uncovering What Lies Beneath," my review of Jon Foy's film Resurrect Dead: The Mystery of the Toynbee Tiles, and the Wikipedia article "Toynbee tiles."